Michael Lewis at The New Criterion: ‘The Architect Of The Reich:’
‘Albert Speer (1905–1981) was born in Mannheim, Germany, the son and grandson of architects. Pushed by his father to study architecture, he studied first in Karlsruhe, then Munich, but he only became serious after he transferred to Berlin. There he applied to study with Hans Poelzig, the brilliant expressionist architect of Weimar Germany, who rejected Speer as an inferior draftsman. Disappointed, he turned to the man who was Poelzig’s polar opposite, Heinrich Tessenow, a reform-minded architect with a love of simple, clear volumes and neoclassical clarity—the ultimate basis of Nazi architecture. Speer, who all his life knew how to ingratiate himself, sufficiently impressed Tessenow to become his teaching assistant.’
From the looks of it, there’s some serious neo-classicism going on; deep Greco-Roman influence. The thing likely would have been built if it weren’t for WWII:
So, what about neo-classicism mixed with ‘technocratic utopianism,’ or the rather suspicious desire to centrally plan, control, and organize everyone’s lives on the way the Glorious Future?:
Robert Hughes saw echoes of this technocratic modern utopianism in Albany, New York. It really may not be that far from Mussolini to the bland bureaucratic corporatism found elsewhere in the West:
‘…classicism with a pastry-cutter,’
And as for the fascists having:
‘…a jackboot in either camp, one in the myth of ancient Rome, one in the vision of a technocratic future.‘
Some photos of Albany here (from Althouse). It doesn’t exactly blend-in with the neighborhood.
Should you disagree, you are worse than Hitler:
— TeamNetworks.net (@TeamNetworksUSA) March 21, 2016
As previously posted:
A reader sends a link to a bad public art blog.
From Buzzfeed: The 7 Ugliest Government Buildings In Washington D.C. (Via Althouse)
From an article in Der Spiegel on the Bauhaus, where modernism got its start:
‘The real feat achieved by Gropius and his cohorts was to have recognized and exposed the sociopolitical and moral power of architecture and design. They wanted to exert “effective influence” on “general conditions,” fashion a more just world and turn all of this into a “vital concern of the entire people.”‘
I’m always a little skeptical of such grand visions. Utopianism runs deep.
What if there was a Wisconsin motor court/supper club with global ambitions? What if you fused a local motel with the U.N. internationalist style, you ask?
Click here to experience ‘The Gobbler.‘
After taking the photo tour, I remain convinced that ‘The Gobbler’ exists in its own realm of awesome badness. Such a shag-covered, abandoned love-child of the late 60′s and early 70′s is challenging just what I thought I knew about American culture.
Donald Pittenger, at Art Contrarian, and formerly of 2 Blowhards, has been looking at modernism. From the banner of his blog:
‘The point-of-view is that modernism in art is an idea that has, after a century or more, been thoroughly tested and found wanting. Not to say that it should be abolished — just put in its proper, diminished place’
They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City
Check out the ‘Socialist Cybernetics‘ of Salvador Allende.
In working towards a theme, check out Buzludzha, the abandoned communist monument in Bulgaria’s Balkan mountains, which still draws up to 50,000 Bulgarian Socialists for a yearly pilgrimage. Human Planet’s Timothy Allen visited the structure in the snow and took some haunting photos. You will think you’ve stepped into a Bond film and one of Blofeld’s modernist lairs, but with somewhat Eastern Orthodox tile frescos of Lenin and Marx gazing out at you, abandoned to time, the elements and to nature.