Should You Be Taxed To Pay For The Arts?-David Thompson Via Artblog.net: ‘Cargo Culture’

Full post here.

‘David Thompson’s blog has become an indispensable resource for arguments against the public funding of contemporary culture. ‘

If you build the art museums, some people believe ‘culture’ will follow.

So what’s wrong with liking art, recognizing some inherent value in the pleasure it gives and importance in one’s own life, potentially to other lives, and more broadly to one’s own society in supporting public funding of museums and art education?

Follow the link for an interesting debate.

For the libertarians, Bastiat is mentioned, and for the pop-art lovers, so is David Byrne of the Talking Heads (featured in the NY Times):

‘I refrain from calling Byrne a socialist, but what goes unsaid here is that our objections are to a prior assumption by believers in state power, namely that because some undertaking is worth doing, that the state ought to be doing it. If Byrne is addressing society in the above quote (and I think he is to some degree, although largely by not making Bastiat’s distinction), he is doing so as if it were an aggregate, even an abstraction. This may be the essence of the statist mind: that an abstracted aggregate of other people ought to be devoting their energies to the effort I deem noble. It’s from there that the demands flow. The collectivist is not asking you to give up expenditures on your hobby to support his (even if his has been fashioned into a career), he’s asking the abstract aggregate to change its trajectory or support the arts or something nebulous and lofty like that. Cargo Culture springs into being when such demands are met.’

For those interested, here are a few central questions I’ve gleaned from many discussions and debates of my own:

Who decides what is good and not good art, and what the public ‘ought’ to be viewing?

-‘Should artists of ambition, some talent and potential genius be supported, and if so, how?  Does this support always incentivize them to make better art? 

Does institutionalization lead to the easier appropriation of art by the religious, the politicians, the speculators and patrons, the culture vultures and various other ideological interests?

And if you’re still with me, we can always complicate matters further:

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Beauty is no quality in things themselves, it exists merely in the mind which contemplates them; and each mind perceives a different beauty.

David Hume

Photo here.

Can we really talk about universals when we talk about beauty and a philosophy of aesthetics?

Related On This Site: When poetry went into the universities: Repost-From Poemshape: ‘Let Poetry Die’

Philosopher Of Art Denis Dutton of the Arts & Letters Daily argues the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Conservative Briton Roger Scruton suggests keeping political and aesthetic judgments apart in the humanities:Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

How might Nietzsche figure in the discussion (was he most after freeing art from a few thousand years of Christianity, monarchy and aristocracy…something deeper?), at least with regard to Camille Paglia.  See the comments:  Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful

Hopefully it won’t go this far:  From Big Hollywood: ‘The National Endowment For The Art Of Persuasion?’

From NPR: Grants To The NEA To Stimulate The Economy?From 2 Blowhards-We Need The Arts: A Sob Story

From The Detroit Free Press: ‘White House To Announce $300M In Aid Friday To Make Detroit Safer, Erase Blight’

Full piece here.

‘Nearly $300 million in aid for Detroit — from federal and state coffers, private businesses and charitable foundations — will be announced Friday as Obama administration officials visit the city to discuss what can be done to help eradicate blight, improve transportation, encourage new business and make residents safer.’

Life support?:

‘Sperling wasn’t immediately able to break down just how much of the $300 million represents new funding and how much had already been awarded to Detroit but, for whatever reason, hadn’t reached the city before. But he said much of it represented an effort by adminisitration officials to scour their departments for funding that Detroit could access’

How did Detroit get here?

Very comprehensive and easy to navigate.

More from Megan McArdle on the behavior that comes with pension bonuses:  Not worth saving.

Some links on this site: Charlie LeDuff, Detroit’s populist, citizen journalist’s youtube channel here.  At least he’s sticking around.

Are you looking at beautiful photos and feeling sorry for Detroit, and yourself?  See Time Magazine’s photo essay by Yves Marchand and Romain Meffre (less porn-like, more thoughtful).

Hipster hope, artists, collectivists and small business types can’t save it either:  A Short Culture Wars Essay-Two Links On Detroit & ‘Ruin Porn’

GM is not a municipality, but good money got put in, probably after bad and it reeks of politics: From The Detroit News: ‘How The Treasury, GM Stock Deal Got Done’

What about the popular arts and culture?:Update And Repost-From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’…A Few Thoughts And A Tuesday Poem By Philip Levine

A garage sale for the city’s art? Virginia Postrel At Bloomberg: ‘Detroit’s Van Gogh Would Be Better Off in L.A.’From The Detroit Free Press: ‘DIA’s Art Collection Could Face Sell-Off To Satisfy Detroit’s Creditors’

Walter Russell Mead takes a look at the blue model (the old progressive model) from the ground up in NYC to argue that it’s simply not working.  Check out his series at The American Interest

From Bloomberg: ‘Detroit Recovery Plan Threatens Muni-Market Underpinnings’