Chris Navin

At least four of the American troops killed in Afghanistan on Thursday were 20 years old—meaning they were infants when the war began. https://t.co/UTBlqpAfJK
— Gregg Carlstrom (@glcarlstrom) August 28, 2021

Dear Reader, I think I’m a reasonably normal person. My primary loyalties are to those I love most (and how politics might affect us). Should the terrorist threat become dangerous enough, no sitting President, nor anyone responsible for the security of American citizens at home, will allow organized terrorist organizations a staging area in Afpak. The lower probability, but higher consequences, of a terror attack here, will likely dictate some sort of action there (SpecOps, intel, cyber warfare, drones etc.). This can affect my family/loved ones directly (the attack and the laws and policy coming out of the threat, and the incentives for all of us dealing with the threat).

People on the right, and myself more often, place higher value on defeating external threats. We’re more likely to route decision-making through a few nodes against these external threats (or tens of thousands of nodes in the current, bloated, semi-woke monstrosity of a Pentagon and contractor complex). I hope it’s in as good faith as possible.

The common defense is the primary reason we have a government in the first place.

People on the Left, as I see things, generally will see the primary threat within the West (the oppressor), and/or rally their troops against the threats to health/education and the institutions in which they gather (COVID safetyism and authoritarian impulses through the health/education industrial complex, for example).

My next ring of loyalty is to those few I know who’ve served in Afpak who are friends and fellow citizens. They volunteered and heard the call. They saw, and sometimes did, some shit…to keep us safer here. This is a thankless task. I live in a country of laws and borders. It’s a place. This place is my home. It comes with freedoms and responsibilities.

My next ring of loyalty (concentric rings) are to those standing up for policy and who claim to speak in my name as politicians and lawmakers, and maybe those who stand up for Afghanistan (Afghanis) with the help of our troops. This loyalty is much more negotiable for me personally, and lately, much more negotiable than ever in my lifetime. I simply don’t really trust our politics to handle immigration reasonably at the moment.

This saddens me, because some honorable, decent people are getting chopped up as a result.

The fact which worries me most: Our political leadership is especially sclerotic, failing in many important ways, for many important reasons. The Afghanistan withdrawal disaster was a conscious decision, and a clusterfuck.

Politics, to some extent, corrupts military leadership. The longer ex-generals hang around the political sphere, the less honor and respect they tend to wield. The longer politicians hang around Washington (especially past their sell-by date), the less honor and respect they hopefully wield (there’s probably a point of ideal ripeness/rottenness). At this point, the rank and file has more reasons than ever to question our political and military leadership. And we’re not even at the bottom of woke yet, with many illiberal and righteous actors leveraging bad knowledge in bad faith (as I see things).

The more conflicts that pile up from the bottom of a military hierarchy, and the more reasons anyone on the bottom has to question, bypass, endure or challenge the hierarchy itself, the more brittle the hierarchy.

Dear Reader, this worries me most.

“I do not believe that human lives may be made the means for satisfying an artist’s desire for self-expression. We must demand, rather, that every man should be given, if he wishes, the right to model his life himself, as far as this does not interfere too much with others. Much as I may sympathize with the aesthetic impulse, I suggest that the artist might seek expression in another material. Politics, I demand, must uphold equalitarian and individualistic principles; dreams of beauty have to submit to the necessity of helping men in distress, and men who suffer injustice; and to the necessity of constructing institutions to serve such purposes.”

Popper, Karl. The Open Society & Its Enemies. London & New York: Routledge, 2011.

As paired with this previous post:

Full piece here.

‘But step back a moment. Would ending federal, i.e., taxpayer, i.e., your, money on entities like the NEA, the NEH, and the CPB be a bad thing?’

Here are two good reasons in favor of ending Federal funding:

You will likely aid in making better art. Universities, museums and institutions don’t necessarily get along with the creative genius, nor in making something new. In fact, such institutions can stifle creativity by rewarding and amplifying current tastes and entrenching public sentiment into reefs, creating additional hurdles for talent to get where it’s going. State money, furthermore, is not a necessary condition of good art. In fact, it may be a necessary condition of bad art [addition: we can probably say that bad art is everywhere, but there’s rarely great art coming out of Federally funded programs].
Incentives matter: The self-interested, ideologically driven and less-talented will have incentives to control the Federal bureaucracy and politicize the arts. They’re out there, and if you reward them with cash and status, you’ll get more of them (bad artists, ideologues, politicians and bureaucrats in an unholy cycle of Badness).

No one can speak for all the public, not even the artistic genius. Art-curators, docents, specialists and critics can do good [for art], but sometimes they can do bad. Individual talent, tradition, hard-work, groups of people, ideas, money and opportunities all matter, but how much exactly, is anyone’s guess.

Richard Serra was commissioned to put a piece in Federal Plaza, paid for the public, and some people didn’t like it.

It was removed. Serra felt railroaded. There was a lot of press and drama.

Pretty relevant, I’d say:

Also, this Vincent Gallo interview is funny as hell:

He takes the critics on while wearing an awesome USA track-suit:

Related On This Site: Repost-From Poemshape: ‘Let Poetry Die’

They’ve got to keep up with the times:A Few Thoughts On NPR And Current Liberal Establishment Thinking Under Obama

Ken Burns makes a good documentary, but he’s also arguing he absolutely needs your tax dollars in service of what he assumes to be a shared definition of the “common good” as he pursues that art. The market just can’t support it otherwise. Repost-From ReasonTV Via Youtube: ‘Ken Burns on PBS Funding, Being a “Yellow-Dog Democrat,” & Missing Walter Cronkite’…From NPR: Grants To The NEA To Stimulate The Economy?…We’re already mixing art and politics, so…

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Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment…

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From 2 Blowhards-We Need The Arts: A Sob Story…A museum industrial complex…more complexes…who are the people museums should be serving? James Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’