Some Gathered Links On Plato, Harold Bloom, Anti-Idealism And Anti-Libertarianism

Harold Bloom also wrote a book on Plato:

Via Mencius Moldbug: ‘Why I Am Not A Libertarian

If you are a libertarian, you are already resigned to the fact that most fashionable people think of you as a nutcase. Today we are going to ask you to crawl a little farther out on that limb, and suggest that you replace your libertarian views with thoughts that are even more extreme.

And ‘Idealism Is Not Great’

However, there’s another meaning of idealist in English—a historical one. Idealism is actually a philosophical school. Or rather a number of philosophical schools. I find the term most useful as it pertains to the line from Plato to Hegel to Emerson to Dewey. (It sometimes helps if you think of them as evil kung-fu masters.)

As posted:

Some years ago, Stuart Lawrence, on the late Roger Sandall’s site, imagined Plato and Aristotle having a conversation about Grand Theft Auto.

Lawrence:

‘Used judiciously and with a suitably grim humour I think Plato can be a help. On the one hand he suggests that the issues raised by the relation of Showbiz to the rest of society have changed little over more than two thousand years. On the other, that the myriad effects of high-tech modern illusionism, both social and political, should not be too casually brushed aside.

From Edward Feser: ‘Jackson on Popper on materialism

‘Popper’s World 3 is in some respects reminiscent of Plato’s realm of the Forms, but differs in that Popper takes World 3 to be something man-made.  As I noted in the earlier post just linked to, this makes his positon at least somewhat comparable the Aristotelian realist (as opposed to Platonic realist) view that universals are abstracted by the mind from the concrete objects that instantiate them rather than pre-existing such abstraction.’

Quite a comment thread over there…

Burnyeat beginning at minute 2:20 of video five:

‘Aristotelianism is actually opposed to that sort of materialism [Heraclitus and atomic doctrine] but Aristotelianism carries the war so far into the enemy camp that it’s actually very hard to reconcile the Aristotelian philosophy with the modern scientific enterprise which says a lot about atoms, the movements of particles…matter and that sort of stuff….

‘…and indeed I think it was no accident that when the modern scientific enterprise got going, it got going by throwing away the Aristotelianism which had so dominated the Middle-Ages.’

But, Platonism is much easier to reconcile with the modern scientific enterprise and that’s why I think, since the Renaissance, really, Platonism has lived on after the death of Aristotelianism because that’s a philosophy you can use, or be influenced by, if you’re seeking to show how scientific and spiritual values can be reconciled…if you want to do justice to the complexities of things where materialism is giving just too simplistic a story.’

Review here of a book by author Luke O’Sullivan on 20th century British conservative and thinker Michael Oakeshott. Other books by O’Sullivan on Oakeshott can be found here.

If you’re interested in critiques on the effects of rationalism and utopianism in politics and political theory, and a defense of the familiar and the traditional in the face of Socialist, Marxist, and other ideologies, it’s probably worth looking into.

Drop a line if this is your area.

Gray:

‘That Oakeshott’s thought does not in the end hang together may not be very important. What system of philosophy does? But the fact is ironic given his intellectual antecedents. He was one of the last of the British Idealists, who, as opponents of empiricism, understood truth not as meaning correspondence with any kind of external reality but as a form of internal coherence in our thinking.’

and:

‘He wrote for himself and anyone else who might be interested; it is unlikely that anyone working in a university today could find the freedom or leisure that are needed to produce a volume such as this. Writing in 1967, Oakeshott laments, ‘I have wasted a lot of time living.’ Perhaps so, but as this absorbing selection demonstrates, he still managed to fit in a great deal of thinking’

The empricial realism and transcendental idealism of Kant is not mentioned

-In writing an entire undergraduate thesis on Kant’s transcendental idealism, Niall Ferguson sketches a Kissinger who bypassed the historical determinism of the Hegelians and the economic determinism of the Marxists. Freedom has to be lived and experienced to thrive and be understood, and Kant gets closer to championing this conception of individual freedom than do many German thinkers downstream of Kant.
-According to Ferguson, this still tends to make Kissinger an idealist on the idealist/realist foreign policy axis, but it also likely means he’s breaking with the doctrines which animate many on the political Left, hence his often heretical status.

Repost: From the Cambridge Companion To Plato-T.H. Irwin’s “Plato: The intellectual Background’

Via A Reader-‘Locke’s Empiricism, Berkeley’s Idealism’

Can Kant do all that heavy lifting…what are some of the dangers of Kantian reason? Empirical Realism and Transcendental Idealism From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On KantA Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty” …

A Link To ‘Night Shadows’ By Edward Hopper, A Poem By Robert Frost & Some Images

Night Shadows by Edward Hopper.

The black and white was made in 1924, and is probably most evocative of noir.

I think Raymond Chandler’s High Window is the best of the detective novel.

Here are some quotations of his, if you’re interested.

“Los Angeles was just a big dry sunny place with ugly homes and no style, but good-hearted and peaceful. It had the climate they yap about now. People used to sleep out on porches. Little groups who thought they were intellectual used to call it the Athens of America.”

Here is the link.   It’s been a long time since they just reviewed the book and not the author.

The poem that most came to mind:

Acquainted with the Night

I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,

But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky

Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

Robert Frost

As posted:

Detroit Nocturne‘ found here.  Via Mick Hartley.

I’m partial to ‘Joey’s Meatcutter Inn, Bar & Grill 2017‘:

Joey's Meatcutter's Inn, Eastside, Detroit 2017

The lonely cityscape at night or the familiar glow of gas station lights cast into the American wilderness.  The eye might want to linger among the colors, shapes and clouds even though the mind knows this is pretty much an empty street in a ‘post-industrial’ zone.

First The Materialism And Rationalism, Then The Utopianism and Irrationalism Later On-Some Links

You may have noticed modern ‘-Ist’ movements focus upon the material and rational, often to then move further into the nihilist and irrational, towards an utopian ideal. Market comparisons are leveraged to prove a woman’s worth, usually against some previous constraint or tradition. Housework=x. By itemizing and assigning a dollar value to every household task a woman performs, the goal is likely to liberate and bring her closer to the males free to compete in the marketplace. Freedom is next!

Since women have been oppressed and left historically with fewer choices (certainly true in many respects and many places), this individual woman will be liberated from the previous oppression, using the market as her yardstick. Think of a dollar sign behind every daily chore she does, regardless of all the other deeper reasons she/we/any of us might be doing such chores. At a minimum (the fallback defense), such a move will grant more individuals the freedom to choose (free to choose a job or stay at home with the kids), harnessing all the intelligence, drive and ability which had previously been constrained through narrower religious and traditional channels.

I first came across the argument through Laura Kipnis (a feminist), and I support her in pointing out the absurdity of campus sexual identity politics and the encroachments upon reason:

Within the postmodern soup, however, the union of a visual artist, feminist theorist, and dry contrarian academic bureaucrat [is] probably a sign of the times.

What I think is true: Ignorance is usually the rule in human affairs, not the exception. Many women make bad choices, and must live with them (the rest of us, too, just like the men making bad choices). Some women are not particularly bright and are of pretty limited scope. Women aren’t inherently better nor worse than men. The feminist position staked out through the the humanities (Mary Wollstonecraft, Mary Shelley, the Bronte Sisters, Virginia Woolfe) certainly showcases what creative ability and brilliance can do. Yet, it, too must also help us confront the nature of human evil, the poor judgment which comes with the passions, and the pursuit of truth.

So, perhaps the previous traditions and grooved channels were a reflection of much of what we are, for good or ill. Their ruins are those through which we still walk.

Human nature probably hasn’t changed all that much during the last few centuries, either. Raising good people, good students, and good citizens is probably one of our highest callings, both men and women alike. Any one of us, throughout our lives, can allow worse passions enough leverage to cause tremendous misery and suffering to ourselves and others. Such truths are absolutely vital in maintaining the institutions which maintain a Republic.

I think the materialist and rationalist position fails to really account for what really motivates most of us, most of the time. I also think it represents an ultimate move towards the postmodern (S)elf left to resolve such questions alone, or through the increasingly strident modern ‘moral cause’ and politico-identity movements which don’t necessarily bring ‘peace’ nor consensus.

