Some High & Low Links-Reactions To Art As Liberation Towards (S)elf

Via Edward Feser:  ‘Masculinity & The Marvel Movies’

Hmmm..I’m still listening to contrary voices:

‘On the traditional understanding of masculinity, a man’s life’s work has a twofold purpose. First, it is ordered toward providing for his wife and children. Second, it contributes something distinctive and necessary to the larger social order of which he and his family are parts.’

and:

‘Liberal individualism, both in its libertarian form and its egalitarian form, replaced this social and other-directed model of a man’s life’s work with an individualist and careerist model, on which work is essentially about self-expression and self-fulfillment…’

As posted: This Wendell Berry quote, from on “tolerance and multiculturalism,” from his essay “The Joy of Sales Resistance”, has stayed with me:

‘Quit talking bad about women, homosexuals, and preferred social minorities, and you can say anything you want about people who haven’t been to college, manual workers, country people, peasants, religious people, unmodern people, old people, and so on.’

Please do keep in mind Wendell Berry is NOT going to buy a computer.

Hmmm….he’s a little out there, but Alexander Stoddart’s a classicist, working in a medium with less immediacy but long pedigree:

Related On This Site:

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

Repost-Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

-Banksy’s website here. Newsweek’s piece: ‘See You Banksy, Hello Invader.

Via C-SPAN-The Historical Context Of Allan Bloom

Thanks to a reader.

Quite a varied discussion on Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind

Does rock/popular music corrupt the souls of youth in preventing them from evening-out the passions; from pursuing higher things that a quality humanities education can offer?

Might such a lack allow political ideology to offer young people something to do, something to be, and something of which to be a part?

A questioning of premises, with varied disagreement, including that from an Emersonian.

Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

As Seen In Seattle-A Little Piece I Like To Call ‘Stalin’s Fingers’

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Fun fact: During times of stress, Josef Stalin is said to have marched his fingers just so across his desk, transgressing his own boundaries!

You might have noticed those tiles already look a little drab and dated, even though construction only finished a few years ago.

The above mural is part of the new Capitol Hill light-rail station on Broadway.

More here on the piece (apologies to all comic/graphic artists ahead of time, for not portraying your craft with as much fidelity as it probably deserves).

Our muraliste is a comic/graphic artist tapped to make signs and symbols for all the Community:

‘Forney, originally from Philadelphia…landed the light rail station gig back in 2008 after submitting a series of paintings of hands in provocative positions to Sound Transit — paintings which had originally been featured in the 2007 Seattle Erotic Art Festival. The series was called Big Fuckin’ Hands.’

Get it?  They’re hands, and they’re…well…you know.

Oh boy…

As for People’s Republic of The Northwest Territories, there’s that Diego Rivera-esque mural in Kane Hall at the University Of Washington…multi-ethnic laborers of the world uniting for the common good.

Comrade, I must confess: I see myself in those square-jawed, virtuous workers, gathered above their apparently crayon-scrawled manifesto.  For long years now, I, too, have dreamed of controlling the means of production, in solidarity with all the Workers Of The World!

The Seattle Monorail has always looked to me like a cross between the Disneyland monorail in the 50’s (actually updated due to market forces) and the crown-jewel of Pyongyang’s subway system.

A bullet to the future, frozen in time!:

All aboard!:


These public projects tend to become repositories for all the hopes and sacrifices people around here make for the  ‘-Isms’ (counter-culture anti-establishmentarianism, vaguely warmed over socialism, environmentalism, radical collectivism, activism of all stripes etc.).

Many people don’t always know what they’re for, exactly, but it’s often easy to tell what they’re against, and it’s you should you choose to play the bad guy in their passion-play.

Fascist!

Don’t try and make too much sense of it:  Cargo-Cult thinking is often in effect when it comes to the economics of these projects:  The cost, numbers, budgets etc. usually come later.  First seems to be the solidarity, the ‘sacredness’ and the tiny shrines which have sprung up this past century around which people gather in common cause.

You must show some belief in the vision.

Related On This Site:

Daniel Dennett: ‘Postmodernism And Truth’

-Amtrak to the Future!:Repost-From The New Yorker: ‘Writing Powered By Amtrak’

-A museum industrial complex…more complexes…who are the people museums should be serving? James Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

-Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

From 2 Blowhards-We Need The Arts: A Sob Story

***I’m sorry for the glare and the lack of composition.  I am but a humble prole passing through the Great Hall Of The People’s Transit.