For me, if it doesn’t have a blues base, it doesn’t connect as well. In rock and pop music, I want the blues involved. George Benson is primarily a jazz guitarist, but he’s…just a deep natural talent (a musician’s musician). He’s got some big-band and pop influence, and some R & B, so he’s generally okay for your parents.
Like many other blues musicians, often times, the guitar becomes an extension of the voice (scat vocalizations).
—
The below quotation comes from this introductory page on Michael Oakeshott.
For those don’t mind order; honoring duties to family, heritage and country, while making few excuses for the always present corruption, favoritism, and self-interest found within any existing order, you might take a look at Oakeshott (a yellow-toothed, tweed-wearing limey).
The righteous mind, while making political action the primary pursuit of meaning in one’s life, tends to happen within the ‘labor of the negative.’
Truth, and its possibility in the postmodern soup, is too often a casualty.
‘Oakeshott was deeply learned and humane, and tended to see politics as an inferior—though very important—kind of activity. To put it differently, politics is “attending to the arrangements” of government, which matters very much. Yet real human fulfillment does not consist in winning political battles, or in preparing to win them, or even in the fighting. No doubt there are times for battle, as Oakeshott would have acknowledged. But he considered other social and contemplative activities far more vital to sustained human flourishing.‘
—
One of the best stories of 2023: Tech tycoon who spends $2 million per year to retain youth uses teen son as ‘blood boy’.
You know that kid they found up on Rte 9 yelling? Screaming at traffic then he collapsed?
Runaway blood boy from Pinecrest.
—
Starship Truthers: First, there is no city. Second, no rock ‘n roll..
Grace Slick and Marty Balin sold out so utterly, so profoundly, they managed to come out the other side. From hippie mud-parties full of dosed-out lost 60’s souls, to an 80’s transcendent popcraft which endures today, we, the Starship Truthers, contend that while influential, the entire catalogue of Jefferson Starship does not exist.
—
The Traveling Wilburys: Pure Potemkin-caravan supergroup snake-oil.
Get yer steaming piles of fake Americana horseshit right here, folks:
‘Well, it’s all right riding around in the breeze
Well, it’s all right if you live the life you please
Well, it’s all right doing the best you can
Well, it’s all right as long as you lend a hand.’
Don’t be taken in.
Eddie Money was a good vocalist, and the unearned sentiment attached to second and third-hand nostalgia is so great…I actually find myself becoming nostalgic:
The pure heart of the 80’s may be coming into view.
As posted, here’s the organ intro to Boston’s ‘Foreplay-Long Time’ played at tempo, then slowed down.
I’m still a little mesmerized.
You’re never really that far away from the old hymns done up in new clothes.
Even if it’s the more adult-themed popcraft of ABBA:
We’ve got more [prizes] than [poets] these days. We’ve got way too much poetry in universities and institutions, and way too much foundation money, which is supposedly supporting good poetry, getting taken over by ideologues.
You don’t have to sink into the postmodern morass to make something meaningful.
Perhaps a lot depends on which kind of stiffs you want in charge.
Big-band and jazz, which were once popular art-forms, are now often curated like a patient etherised upon a table.
R.I.P Stanley Crouch (I’m glad they gave him a platform, but I don’t think we want to leave our music curation to the stiffs at NPR):
From the comments: ‘‘The Good Old Days When Musicians Looked Like Your Science Teacher’
There was a time when comedians wore tuxes, didn’t talk endlessly about the cosmic significance of comedy and the (S)elf, and musicians of all kinds entered in through the servant’s quarters.
Pretty stiff stuff.
This is a mashup! Were you fooled?
Ben Sixsmith ‘Art For The Age Of Social Media…‘
‘A YouGov poll on behalf of Homes & Antiques magazine has revealed that Banksy is Britain’s favourite artist.’
Dear Reader, I used to read ‘Homes & Antiques Magazine‘ religiously, hours of orange rinds scattered on my plate. ‘What can it mean?’
I used to drive half-dressed to the last parking lot on Earth, a few final photons bending through our atmosphere.
