‘He had not walked five hundred yards down the road when he saw, within reach of him, the plaster figure of a Negro sitting bent over on a low yellow brick fence that curved around a wide lawn. The Negro was about Nelson’s size and he was pitched forward at an unsteady angle because the putty that held him to the wall had cracked. One of his eyes was entirely white and he held a piece of brown watermelon.’
Redemption, mercy, original sin, and a decent short-story leaving you not knowing what to think, exactly.
================ Also As Sent In: Martin Luther King’s intellectual development came mainly through theology and seminary, social gospel (addressing social injustices), but also depended on various other sources, including Gandhi’s non-violent resistance (not acquiescence) to displace the force of the laws used against blacks for centuries. He welcomed a broad definition of rights enacted into law to include black folks, and a vast involvement of Federal authority…
And…where some of that energy has gone…further Left.
‘Being a leftist is a calling, not a career; it’s a vocation not a profession. It means you are concerned about structural violence, you are concerned about exploitation at the work place, you are concerned about institutionalized contempt against gay brothers and lesbian sisters, hatred against peoples of color, and the subordination of women.’
‘Over the years, I have written a long series of posts on whether evolutionary science can adjudicate the debate between Thomas Hobbes and Jean-Jacques Rousseau over whether our earliest human ancestors were naturally violent (as Hobbes argued) or naturally peaceful (as Rousseau argued). Many social scientists have been vehement in taking one side or the other in this debate. But I have argued that John Locke took a third position that is closest to the truth–that our foraging ancestors lived in a state of peace that tended to become a state of war. Hobbes is partly right. Rousseau is mostly wrong. And Locke is mostly right.’
Much depends on where you start, for in seeking a definition of man’s State in Nature, enough to claim a moral and legal foundation for the justification of authority, this definition matters a lot. Much modern political philosophy has been engaged in trying to define who has the moral legitimacy to be in charge (I personally find myself attracted to the government having a role to secure life, liberty, and property…and little else).
Arnhart:
It’s easy to understand why the Rousseaueans love the bonobos–there’re the hippie apes who make love not war.
On the other hand, it’s also easy to understand why the Hobbesians love the chimps and not the bonobos, because the chimps are closer to Hobbesian expectations for a evolutionarily close human relative. Frances White once observed…’
Darwinian science can explain quite a bit about our behavior, both individually and in the aggregate, yielding insights grounded in data and close observations of how we actually behave, and how our closest ancestors in the wild also actually behave.
Yet, this field will also interact with what we already know of our natures based on the political, civil and religious institutions we see around us every day which I presume also reflect much of who we are and how we behave…especially with power (and why the separation of powers is so important).
This blog is concerned with a fundamental problem in the West since the Enlightenment: Some people are seeking to mold human nature and smash civil society and its laws (to be replaced with something else, often the remnants of failed authoritarian/totalitarian rationalist systems or…nothing).
Other folks are seeking inclusion into civil society from previous injustice and oppression by vast expansions of Federal authority. This has had important consequences for the moral claims to authority which currently justify that authority.
Still others are claiming legitimate moral authority from the Sciences and Human Reason which can easily outstrip the ability of the Sciences and our Reason to justify such claims. I often find myself retreating to a position of Skepticism regarding many such claims.
As has been pointed out to me, Lockean liberty does correct for Hobbes’ Leviathan, but when did individuals consent to such authority in the first place?
‘Given that liberalism fractures on so many issues — the nature of liberty, the place of property and democracy in a just society, the comprehensiveness and the reach of the liberal ideal — one might wonder whether there is any point in talking of ‘liberalism’ at all. It is not, though, an unimportant or trivial thing that all these theories take liberty to be the grounding political value. Radical democrats assert the overriding value of equality, communitarians maintain that the demands of belongingness trump freedom, and conservatives complain that the liberal devotion to freedom undermines traditional values and virtues and so social order itself. Intramural disputes aside, liberals join in rejecting these conceptions of political right.’
‘Marxism, Dalrymple explains, answers several needs:
‘It has its arcana, which persuade believers that they have penetrated to secrets veiled from others, who are possessed of false consciousness.
It appeals to the strongest of all political passions, hatred, and justifies it.
It provides a highly intellectualised rationalisation of a discreditable but almost universal and ineradicable emotion: envy.
It forever puts the blame elsewhere, making self-examination unnecessary and self-knowledge impossible.
It explains everything.
It persuades believers that they have a special destiny in the world. For disgruntled intellectuals, nothing could be more gratifying.’
Aside from the radical doctrines, it’s apparent that many in the West have placed their hopes and aspirations into various flavors of political idealism. Man’s nature is assumed to be fundamentally good, for the most part, merely in need of liberation from previous traditions, injustices and illegitimate claims to authority.
It’s often taken for granted that such post-Enlightenment ideals have room for ever more individuals (or collectives/categories of individuals). All that’s required is working towards particular ends, usually against common enemies (salvation through individual Romantic conceptions of Nature, shared communally, for example, or the oft confused relation between Scientific truth/method and social/political goods).
For many political idealists in the modern world, the moral goods are good enough, the universal truths sufficiently universal, in justifying their own actions at any given time (the properly balanced ideal State has room for competing factions of political idealists, mind you, as many idealists believe the knowledge is available to design such systems from the top-down).
The below links are to whom I’m indebted in cobbling such posts together on alas…a blog:
-Thomas Sowell discusses his constrained/unconstrained formulation from a Conflict Of Visions.
A good work of art can free your from the shackles of habitual perception. It can make you alive anew to the strangeness of life, drawing you onwards through beauty, symmetry, and a bit of wonder. Ars celare artem.
I believe the rush to contemporize all one’s experience and emotions into narrow ideological and political channels; to forego talent and skill for concept and blurb is a shame.
‘Ms. Hockley explained that these choices weren’t due to a fascination with all things “hot, young, new,” but rather grew out of traveling around the country and seeing how many artists were facing “an incredible amount of pressure coming from all sides,” including the burden of debt from M.F.A. programs, the collapse of smaller galleries that might help launch their careers and the difficulty of finding and keeping affordable studio space.’
And on one artist in particular:
‘For the biennial, Mr. Fernandes, a former ballet dancer who is based in Chicago, will present a new version of a piece titled “The Master and Form,” which consists of archaic-looking wooden scaffolding and devices that allow performers to hold the five basic ballet positions for long periods of time. “For me it is a social-political space, a piece that questions the agency of the body, the agency of the dancer and our labor,” said Mr. Fernandes.’
‘As America went abstract, the museum also never lost its taste for the real, a fact reflected in the strengths and weaknesses of its permanent collection now on display. This explains its abundance of American Scene hokum and WPA art as well as the artists who have defined the museum’s self-image, in particular Edward Hopper.
But it also explains its appetite for art that is strident, narrow, and of the moment, demonstrating a taste that has only become more bitter with age.’
Panero:
‘For many years, the French writer Guy de Maupassant insisted on eating lunch every day at the restaurant in the Eiffel Tower. The reason, he explained, was simple: the restaurant offered the only spot in Paris where he could look out and not have to see the Eiffel Tower.’
=================
How about popular culture from 30 years ago? Now, this is important. This blog is still looking for 80’s awesome badness, for nothing can predict the cultural trends of today like the lyrics of ‘Angel Of The City,’ the theme from Sylvester Stallone’s 1986 ‘Cobra.’
For what it’s worth: The two quotations highlight a current, unresolved conflict on this site, and in my life. If you have any suggestions for new reading material, I’m all ears.
Thanks:
‘I guess I’m trying to say that I remain skeptical the sciences can properly scale. Many people claiming to have a scientific worldview are curiously more committed to ideas downstream of scientific inquiry. This can involve an idealized or popular, mummified vision of ‘science,’ (the science is clear, it’s on on my side, we must act together or vote for x) or even ‘anti-science’ nihilism and destructive cultism (the universe is a meaningless void, you’re utterly alone, here’s exactly what the scientists don’t want you to know, so join us).’
‘It typically takes years to imbibe the necessary and often counter-intuitive tools to ‘see under the hood’ of Nature. Then, it often takes very long and close observation to make some kind of contribution. Unlike the Oakeshottian critique of rationalism in favor of tradition, I do think there are gains in basic competency from an education in the sciences that are not exclusive solely to the genius. Some of this can scale. Many laymen can become aware of how deterministic and probabilistically accurate these laws govern the world in which we live.’
