European Anti-Semitism, Marxism, Immigration And Bad Ideas

Via Mick Hartley.

Oliver Kamm:

‘Why would the leader of a mainstream political party declare that he is opposed to antisemitism? The answer, in the case of Jeremy Corbyn, is that otherwise it would be impossible to tell.’

Of course, NPR will tend to see ‘anti-semitism’ as a ‘far-right’ phenomenon and overlook how complicit naive idealism and authoritarian collectivisism can be in exacerbating the problem.

Let’s not forget that greasing many a cog, found grinding within many a big-city American political machine (exiquisitely corrupt), can be found similar activism.

My two cents:  Fashioning the same, tired ideas into a political platform and leading many of the same ‘People’ ritualistically against the world that is (the oppressor’s world), misunderstands much of human nature and much of what is politically possible.

Merely subjecting one’s Self to the continually fresh challenges and foibles of political leadership doesn’t necessarily legitimate bad ideas.

Labeling all individuals as either ‘racist’ or not, ‘misogynist’ or not, ‘Islamophobic’ or not, is serious mislabeling.

This can expose, sooner or later, genuine ‘minorities’ (definitional) living in plain sight to many of the abuses and legitimate fears minorities tend to face pretty much all the time and in all places.

The divisions within the human heart towards the known, familiar and comfortable tend to re-assert themselves, sooner or later.

Hopefully, this occurs magnanimously and within families, as part of institutional best practices and under laws which leave individuals free to practice charity, prudence and reasonable judgment where possible.  A solid friendship can weather much more than yet another political crusade.

The more institutions and laws with power to govern your family become governed by radicals and utopians, the weaker those institutions and more badly written the laws tend to become.  Unsurprisingly, this bodes ill for many families.

How is ‘Europe’ going to handle these problems?:

Update And Repost: From Peter Berkowitz At Harvard: ‘The Reason Of Revelation: The Jewish Thought Of Leo Strauss’

Are we back to a clash of civilizations…or are there are other options: From The Atlantic: Samuel Huntington’s Death And Life’s Work

From The OC Jewish Experience: ‘UC Irvine Muslim Student Union Suspended’ …

Thank You Bernard Henri-Levy: The End Of Victimhood & Identity Politics

Tom Wolfe wrote about the Black Panthers showing up at Leonard Bernstein’s place: Tom Wolfe’s Radical Chic: That Party At Lenny’s.

Alberto Nisman, The ‘Global Community’ & Anti-Semitism in Europe-Some Links & Thoughts

Saturday Poem-Seamus Heaney

Thanks to a reader (there are a few out there :):

Mid-Term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o’clock our neighbours drove me home.

In the porch I met my father crying—
He had always taken funerals in his stride—
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were ‘sorry for my trouble’.
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o’clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four-foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four-foot box, a foot for every year.

The Conservatarian Curve-Some Reasons To Remain Skeptical Of ‘Culture’ And Cultural Criticism Of A Certain Kind

Roger Sandall’s book:  ‘The Culture Cult:  Designer Tribalism And Other Essays‘ here.

A follow-up essay here springing from a discussion: ‘The Culture Cult revisited’

Sandall:

‘But in the year 2000, with Fascism and Communism both discredited, why, I wondered, were so many turning back toward Rousseau? What was the attraction of romantic primitivism? How had ethnic culture become a beau ideal? Cities certainly have their problems, but why did New Yorkers see tribal societies as exemplary and tribespeople as paragons of social virtue?’

If you do manage to develop a bedrock of secular humanism in civil society (subject to that society’s particular traditions and history), won’t that society still have need of its own myths?

Even though Fascism and Communism have been discredited in theory and in practice, adherents remain (look no further than most American academies).

Sandall notes the Popperian elements discussed as from ‘The Open Society And Its Enemies‘, which as a theory, stretches deep into human nature and the West’s Greek traditions.

Is Popper’s ‘critical rationalism’ some of what we’re seeing from the intellectual dark-webbers, or at least many bright people pushing against the fascistic elements found within many far-Left movements, just those movements endorse and feed a far-right, identitarian and ideological response?:

‘…the people and institutions of the open society that Popper envisioned would be imbued with the same critical spirit that marks natural science, an attitude which Popper called critical rationalism. This openness to analysis and questioning was expected to foster social and political progress as well as to provide a political context that would allow the sciences to flourish.’

Sandall again on Popper:

‘His 1945 The Open Society and Its Enemies started out from the contrast between closed autarkic Sparta and free-trading protean Athens, and used it to illuminate the conflict between Fascism and Communism on the one hand, and Western democracy on the other.’

but…:

‘Is an ‘open society’ also supposed to be an ‘open polity’ with open borders? Médecins sans Frontières is all very well: but states cannot be run on such lines. Popper’s is a theory of society, not a theory of the state—and it seems to me that his book offers no clear account of the wider political preconditions that enable ‘open societies’ to both flourish and defend themselves.’

