Thursday Poem-A.E. Stallings

The Mistake

The mistake was light and easy in my hand,
A seed meant to be borne upon the wind.
I did not have to bury it or throw,
Just open up my hand and let it go.

The mistake was dry and small and without weight,
A breeze quickly snatched it from my sight,
And even had I wanted to prevent,
Nobody could tell me where it went.

I did not think on the mistake again,
Until the spring came, soft, and full of rain,
And in the yard such dandelions grew
That bloomed and closed, and opened up, and blew

A.E. Stallings

Tuesday Poem: T.S. Eliot, Preludes Part 3

3.

You tossed a blanket from the bed
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

Has there been a better poet writing in English in the past 150 years?   Probably not.

The depth of commitment to his metaphysical vision and the breadth of that vision is remarkable.   Look at the rhyme and meter!  Sinful.

Weekend Poem-W.H. Auden

On The Circuit

Among pelagian travelers,
Lost on their lewd conceited way
To Massachusetts, Michigan,
Miami or L.A.,

An airborne instrument I sit,
Predestined nightly to fulfill
Columbia-Giesen-Management’s
Unfathomable will,

By whose election justified,
I bring my gospel of the Muse
To fundamentalists, to nuns,
to Gentiles and to Jews,

And daily, seven days a week,
Before a local sense has jelled,
From talking-site to talking-site
Am jet-or-prop-propelled.

Though warm my welcome everywhere,
I shift so frequently, so fast,
I cannot now say where I was
The evening before last,

Unless some singular event
Should intervene to save the place,
A truly asinine remark,
A soul-bewitching face,

Or blessed encounter, full of joy,
Unscheduled on the Giesen Plan,
With, here, an addict of Tolkien,
There, a Charles Williams fan.

Since Merit but a dunghill is,
I mount the rostrum unafraid:
Indeed, ‘twere damnable to ask
If I am overpaid.

Spirit is willing to repeat
Without a qualm the same old talk,
But Flesh is homesick for our snug
Apartment in New York.

A sulky fifty-six, he finds
A change of mealtime utter hell,
Grown far too crotchety to like
A luxury hotel.

The Bible is a goodly book
I always can peruse with zest,
But really cannot say the same
For Hilton’s Be My Guest.

Nor bear with equanimity
The radio in students’ cars,
Muzak at breakfast, or–dear God!–
Girl-organists in bars.

Then, worst of all, the anxious thought,
Each time my plane begins to sink
And the No Smoking sign comes on:
What will there be to drink?

Is this a milieu where I must
How grahamgreeneish! How infra dig!
Snatch from the bottle in my bag
An analeptic swig?

Another morning comes: I see,
Dwindling below me on the plane,
The roofs of one more audience
I shall not see again.

God bless the lot of them, although
I don’t remember which was which:
God bless the U.S.A., so large,
So friendly, and so rich.

W.H. Auden

Razzing The Scolds-Some Links

-Alan Sokal makes the case that Portland State’s case against Peter Boghossian ain’t so strong.

-Ben Sixsmith on ‘The Loomer Generation.’

‘Now, the Loomers are in their senescence. Amis has been promising a novel about Saul Bellow, Philip Larkin and Christopher Hitchens, which has created the buzz of a dead housefly. Ian McEwan has produced a series of clever books which have produced diminishing returns. Rushdie’s last novel barely made a dent in the public consciousness. Unpopularity need not reflect quality. Amis might create a masterpiece for all we know. Yet how did a group of writers who were so famous end up with such indifference?’

I picture a belly up, inadvertently praying carapace on the windowsill.

A bit harsh, no?

English writers Ian McEwan and Martin Amis have a looming discussion.

When one turns, as one must, from the hare-brained utterances of ideologues, existentialist afterthoughts bound sheaf after sheaf, the mystifying cant of postmodern academese, yes, one still seeks:

Bridging C.P. Snow’s Two Cultures

‘Snow did not fully appreciate that humanism was more than a collection of facts. It is, above all, a way of understanding what was valuable about human flourishing. Great literature necessarily has a moral purpose that science lacks. As such, humanism critiques aspects of the world that technology creates, reminding us that the next new thing is not necessarily the next good thing. Snow was wrong in implying that true humanists must join scientists in singing a harmonious anthem of social progress.’

As posted: A Link To C.P. Snow’s ‘Two Cultures’

Is there even a culture anyways, man?

Daniel Dennet from 1998:

‘When I was a young untenured professor of philosophy, I once received a visit from a colleague from the Comparative Literature Department, an eminent and fashionable literary theorist, who wanted some help from me. I was flattered to be asked, and did my best to oblige, but the drift of his questions about various philosophical topics was strangely perplexing to me. For quite a while we were getting nowhere, until finally he managed to make clear to me what he had come for. He wanted “an epistemology,” he said. An epistemology. Every self-respecting literary theorist had to sport an epistemology that season, it seems, and without one he felt naked, so he had come to me for an epistemology to wear–it was the very next fashion, he was sure, and he wanted the dernier cri in epistemologies. It didn’t matter to him that it be sound, or defensible, or (as one might as well say) true; it just had to be new and different and stylish. Accessorize, my good fellow, or be overlooked at the party’

Worth a read.

The arts and humantities can be given a seriousness of purpose, I’m guessing, but must that purpose necessarily be scientific?