I could not outrun a racing mind, pacing among the dunes, staring out across an empty bay, salt winds curling the grasses: ‘Reese’s Peanut Butter Cups are FOURTH on the yougov most popular food and snack brands list.‘
This calms me, anyways:
Once you accept the idea that a good work of art can play deep chords, elevating you, proffering wisdom, awe, and pleasure, you generally wish to preserve it and hold it close, sharing in its illumination. In such a light, a lot of other stuff can resemble so much kitsch strewn after a storm of technological and engineering progress..
Depending on how deeply and often you do this, you can become ‘refined.’
Sixsmith again:
‘We have been replacing a lack of cultural quality with cultural quantity. Instead than having rare moments of beauty, power and insight, we (or, at least, many of us) face a ceaseless barrage of the cute, the curious and the clichéd. Rather than seeking out artworks which flicker in our minds long after we have stopped looking at them, we browse past endless images that light our brains up like catherine wheels. Images are almost too accessible. We can see everything, and nothing matters. Like. Like. Like.’
As I currently see things, there are always questions of artistic sorts feeling constrained by convention, tradition, repetition and practice. Money issues never really go away. Now there’s just an arguably greater quantity of crap with which to compete for a reader’s attention.
Perhaps there’s also the condition of the isolated individual artist alone, conceiving of himself as outside all meaningful conventions, traditions and practices. This, too, has become a convention, tradition and practice, for many artists and non-artists alike. Selves speak to Selves.
Just stay on the surface of things, and move through:
Introduction to Poetry
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem’s room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
The confessional poets wove inner revelations into the architecture of their poems, and made themselves into active subjects.
A generation or two later, and they seem to have more prizes than poets. From cartoons to comedians, many Selves are seeking hidden meanings behind every word.
See Also On This Site: Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’
–Repost-Daniel Dennett: ‘Postmodernism And Truth’
-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’
–Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’
-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’
– Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman
–Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’
“Democratic and aristocratic states are not in their own nature free. Political liberty is to be found only in moderate governments; and even in these it is not always found. It is there only when there is no abuse of power. But constant experience shows us that every man invested with power is apt to abuse it, and to carry his authority as far as it will go.”
-Montesquieu, from ‘The Spirit Of The Laws‘
“That all men are created equal; that they are endowed by their Creator with certain unalienable rights; that among these are life, liberty, and the pursuit of happiness; that, to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed…”
From the ‘Declaration Of Independence’
—
Because you didn’t ask:
You’ve probably heard the intro to Boston’s ‘Foreplay/LongTime’ played in regular time, but what about half-time?
Mesmerizing and rather beautiful:
Because you didn’t ask:
‘I’ll begin the critique with the last point. “We never see properties, although we see that certain things have certain properties.” (179) If van Inwagen can ‘peter out,’ so can I: I honestly don’t know what to make of the second clause of the quoted sentence. I am now, with a brain properly caffeinated, staring at my blue coffee cup in good light. Van Inwagen’s claim is that I do not see the blueness of the cup, though I do see that the cup is blue. Here I balk. If I don’t see blueness, or blue, when I look at the cup, how can I see (literally see, with the eyes of the head, not the eye of the mind) that the cup is blue?’
From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’Repost: From the Cambridge Companion To Plato-T.H. Irwin’s “Plato: The intellectual Background’
And because you really didn’t ask:
I got nuttin’ over here.
Edward Feser on Noam ‘Chomsky’s propaganda model of mass media:’
‘Many right-wingers dismiss Chomsky’s model because they reject his left-wing assumptions and the claims he makes about U.S. foreign policy in the name of the model. Many left-wingers, finding the model itself plausible and already sympathetic to some the political and economic assumptions Chomsky brings to bear when applying it, judge that the applications must be sound. ‘
Related on this site: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”…Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge…Martha Nussbaum criticizing Chomsky’s hubris in Martha Nussbaum In Dissent–Violence On The Left: Nandigram And The Communists Of West Bengal
—
What’s the problem with the streaming services model, and how can musicians and people trying to make a buck actually….make a buck?