So, how did Sandall see the idea of ‘culture’ having its orgins?:

‘But at a higher philosophical level, and starting out in England, it owed more to the energetic publicising of Herder’s ideas by the Oxford celebrity Sir Isaiah Berlin — ideas of irresistible appeal to the post-Marxist and post-religious liberal mind.’

Open borders and open societies?  A desire a ‘culture’ has to forge and solidify its own identity?

Kelley Ross (open border libertarian last I checked) responds to a correspondent on value-pluralism, while discussing John Gray as well:

‘Now, I do not regard Berlin’s value pluralism as objectionable or even as wrong, except to the extend that it is irrelevant to the MORAL issue and so proves nothing for or against liberalism. Liberalism will indeed recommend itself if one wishes to have a regime that will respect, within limits, a value pluralism.

‘J.S. Mill, etc., continue to be better philosophers than Berlin or Gray because they understand that there must be an absolute moral claim in the end to fundamental rights and negative liberty, however it is thought, or not thought, to be justified. Surrendering the rational case does not even mean accepting the overall “value pluralism” thesis, since Hume himself did not do so.

Back to Sandall:

‘Then something happened: the English word “culture” in the sense employed by Matthew Arnold in his 1869 Culture and Anarchy got both anthropologized and Germanised — and anthropological culture was the opposite of all that. It meant little more in fact than a social system.’

Any thoughts and comments are welcome.

A rather tangled web indeed…

Further entanglements on this site, possibly related:

Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:

‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…

From Edward Feser: ‘Jackson on Popper on materialism

‘Popper’s World 3 is in some respects reminiscent of Plato’s realm of the Forms, but differs in that Popper takes World 3 to be something man-made.  As I noted in the earlier post just linked to, this makes his positon at least somewhat comparable the Aristotelian realist (as opposed to Platonic realist) view that universals are abstracted by the mind from the concrete objects that instantiate them rather than pre-existing such abstraction.’

Quite a comment thread over there…

Popper:

“…and if there could be such a thing as socialism combined with individual liberty, I would be a socialist still. For nothing could be better than living a modest, simple, and free life in an egalitarian society. It took some time before I recognized this as no more than a beautiful dream; that freedom is more important that equality; that the attempt to realize equality endangers freedom; and that, if freedom is lost, there will not even be equality among the unfree.”

Related On This Site:Encyclopedia Of Philosophy Entry On Eliminative Materialism…

Bryan Magee Via Youtube: ‘Miles Burnyeat On Plato’Repost: From the Cambridge Companion To Plato-T.H. Irwin’s “Plato: The intellectual Background’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Fred Siegel On The German Influence And Kelley Ross On Some Of Roger Scruton’s Thinking

James Panero At The New Criterion: ‘Burning Cole’

Full piece here

Nice to get more background from this very good piece:

Cole’s life was anything but insular,” these curators write in their catalogue introduction. “Rather, it was marked by restless transatlantic travel and by a complex, often troubled, engagement with the traditions of European art and thought, a commitment that countered, but paradoxically also heightened, Cole’s abiding passion for the American wilderness.”

and:

‘The painterly innovations Cole picked up in Europe, in particular the mechanics for plein-air oil sketching, inspired the florid naturalism of his American disciples. Yet Cole himself was always less and something more than a pure landscape painter. Unlike the later landscapes of Church or Durand, where nature speaks for itself, Cole used nature to speak for his ideas. Of course, all great landscape painting says something, but Cole’s messaging was more explicit.’

As previously posted:

A good decade ago, while visiting D.C., I saw Thomas Cole’s ‘The Voyage Of Life:

It’s a four-part series: Childhood, Youth, Manhood, Old Age.

One person’s life, and all of our lives, can be broken-down into four allegorical stages, pregnant with visual and universal symbols.

From Cole’s bio:

‘Although Cole had ample commissions in the late 1820s to paint pictures of American scenery, his ambition was to create a “higher style of landscape” that could express moral or religious meanings.’

From this more interactive page:

‘In the late 1830s, Cole was intent on advancing the genre of landscape painting in a way that conveyed universal truths about human existence, religious faith, and the natural world. First conceived in 1836, the four pictures comprising The Voyage of Life: Childhood, Youth, Manhood, and Old Age fulfilled that aspiration.’

These scenes in the Romantic style can have an emotional pull for me, as generally does the work of the Hudson River School. Such allegory certainly tends to function as a vehicle into memory (Cole’s work has really stuck with me…in a sort of haunting way, mixed with some thought of how I’m supposed to live and what might be coming next).

Also, the wild, untamed nature we Americans have often faced is perhaps requiring of a spirited and grand attempt at putting our experiences within Nature into some context: To soar as high as our hopes often do.

Or at least, to find in paintings: Familiarity. I like to see the roll of a hill like I’ve seen, or an opening of clouds, sky and light like I’ve seen.

Perhaps Wild Nature can be ordered in a Romantic, neo-classical or more modern way. Perhaps Nature can be made, with the tools at our disposal, to conform to some of our deeper ideas about Nature, mirroring our hopes in some recognizable fashion; giving some basic comfort and meaning.

Maybe, after all, we can find a home here.

