Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’

Full piece here.

Click through for the photo.

‘The system, designed by British cybernetician Stafford Beer, was supposed to allow powerful men to make decisions about production, labor, and transport in real time using up-to-the-minute economic information provided directly by workers on the factory floors of dozens of newly nationalized companies’

A shag carpet probably would have been out of place, but I like the white pod chairs (Captain Kirk to the bridge for fuel price re-allocations).

‘In fact, the network that fed the system was little more than a series of jury-rigged Telex machines with human operators, transmitting only the simplest data, which were slapped onto old-style Kodak slides—again, by humans. The controls on the chairs merely allowed the operator to advance to the next slide’

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In working towards a theme, check out Buzludzha, the abandoned communist monument in Bulgaria’s Balkan mountains, which still draws up to 50,000 Bulgarian Socialists for a yearly pilgrimage.  Human Planet’s Timothy Allen visited the structure in the snow and took some haunting photos.  You will think you’ve stepped into a Bond film and one of Blofeld’s modernist lairs, but with somewhat Eastern Orthodox tile frescos of Lenin and Marx gazing out at you, abandoned to time, the elements and to nature.

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Continuing towards that theme, here are two quotes from a recent Harvey Mansfield review of Steven Bilakovics new book, which could possibly help explain how, say, the Chrysler building and St. Patrick’s Cathedral have become two of New York’s most iconic buildings (hint: we’re not a socialist society):

Tocqueville almost uses the above phrase in a chapter on “why American writers and orators are often bombastic.” He says that there is “nothing in-between,” or more literally, “the intermediate space is empty,” implying that there might have been something there. In democratic societies, each citizen is habitually occupied in the contemplation of a very small object: himself. If he raises his eyes, he sees only the “immense object of society” or even the whole human race. If he leaves his normal concerns, he expects it to be for something indefinitely vast instead of something definite and greater than himself.”

Artists have a particularly tough time in America, because they’re often particularly alone in America.  Ezra Pound and T.S Eliot abandoned the place completely, and many aspiring artists get their training in Europe. This blog believes Wallace Stevens to especially be representative of this dilemma (he never left).  He was an insurance executive by day and perhaps one of America’s best poets;  a romantic, a modernist, as well as a man who possibly had a deathbed conversion to Christianity:  From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

On this view, being the good democratic citizens that we are, we reject the aristocratic elements from gaining too much traction, and thus do not create the vine-ripened literary, artistic, and cultural traditions that can make good artists into what they become, and what makes European cities, novels, poets, museums, and Europeans themselves something of what they are (a broad brush, I know).

I think Mansfield’s point is that some folks in the U.S see this dilemma of the democratic man only in terms of a vulgar materialism that must be overcome with the Arts, or High Culture, or Poetry or with a ‘Let’s be like Europe’ approach, especially in many a Liberal Arts Department.  It’s a deep wish.  Democracy is a leveling force.   It’s worth pointing out that the Arts can also be united with a Left-of-Center political philosophy as they are at NPR for popular consumption.  On this site, see: From ReasonTV Via Youtube: ‘Ken Burns on PBS Funding, Being a “Yellow-Dog Democrat,” & Missing Walter Cronkite’Repost-From NPR: Grants To The NEA To Stimulate The Economy?

Some of these same folks see religion (the Puritan roots especially) as a restrictive, repressive force that needs to be overcome in order for freedom, free artistic expression and individual autonomy to flourish (I believe this is a driving tension in Hollywood).  There’s some truth to this, because I believe religion and politics, and even philosophy itself, have troubled relationships with art.

Mansfield goes on:

‘The theorists of materialism tell us that the long term will take care of itself so long as we do not obstruct materialism in the short run in our everyday lives. With a view to supporting political liberty, Tocqueville wants to limit everyday materialism and to concern us with a long-term goal, such as improving our immortal souls. This is why he fears for the state of democratic souls and speaks so strongly, if not fervently, in favor of religion. This is also why he showed such disgust for socialism.’

Perhaps we can keep it simpler, and not get taken with grand theories, or at least socialist ones anyways:

Too much politics into the arts?


First National Bank of Houlton, Maine

Related On This Site:  From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’…Marketplace aesthetics in service of “women”: Dove’s Campaign For Real Beauty: Pascal Dangin And Aesthetics

Some of Le Corbusier’s work here, examples of Modern Architecture here.

See AlsoBrasilia: A Planned City and Review Of Britain’s “Lost Cities” In The Guardian

Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

How might Nietzsche figure in the discussion, at least with regard to Camille Paglia.  See the comments:  Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful…Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…

Nothing that Allan Bloom didn’t point out in the Closing Of The American Mind: Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’….From Darwinian Conservatism By Larry Arnhart: “Surfing Strauss’s Third Wave of Modernity”

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