If the Pareto principle holds, a few musicians will make a vast majority of the music people will want to hear (again and again and again). Even centuries after their deaths. It’s often tough to tell who’s making music (or who will make music in the future) which endures.
Add-in visual elements (streaming/video games), youth, beauty and technology, and you get the Pareto distribution reasserting itself across new platforms and amongst ‘pop culture’ anew.
We learn through stories, and may in fact visualize profound elements of reality through these stories. Music, along with the pleasure it gives, can encode vital information about ourselves and our origins, coming to dominate the all-important present.
Is Netflix already Betamax? What about owning something tangible? Listen in to two old fogeys with a lot of experience in music and the business of music.
Worth your time:
On that note, what about the best music, stories, visual arts and poem we have? What about the profound failures of stewardship these past generations?
Thanks to a reader.
Quite a varied discussion on Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind‘
Does rock/popular music corrupt the souls of youth in preventing them from evening-out the passions; from pursuing higher things that a quality humanities education can offer?
Might such a lack allow political ideology to offer young people something to do, something to be, and something of which to be a part?
A questioning of premises, with varied disagreement, including that from an Emersonian.
‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…‘
Related On This Site:
–Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’
-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’
–Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’
-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’
– Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman
–Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’
One major shift in my thinking occurred while reading Leo Strauss, and approaching Nature from a position where the reason/revelation distinction was suddenly in play:
‘Strauss was a Jew who promoted a pre-Christian, classical understanding of “natural right” as found in Plato and Aristotle. Yet after the publication of his Natural Right and History in 1953, Strauss was sometimes classed alongside Catholic scholars of political philosophy who aimed to revive the natural law tradition of Aquinas. Strauss recognized that these Thomists were fighting some of the same battles against historicists and philosophical modernists that he was fighting. Nonetheless, his own position was quite distinct from theirs. Natural right, unlike natural law, is changeable and dependent on circumstance for its expression, says Strauss. As he puts it: “There is a universally valid hierarchy of ends, but there are no universally valid rules of action.”
Such thinking made me question many modern epistemological foundations I had been taking for granted: Perhaps (H)istory doesn’t necessarily have a clear end, no more than does any one of our lives (other than a death forever beyond our full imagining). Perhaps (H)istory is long, often bloody, and takes a lot of work to understand.
Nature, too, in its depth and majesty, often Romanticized and Idealized by many moderns (collectivists and Hippies, especially), can be terrible, cruelly indifferent and the source of much of our suffering. These debates are old, and deep, so why not return to many original thinkers like Plato and Aristotle?
Politically and socially, I suddenly doubted that we’re necessarily heading towards knowable ends, individuals achieving a kind of virtue in declaring loyalty to the latest moral idea, protest movement, or political cause. Progress is complicated.
[Although] the (S)ciences are so successful in describing and explaining the Natural World, such knowledge can’t simply be transferred and implemented into policy and law, a bureaucracy and a technocracy [full of] of people who are often not even scientists. Perhaps there are many modern fictions abroad.
The more individuals are either liberated or freed (from tradition, from moral obligations to family and friends, from insitutions, from religious belief) it doesn’t necessarily follow such freedoms will be used wisely.
In fact, some individuals are clearly coalescing around narrow, totalitarian ideologies and failed theories of History through the road of radical chic (Marxism, Communism, Socialism). Other individuals are exploiting our current insitutional failures in favor of political extremism (alt-right and alt-left) while yet others are spending their formative years flirting with nihilism and anarchy in the postmodern soup.
Cycles of utopianism/dystopianism, and idealism don’t necessarily lead to stability, and more liberty.
Where I might agree with the moderns: I do think that Man’s reason, individual men’s use of mathematics applied to the physical world, sometimes occurring in flashes of profound insight, often after years of study and labor within and perhaps outside of a particular field, are tied to a reality which empirically exists. One could do a lot worse than the best of the Natural Philosopher.