On the other hand, allegory with overt moral/religious meaning can also come across as heavy-handed, sentimental, and moralistic. Too lush and pretentious; perhaps a bit anachronistic.

Do I really have to hunt for all the symbols and put the puzzle together?

‘So, you’re going to reveal universal truths, eh?’

This can seem distant from the experiences of the modern viewer, often finding himself a little further down the modern/postmodern ‘river’, where such attempts at universality might seem a wash.

Much more common these days are the very personal shards and glimpses of the inner life of an artist, attached to high ambition and great talent surely in some cases; as well to form and tradition, but generally making less bold claims to knowledge than ‘The Voyage Of Life‘.

In painting, I’m reminded of the abstract expressionist movement seeking meaning in reducing experience to the abstract in order to reveal something essential within Nature, or essential about our relationship to Nature: A transcendent place where shape, form and color can be isolated from anything immediately recognizable in the world.

Or maybe, I’m being too generous?

‘The movement’s name is derived from the combination of the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus, and Synthetic Cubism. Additionally, it has an image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic.[5] In practice, the term is applied to any number of artists working (mostly) in New York who had quite different styles, and even to work that is neither especially abstract nor expressionist.’

The exploration of the Self is often pursued, as well as that of Nature, but the general hope that it might all make sense (life, death, Nature, purpose etc) in many more modern movements is often left abandoned.

Or so often, as we’ve seen in the past few generations: The pursuit of The Self can easily become subsumed to the pursuit of fame, celebrity, and money.

***

Towards a theme: Perhaps you’ve also heard of the Rothko chapel, in Houston, Texas.

Mark Rothko undertook the idea that within the modern context, one could create temples of universal meaning through aesthetics, art, and beauty:

‘The Rothko Chapel, founded by Houston philanthropists John and Dominique de Menil, was dedicated in 1971 as an intimate sanctuary available to people of every belief. A tranquil meditative environment inspired by the mural canvases of Russian born American painter Mark Rothko (1903-1970), the Chapel welcomes over 60,000 visitors each year, people of every faith and from all parts of the world.’

There’s even a suite of music by Morton Feldman, entitled ‘Rothko Chapel’

See Also On This Site: Trying to stick something against his poems: Wednesday Poem: Wallace Stevens-Anecdote of The JarWednesday Poem: Wallace Stevens, The Snow ManFriday Poem: Wallace Stevens And A Quote By David Hume

Some Updated Links On Postmodernism

Repost: From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Some Sunday Songs-Metal, Myth, American Romanticism And The Civil War

Within A Bank Of Modern Fog-Another Link To Robert Hughes On Jeff Koons

Looking For Liberals In The Postmodern Wilderness-Jordan Peterson & Stephen Hicks

Alas, the mildly ambitious knowledge, hobby, and vanity project that it is this blog continues (it takes a LOT to listen, watch and paste a link to a Youtube video):

Jordan Peterson and Stephen Hicks.  Recommeded:

Mentioned: Immanuel Kant and his transcendental idealism, Noam Chomsky, Friedrich Nietzsche, Karl Marx, Jacques Derrida, the American Pragmatic tradition and more.

Also from Dr. Hicks:

‘In the shorter term, postmodernism has caused an impoverishment of much of the academic humanities, both in the quality of the work being done and the civility of the debates. The sciences have been less affected and are relatively healthy. The social sciences are mixed.

I am optimistic, though, for a couple of reasons. One is that pomo was able to entrench itself in the second half of the twentieth century in large part because first-rate intellectuals were mostly dismissive of it and focused on their own projects. But over the last ten years, after pomo’s excesses became blatant, there has been a vigorous counter-attack and pomo is now on the defensive. Another reason for optimism is that, as a species of skepticism, pomo is ultimately empty and becomes boring. Eventually intellectually-alert individuals get tired of the same old lines and move on. It is one thing, as the pomo can do well, to critique other theories and tear them down. But that merely clears the field for the next new and intriguing theory and for the next generation of energetic young intellectuals.

So while the postmodernism has had its generation or two, I think we’re ready for the next new thing – a strong, fresh, and positive approach to the big issues, one that of course takes into account the critical weapons the pomo have used well over the last while’

More On Nietzsche’s influence-Part of Bryan Magee’s series:

Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic Greek (the beginning of the end).

Quote found here at friesian.com (recovering Kantian idealism and moving in a libertarian direction):

‘Oddly enough, it is the intellctual snobbery and elitism of many of the literati that politically correct egalitarianism appeals to; their partiality to literary Marxism is based not on its economic theory but on its hostility to business and the middle class. The character of this anti-bourgeois sentiment therefore has more in common with its origin in aristocratic disdain for the lower orders than with egalitarianism.’

Roger Scruton was cast out of polite society just for trying to provide some context and pushback:

Related: From Darwinian Conservatism: Nietzsche-Aristocratic Radical or Aristocratic Liberal?

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy.

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom:Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Can Kant do all that heavy lifting…what are some of the dangers of Kantian reason?: From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On KantA Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Peter Singer discusses Hegel and MarxFrom Philosophy And Polity: ‘Historicism In German Political Theory’

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.…