Some Thursday Songs-Metal, Myth, American Romanticism And The Civil War

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I just post them. The music has a certain epic, warlike quality. A piece where myth, metal and a certain contemplative middle section make for decent composition.

It reminded me a bit of the score for Conan The Destroyer which made those movies a lot better in my opinion. Hokey, sure, but romantic, mythic, strident and lush:

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And as for an Irish-fiddle influence on a movie aiming for American Romanticism, epic narrative, and Hudson River School landscape artistry:

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And there’s triumph there, but deep sadness too, about soldiers returning home from the Civil War:

Awesome 80’s Badness-From The Running Man: Restless Heart (Running Away With You)

From a reader:

‘Think Foreigner’s ‘Eye Of The Tiger’ meets a standard Journey/Eddie Money-esque power rock ballad, chock full of all the standard cliches: ‘highest fever’ ‘roll the dice’  ”new horizon’ brand new start’ ‘hit the right spot

All of this tacked onto the end of Schwarzenegger’s pure uncut 80’s sci-fi action thriller…

Almost too much to bear.

Thanks, readers:

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***Before you mock, the movie’s theme was composed by Harold Faltermeyer, of Axel F fame, and is nothing to shake a stick at.  It takes real talent to put songs into your head and keep them there.  The vocalist and performer John Parr, of St. Elmo’s Fire fame was more than a one-hit wonder as well.

As posted:

Via David Thompson, if you don’t have time to watch Gymkata, this is the next best thing.

What if an Olympic gymnast, sporting a wicked mullet, went through a rigorous training montage, then on to a top-secret mission to secure the national defense in a distant, fictitious land?

They play for keeps in Karabal:

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Still looking for awesome badness on this blog.  If you think you’ve got some awesome badness, preferably 80’s awesome badness, send it my way.

That’s all there is to say about that.

Is There Any Island Left For Islanders Like Him? From The New Yorker On Billy Joel: ‘Thirty-Three Hit Wonder’

Excellent piece here.

I think you’ve got to look at Billy Joel’s raw talent; the prodigious musical gifts and compositional ability; the mimicry, the voices, the piano-playing which became a vehicle for so many of his hits.  Add a quite nice voice and a road-warrior mentality trying to offer value at every show, working alongside his band, and you’ve got quite a package.

An American Songbook kind of guy.

I can barely think of anyone more Lon-Giland, who put his abilities to the American grindstone, but whose talent often hovers above any chosen genre he finds himself in.

Thanks, Billy.

Nick Paumgartner on a Slate review of Joel:

‘He was terrible, he is terrible, he always will be terrible. Anodyne, sappy, superficial, derivative, fraudulently rebellious. . . . Billy Joel’s music elevates self-aggrandizing self-pity and contempt for others into its own new and awful genre: ‘Mock-Rock.’ ”

He [Rosenbaum] called Joel “the Andrew Wyeth of contemporary pop music.”

When I mentioned this to Joel, he said, “What’s wrong with Andrew Wyeth?”

What is wrong with Andrew Wyeth? On this site see: Spring Beauties’-A Brief Post And A Link On Andrew Wyeth

On sitting down with Joel:

‘In between pieces, he began to explain that these were variations on a motif and that they were telling the story of the history of Long Island, from its pastoral beginnings to the arrival of the Europeans—“I’m imagining the prow of a ship, and a Puritan hymn”—and then the bustle of the nineteenth century. Farming, fishing, the railroad. “Getting busy on Long Island,” he said. “This one’s almost Coplandesque, with big open fifths.” We were a long way from Brenda and Eddie. He played intently as the room went dark.’

That sounds like a pretty talented artist looking for roots and sifting through American history and Americana for inspiration to me…

Here’s a popular song in the seafaring style trying to do good for local people without the righteous self-flattery and regard stars so often bring to the table:

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Repost-A Reaction To Jeff Koons-For Commerce Or Contemplation?

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.:  Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus.  A very good Goya page here.

Joan Miro: Woman… Goethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

In The Mail: Breaking-Down Songs

Here.

Thanks to a reader for the link.

The site allows you to play well-known pop songs and break those songs down into their component parts as would a sound engineer (vocals, drums, bass, guitar etc) for mixing purposes.  Isolate each part, add or remove, at your leisure throughout the recorded song.

I fiddled with Dire Straits ‘Sultans Of Swing’ for a good half-hour or so.   There may be a favorite of yours on the list.

From The Guardian: Peter Conrad Reviews Books By Daniel Barenboim And Edward Said

Full review here.

Conrad, a music critic, seems to be saying:  we don’t pay listen to Barenboim because of his philosophy, and we don’t read Said because he used to be a pianist.  Also (it’s personal for Conrad), perhaps many people are reading Said because he’s fashionable at the moment…

Best lines:

“Barenboim, who says that he reads Spinoza in his dressing room during intervals, worries about ‘musical ethics’ and fusses over ‘the moral responsibility of the ear’. I’m not sure that a sense organ can carry such a burden; we don’t ask our penises to possess a conscience.”