Wallace Stevens

Repost: From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

/ chr1 / Leave a comment

Full review here.

Vendler reviewed John Serio’s then new “Selected Poems”  of Wallace Stevens.

“Stevens’s conscience made him confront the chief issues of his era: the waning of religion, the indifferent nature of the physical universe, the theories of Marxism and socialist realism, the effects of the Depression, the uncertainties of philosophical knowledge, and the possibility of a profound American culture, present and future.”

and

“Stevens’s poetry oscillates, throughout his life, between verbal ebullience and New England spareness, between the high rhetoric of England (and of religion) and the “plain sense of things” that he sometimes felt to be more American…”

See Also On This Site:  Trying to stick something against his poems: Wednesday Poem: Wallace Stevens-Anecdote of The Jar…Wednesday Poem: Wallace Stevens, The Snow Man…Friday Poem: Wallace Stevens And A Quote By David Hume

Repost-Roger Kimball At Arma Virumque: ‘Santayana On Liberalism And Other Matters Of Interest’

/ chr1 / Leave a comment

Full essay here.

Worth a read:

‘My point is only that Santayana — the Spanish-born, Boston-bred, Harvard educated cosmopolite — stands out as an unusual specimen in the philosophical fraternity. He wrote beautifully, for one thing, commanding a supple yet robust prose that was elegant but rarely precious or self-infatuated’

and Kimball on Santayana’s interaction with William James:

‘Temperamentally, the two men were complete opposites — James bluff, hearty, the thorough New England pragmatist in manner as well as philosophical outlook: Santayana the super-refined, sonnet-writing, exquisitely disillusioned Catholic Spaniard. In many ways, Santayana was closer in spirit to William’s brother Henry.’

For what it’s worth, I recall a deeply Catholic lament and longing in the Spanish character, which can be combined with a kind of clear-eyed realism and stoicism, but not always. The faith runs deep in St Teresa and her passions, and despite Miguel de Unamuno’s rationalist influences, I remember a general preference for wisdom in the Tragic Sense Of Life.

Something clicked regarding Spain when I finally visited the Escorial outside of Madrid after many months of being in that city. It’s a grand castle of course, but it also struck me as rather plain, barracks-like at times. Very austere. It was explained that the Escorial was both a royal palace and a monastery:

————————–

Quote found here:

‘Philip’s instructions to Herrera stipulated “simplicity of form, severity in the whole, nobility without arrogance, majesty without ostentation,” qualities clearly illustrated by the long sweep of these facades.’

That Catholic influence can also get a little intense:

‘El Escorial was built to honor St. Lawrence, who was burned on a grill. In order to remind the citizens of his martyrdom and sacrifice, the entire building is a grill. Yes, it is shaped like a grill. There are paintings of St. Lawrence on a grill, grills are carved into the doorways, the weather vain is in the shape of a grill, the backs of chairs are supposed to be grills, the list literally could go on forever.’

Maybe they got a little carried away during the Reconquest.

Any thoughts and comments are welcome.

Related On This Site: Wednesday Poem: Wallace Stevens-Anecdote of The Jar…Some Sunday Quotations: (On) Kant, Locke, and Pierce

British conservatism with a fair amount of German idealist influence: Repost-Roger Scruton In The American Spectator Via A & L Daily: ‘Farewell To Judgment’

Via The University Of British Colombia: Kant-Summary Of Essential Points…From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On Kant…Sunday Quotation: From Jonathan Bennett On Kant…

From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’…From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’…

From Edward Feser: ‘Nagel And His Critics Part IV’…A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Wednesday Poem-Wallace Stevens

/ chr1 / Leave a comment

Postcard From The Volcano

Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;

And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;

And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt

At what we saw. The spring clouds blow
Above the shuttered mansion-house,
Beyond our gate and the windy sky

Cries out a literate despair.
We knew for long the mansion’s look
And what we said of it became

A part of what it is . . . Children,
Still weaving budded aureoles,
Will speak our speech and never know,

Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,

A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.

–Wallace Stevens

A little authoritative and paternal, but a romantic poet. A modernist, brilliant with language but precise in meaning, abstract, somewhat philosophical.  They say he had a deathbed conversion. Here’s another line of his:

“The poem must resist the intelligence / Almost successfully.“

And then just to frustrate matters more:

Beauty is no quality in things themselves, it exists merely in the mind which contemplates them; and each mind perceives a different beauty.

–David Hume

See Also:  Wednesday Poem: Wallace Stevens-Anecdote of The Jar…and while I may not agree with his conclusions, Denis Dutton knows aesthetics pretty well and philosophy too:  Review of Denis Dutton’s ‘The Art Instinct’…

f-30-moving-carousel-1

Tuesday Poem-Wallace Stevens

/ chr1 / Leave a comment

The Poems of Our Climate

I
Clear water in a brilliant bowl,
Pink and white carnations. The light
In the room more like a snowy air,
Reflecting snow. A newly-fallen snow
At the end of winter when afternoons return.
Pink and white carnations – one desires
So much more than that. The day itself
Is simplified: a bowl of white,
Cold, a cold porcelain, low and round,
With nothing more than the carnations there.

II
Say even that this complete simplicity
Stripped one of all one’s torments, concealed
The evilly compounded, vital I
And made it fresh in a world of white,
A world of clear water, brilliant-edged,
Still one would want more, one would need more,
More than a world of white and snowy scents.

III
There would still remain the never-resting mind,
So that one would want to escape, come back
To what had been so long composed.
The imperfect is our paradise.
Note that, in this bitterness, delight,
Since the imperfect is so hot in us,
Lies in flawed words and stubborn sounds.

–Wallace Stevens

Friday Poem-Wallace Stevens

/ chr1 / Leave a comment

Anecdote of the Jar

I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion every where.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.

–Wallace Stevens

Throw something at it and see if it sticks.  I like Helen Vendler’s interpretation….

What do you do with an uncivilized, wild land?  Import European learning and literature “atop” it?

The nature/culture divide?  Nature is wonderful but it is to culture where we must return.  If you are an artist, you turn towards direct experience in this land, but…you also turn to that which inspires you…European learning and thought….the products of other cultures.

Midweek Poem-Wallace Stevens

/ chr1 / Leave a comment

The Poems Of Our Climate

I
Clear water in a brilliant bowl,
Pink and white carnations. The light
In the room more like a snowy air,
Reflecting snow. A newly-fallen snow
At the end of winter when afternoons return.
Pink and white carnations – one desires
So much more than that. The day itself
Is simplified: a bowl of white,
Cold, a cold porcelain, low and round,
With nothing more than the carnations there.

II
Say even that this complete simplicity
Stripped one of all one’s torments, concealed
The evilly compounded, vital I
And made it fresh in a world of white,
A world of clear water, brilliant-edged,
Still one would want more, one would need more,
More than a world of white and snowy scents.

III
There would still remain the never-resting mind,
So that one would want to escape, come back
To what had been so long composed.
The imperfect is our paradise.
Note that, in this bitterness, delight,
Since the imperfect is so hot in us,
Lies in flawed words and stubborn sounds.

See Also:  Wednesday Poem: Wallace Stevens-Anecdote of The Jar

Monday Poem-Wallace Stevens

/ chr1 / Leave a comment

The Snow Man

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

 For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

 –Wallace Stevens