It typically takes years to imbibe the necessary and often counter-intuitive tools to ‘see under the hood’ of Nature. Then, it often takes very long and close observation to make some kind of contribution. Unlike the Oakeshottian critique of rationalism in favor of tradition, I do think there are gains in basic competency from an education in the sciences that are not exclusive solely to the genius. Some of this can scale. Many laymen can become aware of how deterministic and probabilistically accurate these laws govern the world in which we live.
To be sure, we are undergoing a renaissance in certain fields: A technological revolution in our pockets and work lives, an explosion in space science, for starters.
As to my view of human nature, and a depressive realism, often informed by the humanites:
There’s something about Rene Girard’s work that strikes deep chords within me. I must confess, though, as a non-believer, I remain skeptical that a lot of Christianity isn’t Platonic Idealism + Synthesized Judaism + Transcendent Claims to Truth & Knowledge that gained ascendance within the Roman Empire. My ignorance shows.
A Christian and religious believer, Girard synthesizes psychology, literature, history, anthropology and philosophy along with his Christian faith into something quite profound.
Recommended. The mimetic theory of [desire] can really can change how you think about the world:
A briefer introduction here:
Girard and Libertarian thought?:
The closest I come to religious belief: Writers and musicians, at a certain point, give themselves over to their own mysterious, seemingly inexplicable, creative processes. If you practice enough (muscle memory), play your instrument alone and play with others, counting the time signature, you can makes sounds in time which express something deep about our condition, sharing it with others.
Even after the well runs dry, creative artists often go back to the bottom, finding themselves spent. The stronger the emotional loss and more real the pain; often this translates into the pleasure others take in your creation. But what is it you’re sharing exactly, from mind to mind and person to person?
This [can] produce something like a divine, God-worshipping, vulnerable state of mind and being, which is just as dangerous and corrupting as it is bonding and enriching. From Bach, to Prince, to now even Kanye West, apparently, religion can suddenly sweep into the gap.
Of course, studying and playing music is a conscious, reasoned process, more than many people know, but it also, very clearly isn’t entirely planned in the moment of its synthesis and creation.
Any thoughts and comments are welcome.
I’m missing a lot, here, folks, but doing my best with current resources. Thanks, as always, for reading.
Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’
Repost-Some Quotations From Leo Strauss On Edmund Burke In ‘Natural Right And History’
From Nextbook: Philosopher Of Science Hilary Putnam On The Jewish Faith
Postmodern Pushback-Some New Links & Lots Of Old Links Gathered Throughout The Years
I think you’ve got to look at Billy Joel’s raw talent; the prodigious musical gifts and compositional ability; the mimicry, the voices, the piano-playing which became a vehicle for so many of his hits. Add a quite nice voice and a road-warrior mentality trying to offer value at every show, and you’ve got quite a package.
An American Songbook kind of guy.
I can barely think of anyone more Lon-Giland, who put his abilities to the American grindstone, but whose talent often hovers above any chosen genre he finds himself in.
Thanks, Billy.
Nick Paumgartner on a Slate review of Joel:
‘He was terrible, he is terrible, he always will be terrible. Anodyne, sappy, superficial, derivative, fraudulently rebellious. . . . Billy Joel’s music elevates self-aggrandizing self-pity and contempt for others into its own new and awful genre: ‘Mock-Rock.’ ”
He [Rosenbaum] called Joel “the Andrew Wyeth of contemporary pop music.”
When I mentioned this to Joel, he said, “What’s wrong with Andrew Wyeth?”
What is wrong with Andrew Wyeth? On this site see: Spring Beauties’-A Brief Post And A Link On Andrew Wyeth
On sitting down with Joel:
‘In between pieces, he began to explain that these were variations on a motif and that they were telling the story of the history of Long Island, from its pastoral beginnings to the arrival of the Europeans—“I’m imagining the prow of a ship, and a Puritan hymn”—and then the bustle of the nineteenth century. Farming, fishing, the railroad. “Getting busy on Long Island,” he said. “This one’s almost Coplandesque, with big open fifths.” We were a long way from Brenda and Eddie. He played intently as the room went dark.’
That sounds like a pretty talented artist looking for roots and sifting through American history and Americana for inspiration to me…
Here’s a popular song in the seafaring style trying to do good for local people without the righteous self-flattery and regard stars so often bring to the table:
——————-
Repost-A Reaction To Jeff Koons-For Commerce Or Contemplation?
Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment
Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.
Joan Miro: Woman… Goethe’s Color Theory: Artists And Thinkers…Some Quotes From Kant And A Visual Exercise
A Reaction To Jeff Koons ‘St John The Baptist’
Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’
There’s something almost religious about the way some people go about pursuing their non-religious ideas.
Minogue framed it thusly:
‘Olympianism is the characteristic belief system of today’s secularist, and it has itself many of the features of a religion. For one thing, the fusion of political conviction and moral superiority into a single package resembles the way in which religions (outside liberal states) constitute comprehensive ways of life supplying all that is necessary (in the eyes of believers) for salvation. Again, the religions with which we are familiar are monotheistic and refer everything to a single center. In traditional religions, this is usually God; with Olympianism, it is society, understood ultimately as including the whole of humanity. And Olympianism, like many religions, is keen to proselytize. Its characteristic mode of missionary activity is journalism and the media.’
And:
‘Progress, Communism, and Olympianism: these are three versions of the grand Western project. The first rumbles along in the background of our thought, the second is obviously a complete failure, but Olympianism is not only alive but a positively vibrant force in the way we think now. Above all, it determines the Western moral posture towards the rest of the world. It affirms democracy as an ideal, but carefully manipulates attitudes in a nervous attempt to control opinions hostile to Olympianism, such as beliefs in capital or corporal punishment, racial, and other forms of prejudice, national self-assertion—and indeed, religion‘
As previously posted, Minogue discussed ideology (Marxist ideology in particular), and modern promises of radical and revolutionary freedom: To go deeper and replace Science and Religion, Economics and Politics, on the way to some knowable end-point to human affairs.
——————–
As previously posted:
Perhaps the flip-side to liberal secular humanist faith is a lack of faith. Surely some deep, liberal thinker out there has become thoroughly convinced that people are no good, after all, and can’t be trusted with their freedoms apart from his/her thinking or ideological commitments. Perhaps there’s a secular humanist political leader somewhere thoroughly sick of humanity for the time being, simply accruing more political power and influence because they can.
As far as satire or mockery goes, they would be just as worthy, no?
Those who rebel against authority, mindlessly, are more likely to embody a new authority.
Recently, British popular thinker Alain De Botton floated the idea of building an ‘atheist temple’ in the heart of London. He recommends combing through religious practices for useful organizing principles in response to the New Atheists. You can read more about it here, which includes a radio interview/podcast.
Did the Unitarian Universalists get there first, with a mishmash of faith and secular humanism?
Towards a theme: Perhaps you’ve also heard of the Rothko chapel, in Houston, Texas:
‘The Rothko Chapel, founded by Houston philanthropists John and Dominique de Menil, was dedicated in 1971 as an intimate sanctuary available to people of every belief. A tranquil meditative environment inspired by the mural canvases of Russian born American painter Mark Rothko (1903-1970), the Chapel welcomes over 60,000 visitors each year, people of every faith and from all parts of the world.’
There’s even a suite of music by Morton Feldman, entitled ‘Rothko Chapel’
—————————
Related: A definition of humanism:
“‘…a morally concerned style of intellectual atheism openly avowed by only a small minority of individuals (for example, those who are members of the British Humanist Association) but tacitly accepted by a wide spectrum of educated people in all parts of the Western world.”
Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’
Related On This Site: From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’
Sunday Quotation: Edmund Burke On The French Revolution
The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”… From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.… Repost: Another Take On J.S. Mill From “Liberal England”
Roger Scruton In The American Spectator: The New Humanism…From Nigel Warburton’s Site: A Definition of Humanism?…From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”
One way out of multiculturalism and cultural relativism: