Of some interest:
‘Having read so many chivalric epics that his brains have “dried up,” the hero decides that he has been called to revive chivalry and restore the Golden Age in this Age of Iron. But as the book proceeded, Cervantes realized that he had hit on something much more profound than a simple parody. The story kept raising ultimate questions about faith, belief, evidence, and utopian ideals. When do we need caution and when risk? Should we seek to transform reality or the way we perceive it? Do good intentions or good results define moral actions? And what is the proper role of literature itself?’
Tilting at Windmills, a reading group of Don Quixote done back in 2007.
On Nabokov’s reading of Don Quixote, via a NY Times article:
What Nabokov’s eyes kept seeing as he prepared his lectures was the accurately perceived fact that the book elicits cruel laughter. Cervantes’ old man who had read himself into insanity and his smelly squire were created to be the butt of mockery. Quite early, readers and critics began to sidestep this Spanish fun and to interpret that story as another kind of satire: one in which an essentially sane, humane soul in a crass and unromantic world can only appear as insane.
If you have any good links, or links to reviews, please pass them along…
Here’s a stanza from ‘Thirteen Ways Of Looking At A Blackbird‘ by Wallace Stevens, transitioning from Romanticism to Modernism, wrestling with faith and more modern doubt, staying the course with good Dutch-German insurance-executive sobriety and also lasting late in the night with passionately abstract poetic imaginings:
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
“The poem must resist the intelligence / Almost successfully.“