Repost-A Concrete Wonderland In D.C.

From Buzzfeed: The 7 Ugliest Government Buildings In Washington D.C. (Via Althouse)

The author of that post fired for plagiarism. Let’s hope those are real photos!

The modern art that’s often been left to roam the lobbies and courtyards of large bureaucracies is often curiously bad, and some is on display at the link.

A reader sends a link to a bad public art blog.

Perhaps you’ve caught a glimpse of the strangely familiar in a favorite work of art; being moved deeply, comforted, given some pleasure, frightened. Maybe for a moment some deeper truth seemed to reveal itself to you, and you were free to follow it for awhile, wherever it lead, along some thread of intuition.

Now, why would you want to do that in the lobby of the Department Of Housing & Urban Development?

We should be comforted when corporate/bureaucratic art is bland, bad, and uncommunicative. After all, do you think you’d trust a bank more or less if it had a shocking modern/pop art sculpture in the lobby?

More broadly, sometimes I worry about the attempt to seek collective purpose and postmodern meaning in modern art, music and even cartoons etc. The flirtations with nihilism can encourage more desperate collectivist/ideological impulses to fill the void. The excesses are many.

As for a critique of Albany Plaza, another modernist/bureaucratic concrete wonderland, here’s Robert Hughes:


Richard Serra was commissioned to put a piece in Federal Plaza, paid for the public, and some people didn’t like it.

It was removed. Serra felt railroaded. There was a lot of press and drama.

Now, New York City is a different town (trade, finance, money, tech, real estate etc.), but this was in a Federal building.

Pretty relevant, I’d say:

Some snippets of previous posts:

James Lileks responds to an Atlantic piece which reflects upon the modernist influence. From the Atlantic piece.

‘At their best, the Schiffs can be models for renewing the unquenched aspiration of a century ago, to place art and its imaginative demands at the center of an effort to build a more humane future’

Humane. Human. Human rights. Make it new. Break with the past. Shape man’s destiny upon new foundations of knowledge, explore new possibilities, and perhaps shape men themselves.

Why, there’s a whole philosophy under there. Not a religion necessarily, and not always moral claims to knowledge, but a whole framework nonetheless.

Well, some of it, anyways.

A previous head of the Social Security Administration was also a pretty good poet.

See Also On This Site: Trying to stick something against his poems: Wednesday Poem: Wallace Stevens-Anecdote of The JarWednesday Poem: Wallace Stevens, The Snow ManFriday Poem: Wallace Stevens And A Quote By David Hume

They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

Roger Scruton In The American Spectator: The New Humanism…From Nigel Warburton’s Site: A Definition of Humanism?…From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

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