–On that note:

I think some Catholics are saying true things about modernity and secular humanism. It’s refreshing because liberal idealism and secular humanism have generally come to dominate, with all of their triumphs and problems.

Let’s not forget all the problems of truth, corruption, authority and knowledge which come with the Catholic church, while supporting the critique of the ‘-Ists’ and ‘-Isms’ in both fashion and considerable power.

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

The nihilist claims are deeper than you may think, and the Nietzschean, and Will–>Will to Power German influence is also deeper than most people think; offering profound criticisms of the scientific project, liberalism, liberal institutions, and a secular humanism which is the air many folks breathe these days.

Here’s a somewhat similar vein of thought.  From friesian.com:

Although Anglo-American philosophy tended to worship at the feet of science, the drift of academia to the left has led to characteristically totalitarian political attacks on science itself — this despite the leftist program to use “climate science” to impose a Sovietized command economy on energy and the tactic to smear climate skeptics, i.e. “Deniers,” through associaton with Creationism or Neo-Nazi Holocaust denial. None of that has stopped the “post-modern” move…’

Thursday Poem-Thomas Dekker

The Merry Month of May

O the month of May, the merry month of May,
    So frolic, so gay, and so green, so green, so green!
O, and then did I unto my true love say:
    “Sweet Peg, thou shalt be my summer’s queen!

    Now the nightingale, the pretty nightingale,
    The sweetest singer in all the forest’s choir,
Entreats thee, sweet Peggy, to hear thy true love’s tale;
    Lo, yonder she sitteth, her breast against a brier.

    But O, I spy the cuckoo, the cuckoo, the cuckoo;
    See where she sitteth: come away, my joy;
Come away, I prithee: I do not like the cuckoo
    Should sing where my Peggy and I kiss and toy.”

O the month of May, the merry month of May,
    So frolic, so gay, and so green, so green, so green!
And then did I unto my true love say:
    “Sweet Peg, thou shalt be my summer’s queen!”

Thomas Dekker

Did you fall in love with this green, green English?

Maybe it all comes back around:

From The Remodern Review: ‘The Death Of University Programs, Part 3: Ignorance As A Method Of Critique’


Full post here
.

Hmmm…..

‘These endless deconstructive debates might not have done our art much good, but it was sure setting us up to take part in the approved modes of the establishment art world. They think if they pile enough words together, they can justify anything. However, they are profoundly wrong. Real art is self evident, and does not need to be propped up with a bunch of meaningless art speak.’

What I noticed in literature:  Most of the old-guard had higher standards and more rigorous methods.  They wanted closer readings and had clearer expectations.  I suspect most thought they actually possessed both knowledge and wisdom and, frankly, they were there to impart both their knowledge and wisdom to us, the students.

‘What happened between them and me?’, I would find myself wondering.

As for the canon, there was the vague notion that it had been, no, still is, being dismantled.  Some deeper epistemic questions tended to hang in the air, put to students straightaway (how does anyone know anything, man? What does a Self do against Nothingness and the Void? how should I be a Creative Self?).

Ah, well.

***As for my own self-indulgent, amateur photos. Thanks for looking. I do it because that’s what keeps me interested. Most require words; associated with a lot of own experiences and attempts at getting better (you don’t really get better unless you’re your own worst critic).

I won’t really get you noticed, and I won’t likely bring you fame nor readership. But I really do thank you for stopping by.

Bonus: Jay Parini on Gore Vidal and an essay I recall skewering parts of academia.

Related On This Site:

Repost-Daniel Dennett: ‘Postmodernism And Truth’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

– Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

As previously posted:

An old Heather MacDonald piece here (link may not last)

Oh, the humanity.

I agree that students, when facing a syllabus, shouldn’t also have to face the great books mediated, nor their young minds circumscribed, by overt political ideologies.

MacDonald:

‘In other words, the UCLA faculty was now officially indifferent to whether an English major had ever read a word of Chaucer, Milton or Shakespeare, but the department was determined to expose students, according to the course catalog, to “alternative rubrics of gender, sexuality, race, and class.”

