From The Seattle Times-‘Art, Crime And Survival: ‘Awaiting Oblivion’ Seeks Hope In Hopelessness:’
‘After his arrest at Occupy Seattle, a local actor and youth-homelessness worker corresponded with “AO” — a mysterious graffiti/street artist or artists who mailed him art-based “temporary solutions” to stave off despair. The result, “Awaiting Oblivion,” opens at On the Boards.’
The two pictures at the link probably tell more than my words ever could.
Nevertheless, here’s a brief write-up: Lost, desperate souls wander hopelessly through and around the world’s woes, ground-down and alone, bedraggled and suicidal, finally…perhaps finally, discovering some meaning and purpose by engaging in (A)rt as salvation and (A)rt as therapy.
One voice, a candle-flame flickering in the darkness, provides hope and succor, solidarity and structure, across the meaningless void. Perhaps, here, bodies of innocence and bodies of decadence spontaneously and rhythmically erupt in joy against systems of oppression and cold, uncaring authority.
Gender becomes fluid, intersectional; bodies heat-up, juxtaposed within many competing narratives of time and space.
Anti-Capitalist ‘Occupy’-style political activism and identitarian political ideology provide some replacement glow of family and friendship.
Enough of that, already.
Yet, dear reader, you might want to pay attention to how this thinking so easily can make its way up through many news and media outlets, seeping down from institutions of higher-ed into the popular culture, forming reefs of public sentiment and ‘right-thinking’ public opinion.
In fact, I’d say it will likely coalesce around a broader, more popular political middle (women’s marches) in a few years time, [that, in turn] cooling into more somewhat-reasoned anti-Trumpism.
On that note, more (A)rt as politics and protest: ‘In Protest of Trump’s Travel Ban, Davis Museum Will Remove All Art Made or Donated by Immigrants.’
‘From tomorrow, February 16, to Tuesday, February 21, 20 percent of the permanent collection galleries at the Davis Museum at Wellesley College will be shrouded or removed’
‘We’re a nation of immigrants’, not of laws, seems to have become the ‘dominant narrative,’ in many quarters these days.
Donald Pittenger, at Art Contrarian, and formerly of 2 Blowhards, has been looking at modernism. From the banner of his blog:
‘The point-of-view is that modernism in art is an idea that has, after a century or more, been thoroughly tested and found wanting. Not to say that it should be abolished — just put in its proper, diminished place’
Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:
‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…‘
Maybe anti-commercialism is kind of commercial after all, and ‘ironically’ ends-up becoming a spiritual prosthetic in many lives (update: Well, at least to hangers-on following artists around like cult-leaders, but more broadly, such influence is not hard to find in popular culture)
David Thompson offers satire on such matters.
Postmodern generator here, via David Thompson.
Simon Blackburn revisits the Sokal hoax.
Do you remember the Sokal hoax?
Some Updated Links On Postmodernism
Daniel Dennett: ‘Postmodernism And Truth’
I have a soft spot for contrarian social scientists, like Charles Murray and Jonathan Haidt, pushing against what can so easily become an orthodoxy: Repost-Charles Murray Lecture At AEI: The Happiness Of People…
John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’
Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’
Update & Repost-From Darwinian Conservatism: ‘Haidt’s Vindication of Fusionist Conservatism and Aristotelian Liberalism’
***My own anecdote: After a fruitful Town Hall discussion here in Seattle, celebrated British mathematician Roger Penrose did some Q & A afterwards. Most questions were from math majors, physicists, engineers and hobbyists in the crowd (many were over my head…but I tried to catch a few).
One question came from a youngish man in a beret, a little unkempt, who asked (in a possibly affected, but in a very serious tone):
‘Mr. Penrose, what is meaning in a moribund universe?
‘Eh…sorry…I didn’t catch that?’
‘What is meaning in a mo-ri-bund universe?’
‘Well, that is a different kind of question…I mean, here’s what I can offer you…’
***That’s roughly how I remember it, and Penrose was gracious, but brisk, in moving onto the kinds of questions he might be able to answer, or for which he could provide some insight.