Do creative musical/artistic geniuses really need to understand particularly well how the sciences advance? How much does it matter that a theater major understands how the sciences come to say true things about the world and predict with high accuracy how nature behaves beyond a science course or two?

I could be wrong.

Clearly, one problem is that out of the postmodern malaise comes the nihilism, moral relativism and general desperation where many can be found clinging to the sciences, or some standard of rationalism and reason that doesn’t seem sufficient in answering all the questions religion claims to answer.   Nor does it seem sufficient as a platform to understand human nature, history, tradition, the wisdom in our institutions, and the experience past generations can offer beyond its own presumptions.

Lots of people can thus make ideology their guide and political change their purpose, or the State their religion and their own moral failings or moral programs everyone’s moral oughts through the law and politics.

Who has the moral legitimacy to be in charge?

Where:  Birkenhead Lake, B.C. Canada.

No, I can’t take photos like this, but people in the family can.

310D-Birkenhead with Boat -2 copy
This is the poem that came to mind, even though Gary Snyder wrote from here instead, where apparently he would be for 60 days at a time:

Mid-August at Sourdough Mountain Lookout

Down valley a smoke haze
Three days heat, after five days rain
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.

I cannot remember things I once read
A few friends, but they are in cities.
Drinking cold snow-water from a tin cup
Looking down for miles
Through high still air.

Gary Snyder

Repost-From Slate: ‘MFA vs. NYC’

Full post here.

Of the MFA (Master Of Fine Arts):

‘Staffed by writer-professors preoccupied with their own work or their failure to produce any; freed from pedagogical urgency by the tenuousness of the link between fiction writing and employment; and populated by ever younger, often immediately postcollegiate students, MFA programs today serve less as hotbeds of fierce stylistic inculcation, or finishing schools for almost-ready writers (in the way of, say, Iowa in the ’70s), and more as an ingenious partial solution to an eminent American problem: how to extend our already protracted adolescence past 22 and toward 30, in order to cope with an oversupplied labor market.’

There are of course still storytellers, geniuses honing their craft that will hold up a mirror and lens for humanity within their creative imaginations.  Maybe they can be found at MFA programs, but I’m guessing they’re more likely doing other things:  getting crippled on a naval campaign, spending their days in an attic, learning to navigate the Mississippi by steamboat, or acting and writing for a theater troupe.

Addition:  And as a reader points out:  learning how to communicate during the current technological revolution.

How much good are all these museums, foundations, and institutions actually doing for the arts and humanities?

Related On This SiteFrom Poemshape Via Andrew Sullivan: ‘Let Poetry Die’…Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment…English departments can’t just copy “(S)cience”…From Bloggingheads: Shakespeare and The Second Law Of ThermodynamicsRepost-How To Study Literature: M.H. Abrams In The Chronicle Of Higher Ed

Wednesday Poem: Wallace Stevens-Anecdote of The JarWednesday Poem: A Postcard From The Volcano..-Review of Denis Dutton’s ‘The Art Instinct’

From The Arnoldian Project: ‘Architecture, Campus, And Learning To Become’

From NPR: Grants To The NEA To Stimulate The Economy?From 2 Blowhards-We Need The Arts: A Sob Story

Arts and Foundations and Institutions-MOMA is private, so perhaps it’s not as decadent if they display Tilda Swinton in a box:

Tilda Swinton At MOMA-From Arma Virumque: ‘Nightmare In A Box’

From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.:  Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Via A Reader-Two Oumuamua Links

Via a reader:  Hey, I’m probably not even an amateur.

Oumuamua’s Geometry Could Be More Extreme Than Previously Inferred

Recently, a visitor from beyond our solar sytem passed pretty closely to Earth.

With the observed and limited data, Oumuamua was clearly anomalous.  It likely had a 10/1 length to width ratio and was reflecting a lot of light, data which suggests a wobbling oblong or something nearly pancake-shaped (perhaps containing iron or other metals because it’s more reflective of the red, longer wavelengths on the visible light spectrum and it’s got to be of durable enough material to be so thin while surviving the roughness of interstellar space).

Our solar system is a fairly flat disk which is moving in relation to other star systems, all of which are traveling very quickly relative to Oumuamua, which was relatively stationary to these other systems when it came in at an angle to ours; speeding up again on its way out (perhaps not due to outgassing).

Dr. Avi Loeb has been working on lightsails, or thinking about how a civilization might travel and explore space and/or create something like a message in a bottle.   Below, he is interviewed on Event Horizon.

His not-ruled-out hypothesis will probably attract some UFO and alien public interest, but it seems, in my limited understanding, that as an anomaly, this is a discussion with a first-rate astronomer performing an interesting exercise in taking past experience, current knowledge and conventional explanations to their limits in trying to creatively identify something new.

It’s a big universe out there after all, and we’re just starting to get some better tools with which to view and understand it:

Robert Zubrin At The New Atlantis-‘Colonizing Mars: A Critique Of The SpaceX Interplanetary Transport System’Stephen Hawking In Cosmos: Some Reasons Why We Should Continue Space Exploration

Tuesday Poem-Seamus Heaney

Thanks to a reader (there are a few out there :):

Mid-Term Break

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o’clock our neighbours drove me home.

In the porch I met my father crying—
He had always taken funerals in his stride—
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were ‘sorry for my trouble’.
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o’clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four-foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four-foot box, a foot for every year.

Seamus Heaney

Wednesday Poem-Wallace Stevens

The Snow Man

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

 For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

 –Wallace Stevens