Upon hearing “gender, sexuality, race, and class,” I confess my head hangs down a bit and a sigh escapes my lips. Such a lack of imagination does great disservice to works of such powerful imagination.

Then again, I remember my last trip to Southern California (zing).

Of course, there still needs to be an intellectual framework and curriculum for the humanities.

—————–

On that note, Roger Scruton had some keen insights:

“The works of Shakespeare contain important knowledge. But it is not scientific knowledge, nor could it ever be built into a theory. It is knowledge of the human heart”

“…in the days when the humanities involved knowledge of classical languages and an acquaintance with German scholarship, there was no doubt that they required real mental discipline, even if their point could reasonably be doubted. But once subjects like English were admitted to a central place in the curriculum, the question of their validity became urgent. And then, in the wake of English came the pseudo-humanities—women’s studies, gay studies and the like—which were based on the assumption that, if English is a discipline, so too are they.”

Quite importantly:

“And since there is no cogent justification for women’s studies that does not dwell upon the subject’s ideological purpose, the entire curriculum in the humanities began to be seen in ideological terms.”

Terry Eagleton, British Marxist and professor in the humanities, debates Scruton below.

Will Marxism & continental philosophy become further guiding lights for the humanities here in America as we find much more so in Britain?

Are we really that thick into the postmodern weeds?:

 —————————–

Judgment, as Scruton points out, shouldn’t necessarily be subsumed to political ideology.  I would agree, and I generally default in assuming that each one of us is the ultimate arbiter of our own judgment.

But, no man is an island.

Does Scruton’s thinking eventually lead us back to the problems that religion can have with artists and writers?

Is there anybody whom you trust to decide what you should and shouldn’t read?

Parents?  Great authors?  Public intellectuals?  Professors?  God?  Laws and lawmakers? Religious leaders?  A school-board?  A democratic majority?  People who think like you?  A Council of Cultural Marxists?

The Department of Institutionalized Idiocy?

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Martha Nussbaum says the university needs to be defend Socratic reason and still be open to diversity:  From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’ 

Stanley Fish also says keep politics out of academia: From The Stanley Fish Blog: Ward Churchill Redux…

Alan Jacobs At The American Conservative: ‘Roger Scruton Vs. The New Left’

Review here.

Book here.

‘While I am complaining, I will also note that Scruton has nothing to say about how several of these figures—especially Žižek and Alain Badiou, along with Jacques Derrida, who is barely mentioned here—have played a role in the so-called “religious turn” of humanistic studies, in which various movements generally called “postmodern” find a significant place for religion in their reflections, if not in their beliefs or practices. This marks a significant departure from the relentless secularism of most earlier forms of European leftism, and that deserves note. Nor does Scruton account fully for Jürgen Habermas’s reputation as a centrist figure in the German and more generally the European context. (Habermas too has spoken more warmly of religion in recent years.’

I’ve heard Scruton’s rather sober vision of the good society referred to as ‘Scrutopia’ by dissenters:

On this site, see:

More Scruton here.

So, what is all this Nothing-ness about? ‘My view’, says Scruton, ‘is that what’s underlying all of this is a kind of nihilistic vision that masks itself as a moving toward the enlightened future, but never pauses to describe what that society will be like. It simply loses itself in negatives about the existing things – institutional relations like marriage, for instance – but never asks itself if those existing things are actually part of what human beings are. Always in Zizek there’s an assumption of the right to dismiss them as standing in the way of something else, but that something else turns out to be Nothing.’

Related On This Site: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism

Nussbaum argues that relgion shouldn’t be a source for the moral laws From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum…More on Strauss as I’m skeptical of his hermeticism and his strong reaction to Nietzsche and some things he may have missed about the Anglo tradition: From Philosophy And Polity: ‘Historicism In German Political Theory’From The Selected Writings By And About George Anastaplo: ‘Reason and Revelation: On Leo Strauss’

 Maybe if you’re defending religion, Nietzsche is a problematic reference: Dinesh D’Souza And Daniel Dennett at Tufts University: Nietzsche’s Prophesy…… From The Access Resource Network: Phillip Johnson’s “Daniel Dennett’s Dangerous Idea’Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’ …Theodore Dalrymple In The City Journal: Atheism’s Problems.

