Alas, The New Yorker These Days-A Few Links

Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about. As I see things, many people who care deeply about the avant-garde also can bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

According to some folks at The New Yorker magazine, the only answer to injustice is radical and revolutionary equality.  The below tweet exhibits an ideology that really advocates getting unhappy people into the streets, and into people’s homes, with revenge in mind.

To be fair, the logic embedded within much radical chic usually reveals itself to be cool at first, the same old murderously bad doctrinaire utopianism a little later on:

 

Under A Green Moon-Ira Stoll At The New York Sun: ‘Comma in the New Yorker Opens Up Quite a Vista Of Liberal Parochialism’

From The New Yorker: ‘Writing Powered By Amtrak’

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

Related On This Site:  Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’ Classical Liberalism Via Friesian.Com-’Exchange with Tomaz Castello Branco on John Gray’

Via The Future Of Capitalism: ‘The Politics Of The New Yorker’

You know, it just might be possible to nurture experimental literature, poetry and the ‘avant-garde’ without explicit political bias:

Via The Future Of Capitalism, a new editor at The New Yorker opines:

‘Is it necessary for us to have a conservative voice or something like that? We’ve discussed it, but I’m not sure exactly what it would look like. I think The New Yorker’s niche is pretty comfortably in this progressive space and it’s much less of an issue to us than it is to The New York Times.’

I actually might agree on two fronts:  The New Yorker definitely caters to progressive political ideals (a long-term winning market strategy?) AND that there’s something loathsome about hiring just to fill quotas.  The idea of letting other people live their own lives and make their own decisions is so crazy it just might work.

The latter is lost on many true-believing progressives, as the presupposed rigged ‘system’ of the oppressor justifies all manner of intrusion into existing institutions through protest, radical unrest and forced quota-systems.

Beware those who would make you care:

Under A Green Moon-Ira Stoll At The New York Sun: ‘Comma in the New Yorker Opens Up Quite a Vista Of Liberal Parochialism’

From The New Yorker: ‘Writing Powered By Amtrak’

Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about.  As I see things, many people who care deeply about the avant-garde also bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

In the meantime, check out this tweet from Peace Pavilion West (my fictional community of back-to-nature collectivists exploring the Self).

What started out as Peace, Love and Inclusion at the Human Pagoda, a community transcending all human limitations, a buzzing colony building eco-pods to the very Heavens, devolved into ever stronger chaos and ever stronger central authority.

After our liberation, the promise of equality always seemed shimmering on the horizon.

It takes a big man to tweet at The New Yorker:

Thinking one has actionable knowledge of (M)ankind’s ends while implementing those ends into political revolutions has ended up very, very badly these past generations.

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’