‘…beginning in April, the Geffen—a satellite of L.A.’s Museum of Contemporary Art—will host what MOCA proudly bills as America’s first major museum survey of “street art,” a euphemism for graffiti.’
She takes a moralistic tone, but makes a decent point:
‘A neighborhood that has succumbed to graffiti telegraphs to the world that social and parental control there has broken down.’
So is it worthy of institutionalization? How does one weigh the aesthetic value of graffiti against the criminality that often goes with it…and the hypocrisy of those who don’t have to live around graffiti and the gang activity who are legitimizing it? MacDonald has been consistently focusing on the harm done by crime, and to the victims of criminals against those (usually on the Left) who wish to view criminals as victims themselves…within a larger ideological framework…with consequences for the rest of us.
Also On This Site: People are using art for political, religious, commercial and ideological reasons as always…right or left…believer or non-believer…Dove’s Campaign For Real Beauty: Pascal Dangin And Aesthetics…From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’
Trading Robert Moses for Brailia…an authoritarian streak?: Brasilia: A Planned City…And Aesthetics…Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?
Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’
How might Nietzsche figure in the discussion, at least with regard to Camille Paglia. See the comments: Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful…Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…