—
I find myself returning often to Kenneth Minogue, downstream of Michael Oakeshott, in defense of a certain kind of philosophical idealism.
‘Ideology is a philosophical type of allegiance purporting to transcend the mere particularities of family, religion, or native hearth, and in essence lies in struggle. The world is a battlefield, in which there are two enemies. One is the oppressor, the other consists of fellow ideologies who have generally mistake the conditions of liberation.’
and:
‘Yet for all their differences, ideologies can be specified in terms of a shared hostility to modernity: to liberalism in politics, individualism in moral practice, and the market in economics.’
Shouldn’t one begin from the point-of-view of neutrality regarding Nature (beyond value-judgment?)
Nature can be: The sweetest-smelling spring meadow and the source of life. The enveloping tenderness of mother and child. It can be a series of renewing calls to adventure in which we find ourselves most alive. I’m guessing the subjugation of one’s ideas about Nature into (Nature), and God, or no God, is where we often find our thoughts returning.
Nature is also: A volcano scorching thousands of men, women and children at a time. The river dangerously rising. Rabies, A.I.D.S. and an uncompromising, relentless disregard for our hopes. It can be the casual disregard of the old by the young, and the sad fading of a loved one into oblivion. Imagine, if you will, the last thoughts and experiences of someone eaten to death by a predator (but my spirit animal is a bear..I’ve always practiced bear/human moral recognition).
No wonder our default is to explain through mythology, idealization, and highest conceptualizations along with the calling forth of deepest desires during intensest experience.
The modern flavors of myth veer into Romantic Primitivism and Collectivism, Radical Western animism and the ideological discontents of the ‘Modern’ age.
How’s that stuff working out?
Beware the modern theologies of (M)an? Back to the old theologies of God and all those attendant problems?
—
What are the artists up to? How have so many, so often, come to undervalue, and overvalue, the Arts, and the (S)elf?
The search for meaning goes on.
—
Land-art pieces are site-specific. They require you to be there and experience them, designed as they are to be within the specific spaces they occupy.
In so doing, they break from previous modernist ‘Readymades‘ and reproduced images (I don’t know about you, but I’m tiring of so many commentaries on consumerism, the desire for craft over mass production, a certain collective vagueness against such disposability…the dream of unique Selfhood, celebrity even, amidst a thousand urinals).
As a viewer, you’re supposed to interact with these pieces and start feeling and thinking differently than perhaps you might have otherwise. Walk around, through, and over them.
Time is clearly intended to be an element, here; the long sweep of geologic and/or historical time as the artist understands it, as well as the relative brevity of personal time during just a 10-minute visit.
These pieces can act as signposts towards Nature and what we can begin to observe of our specific natural environments (steel rusts in unique, but perhaps underlying, patterns…winds blow at different angles and around different obstacles in one grove as opposed to another, these lichens are growing here…other lichens over there, are they the same species?).
If you pull the piece out of its specific environment, it may just wither and die, looking out-of-place as many other products of civilization do amidst natural settings (a jar in Tennessee). Perhaps, though, they won’t look quite so out-of-place as mass-produced objects because of such careful design and attention to detail.
That said, these pieces will eventually look quite awkward undergoing the changes they will undergo if Nature’s Laws are any guide (Romantic/Modernist recreations of Nature can promise the comforts of Home).
Here’s Wikipedia, keeping it simple:
‘Land art, earthworks (coined by Robert Smithson), or Earth art is an art movement in which landscape and the work of art are inextricably linked.’
‘Robert Smithson and Richard Serra both believed that sculpture should have a dialog with its environment. This program explores the challenging dialectic of the site-specific sculpture of Smithson and Serra through examples of their work. In an interview, Serra discusses the aspects of time and context in relation to his art as well as the influence of Smithson.’
Maybe it’s worth pointing out that Serra seems interested in symmetry, visualizing and realizing abstract shapes with the help of some mathematics and the practice of drawing/drafting. Interesting problems can arise from tooling around with shapes on paper (a practice of Serra’s), the kind I’m guessing folks fascinated by puzzles and software and math love to solve.
But Serra’s not a mathematician nor an engineer nor an architect. He’s not writing a proof for its own sake nor building bridges nor houses for practical use.
Rather, the intuitive and creative impulses of the artist take over in his work, a kind of creative exploration, as well as the dialog between fellow artists, living and dead.
Much (A)rt, of course, is useless for most, if not all, purposes. It’s one of the things that can make it meaningful for people. There can be a significant gap between what the artist may have felt, thought and realized, and which emotions, thoughts and experiences any viewer/listener might have in interacting with a particular piece.
Serra, in his work, wants to alter the thinking of anyone moving through the space he creates by manipulating specific substances like steel (he has a facility with the material), and by getting viewers to a point of reorientation of spatial and temporal awareness.
Of course, this involves reorientation towards certain ideas as he understands them, and by promising people a return to themselves, or a state of experience and creative play perhaps similar to that of the artist.
Here’s a Charlie Rose interview:
More about Land Artists:
Any thoughts and comments are welcome. Feel free to highlight my ignorance…
Making the ‘personal political’ tends to politicize all aspects of life. It’s unsurprising that a few good artists will fall on more conservative sides of topical political discussion.
As I see the world: Radical doctrines weaponize personal confessions into political (C)auses. Envy is a deep and nearly constant human emotion, and when the green eyed monster appears, honest self-criticism is much harder than righteous indignation (maybe this guy is smarter/better than me…what can I learn from him?).
I should add: There are plenty of religious prigs who are, essentially, failures at life. More than a few have traced their bitterness into a God-shaped mold.
It’s no surprise the basics learned in youth sports (how to lose honorably, the long hours of toil and sacrifice, the daily practice) are eschewed by most ideologues. If you’re weak and/or losing, becoming anointed into an ideology plugs into one of the deepest human desires: Defining yourself by what you are not, and finding group membership and meaning. The thought that ‘they’ are winning, and thus, I’m (we’re) losing is powerful stuff.
I’m somebody. I can win. I’m less racist than you. I’m more deeply (H)uman than you. I feel more authentically than my enemies. Sister Nancy is the most God-fearing gal in the whole convent.
Human nature hasn’t changed all that much, as every revolutionary radical seems to find out the hard way.
For anyone not in dire straits (genuine need and/or actual oppression), inviting the clumsy hands of ideological (C)ause into the bedroom is a kind of lunacy. Liberation doctrines valorize anti-heroes, medicalize illnesses and glamorize vices into badges of authenticity.
This tends to lead to a lot more failure, and more ideology to fill the holes.
I’m pretty sure: Deep down, rebels and anti-heroes still have authoritarian tendencies and tragic flaws: See History. Most sane people don’t idealize sickness and disease. When it comes to drugs, alcohol and the Zubercocks of this world, what awaits is often just a sad lonely death and a whimper.
Reality bites.
Word to the wise: Placing your eggs in the activist basket is a long-term losing game (gays/lesbians/actual minorities) as I see the world. Short- and mid-term gains gather into an ever-growing list of human ‘rights’ which normalize the marginalized and politicize the personal. But politics is a thing. It’s about distributing unequal resources and making decisions. It’s contentious and corruption is usually the rule, not the exception. Believing in politics won’t bring more ‘peace’. Bureaucracy is a large organization where power and authority accrue, but instead of corporate bureaucracies subject to market forces, they continue on with bad incentives and the same amount of inequality as before.
Individual eggs get scrambled into unrecognizable omelettes of mass justice. Many individuals find out too late there’s no real space for individuals in mass movements and passionate (C)auses.
—
This blog welcomes lenses with which to view works of modern art.
‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types. Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.
So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter. One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’
‘You call yourself a salesman you son-of-a-bitch?:’
For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.
Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.
On fuller display, perhaps.
Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.
For those who didn’t ask!:
As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious: Make it new. Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).
It takes really talentedindividuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.
As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us. There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).
They write these f**king art blurbs before they have any art! What the f**k is this lady doing?:
‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’
The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in upcoming generations’ rather pervasive desire for fame and recognition.
The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).
As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.
Ah well…there’s my two cents.
There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.
–Born and raised in Chicago, Mamet seems pretty old-school and pretty tough. He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles. Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered). I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.
***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies. See him discuss his later vision of human nature and political organization in a Conflict Of Visions.
–Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican. There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left. There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).
Religious belief can ground one in a kind of traditional and tragic view of human nature. This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves). As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.
I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed). I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.