How does Natural Law Philosophy deal with these problems, and those of knowledge?

Repost-Edward Feser on David Mamet’s ‘Glengarry Glen Ross’ And More Modernist Commentary

Because David Mamet’s showed up on Joe Rogan recently

Thanks for reading.

This blog welcomes lenses with which to view works of modern art.

From Edward Feser: ‘Aquinas Watches Glengarry Glen Ross’

Feser:

‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types.  Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.

So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter.  One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’

Glengarry Glen Ross‘ has become something of a cultural touchstone for many; maybe this generation’s ‘Death Of A Salesman

You call yourself a salesman you son-of-a-bitch?:’

For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.

Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.

On fuller display, perhaps.

Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.

For those who didn’t ask!:

As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious:  Make it new.  Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).

It takes really talented individuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.

As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us.  There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).

They write these f**king art blurbs before they have any art!  What the f**k is this lady doing?:

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in upcoming generations’ rather pervasive desire for fame and recognition.

The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).

As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.

Ah well…there’s my two cents.

There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.

Enduring…I like the sound of that.


Because you really didn’t ask:

Another video included at the link.

David Mamet underwent a conversion to conservatism in rather dramatic and public fashion a few years ago.  In leaving his liberal views behind, he’s no doubt become a heretic to some.  At the link, he hosts an interview at Il Forno in Santa Monica with Uncommon Knowledge’s Peter Robinson.

Here’s my take, for what it’s worth:

Born and raised in Chicago, Mamet seems pretty old-school and pretty tough.  He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles.  Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered).  I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.

Mamet also cites Chicago School Of Economics neoclassical thinkers’ Milton Friedman, Thomas Sowell and Austrian economist/political philosopher Friedrich Hayek as central to his conversion.  Hayek’s rather tragic view of limited resources and opportunity costs being the natural state of affairs for mankind is clearly an influence. This would generally lead one to eschew the Statist/rationalist idealism and socialist utopianism typically associated with many Left and liberal Left movements.

***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies.  See him discuss his later vision of human nature and political organization in a Conflict Of Visions.

Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican.  There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left.  There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).

Religious belief can ground one in a kind of traditional and tragic view of human nature.  This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves).  As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.

I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed).  I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.

Mamet also touches on the fact that the arts aren’t a political endeavor.  If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show.  Didactic art can come across as clunky at best, pure propaganda at worst.

Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.

Anyways, this is just a brief summary.  Any thoughts or comments are welcome.

Feel free to highlight my ignorance.

A Bleak, Modern House-Four Poems

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

William Logan At The New Criterion: ‘Pound’s Metro’

Full piece here.

Logan takes a look at one of the most important modern poems:

In a Station of the Metro

The apparition of these faces in the crowd;
Petals on a wet, black bough.

Ezra Pound

Logan:

‘The minor vogue and rapid extinction of Imagism, a movement whose influence we still feel, has been hashed over by literary critics for a century. Its rehearsal here is merely to bring the poem into focus within the slow progress toward the densities of language, the images like copperplate engraving, that made Pound Pound.’

Thorough and well done.

The result would echo back to the States years later:

The Great Figure

Among the rain

and lights

I saw the figure 5

in gold

on a red

firetruck

moving

tense

unheeded

to gong clangs

siren howls

and wheels rumbling

through the dark city.

William Carlos Williams

This blog tends to look cautiously at many of the ideas of the Romantic poets, and the break to modernism, but not necessarily the poems themselves.  The echo ripples outwards:

Mid-August at Sourdough Mountain Lookout

Down valley a smoke haze
Three days heat, after five days rain
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.

I cannot remember things I once read
A few friends, but they are in cities.
Drinking cold snow-water from a tin cup
Looking down for miles
Through high still air.

Gary Snyder

Once we start arriving at ‘ecological’ appreciations of nature, and the postmodern, confessional altar of Self and the turn inwards to the Self a subject for the art, and the desperate search for meaning, I get more and more turned off, for my own reasons.  Such good poems will carry on.

