Via Mick Hartley via the BBC-‘The Brutalist Divide: Concrete Monsters Or Concrete Icons‘
Earthlings were visited, many times this past century, by beings from the planet Utopia. Little is known about these curious creatures, but they were advanced, and went about vigorously erecting structures across our planetary surface.
What were they trying to tell us?
Concrete, as a material, was used, presumably because it was so common and functioned as our ‘lingua franca’ (so hard to use well). Shapes were decided upon that might please and delight us (flowers, blocks, dodecahedrons), but also shapes that could disconsole, consigning some souls to work and live in an eternal present, possible futures winking upon the horizon.
Dear Reader, rumor has it these beings whispered in Esperanto, but only into the ears of those most ready to receive such comprehensive knowledge and advanced understanding; humans beings closer to knowledge of Universal Shapes and Human Destinies.
Personally, I like to think some of these humans being reside at the BBC.
‘At the exhibition, I fell to talking with two elegantly coiffed ladies of the kind who spend their afternoons in exhibitions. “Marvelous, don’t you think?” one said to me, to which I replied: “Monstrous.” Both opened their eyes wide, as if I had denied Allah’s existence in Mecca. If most architects revered Le Corbusier, who were we laymen, the mere human backdrop to his buildings, who know nothing of the problems of building construction, to criticize him? Warming to my theme, I spoke of the horrors of Le Corbusier’s favorite material, reinforced concrete, which does not age gracefully but instead crumbles, stains, and decays. A single one of his buildings, or one inspired by him, could ruin the harmony of an entire townscape, I insisted. A Corbusian building is incompatible with anything except itself.’
I noticed a mini-brutalist revival there for a minute.
[Readers of this blog will know that the idea there exists comprehensive knowledge of ‘reason’, or the idea that political science will arrive at solutions to all previous political problems, or the idea that modern doctrines can provide ‘systemic’ blueprints for either buildings or political systems are all ideas viewed very skeptically here.]
You’ve got to be careful where you go looking for what’s good, true and beautiful.
As for Boston City Hall, it was built in ’69 and aims to be open, accessible, and [to] connect with Boston’s past:
Brutalist architecture flourished from the 1950s to the mid-1970s, having descended from the modernist architectural movement of the early 20th century. The term originates from the French word for “raw”, as Le Corbusier described his choice of material béton brut, meaning raw concrete in French.’
Well, at least it isn’t Buzludzha, The Communist Spaceship plopped down as though from a world of Pure Ideology, Nature properly subdued: