‘I was struck by the parallels between the furious debates among artists in the early years of the revolution and those that raged during the Depression about the “correct” way to paint and the role of art in society—the assumption being that an indubitably correct answer was there to be found, as if there could not be many mansions in art, as if appreciation of one style automatically precluded admiration for another. The debates were highly ideological: in the Russian case, about what activity truly served the revolution and the proletariat (itself an abstraction, very different from workers’ actual lives); and in the American case, about what activity was truly American.’
To be flippant, as previously posted on this site: A little piece I like to call ‘Stalin’s Fingers’ in Seattle. Comic and graphic art may be taking up some of the muscularity of socialist realism and public-works solidarity.
You might have noticed those tiles already look a little drab and dated, even though construction only finished a few years ago.
The above mural is part of the new Capitol Hill light-rail station on Broadway.
More here on the piece (apologies to all comic/graphic artists ahead of time, for not portraying your craft with as much fidelity as it probably deserves).
Our muraliste is a comic/graphic artist tapped to make signs and symbols for all the Community:
‘Forney, originally from Philadelphia…landed the light rail station gig back in 2008 after submitting a series of paintings of hands in provocative positions to Sound Transit — paintings which had originally been featured in the 2007 Seattle Erotic Art Festival. The series was called Big Fuckin’ Hands.’
Get it? They’re hands, and they’re…well…you know.
As for People’s Republic of The Northwest Territories, there’s that Diego Rivera-esque mural in Kane Hall at the University Of Washington…multi-ethnic laborers of the world uniting for the common good.
Moving along, also from The City Journal: Mayor De Bolshevik:
‘In a wide-ranging and candid interview with New York, Mayor Bill de Blasio casually noted that the “way our legal system is structured to favor private property” provokes his “anger, which is visceral.”
De Blasio likely places certain ideals (‘community,’ equality, and cooled revolutionary spirit) above private property, free enterprise, and individual liberty, even as he’s collecting the wealth from the successes of NYC finance, trade, property taxes, and tourism.
You asked for it, New York:
As posted, from the NY Times on the mayor:
‘Bill de Blasio, then 26, went to Nicaragua to help distribute food and medicine in the middle of a war between left and right. But he returned with something else entirely: a vision of the possibilities of an unfettered leftist government.
‘His activism did not stop. In the cramped Lower Manhattan headquarters of the Nicaragua Solidarity Network of Greater New York, where he volunteered, Mr. de Blasio learned to cause a stir. He and a ragtag team of peace activists, Democrats, Marxists and anarchists attempted to bring attention to a Central American cause that, after the Sandinistas lost power in a 1990 election, was fading from public view. “The Nicaraguan struggle is our struggle,” said a poster designed by the group’
Some, of course, will benefit, but at what cost?
Richard Epstein At Defining Ideas: ‘City Planners Run Amok’…Virginia Postrel At Bloomberg: ‘How The Elites Built America’s Economic Wall’...The Irish were a mess: William Stern At The City Journal: ‘How Dagger John Saved New York’s Irish’
Politicians and politics likely won’t deliver you from human nature, nor fulfill your dreams in the way you want: anarchy probably won’t either: Two Sunday Quotations By Albert Jay Nock in ‘Anarchist’s Progress’