Friday Poem-Theodore Roethke

The Waking 1948

I strolled across
An open field;
The sun was out;
Heat was happy.

This way! This way!
The wrenโ€™s throat shimmered,
Either to other,
The blossoms sang.

The stones sang,
The little ones did,
And flowers jumped
Like small goats.

A ragged fringe
Of daisies waved;
I wasnโ€™t alone
In a grove of apples.

Far in the wood
A nestling sighed;
The dew loosened
Its morning smells.

I came where the river
Ran over stones:
My ears knew
An early joy.

And all the waters
Of all the streams
Sang in my veins
That summer day.

Theodore Roethke

‘Life is not a walk across an open field‘ or something like that.

Saturday Poem-T.S. Eliot

BURNT NORTON
(No. 1 of ‘Four Quartets’)

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

T.S. Eliot

Friday Poem-Hart Crane

At Melville’s Tomb

Often beneath the wave, wide from this ledge
The dice of drowned menโ€™s bones he saw bequeath
An embassy. Their numbers as he watched,
Beat on the dusty shore and were obscured.

And wrecks passed without sound of bells,
The calyx of deathโ€™s bounty giving back
A scattered chapter, livid hieroglyph,
The portent wound in corridors of shells.

Then in the circuit calm of one vast coil,
Its lashings charmed and malice reconciled,
Frosted eyes there were that lifted altars;
And silent answers crept across the stars.

Compass, quadrant and sextant contrive
No farther tides … High in the azure steeps
Monody shall not wake the mariner.
This fabulous shadow only the sea keeps.

Hart Crane

Pulp Fiction & Photographic Visions-A Link To Bruce Davidson’s ‘Subway’

Beauty, ugliness, youth, strength, and decay: Via Mick Hartley Bruce Davidson at Magnum’s ‘Subway‘.

Many of the images in Subway are sensual, dangerous and raw, but then again, so was the NYC subway in about 1979 or 1980. Davidson plays with different exposures, techniques and settings, eventually deciding on using color to depict what he saw. He also reportedly toned-up physically, geared-up, and mentally prepared himself to get off and on those subway cars during the project. He had some undercover city cops with him a few times.

Imagine how conspicuous a new Nikon/Canon DSLR and a flash would make you in one of those cars at night (he, in fact, had one camera stolen).

Come for the raw, dangerous subject matter and the vicarious risk (oh yeah, it can happen again…just stay tuned). Stay for Davidson’s compositions, subtle use of light and color, and the genuine humanity he found within his larger vision.

Is a certain dangerous, glamorous adventure beneath you?

What about in your prime?

It’s not like these problems haven’t been with us for a while.  Without police protection, you’ll probably get worse outcomes and more retributive violence. A reader sends a link to The Confessions Of Bernhard Goetz, subway vigilante:

There’s a lot here: Genuine threat (thugs), fear, real victimization (previous muggings and a likely soon-to-be mugging), but also serious ignorance and over-reaction.

I imagine Goetz was a bit like a feral animal fleeing out of that subway car, up the station stairs and into the night.

From min 33:40:

The question to be litigated was whether the community would make a judgment about his (Goetz) own good faith belief….are we in a position to condemn him for over-reacting?

From The Warriors to Dirty Harry to Death Wish, a certain gritty, pulpy style was born. One of the main desires of men, especially, is to quash injustice and heroically protect that which falls under their honor. When the authorities can’t combat crime in public transport, or choose to enforce the law selectively, then the desire for vengeance, punishment and order finds outlets.

Seattle Photo-Garbage Man In The Market & A Poem By Seamus Heaney-You Get The Idea

Digging

Between my finger and my thumb   
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound   
When the spade sinks into gravelly ground:   
My father, digging. I look down

Till his straining rump among the flowerbeds   
Bends low, comes up twenty years away   
Stooping in rhythm through potato drills   
Where he was digging.

The coarse boot nestled on the lug, the shaft   
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.   
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Tonerโ€™s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging
.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But Iโ€™ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
Iโ€™ll dig with it.

Seamus Heaney

Happy 4th Of July 2022

โ€œWhen in the course of human events it becomes necessary for one people to dissolve the bands which have connected them with another and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Natureโ€™s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separationโ€ฆโ€

The rest here.

Addition:  From Maverick Philosopher:  The Difference Between Patriotism And Jingoism.

***I see myself, partly, as a steward of a larger project, a set of responsibilities and freedoms, given to each us. How we live and what we think about has a lot to do with that project.

Happy 4th!

Saturday Quotation-Harry Frankfurt

‘The notion of carefully wrought bullshit involves, then, a certain inner strain. Thoughtful attention to detail requires discipline and objectivity. It entails accepting standards and limitations that forbid the indulgence of impulse or whim. It is this selflessness that, in connection with bullshit, strikes us as inapposite. But in fact it is not out of the question at all. The realms of advertising and of public relations, and the nowadays closely related realm of politics, are replete with instances of bullshit so unmitigated that they can serve among the most indisputable and classic paradigms of the concept. And in these realms there are exquisitely sophisticated craftsmen, who with the help of advanced and demanding techniques of market research, of public opinion polling, of psychological testing, and so forth, dedicate themselves tirelessly to getting every word and image they produce exactly right.’

From On Bullshit.