Any thoughts and comments are welcome.

Repost-Madame, I Believe Your Brains May Have Fallen Out

After the Yale Silliman silliness and the Charles Murray Middlebury madness, a cruder skepticism might recommend writing many humanities/social sciences departments off altogether (hey, it’s Middlebury, after all).

Some departments are so open-minded, it seems, they’re allowing students to chant James Baldwin as though his spells will ward off the evil spirits of white-devilry (there’s still an air of the psycho-drama about all this).  Perhaps, just perhaps, a University isn’t the type of place where angry mobs should shout-down invited speakers, hunt them to the after-party, and beat them away into the night.

Mockery and laughter can work wonders in the face of true-belief and rigid ideology (that’s not funny!), but relatively fewer people have the wisdom, moral courage and humility to earn back the trust to educate, not indoctrinate.

Frankly, I’m not holding my breath as long as enough money and influence are at stake, and the stakes, as they say, are still pretty low.

At least now a broader swathe of the American public has gotten a look at the unhealthy radical group-think festering within, the kind which arrives when ideas and bad ideas, unchallenged, are allowed to rule the roost.  The consequences such ideas are having upon the pursuit of truth are damning.

Whose good is this serving?

Heterodox Academy might not be a bad start.


As previously posted:

As this blog has been arguing for over a decade, a lot of modern art is pretty good, but beyond the current political/ideological squabbles, there sure are a lot of poseurs making crap.

A Bleak, Modern House-Four Poems

The creep of vacuous ideas and lack of any apparent talent/technique is common, and it can be hard to tell where celebrity, marketing and branding bullshit ends, and ‘art’ begins:

-Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

What is this lady doing?:

Some quotes for you, dear Reader:

From Dr. Stephen Hicks:

‘In the shorter term, postmodernism has caused an impoverishment of much of the academic humanities, both in the quality of the work being done and the civility of the debates. The sciences have been less affected and are relatively healthy. The social sciences are mixed.

I am optimistic, though, for a couple of reasons. One is that pomo was able to entrench itself in the second half of the twentieth century in large part because first-rate intellectuals were mostly dismissive of it and focused on their own projects. But over the last ten years, after pomo’s excesses became blatant, there has been a vigorous counter-attack and pomo is now on the defensive. Another reason for optimism is that, as a species of skepticism, pomo is ultimately empty and becomes boring. Eventually intellectually-alert individuals get tired of the same old lines and move on. It is one thing, as the pomo can do well, to critique other theories and tear them down. But that merely clears the field for the next new and intriguing theory and for the next generation of energetic young intellectuals.

So while the postmodernism has had its generation or two, I think we’re ready for the next new thing – a strong, fresh, and positive approach to the big issues, one that of course takes into account the critical weapons the pomo have used well over the last while’

We’ll see about that…

Roger Scruton’s words struck me when I read them years ago:

“In the days when the humanities involved knowledge of classical languages and an acquaintance with German scholarship, there was no doubt that they required real mental discipline, even if their point could reasonably be doubted. But once subjects like English were admitted to a central place in the curriculum, the question of their validity became urgent. And then, in the wake of English came the pseudo-humanities—women’s studies, gay studies and the like—which were based on the assumption that, if English is a discipline, so too are they.”

“And since there is no cogent justification for women’s studies that does not dwell upon the subject’s ideological purpose, the entire curriculum in the humanities began to be seen in ideological terms.”

————

Apart from the rare genius, it seems the arts tend to ferment in groups and schools, made up of individuals with their own ideas, reacting to each other and events; reacting to their own developing talents and finding out through trial and error what works within some semblance of a tradition.

See: ‘Tradition And The Individual Talent’

Culture matters, in the sense that the value a civilization chooses to place in one activity over another can dramatically affect outcomes for that particular activity; a framework emphasizing and incentivizing the activity to live on in hearts and minds of individuals.

Perhaps Modern Art just needs to be put into broader contexts, given deeper roots which can nourish the talent already being born.

Some people are looking for ‘epistemologies:’

Daniel Dennett: ‘Postmodernism And Truth’

No, I don’t need a movie explained to me in terms of ‘masculinity’ or feminist doctrine, any more than I need it to tell me to read Leviticus, or be a good Christian. I like good composition.

