From Spiked: ‘The Culture Of Complaint’

Full piece here.

Oh God, help us:

‘Tate Modern, one of the most important and influential modern art galleries in the world, is expressing its commitment to public engagement by inviting people to complain. In the echoey space, plastered with Guerrilla Girls’ agitprop posters, members of the public are invited to sit at a table filled with coloured paper and pens, scribble out their complaints and pin them to one of the boards around the room. After a couple of days, the boards were full of complaints about everything from elitist art collectors to low wages for cleaners, from the lack of affordable housing to the misuse of the apostrophe. The boards created a silent, confused, colourful cacophony of grumbling.

Are we supposed to take this seriously? I would say so. The Guerrilla Girls, an activist collective of female artists based in New York, has been complaining for over 30 years.’

This stuff trickles down, you know…

Damien Hirst’s Diamond Skull here, which is entitled ‘For The Love Of God.

As found yesterday, November 13th, 2016…in a Seattle Eastside Supermarket.

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Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

It’s worth thinking about Western culture and the travels of the individual artist through romanticism, modernism and post-modernism and to wherever it is some of those artists are headed now. As for Damien Hirst, it was probably inevitable that someone who couldn’t draw all that well, and didn’t have many of the basics down, would rocket in and out of the spotlight, capturing the moment.

‘Damien Hirst’s output between 2005 and 2008 – the period of his greatest success – has subsequently resold at an average of thirty per cent less than its original purchase price. Moreover, a third of the almost 1700 Hirst pieces that have gone to auction since 2009 have failed to sell at all. Most recently, in November, his gloss-and-butterfly collage Sanctimony failed to reach its lowest pre-sale estimate at a Sotheby’s auction’

Maybe Jeff Koons got there first, where marketing, money, and branding met pop art:  A Reaction To Jeff Koons-For Commerce Or Contemplation?

Goya’s Fight With Cudgels and Goya’s Colossus.  A very good Goya page here.

Joan Miro: Woman… Goethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

Independent Kurdistan-A Good Outcome For American Interests?

This blog is thinking yes on many fronts. After Operation Desert Storm, as Saddam’s forces were driven from Kuwait, the U.S. government encouraged many Kurds in the north to finally have their comeuppance against the brutal Ba’ath party’s control over their lives through Saddam and his regime (Sunni-led, fascistic, brutally authoritarian and tribal/clannish…full of Saddam loyalists…using chemical weapons against the Kurds towards the end of the Iran/Iraq war).

Many did stand up, but Saddam was not ousted from power, and thus began a campaign of violent retaliation and consolidation which included the use of chemical weapons again. It got ugly. The No-Fly zone could only do so much after the fact. Some guilt about the Kurdish plight arguably affected some of the thinking during the Iraq invasion on the American side.

PBS Frontline has a timeline.

The Kurds are their own ethnic and linguistic group, and live in northwestern Iran, northern Iraq, northeastern Syria and southwestern Turkey. They’ve been around for a long time and while the dominant religion is Islam, there are a lot of other faiths besides. It’s complicated, from what my sources say.

Sympathy does not a strategy make, but out of the current chaos, the utter failure of Syria spilling over into Iraq and the gains of ISIS/ISIL, an independent Kurdistan isn’t a bad option for many American interests. Frankly, the Kurds are managing themselves well amidst a tremendous amount of chaos.  Many want more commerce, opportunity, oil revenue, and are willing to stand up to forces like those active in defense of their homes and the idea of an ancestral homeland, families and a broader ethnic family, livelihoods and broader commerce and contact. They’re organized enough and America could do a lot worse.

We have the Turks to consider, and the Iranian regime to counterbalance as well as a complex patchwork of interests to pursue, but given the falling apart of the boundaries that held Syria and Iraq together, the rise of Islamism and Islamic militias recently, they may be people we can do business with amidst many we cannot.

Article from Slate here.

Ofra Benagio piece here from a while ago.

‘Moreover, the rise of Kurdish issues in all four states has changed the internal dynamics of Kurdish nationalism. An evolving trans-border current has produced a de facto Kurdish regional subsystem whose manifestations are several. First, the Kurds now imagine themselves to be one nation deserving to live on one united territory; this is new. Thus, the new mind’s-eye Kurdistan is portrayed as one unit divided into four parts: north Kurdistan (bakur) corresponding to the Kurdish region in Turkey, south Kurdistan (bashur) to that in Iraq, east Kurdistan (rojhelat) to that in Iran, and west Kurdistan (rojava) to that in Syria. No one should discount the power of having a common geopolitical language in a nationalist ambition.’

See Also:  Dexter Filkins ‘From Kurdistan To New York’

Check out Sons Of Devils from the Atlantic a while back.  Very interesting long-form piece on the Kurds.

During Christopher Hitchens’ 2009 appearance on Australia’s Q & A, he wore a Kurdish flag pin in solidarity and fielded a question from a Kurd (starts at minute 1:30…mentioned as the rest of the debate may be worth your time):

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In his new book Where The West EndsMichael Totten describes visiting Northern Iraq briefly as a tourist with a friend, and the general feeling of pro-Americanism in Kurdish Northern Iraq that generally one can only feel in Poland, parts of the former Yugoslavia etc.

Related On This Site: Longer odds, lots of risk: Adam Garfinkle At The American Interest’s Via Media: “The Rise Of Independent Kurdistan?”From Reuters: ‘Analysis: Syrian Kurds Sense Freedom, Power Struggle Awaits’

Repost-From Michael Yon: ‘The Battle For Kandahar’Dexter Filkins Book On Afghanistan And Iraq: “The Forever War”Repost-’Dexter Filkins In The NY Times: The Long Road To Chaos In Pakistan’

From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’

Full post here.  (including video link)

Detroit may have seen better days, and may have its problems, but is it to be seen through a tragic lens…as an artifact whose meaning is to be determined by young artists looking for a sense of community, social integration, and certain definition of “culture?”

Does it matter that much if these are the people currently adding value back to Detroit and willing to do the work?

Related On This Site: Is the same definition of ‘community’ connected with one that can stifle economic growth through political means?: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?… some people don’t want you to have the freedom to move to the suburbs and are attaching creativity to political goals: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’… From The Atlantic: Richard Florida On The Decline Of The Blue-Collar Man

Trading Robert Moses for Brailia…an authoritarian streak?:  Brasilia: A Planned City… Dove’s Campaign For Real Beauty: Pascal Dangin And Aesthetics

From Reason: ‘Reason Saves Cleveland With Drew Carey’…Reason also suggests that if such creative/entrepenurial spirit gets off the ground, it will have to get around the public sector in Detroit.

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