Seattle Photos-A Gull, Considered

This was Harry at his most presentable: A shrewd cunning in stillness. Perhaps, he’d even brought me a question.

He was half-again as large as the other gulls near the Market. Not respected, maybe, but feared.

My mind would wander to thoughts of freedom, watching his wings dip and scissor, cutting the air. Sometimes I would watch his eyes, too, scouring the ground for food and the sky for other birds.

The constant shrieking and territorial displays were better than silence, Dear Reader, especially if thoughts of death crept in (how much I missed L). 

Harry had other behaviors: Gobbling fish guts and slurping coffee directly from the street. One day, he’d snatched a french-fry mid-air from a child’s fingers. After the shock and a brief consolation, we smiled in mutual surprise.

Clever, I suppose.

In short, Harry didn’t give a shit. 

In fact, the bird shit wherever he pleased.

This is where our story begins…

Friday Poem-W.S. Merwin

Separation

Your absence has gone through me
Like thread through a needle
Everything I do is stitched with its color

W.S. Merwin

This poem commemorates a deep loss in my life. After the shock of sudden death, we each found ourselves a deep pool to wade through. Don’t worry, Dear Reader. Time gives memories back; the thoughtless remarks, the bad jokes, and conversations seemingly gone forever. 

Keep moving. If you find your heart hardened in the wake of death or loss, find yourself in light. 

Two Photos Around An Aesthetic-Ye Olde Shopping Mall

Just had a quick visit to family in the D.C. area, and Georgetown has a lot of high-end shops. A vague notion of London flashed through my mind. This is an area with appeal; where attractive women go to shop, see the sights, and be seen.

How does one capture the aesthetic (brick facades, colonial style, gothic script, ye ‘Olde English Shoppe’ vibe)?

The light was winter-light, mid-latitude, coming from over the left-shoulder/south/southwest. There were a lot of subjects, and lots of visual interest.

In photo number one, the reflection seems balanced, but the focus should probably be on one subject, preferably the guy (tough to manage if he’s only reflected). In number two, the umbrella on the right should probably in focus. 

Neither are ‘winners’, really, but both have solid elements. They demonstrate that, over time, while taking photographs, you can continue to add judgment upon judgment, experience upon experience, into a ‘tool belt.’ You must make decisions, quick decisions on the street, regarding focus (what’s in focus?), light (shutter, how much to let in?), subject (what’s the story you want to tell?), and composition (what’s in frame, and what did you leave out?). 

Each variable is crucial, and in this case, there are some focus and subject (static/boring) issues, to be sure. 

Thanks for looking and reading.

Thursday Poem-Joseph Brodsky

1 January 1965

The Wise Men will unlearn your name.
Above your head no star will flame.
One weary sound will be the same—
the hoarse roar of the gale.
The shadows fall from your tired eyes
as your lone bedside candle dies,
for here the calendar breeds nights
till stores of candles fail.

What prompts this melancholy key?
A long familiar melody.
It sounds again. So let it be.
Let it sound from this night.
Let it sound in my hour of death—
as gratefulness of eyes and lips
for that which sometimes makes us lift
our gaze to the far sky.

You glare in silence at the wall.
Your stocking gapes: no gifts at all.
It’s clear that you are now too old
to trust in good Saint Nick;
that it’s too late for miracles.
—But suddenly, lifting your eyes
to heaven’s light, you realize:
your life is a sheer gift.

Joseph Brodsky

Seattle Photo-Don’t Buy That Condo!

The photo’s all real. Just playing around with some text.

Kojak’ll chase a perp down a garbage-strewn alley on the lower East Side. Right around minute fifty, just before the last ads for life insurance and Polident. 

Someone’s gotta let the mother of another dead hooker taste a little justice. 

Maybe a sharply-spoken word unloosens memory; a lost soul’s dreams, floating to some place in the sky.

Maybe amidst the stench of dopeheads and their dealers, greed and thoughtless action..a splash of Old Spice reminds us all of a little thing called hope. 

This is my favorite:

Friday Poem-A.E. Stallings

The Mistake

The mistake was light and easy in my hand,
A seed meant to be borne upon the wind.
I did not have to bury it or throw,
Just open up my hand and let it go.

The mistake was dry and small and without weight,
A breeze quickly snatched it from my sight,
And even had I wanted to prevent,
Nobody could tell me where it went.

I did not think on the mistake again,
Until the spring came, soft, and full of rain,
And in the yard such dandelions grew
That bloomed and closed, and opened up, and blew

A.E. Stallings

Tuesday Poem-Philip Larkin

The Old Fools

What do they think has happened, the old fools,
To make them like this? Do they somehow suppose
It’s more grown-up when your mouth hangs open and drools,
And you keep on pissing yourself, and can’t remember
Who called this morning? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September?
Or do they fancy there’s really been no change,
And they’ve always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching the light move? If they don’t (and they can’t), it’s strange;
                               Why aren’t they screaming?

At death you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It’s only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can’t pretend
There’ll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they’re for it:
Ash hair, toad hands, prune face dried into lines –
                               How can they ignore it?

Perhaps being old is having lighted rooms
Inside your head, and people in them, acting
People you know, yet can’t quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a lamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun’s
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
                              This is why they give

An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction’s alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet:
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end? Not at night?
Not when the strangers come? Never, throughout
The whole hideous inverted childhood? Well,
                             We shall find out.

Philip Larkin