‘La Muralla Roja’, Richard Serra’s ‘Wake’ And A Few Links

Via Mick Hartley via dezeen-Sebastian Weiss photographs Ricardo Bofill’s “delightfully confusing” La Muralla Roja:

A bit of a fortress, done in the bright colors of the Spanish coast?  A bit of the surreal? A bit of the Maghreb? A bit of Escher?

As previously posted, of the land artists, Richard Serra seems quite substantial:, unlike land art, people actually live in the building above.

‘Land art, earthworks (coined by Robert Smithson), or Earth art is an art movement in which landscape and the work of art are inextricably linked.’

We visited a Richard Serra piece in Seattle this past weekend, entitled Wake.

Serra Seattle

Click through for a Serra-released photo of four metal pillar-forms aligned in the deserts of Qatar, designed to inevitably rust. The piece has a slight ‘2001: A Space Odyssey feel, but that could just be me.

Check out Hyperallergic’s visit to ‘Shift,’ a series of concrete forms he left in an Ontario field.

Here’s Serra discussing a piece of his at 21 West Gagosian, or a densely-packed, carefully measured series of metal forms in a room. What does the viewer experience in this space?:

Related On This Site:A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’

Thursday Poem-Walt Whitman

Facing West From California’s Shores

Facing west, from California’s shores,
Inquiring, tireless, seeking what is yet unfound,
I, a child, very old, over waves, towards the house of maternity, the land of migrations, look afar,
Look off the shores of my Western Sea—the circle almost circled;
For, starting westward from Hindustan, from the vales of Kashmere,
From Asia—from the north—from the God, the sage, and the hero,
From the south—from the flowery peninsulas, and the spice islands;
Long having wander’d since—round the earth having wander’d,
Now I face home again—very pleas’d and joyous;
(But where is what I started for, so long ago? And why it is yet unfound?)

Walt Whitman

Step By Step-Some Humble Space Links

Frank Drake brings some realism to the S.E.T.I. debate.  The space-time distances are a huge hurdle, and the challenges of becoming a spacefaring civilization make the journey to nearby star systems fairly impractical at the moment.

The less evidence and fewer data points there are, the more rampant the speculation, inventive the Sci-Fi imaginings, and important the foundation to create such new fields of knowledge.

There’s been an explosion of private entrepreneurship and NASA partnership lately (loosened regulations and better incentives) to help get cargo (things and people) into space much more cheaply than before.

What’s it like to be on a spacewalk?  In some ways, pretty normal and pretty not normal, apparently: Just pace yourself, focus, and get the job done in an unwieldy suit while you hover between everything you’ve ever known and an incomprensible abyss.

In addition to recent rapid advances in ‘seeing’ with radio waves, gravity waves and light, and we’ve got better tools to get a little further out into our own neighborhood.

This means we could find out if we can find some life on Mars (methane spikes), Jupiter’s icy moon Europa and Saturn’s icy moon Enceladus:

and:

and:

Tuesday Poem-Donald Justice

Men At Forty

Men at forty
Learn to close softly
The doors to rooms they will not be
Coming back to.

At rest on a stair landing,
They feel it moving
Beneath them now like the deck of a ship,
Though the swell is gentle.

And deep in mirrors
They rediscover
The face of the boy as he practices tying
His father’s tie there in secret

And the face of the father,
Still warm with the mystery of lather.
They are more fathers than sons themselves now.
Something is filling them, something

That is like the twilight sound
Of the crickets, immense,
Filling the woods at the foot of the slope
Behind their mortgaged houses.

Donald Justice

This one stays with me…

1980’s Aesthetics Matter-Also, Handel’s Sarabande In D Minor & StarBabies Transcending Earthly Experience In 2001: A Space Odyssey

To the Future!:

If you listen to the above, with the sound turned off on the visuals below, you will arrive into the future (once the backbeat fills in, ‘Chase’ becomes more bodily percussive and rhythmic).

Don’t let this ruin your mental focus:

After traveling eons, you will arrive to a quiet room.  There, a Japanese classical guitarist will be playing Handel’s Sarabande in D minor.

Such pomp, nobility and grief!  Somewhere beyond the dancer and the dance might lie the truth.

On that note,

One can imagine an intelligence just ahead of ours, or wildly ahead of ours, with benevolent, indifferent or malevolent (evil demon) intentions.

Or perhaps one can imagine a story told using the the current popular visual narrative; a Sci-Fi novel played to classical music, such as 2001:  A Space Odyssey.

The first monolith seems to inspire a string of causation and hominid evolution which leads to humans discovering the second monolith buried on the moon three million years later.  This monolith is found to be directing a signal to another, possibly transponding, monolith found orbiting Jupiter.

A mission is sent to this third monolith as the new HAL 9000 integrated and artificial intelligence on board knows some knowns and unknowns, and proceeds to act accordingly.  Methodically and chillingly, the HAL 9000 kills all but one crew member, perhaps in ‘Self-‘preservation or according to some unseen logic, or just because he’s broken and crazy).

David Bowman, the last remaining crew member, after a batle of wits, disables the HAL 9000 and catches up with the third monolith, in order to complete the mission.  At the end of the film, Bowman seems to transcends his earthly body, space-time, and ends up gazing over earth with the innocent eyes of a placental StarBaby, born anew.

Meh, the deisre for transcendence hasn’t gone too far beyond here, has it?

What am I missing?

Is this your favorite movie?

Repost-Michael Dirda At The Washington Post-Nathaniel Hawthorne’s Son

Full post here.

Dirda reviews this biography of Julian Hawthorne.

Did you know Hawthorne had a son who wrote for Hearst and rubbed shoulders with Twain?:

Over the course of his long life, Julian Hawthorne seems to have met every major literary and public figure of his time. As a child, he sometimes listened in as his father conversed with Emerson, Thoreau and Melville. At birthday parties, he played games with little Louisa May Alcott.’

Also from Michael Dirda, check out his visit to ‘Mencken Day’ in Baltimore:

‘We stayed for the afternoon talk-in which Richard Schrader revealed how slanted and inaccurate Mencken’s account of the Scopes evolution trial had been…’

The business of monkeys…

I’m often returned to the simple pleasures of bookishness while reading Dirda.

From a previous piece at the Times Literary Supplement (subscription required):

“As a student of his native literature, Mencken favours writers with the authentic American yawp – Walt Whitman and Mark Twain, the humorists George Ade and Ring Lardner. Huckleberry Finn is the novel he loves most (followed, somewhat surprisingly, by Joseph Conrad’s Lord Jim). He judges Emerson to be overrated – “an importer of stale German elixirs, sometimes direct and sometimes through the Carlylean branch house”. He can’t bear the circumlocutions of Henry James and the gentility of William Dean Howells”

See Also: How To Study Literature: M.H. Abrams In The Chronicle Of Higher Ed

Elixirs and ideas Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’ From Scientific Blogging: ‘The Humanities Are In Crisis-Science Is Not’ Repost-Adam Kirsch At The New Republic: ‘Art Over Biology’…Repost-Stanley Fish At The NY Times Blog: ‘The Last Professors: The Corporate Professors And The Fate Of The Humanities’

Menand wonders in his new book, why it often can take 9 years for a humanities PhD to get their doctorate.  He suggests part of the answer lies in the numbers:  fewer opportunities and fewer university programs since 1970.  Overtrained and underpaid.