No, I don’t need a cartoon to reflect ‘solidarity’ around a particular political figure or set of political ideals, you fool!

Good art is usually beyond all that, and makes the viewer question/forget such things.

Why not just put a few algorithms to work in writing those artist statements?

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Stanley Fish also says keep politics out of academia: From The Stanley Fish Blog: Ward Churchill Redux…

Scruton again has deep insight, but will Christian religious idealism have to bump heads with Islamic religious idealism?: From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism

Thanks to iri5

Which Ideas Are Going To Inform Education?-A Few Humble Links

My very un-hot take: The deconstructionism dominant in the academy scoops out all kinds of meaning from texts and lives, with an ever-present focus on the (S)elf (not necessarily the individual). Many very good artists this past century have flirted with Communism/Socialism as an alternative organizing system within this existential void, or have retreated to a kind of nihilism (the idea that there is no objective reality).

Some of their art, often reaching highest levels, lives beyond them.

This intellectual milieu partly informs what is replacing the previous educational ideas we had at many levels of American society.

Teaching younger folks, especially, tends to be people-oriented and requiring of patience, sensitivity to developmental and behavioral issues, and interpersonal communication. This tends to attract a higher proportion of women (this disparity is mentioned in the video below). Many good women, in particular, and many good people (minds, characters, habits), have implicitly or explicitly supported feminism as a means of more freedom the past few generations. Much feminist doctrine has quite radical ideas about the family, the Nation, and the aims of education, which also helps produce good people.

Conflicts abound.

Good teachers tend to aim at higher things with humility (like knowledge, personal growth for themselves and the students, as well as duty…to some kind of ideal). You never really know what they think personally, but they encourage you to think well. Americans have been a particularly idealistic civilization.

In my experience, many less good teachers only aim at rising through the educracy, or at a job with a pension, or maybe easy enforcement of existing ideas without having to do too much. Incentives matter.

More broadly, some people are just unstable and without identity, finding primary meaning within radical and destructive ideologies. They embody the beliefs and live through them. Some of these doctrines are finding their way into some curricula in our schools and the results will not be pretty (I think of them as the new postmodern religionists, who are incredibly hostile to all outside their ideology).

It’s be nice if we could just say these are some of the costs of change, without blaming those who reason from a position more skeptical of change. I’m not holding my breath.

George Packer (old-school liberal?) at the Atlantic: ‘The Grown-Ups Are Losing It

Students are leaving as well. Since 2020, nearly 1.5 million children have been removed from public schools to attend private or charter schools or be homeschooled. Families are deserting the public system out of frustration with unending closures and quarantines, stubborn teachers’ unions, inadequate resources, and the low standards exposed by remote learning.

Walter Russell Mead’s interesting piece-Why Blue Can’t Save The Inner Cities Part I:

Generally, political inertia and public worker unions combined to keep government in the Blue Age even as the rest of the economy moved on.  Today, the experiences and the expectations of people in the private sector and people in the public sector are quite different.  There are many results, including taxpayer revolts against public sector benefits and pay, but from an urban policy standpoint the key one is this: the government job machine is no longer an escalator to the middle class.  In fact, the dependence of the Black middle class on government work is going to be one of the chief threats to the health of the Black middle class as we’ve known it’

Also On This Site:Andrew Delbanco At The NY Times Review Of Books: ‘The Two Faces Of American Education’ Diane Ravitch At Education Week: ‘Why Michelle Rhee and Adrian Fenty Lost’Two Links On Diane Ravitch & School Reform

From Reason.Tv: ‘NBC’s Education Summit-Joe Trippi, Michelle Rhee & More’From The Washington Post: ‘D.C. Schools Chancellor Michelle Rhee To Announce Resignation Wednesday’

Rhee stated much the same here:  She didn’t connect with the people most involved…Michelle Rhee At Newsweek: “What I’ve Learned”Repost-’Too Much “Quality Control” In Universities?’

As previously posted-A breath of fresh air from George Packer at the New Yorker: ‘Mute Button: