I find myself drawn to photos of empty fields and abandoned buildings, with good composition and horizon lines meeting somewhere far-off; quiet places with natural forces at work.
Perhaps I’m fairly introverted, caught in the rushes of daily life. Such images can even seem like indulgences.
Don’t pity the traveler in a train observing himself observing the passing scenery; snatches of a clean suburb whose gabled rooves give way to rows of derelict houses, given over to the falling rain.
After the words are written, the desire for awe, beauty, and symmetry remain.
-Some links on ideas and trying to contextualize the modern Self:
James Lileks responds to an Atlantic piece which reflects upon the modernist influence. From the Atlantic piece.
‘At their best, the Schiffs can be models for renewing the unquenched aspiration of a century ago, to place art and its imaginative demands at the center of an effort to build a more humane future’
Humane. Human. Human rights. Make it new. Break with the past. Shape man’s destiny upon new foundations of knowledge, explore new possibilities, and perhaps shape men themselves.
Why, there’s a whole philosophy under there. Not a religion necessarily, and not always moral claims to knowledge, but a whole framework nonetheless.
Well, some of it, anyways.
‘There is no morality in art. There is morality in religion; there are philosophical objectives embedded in politics. The two are intertwined in a society and reflected in its art. When you sever art from its cultural moorings and make “newness” the overriding criterion by which the merits of a work are judged, then anything is possible. This results in crap. Not always’
James Joyce, Virginia Woolf, Ezra Pound, the Bauhaus, the imagists, the futurists etc. Some of those influences have morphed into post-modernism or where such currents have flowed and keep flowing.
‘The primary urge of the revolutionary and the modernist and the adolescent: impatience.’
So, do we aim for maturity? Reverence? Good old Longfellow?
Food for thought.
Science, technology, mathematics are doing okay, but I think will become increasingly subject to the anti-science claims of some postmodernist mystics, as well as many people seeking primary purpose through political and ideological doctrines.
You didn’t think all of these folks turning their life stories into political narratives were just going to leave you alone, did you?
From Dr. Steven Hicks:
‘In the shorter term, postmodernism has caused an impoverishment of much of the academic humanities, both in the quality of the work being done and the civility of the debates. The sciences have been less affected and are relatively healthy. The social sciences are mixed.
I am optimistic, though, for a couple of reasons. One is that pomo was able to entrench itself in the second half of the twentieth century in large part because first-rate intellectuals were mostly dismissive of it and focused on their own projects. But over the last ten years, after pomo’s excesses became blatant, there has been a vigorous counter-attack and pomo is now on the defensive. Another reason for optimism is that, as a species of skepticism, pomo is ultimately empty and becomes boring. Eventually intellectually-alert individuals get tired of the same old lines and move on. It is one thing, as the pomo can do well, to critique other theories and tear them down. But that merely clears the field for the next new and intriguing theory and for the next generation of energetic young intellectuals.
So while the postmodernism has had its generation or two, I think we’re ready for the next new thing – a strong, fresh, and positive approach to the big issues, one that of course takes into account the critical weapons the pomo have used well over the last while’
Via Mick Hartley: ‘The Geometry of Emptiness: A Journey Through France’s Diagonal du Vide‘
-Photographer Ben Marcin has a series called ‘Last House Standing.’ Solitary row-homes…the only ones left on the block.
-From Popular Mechanics, ‘Creepy Abandoned Military Sites From Around the World.‘
They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City
No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?…Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’…
A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint…