Thursday Quotation-Ken Minogue

‘Greek political science studied constitutions and generalized the relation between human nature and political associations.  Perhaps the most powerful instrument was the theory of recurrent cycles.  Monarchies tend to degenerate into tyranny, tyrannies are overthrown by aristocracies, which degenerate into oligarchies exploiting the population, which are overthrown by democracies, which in turn degenerate into the intolerable instability of mob rule, whereupon some powerful leader establishes himself as a monarch and the cycle begins all over again.  This is the version of political science we find influentially expounded by a later Greek called Polybius whose main concern was to explain the character of Roman politics to his fellow Greeks; other versions of a political cycle are to be found in Plato and Aristotle.’

Minogue, Kenneth.  Politics.  Oxford:  Oxford University Press, 1995. (Pg 16).

William F. Buckley And Kenneth Minogue Discuss IdeologyKenneth Minogue At The New Criterion: ‘The Self-Interested Society’

Clive James At The Prospect On Joseph Conrad-Some Links

James revisits many quite original, quite accomplished works.

Of note to this blogger:

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

Clive James’ site here.

Michael Dirda on ‘Clive James Last Readings’ review: A Critic’s Final Homage To Literature, Life:’

In 30 brief essays James goes on to tell us — in his most digressive, conversational manner — about the books he’s discovered or returned to quite probably for the last time.’

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Not entirely unrelated:

John Gray begins a discussion of his book ‘The Silence Of Animals‘ with a quote from Conrad:

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Added bonus if you act now in the face of no possible objective knowledge.

Part of Bryan Magee’s series:

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Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic.

Related On This Site:  From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’.

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy..

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

In The Mail: Vivian Maier

Site here.

You may have already heard this mystery photographer’s story, if not, take a look.

Just a link for all the unknown photographers out there, documenting the grit and stuff of life.

Addition:  I should clarify on behalf of a friend, that when the subject can be difficult to look at, the below quote about Walker Evans’ work might come in handy.

Art for art’s sake:

‘Many artists during the New Deal era wished to portray the poor to gain empathy and support for the experimental political program.  Agee and Evans, however, saw this as a crude and manipulative practice, and defied it by “respecting the moral integrity of the poor while recognizing in these tenants something transcendentally human, making them more than just the tools of political propaganda,” said Jones. ‘

Well, good.

Continuing on that theme, Ken Burns discusses how he is primarily an artist, not an historian.  Burns wants to be recognized as an artist striving for higher aesthetic and technical goals in his work (his influences range from Martin Scorsese to Henri Cartier-Bresson) in addition to the “social conscience.”

As for such an abstraction as a ‘social conscience’ he sees himself:

“…rooted in a humanist tradition of American History..that includes not just the old top down version, but the bottom up version that acknowledges women and labor and minorities….”  

No wonder some folks at NPR love him.  Here’s libertarian Nick Gillespie needling Burns about that issue.

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Here’s a poem by beloved American modernist/physician whose work I had never associated with any sort of political philosophy, and which I still don’t while addressing his work:

Pastoral

When I was younger
it was plain to me
I must make something of myself.
Older now
I walk back streets
admiring the houses
of the very poor:
roof out of line with sides
the yards cluttered
with old chicken wire, ashes,
furniture gone wrong;
the fences and outhouses
built of barrel staves
and parts of boxes, all,
if I am fortunate,
smeared a bluish green
that properly weathered
pleases me best of all colors.
No one
will believe this
of vast import to the nation

William Carlos Williams

Art for its own sake.

As that same friend points out.  Bill Moyers, “working-man” populist though he is, strives for journalistic excellence.  But as for history, perhaps no one should aim for a Zinn-like state.

Related On This Site  Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’ From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’…Marketplace aesthetics in service of “women”: Dove’s Campaign For Real Beauty: Pascal Dangin And Aesthetics

Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

How might Nietzsche figure in the discussion, at least with regard to Camille Paglia.  See the comments:  Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful…Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…

Repost-From NPR: Grants To The NEA To Stimulate The Economy?

Goya, that modern, had to make a living from the royal family: Goya’s ColossusGoya’s Fight With Cudgels