Going for that ‘painted-from-a-photograph’ look.

If the previous puddle-photo goes on the inside-left of our fictional 1993 CD case, this one goes on the back, where the songs are listed.
The band is kind of artsy, reflective, and maybe a little druggy (female vocalist, long-haired bassist and guitarist, fitness-guy drummer). They are making the best damned music on the 1993 Charlotte/Albuquerque/Des Moines scene.
What’s the band’s name?

The Real Work
It may be that when we no longer know what to do
we have come to our real work,
and that when we no longer know which way to go
we have come to our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.
An Old Man’s Winter Night
All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him — at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off; — and scared the outer night,
Which has its sounds, familiar, like the roar
Of trees and crack of branches, common things,
But nothing so like beating on a box.
A light he was to no one but himself
Where now he sat, concerned with he knew what,
A quiet light, and then not even that.
He consigned to the moon, such as she was,
So late-arising, to the broken moon
As better than the sun in any case
For such a charge, his snow upon the roof,
His icicles along the wall to keep;
And slept. The log that shifted with a jolt
Once in the stove, disturbed him and he shifted,
And eased his heavy breathing, but still slept.
One aged man — one man — can’t keep a house,
A farm, a countryside, or if he can,
It’s thus he does it of a winter night.
We Real Cool
The Pool Players. Seven At The Golden Shovel.
We real cool. We
left school. We
lurk late. We
strike straight. We
sing sin. We
thin gin. We
Jazz June. We
die soon.
From Partially Examined Life: ‘John Searle Interview of Perception: Part One‘
Direct, naive realism requires some explanation of consciousness and a theory of perception:
‘We interview John about Seeing Things as They Are: A Theory of Perception (2015). What is perception? Searle says that it’s not a matter of seeing a representation, which is then somehow related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions?
Well, we see things under an aspect: a presentation of the thing. And that presentation presents itself as caused by just that thing that the perception is of. If these “conditions of satisfaction” (i.e., that the perception is actually caused by that thing) are not met, then we have a case of illusion: we thought we were perceiving that thing, but we really weren’t. Simple! Right? Searle lays out his theory for us and amusingly dismisses much of the history of philosophy.’
Related On This Site: Via A Reader-‘John Searle On The Philosophy Of Language’
From The Stanford Encyclopedia Of Philosophy: Charles Sanders Peirce
Some Sunday Quotations: (On) Kant, Locke, and Pierce
Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge
After noticing my shooting him, we talked for a while about why he’s out there, and the meaning of repeating: “God is King…Jesus is….”
His message is chanted, and somewhat hypnotic. It is practiced, repeated on a loop, and I suspect invoked from within him as well as for those of us outside.
After noticing the camera, he became self-aware, laughing a bit, awkwardly. Sheepishly, even. He pointed at me, smiling.
Who was I? What did I want? Friend or foe? What might the lens see?
In the photos, in his face, I see some anger, impatience, sadness, despair, and maybe a bit of hope. The kinds of emotions usually visible when people (kids, especially) stop paying attention if anyone’s looking.
Thanks for looking.
