From io9: ‘Real-Life Locations That Would Make Badass Supervillain Lairs’

Full post here.

You know you’ve imagined all kinds of structures, buildings, and towers, and maybe what it’d be like to live in them.

Stephen Fry toured America and stopped in to visit some empty-nesters living in a old nuclear launch site:

———–

A structure in the desert…not even a city.  Land Art:  Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public

In working towards a theme, check out Buzludzha, the abandoned communist monument in Bulgaria’s Balkan mountains, which still draws up to 50,000 Bulgarian Socialists for a yearly pilgrimage.  Human Planet’s Timothy Allen visited the structure in the snow and took some haunting photos.  You will think you’ve stepped into a Bond film and one of Blofeld’s modernist lairs, but with somewhat Eastern Orthodox tile frescos of Lenin and Marx gazing out at you, abandoned to time, the elements and to nature.

Related On This Site:  No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

Authentic Beauty?-A Quick Sunday Link

Wiser Men Stay Silent-Via Jezebel-Lena Dunham Responds To Unretouched Images From Her Vogue Shoot:

‘Yes, Vogue is fantasy. But no matter how fantastic the clothes or the setting or the lighting, the people in these images are real — and yet Vogue has to take the reality of a human being’s body and make it part of the fantasy too. It’s escapism, absolutely, but the message is clear: while you dream of wearing that gorgeous dress, you should also dream of physical perfection as defined by Vogue.’

Feminism and feminist ideology, aesthetics, and a woman’s desire to be beautiful are mixing together in the marketplace and public square.

This blog noticed the work of Pascal Dangin a little while back.  In the New Yorker, Dangin admits to having worked for Dove, applying some of his techniques (with heavy use of mathematics and computer graphics) to touch-up their photos.  You know the kind.


Selva-Real women in Hong Kong?

Full The NY Times had a follow-up piece on Dangin here.  Technology changes awfully quickly.

Another Dove photo here.

Regardless of his motives, Dangin considers himself an artist and what he does a pursuit of aesthetics.

Perhaps there’s a tension playing out before us, between the reasoning of academic and institutionalized feminists, the generally upper-middle-brow crust of popularizers, political influencers and professional writers, and on down to public sentiment, the popular culture, mainstream music and T.V. etc.

Sex still seems to be selling, and most everybody is attracted to beauty in one-form or another.

From Mark Litwak: ‘Sherlock Holmes and the Case of the Public Domain’

Full post here.

Don’t go and make him your own just yet:

‘The case raises the issue of which elements of the Sherlock Holmes stories are in the public domain, and which may remain under the protection of copyright law. Copyright can sometimes, but not always, protect characters and plot. Recognition of copyright protection for fictional characters goes back to Judge Learned Hand, who suggested that characters might be protected, independent from the plot of a story. He wrote “It follows that the less developed the characters, the less they can be copyrighted; that is the penalty an author must bear for making them too indistinct.” So, while a writer cannot secure a monopoly on hard-boiled private eyes, one could protect a finely drawn character like Sam Spade.’

I’m kind of middle-of-the-road on the new BBC, Benedict Cumberbatch series.  Serials leave you hanging to induce your tuning-in next week.  Characters matter, and so does acting, to give you those little doorways to pass through into the story so that you may follow the plot.  Television is a visual medium, after all, and perhaps there’s a larger American viewership and some young people who need a re-introduction.

Personally, I’m hoping for greater fidelity to the stories with a touch of real evil in the air.  Holmes is playing a kind of chess, with serious consequences.  He’s brilliant and formidable and what he does gritty and dangerous.  I like a grim realism and clear-eyed gaze cast upon human affairs along with the thrill of the hunt.

Don’t go entirely hip, metrosexual, and prime-time-crime if you’re able.  The reasoning is the thing, and that must be hard to deliver to a wide audience and translate from the page.


by Colin Angus Mackay

“I must take the view, your Grace, that when a man embarks upon a crime, he is morally guilty of any other crime which may spring from it.”

-Sir Arthur Conan Doyle

A discussion of deductive and inductive reasoning here, as it might relate to solving crimes (which is highly dramatized in our culture, perhaps partly due to Holmes).

Strange Maps has this.

221B Baker Street page here.

Friday Poem: Design By Robert Frost

Design

I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth–
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches’ broth–
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.

What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?–
If design govern in a thing so small.

Robert Frost (wikipedia)