I tend to be skeptical of guys who, upon their deaths, freeze their heads into perpetuity. Probabilistically, though, I suppose it could be a bet worth taking.
We could use more outside-the-box thinkers with real-world experience making bets on where to fruitfully think.
Our institutions have more rot than usual, and dangerous capture. There are too many prizes, too many piles of old money, and not enough brains and courage.
I’m of a mind to say Nature is beyond value judgment (I judge things all the time, but Nature doesn’t seem to care). The people I love and who love me, do care about me (as long as we’re here).
God? Maybe. The universe: Unclear. The little I know of the laws of the universe suggest more of the same Nature I’ve known here on Earth.
Beauty plays a key part in understanding the world. It can both anchor us into our own bodies and experiences, while keeping us searching for new experiences. Truth has a clear empirical element in my thinking, and refers to a world I believe genuinely exists. Collecting data about the world is a lot like actually referring back to the book you’re quoting, or asking the other person what they’re really thinking…then listening.
Beautiful and dangerous. Maybe the tornado is telling you something? Maybe not.
Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’…
Roger Sandall, Australian critic of romantic primitivism and the Western’s Left’s penchant for the Noble Savage: His home page where his essays can be found. Here’s “The Rise Of The Anthropologues“ and…
Same lobby. Looking for better light. No composites.
Via David Thompson’s Greatest Hits: ‘A discussion on the state of the left with Ophelia Benson, editor of the rationalist website Butterflies & Wheels and co-author of Why Truth Matters.’
‘Our criticism of [Judith] Butler was quite independent of the merits or lack thereof of Derrida – but perhaps a criticism of his defender amounts to a criticism of him and is therefore not allowed. At any rate, Butler’s open letter to the Times is a classic example of precisely this evasive non-substantive suggestion of impropriety that you mention. It’s basically an argument from celebrity. ‘How dare you publish such a snide obituary, Derrida was hugely influential, he was celebrated, he was a big deal.’
Hmmm….Martha Nussbaum on Judith Butler: ‘The Professor Of Parody‘
‘These developments owe much to the recent prominence of French postmodernist thought. Many young feminists, whatever their concrete affiliations with this or that French thinker, have been influenced by the extremely French idea that the intellectual does politics by speaking seditiously, and that this is a significant type of political action. Many have also derived from the writings of Michel Foucault (rightly or wrongly) the fatalistic idea that we are prisoners of an all-enveloping structure of power, and that real-life reform movements usually end up serving power in new and insidious ways. Such feminists therefore find comfort in the idea that the subversive use of words is still available to feminist intellectuals. Deprived of the hope of larger or more lasting changes, we can still perform our resistance by the reworking of verbal categories, and thus, at the margins, of the selves who are constituted by them.’
Strolling along, Avital Ronell, professor of German and Comparative Literature at NYU, invites you for a walk in the park, for whom 10 minutes of profound explication can never be enough:
I’m guessing that in the past, and maybe still in the present, some Nimrods find both the Catholic Church and/or the Priesthood of Impenetrable Jargon attractive life options.
‘In September 2017, New York University launched a Title IX investigation into Avital Ronell, an internationally acclaimed professor who had been accused of sexual harassment by her former graduate student, Nimrod Reitman.’
Roger Scruton suggests that the co-opting of university philosophy and literature departments by similar postmodern schools of thought (post-ish Marxist) does a disservice to young people interested in both philosophy and literature:
On that note, it doesn’t matter so much if ideas are true, or falsifiable, but rather if they can be held with conviction, made into policy, and acted upon in the world. People are going to do politics, whether you like it or not.
I’d argue that the decline of religion along with the intellectual currents in many academies have conspired to produce enough space for the following in our politics: Morally righteous people interested in how you should live your life. People who are deeply anti-religious and narrowly ideological.
From my point-of-view, If we conceptualize a blob of unchallenged moral sentiment anchored in religious teaching, and we imagine this sentiment to have been a primary reservoir for action in the world in and the laws (forming the personal habits and thoughts of many), we can imagine the blob being slowly drained.
In part through the pursuit of the (S)elf to the exclusion of much else, and often on the backs of many claims of personal/individual freedom and market viability, we’re presumed to be moving ever towards more liberty. This forms the backbone of a lot of liberal idealism. Many men on the street these days, following the example of many artists and intellectuals of the past few generations, are asked to put such moral sentiment and hope into the ideals, ‘-Isms’ and political causes (feminism/environmentalism/activism…moving relatively closer to the authoritarian/totalitarian Leftism of Marx). This also makes more elements of our personal lives, and the freedom of thought and speech to question the knowledge/truth claims of true-believers, fall under the shadow of the new moral orthodoxies.
It turns out we don’t emerge from the womb as fully formed individuals. It turns out leaving the public square and the academy to radicals has consequences. It turns out some ideals scale, and many don’t.
Human nature and reality await.
No cropping. Just darkened it a little and made it black and white. More of a study.
‘I am not young enough to know everything.’
‘One plausible view would be that this detachment of rightness from both custom and religion begins with Socrates, who rejected the customers and the gods of Athens in order to make the care of the soul a free-floating concern whose content would be elaborated in philosophical criticism of the received ideas of his milieu. Philosophy was clearly a necessary element here in facilitating the project of detaching the right thing to do from its religious and customary incrustations, and some capacity to isolate the moral from the customary and religious has lived an intermittent life in Western experience ever since. A great deal of philosophy in the Hellenistic and Roman periods was concerned with how one ought to live, and Stoic, Epicurean, and Skeptical ideas have seldom been without influence on modern thought.‘
Minogue, Kenneth. The Servile Mind: How Democracy Erodes The Moral Life. Encounter Books. 2010. Print. (Pg 131).
From the book summary:
‘One of the grim comedies of the twentieth century was the fate of miserable victims of communist regimes who climbed walls, swam rivers, dodged bullets, and found other desperate ways to achieve liberty in the West at the same time as intellectuals in the West sentimentally proclaimed that these very regimes were the wave of the future. A similar tragicomedy is being played out in our century: as the victims of despotism and backwardness from third world nations pour into Western states, the same ivory tower intellectuals assert that Western life is a nightmare of inequality and oppression.’
Men At Forty
Men at forty
Learn to close softly
The doors to rooms they will not be
Coming back to.
At rest on a stair landing,
They feel it moving
Beneath them now like the deck of a ship,
Though the swell is gentle.
And deep in mirrors
The face of the boy as he practices tying
His father’s tie there in secret
And the face of the father,
Still warm with the mystery of lather.
They are more fathers than sons themselves now.
Something is filling them, something
That is like the twilight sound
Of the crickets, immense,
Filling the woods at the foot of the slope
Behind their mortgaged houses.
This one stays with me…
A favorite theme on this blog:
‘But what’s so public about public art? Is it “public” simply because it’s stuck in public places? And who asks for it? In a recent interview with Manner of Man Magazine, Alexander Stoddart, Sculptor in Ordinary to Her Majesty the Queen in Scotland, hits the nail on the head.’
Click through for some good quotes. Why is public art often so bad? What happens when art gets attached with money, and yes, also money through grants?
Is it better just to have a contest?
Are you truly moved by a public art piece? If so, which one?
As paired with this previous post:
‘But step back a moment. Would ending federal, i.e., taxpayer, i.e., your, money on entities like the NEA, the NEH, and the CPB be a bad thing?’
Here are two good reasons in favor of ending Federal funding:
- You will likely aid in making better art. Universities, museums and institutions don’t necessarily get along with the creative genius, nor in making something new. In fact, such institutions can stifle creativity by rewarding and amplifying current tastes and entrenching public sentiment into reefs, creating additional hurdles for talent to get where it’s going. State money, furthermore, is not a necessary condition of good art. In fact, it may be a necessary condition of bad art [addition: we can probably say that bad art is everywhere, but there’s rarely great art coming out of Federally funded programs].
- Incentives matter: The self-interested, ideologically driven and less-talented will have incentives to control the Federal bureaucracy and politicize the arts. They’re out there, and if you reward them with cash and status, you’ll get more of them (bad artists, ideologues, politicians and bureaucrats in an unholy cycle of Badness).
No one can speak for all the public, not even the artistic genius. Art-curators, docents, specialists and critics can do good [for art], but sometimes they can do bad. Individual talent, tradition, hard-work, groups of people, ideas, money and opportunities all matter, but how much exactly, is anyone’s guess.
Richard Serra was commissioned to put a piece in Federal Plaza, paid for the public, and some people didn’t like it.
It was removed. Serra felt railroaded. There was a lot of press and drama.
Pretty relevant, I’d say:
Also, this Vincent Gallo interview is funny as hell:
He takes the critics on while wearing an awesome USA track-suit:
Related On This Site: Repost-From Poemshape: ‘Let Poetry Die’
They’ve got to keep up with the times:A Few Thoughts On NPR And Current Liberal Establishment Thinking Under Obama
Ken Burns makes a good documentary, but he’s also arguing he absolutely needs your tax dollars in service of what he assumes to be a shared definition of the “common good” as he pursues that art. The market just can’t support it otherwise. Repost-From ReasonTV Via Youtube: ‘Ken Burns on PBS Funding, Being a “Yellow-Dog Democrat,” & Missing Walter Cronkite’…From NPR: Grants To The NEA To Stimulate The Economy?…We’re already mixing art and politics, so…
Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment…
From 2 Blowhards-We Need The Arts: A Sob Story…A museum industrial complex…more complexes…who are the people museums should be serving? James Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’