–Mamet also touches on the fact that the arts aren’t a political endeavor. If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show. Didactic art can come across as clunky at best, pure propaganda at worst.
Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.
Anyways, this is just a brief summary. Any thoughts or comments are welcome.
Predictions are hard, especially about the future. Thanks for reading, and for stopping by.
My two cents:
Technological dislocation is still going strong, and the recent developments in chat AI offer some predictive power. Labor costs, for most companies, are among the highest. Many smart and not-so-smart people never learn how to write well, nor persuasively. But they have other skills. The technology is here to utilize software prosthetics to do a lot of writing for us, instead of paying a writer. Writing well is a practical, creative and mind-changing journey, and will continue to influence entire civilizations, but paying for labor is an even tougher sell. This makes me wonder: How many specialized, well-educated 135 IQ thought-leaders will fall into a kind of resentful, punitive criticism? It’s tough to say, but, there will be many (writing well requires understanding and synthesis, but quickly surpasses knowledge and experience). This is why journalism generally loses money, with activists and deeper billionaire pockets funding most outlets.
An older American order, with aristocratic W.A.S.P. gatekeepers, more private religious belief and public square rule-making has eroded considerably. I view this set-up as having corrected many excesses of the market and maintained a lot of trust required between personal behavior and public office. Rules, rule-makers and maintaining legitimate authority can be tricky, but are found among the most important things. So, too, is maintaining a government of the people, by the people and for the people. I’d argue that a secular, technocratic humanism more common in Europe is now a likely majority in American life. Whether or not this is driven by a default, watered-down Marxism in the ‘collective-mind’ is debatable, but challenging the ideal requires wounding an idealist in the place where belief lives. It can even become deadly or disqualifying when a person challenges considerable power. This has lots of implications for speech, rules, and dissent. It will probably even affect what’s ‘cool.’ It’s tough to say what the new personal behavior and public office connection is going to be, but, as mentioned, I think it matters more than most things.
The postmodern pull is still very strong, and deep, as currents go. This blog has discussed Schopenhauer’s Will to Nietzsche’s ‘Will to Power’ nihilism, the Straussian response, and various downstream consequences. There are some pretty good reasons to be liberal, but in America, I’d like to stop the lurch leftward towards true-believing, anti-speech activism and predictably stodgy, out-of-touch liberal idealism. That way lies disorder and potential violence. This blog, at least, has offered a nod to David Hume’s empiricism, J.S. Mill’s utilitarianism, Ralph Waldo Emerson’s self-reliant gnosticism, and Isaiah Berlin’s positive and negative freedoms. At the very least, I’m realistically hoping these could become brighter lights in the nihilist fog. We’ll see…
How might this translate into American politics? While I reject even Conrad’s ‘Heart Of Darkness’ existential nihilism (say…the craziness of Coppola’s ‘Apocalypse Now’), which Gray has espoused in the past, I often fall into tragic realism. I’ve called it ‘depressive realism’ but it’s actually full of optimism. There’s a lot to be optimistic about, accounting for reality and human nature, and how mostly local and personal the good things in our lives are.
But, you’ve got to aim to be good, especially to your loved ones. I think life has a mystery to it, beyond most of our conceptions of life. That said, I view human nature as generally fixed in many ways (religious belief, traditions, the arts and many sciences are simply reflections of what we are, what the truth is, and how we interact with the world). But I don’t have all the answers, and I don’t necessarily know what’s right for you. I support the creative arts and the penetrating truths of the natural sciences and independent thinkers.
Personally, I look for the optimism found in home and hearth where love lives, and promises are made. I look for the looking-out for each other generally found in town and country, in friendships, and in some reasonable, capable talented people found in functional at-scale institutions within cities.
To be vulgar: There are dicks, pussies and assholes everywhere, so try not to be any one of these things, nor for very long. There are decent people everywhere, expanding their skills, talents and including others, with right aims and good minds, while generally avoiding too much f**king around.
In the public square: I favor a free-speech, no-nonsense skepticism, casting a cold eye on life and how institutional incentives actually work. I think Natural Law offers something of a lockbox to keep some of the true-believers and politicians from trying to engineer all parts of our lives (bound for failure…just as are most attempts to make a theology of ‘Man’). Unfortunately, Nautral Law is being replaced with a lot of (S)elf-centered therapeutics, the ‘personal-is-political’ empathy abstractions, anti-human movements, ‘-Isms’ and various flavors of ideology.
Worthy replacements?
Like Gray, I see a lot of political contention ahead, and even dangerous instability because of these misalignments. I’m something of an optimist, BUT, within a depressive realism and a certain tragic view of life.
Of course, take me and my views with a grain of salt.
I’ve heard few liberals really accounting for these increasingly obvious failures of liberal ideas and leadership, but a few have, and a few older-school Lefties (change-first, injustice-focused) are actually the new civil libertarians and defenders of speech.
Global technocracy and authoritarianism will become a default for many idealists when human nature and reality bear down.
On that note: I’ve heard few conservatives really admit that the older tent has mostly fallen down, and the neo-cons, Bushies, Reaganites, religious folks, unmodern folks, war-hawks (when attached to home and hearth) are now in disarray while attacking each other. Most people I know live in-between personal reality, populist anger and a kind of institutional malaise and dysfunction.
Blame is all around. I see Trump as a kind of untrustworthy, narcissistic standard-bearer for ideas which few conservative thinking types will actually defend, given the currents in our lives and politics.
I don’t think this is a healthy situation.
Meanwhile, a lot of obvious realities go unsaid for ALL citizens, and such problems aren’t merely local, but many of the solutions probably will be.
The incentives of print/online clickbait aside, our author can’t just write about something so boring and conventionally dull as taking a walk through the city at night, partaking in the pleasures of the flaneur.
A self-date is about reclaiming that control. The choice is yours: What would you do with your time if no one else got to call the shots? For how long would you do it, and when?
I’m assuming most men don’t read stuff like this, so the targeted reader needs to remind (W)omen there are responsibilities that go with (R)ights. The targeted reader ought think about the duties of (S)elf-Care, the burdens of market liberation, as well as how to (T)hink and what to (D)o as an Independent (W)oman and (S)elf in the (M)odern World.
I mean, you can’t handle that kind of freedom to take a walk, right? Nor be alone with your thoughts?
Therapeutic, conformist psycho-babble is pretty common out there.
As I age-out into irrelevance (Gen X), spinning sadly into forgetting, weakness and oblivion, I’d like to remind younger folks: I didn’t ask to be born in something like a Great Unwinding, either. I’ve found some poems, photographs, music and paintings which I love. I hope you come to appreciate them, too. I’ve found work which challenges me, and some principles I find worth defending (speech, property, and the honor freedom requires).
Everybody wants to be a (S)elf, nobody wants to be a (S)elf.
I’m pretty sure: The nihilist fog has settled in and will be here for awhile. American politics will likely become even more contentious. Political parties will be increasingly full of (S)elves and (C)auses, as well as the odd principle. Cynicism and ironic detachment will wear much easier than patient duty. Many institutions are becoming captured by true-believers and thus, much less efficient. Righteous people, of course, will often prevail (not necessarily right, nor truthful, nor reasonable…especially in groups and through the laws).
If you’ve read thus far, thank you, so here are some past thoughts and links for free:
We should be comforted when corporate/bureaucratic art is bland, bad, and uncommunicative. After all, do you think you’d trust a bank more or less if it had a shocking modern/pop art sculpture in the lobby?
What about when their marketing team tells you how you should think, behave and act?
The attempt to seek collective purpose and postmodern meaning in modern art, music and even cartoons etc. is fast upon us. The flirtations with nihilism can encourage more desperate collectivist/ideological impulses to fill the void. The excesses are many.
As for a critique of Albany Plaza, another modernist/bureaucratic concrete wonderland, here’s Robert Hughes:
‘At their best, the Schiffs can be models for renewing the unquenched aspiration of a century ago, to place art and its imaginative demands at the center of an effort to build a more humane future’
Humane. Human. Human rights. Make it new. Break with the past. Shape man’s destiny upon new foundations of knowledge, explore new possibilities, and perhaps shape men themselves.
Why, there’s a whole philosophy under there. Not a religion necessarily, and not always moral claims to knowledge, but a whole framework nonetheless.
Well, some of it, anyways.
Related On This Site: MOMA is private, so perhaps it’s not as decadent if they display Tilda Swinton in a box: