Via Rod Dreher: ‘Rednecks And The Two Randys’-Selfhood Tribalism And The Same Old Human Nature?

Via Rod Dreher, ‘Rednecks And The Two Randys’

‘That’s how I felt listening to Terry Gross and the other NPR show after listening to Jackie talk briefly about the Squad. Our media elites will fall all over themselves to defend and celebrate people like Ilhan Omar and Randy Rainbow, but guys like the middle-aged man who came down from my attic today dripping sweat, and who can’t bear people like Ilhan Omar — in the eyes of our liberal elites, they’re what’s wrong with this country.’

I’d rather not have to choose between ‘Jackie’ and ‘Randy Rainbow, ‘ personally.

Unfortunately, however, choices can be very real when it comes to people, coalitions and politics.  Often these choices boil down to the lesser of evils, or certainly, compromises of and more compromises.  When a lot of change overwhelms our instititutions, at a time when those institutions are arguably seriously over-built and over-leveraged, well, arguably, here we are.

Where did I put that hobby horse? Beneath the appeal to experts (some ‘studies’ professors, some social scientists, and some scientists) is a constant showcasing of activist concerns at NPR (the assumption of moral rightness and truthfulness of activist causes, mostly, the vague moral suspicion of religious belief, conservation of established traditions, corporations etc).

I find myself disagreeing often, despite the high production value.

As I choose to see the world, when it comes to politics, much activist logic is, well, radical and revolutionary, the truths activists have to tell coming with destabilizing dangers and deadly serious risks (they can be important truths).  Not only change but maybe even violent change.  Certainly liberatory.

If I go looking for ignorance, in-group/out-group dynamics, a desire to believe, I can look no further than myself, frankly.  Such urges never really go away, though they can be channeled better; mediated and expressed through love, family, friendships, work and some attention and care with one’s own mind through deeper reasoning and ‘big ideas.’

Looking for and working hard to get at the truth really matters.

What I’m pretty sure of:  Such impulses certainly can’t be directed towards what I see as modern Selfhood tribalism (from tattoos to Romantic Primitivism to political idealism and identity coalition-building) without consequences for everyone.

What is true of religious organiziations, traditions and corporations, of course, is also true of political orgs and missionary secular humanists.

Also from the American Conservative, ‘Wendell Berry Goes To Indiana:’

Wendell Berry, on “tolerance and multiculturalism,” from his essay “The Joy of Sales Resistance”:

‘Quit talking bad about women, homosexuals, and preferred social minorities, and you can say anything you want about people who haven’t been to college, manual workers, country people, peasants, religious people, unmodern people, old people, and so on.’

Addition:  The search for religious purity through a relationship with God, purity of the spoken word, and purity of of the perfectibility of Man and the Human could have some serious overlap, here, folks.

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Full piece here (link may not last).

Scruton:

‘It is true that the theory of the meme does not deny the role of culture, nor does it undermine the nineteenth-century view that culture properly understood is as much an activity of the rational mind as is science. But the concept of the meme belongs with other subversive concepts — Marx’s “ideology,” Freud’s unconscious, Foucault’s “discourse” — in being aimed at discrediting common prejudice. It seeks to expose illusions and to explain away our dreams. But the meme is itself a dream, a piece of ideology, accepted not for its truth but for the illusory power that it confers on the one who conjures with it. It has produced some striking arguments, not least those given by Daniel Dennett in Breaking the Spell, in which he explains away religion as a particularly successful but dangerous meme.’

Those concepts according to Scruton, are not science, but rather scientism.

And he focuses back-in on judgment, or the capacity for judgment attached to ‘I,’ and an ‘I’ which looks towards transcendence:

‘Surely human beings can do better than this — by the pursuit of genuine scientific explanation on the one hand, and by the study of high culture on the other. A culture does not comprise works of art only, nor is it directed solely to aesthetic interests. It is the sphere of intrinsically interesting artifacts, linked by the faculty of judgment to our aspirations and ideals. We appreciate works of art, arguments, works of history and literature, manners, dress, jokes, and forms of behavior. And all these things are shaped through judgment. But what kind of judgment, and to what does that judgment lead?

Interesting quote by Scruton in a debate about Islam, at min 6:35 of video 4/4:

‘Universal values only make sense in a very specific context…the attempt to universalize them, or project or impose them…just leads to their appropriation by sinister forces.”

Worth a read.

-Steven Pinker, Harvard experimental psychologist and cognitive scientist wrote a piece in the New Republic, entitled: ‘Science Is Not Your Enemy

-Leon Wieseltier, literary editor of the New Republic since the 60′s, responded at The New Republic:  ‘No, Science Doesn’t Have All The Answers.

-Ross Douthat, conservative Catholic columnist at the Times jumped in the fray: ‘The Scientism Of Steve Pinker’ 

-Jerry Coyne, evolutionary biologist, responded to Douthat.

-Wieseltier jumped back in with: ‘Crimes Against Humanities: Now science wants to invade the humanities.  Don’t let it happen.

-Now Daniel Dennett, philosopher, cognitive scientist, one of the New Atheists and Boston-based secularist responds to Wieseltier:

‘Pomposity can be amusing, but pomposity sitting like an oversized hat on top of fear is hilarious. Wieseltier is afraid that the humanities are being overrun by thinkers from outside, who dare to tackle their precious problems—or “problematics” to use the, um, technical term favored by many in the humanities. He is right to be afraid. It is true that there is a crowd of often overconfident scientists impatiently addressing the big questions with scant appreciation of the subtleties unearthed by philosophers and others in the humanities, but the way to deal constructively with this awkward influx is to join forces and educate them, not declare them out of bounds.’

So, how do you teach the arts and tilt the culture? Camille Paglia has some ideas, including the idea that George Lucas has taken root in more 20th-century minds than anyone else with his space opera:

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Related On This Site: Repost-Adam Kirsch At The New Republic: ‘Art Over Biology’…From Edward Feser: ‘Nagel And His Critics Part IV’

Evolutionary psychology and moral thinking: Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’From The Stanford Encyclopedia Of Philosophy: Charles Sanders Peirce

Larry Arnhart At Darwinian Conservatism Reviews E.O. Wilson’s ‘The Social Conquest Of Earth’Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

From Nigel Warburton’s Site: A Definition of Humanism?…A Debate: Would We Better Off Without Religion?…Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism

Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’

Tuesday Poem-T.S. Eliot

Cousin Nancy

Miss Nancy Ellicott
Strode across the hills and broke them,
Rode across the hills and broke them—
The barren New England hills—
Riding to hounds
Over the cow-pasture.

Miss Nancy Ellicott smoked
And danced all the modern dances;
And her aunts were not quite sure how they felt about it,
But they knew that it was modern.

Upon the glazen shelves kept watch
Matthew and Waldo, guardians of the faith,
The army of unalterable law.

T.S. Eliot  

Matthew=Matthew Arnold. Waldo=Ralph Waldo Emerson.

Thursday Poem-Robert Frost

Mending Wall

 Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
“Stay where you are until our backs are turned!”
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, “Good fences make good neighbours.”
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
“Why do they make good neighbours? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn’t love a wall,
That wants it down.” I could say “Elves” to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, “Good fences make good neighbours.”

Robert Frost

I know it’s summer, but this one popped into my head this morning.

Looking For Place In America-Some Poetry & Photography Links

Via Mick Hartley, British photographer Mark Power’s Good Morning, America, vols. 1 (mostly Arkansas) & 2 (mostly across the South).

Power:

‘I keep a physical and metaphorical distance between myself and the subject. It’s a way of delineating my ‘foreignness’ and is a similar stance to the one I took while working in Poland making The Sound of Two Songs (2004-09). It’s comes very naturally to me; I’ve always felt I’m better at observing than participating, so to stand back and watch from afar suits me very well.’

I often find myself drawn to photos with some distance.

As posted:

Via Mick Hartley, Steve Fitch Photography has neon motel signs glowing into the Western night.

He also has a book simply titled ‘Motel Signs:’

What’s more American than an exiled member of the Russian aristocracy intimately making his way into the English language and peering out from a thousand Motor Lodges?

Nabokov in America:  On The Road To Lolita.

Michael Dirda review of the review here.

“Nabokov in America” is rewarding on all counts, as biography, as photo album (there are many pictures of people, Western landscapes and motels) and as appreciative criticism. Not least, Roper even avoids the arch style so often adopted by critics faintly trying to emulate their inimitable subject.’

Well, there’s Donald Judd and Marfa, Texas, which looks interesting:

As previously posted, The Critic Laughs, by Hamilton:

Do you long for the days of unabashed American consumerism? Are you nostalgic for nights lit only by a soft, neon glow on the underbellies of clouds? Return to a time when America broadcast its brash, unironic call to the heavens.

But it can be empty, and lonely, and full of hard work and suffering:

MT-3 Storm Breaking-3

Montana Pastoral
I am no shepherd of a child’s surmises.
I have seen fear where the coiled serpent rises,

Thirst where the grasses burn in early May
And thistle, mustard and the wild oat stay.

There is dust in this air. I saw in the heat
Grasshoppers busy in the threshing wheat.

So to this hour. Through the warm dusk I drove
To blizzards sifting on the hissing stove,

And found no images of pastoral will,
But fear, thirst, hunger, and this huddled chill.

Detroit Nocturne‘ found here. Via Mick Hartley.

I’m partial to ‘Joey’s Meatcutter Inn, Bar & Grill 2017‘:

Joey's Meatcutter's Inn, Eastside, Detroit 2017

Immediately, I think of Edward Hopper: The lonely cityscape at night or the familiar glow of gas station lights cast into the American wilderness. The eye might want to linger among the colors, shapes and clouds even though the mind knows this is pretty much an empty street in a ‘post-industrial’ zone.

Perhaps it has do with another strand of expression: The break into free verse from past forms. The move from American Romanticism to Modernism which occurred this early past century. William Carlos Williams produced many good poems from a process of earnest, scrapbook-style intensity in trying to discover, redefine, and order a new poetic form within a modern ‘urban landscape.’

The individual artist is quite alone in the task he’s set before himself, and like much of modernism, it’s a rather big task.

Pastoral

When I was younger
it was plain to me
I must make something of myself.
Older now
I walk back streets
admiring the houses
of the very poor:
roof out of line with sides
the yards cluttered
with old chicken wire, ashes,
furniture gone wrong;
the fences and outhouses
built of barrel staves
and parts of boxes, all,
if I am fortunate,
smeared a bluish green
that properly weathered
pleases me best of all colors.

No one
will believe this
of vast import to the nation

William Carlos Williams

Do you believe any of that to be of vast import to the nation? Are you no one?

Repost-From The New Criterion: ‘What’s So Public About Public Art?’

Full piece here.

A favorite theme on this blog:

‘But what’s so public about public art? Is it “public” simply because it’s stuck in public places? And who asks for it? In a recent interview with Manner of Man Magazine, Alexander Stoddart, Sculptor in Ordinary to Her Majesty the Queen in Scotland, hits the nail on the head.’

Click through for some good quotes. Why is public art often so bad? What happens when art gets attached with money, and yes, also money through grants?

Is it better just to have a contest?

Are you truly moved by a public art piece? If so, which one?

As paired with this previous post:

Full piece here.

‘But step back a moment. Would ending federal, i.e., taxpayer, i.e., your, money on entities like the NEA, the NEH, and the CPB be a bad thing?’

Here are two good reasons in favor of ending Federal funding:

  1. You will likely aid in making better art. Universities, museums and institutions don’t necessarily get along with the creative genius, nor in making something new. In fact, such institutions can stifle creativity by rewarding and amplifying current tastes and entrenching public sentiment into reefs, creating additional hurdles for talent to get where it’s going. State money, furthermore, is not a necessary condition of good art. In fact, it may be a necessary condition of bad art [addition: we can probably say that bad art is everywhere, but there’s rarely great art coming out of Federally funded programs].
  2. Incentives matter: The self-interested, ideologically driven and less-talented will have incentives to control the Federal bureaucracy and politicize the arts. They’re out there, and if you reward them with cash and status, you’ll get more of them (bad artists, ideologues, politicians and bureaucrats in an unholy cycle of Badness).

No one can speak for all the public, not even the artistic genius. Art-curators, docents, specialists and critics can do good [for art], but sometimes they can do bad. Individual talent, tradition, hard-work, groups of people, ideas, money and opportunities all matter, but how much exactly, is anyone’s guess.

Richard Serra was commissioned to put a piece in Federal Plaza, paid for the public, and some people didn’t like it.

It was removed. Serra felt railroaded. There was a lot of press and drama.

Pretty relevant, I’d say:

Also, this Vincent Gallo interview is funny as hell:

He takes the critics on while wearing an awesome USA track-suit:

Related On This Site: Repost-From Poemshape: ‘Let Poetry Die’

They’ve got to keep up with the times:A Few Thoughts On NPR And Current Liberal Establishment Thinking Under Obama

Ken Burns makes a good documentary, but he’s also arguing he absolutely needs your tax dollars in service of what he assumes to be a shared definition of the “common good” as he pursues that art. The market just can’t support it otherwise. Repost-From ReasonTV Via Youtube: ‘Ken Burns on PBS Funding, Being a “Yellow-Dog Democrat,” & Missing Walter Cronkite’From NPR: Grants To The NEA To Stimulate The Economy?…We’re already mixing art and politics, so…
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Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

From 2 Blowhards-We Need The Arts: A Sob Story…A museum industrial complex…more complexes…who are the people museums should be serving? James Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

Sherlock Holmes & Speech-Two Links

If it’s free, you’re the product.  If the large company offering free services, making you a product, has a board full of ‘trust and safety’ types, well, you’ve been warned.

As I see things, because many secular ideals are becoming the highest things around (at least within many institutions), then many secular idealists and true-believin’ radicals, even, are pretty much okay deciding what you should be looking at.

At the WaPo (Democracy Dies In Darkness!), owned by Jeff Bezos, utitlizing the latest Amazon engineering…:

Michael Dirda writes about Sherlock Holmes (sorry, behind a new and improved AI paywall).

As posted: Michael Dirda at the Washington Post: ‘Sherlock Holmes May Not Have Been A Real Crime-Fighter, But His Creator Was

Of note:

‘In 1908 the wealthy Gilchrist kept lots of expensive jewelry in her home but feared robbery so much that she installed three locks on the entrance door to her apartments. Nonetheless, one afternoon the family residing below heard loud crashing sounds above, followed by three knocks.’


by Colin Angus Mackay

“I must take the view, your Grace, that when a man embarks upon a crime, he is morally guilty of any other crime which may spring from it.”

-Sir Arthur Conan Doyle

A discussion of deductive and inductive reasoning here, as it might relate to solving crimes (which is highly dramatized in our culture, perhaps partly due to Holmes).

Strange Maps has this.

221B Baker Street page here.

Perhaps thefire.org is something like the new ACLU:  You must keep building new firewalls against illiberal ideas and people.  Greg Lukianoff has five suggestions on what university Presidents can do:

‘With the targets constantly shifting, what are some effective steps college presidents can take right now to fight censorship, regardless of where it originates? Presidents like to say they are in favor of free speech, but few have presented a plan of action that would improve the state of free speech for their students and faculty members. ‘

As posted, here’s what at least one of them has done:

From Adam Falk’s letter to Williams students:

‘Today I am taking the extraordinary step of canceling a speech by John Derbyshire, who was to have presented his views here on Monday night. The college didn’t invite Derbyshire, but I have made it clear to the students who did that the college will not provide a platform for him.

Free speech is a value I hold in extremely high regard. The college has a very long history of encouraging the expression of a range of viewpoints and giving voice to widely differing opinions. We have said we wouldn’t cancel speakers or prevent the expression of views except in the most extreme circumstances. In other words: There’s a line somewhere, but in our history of hosting events and speeches of all kinds, we hadn’t yet found it.

We’ve found the line. Derbyshire, in my opinion, is on the other side of it. Many of his expressions clearly constitute hate speech, and we will not promote such speech on this campus or in our community.

We respect—and expect—our students’ exploration of ideas, including ones that are very challenging, and we encourage individual choice and decision-making by students. But at times it’s our role as educators and administrators to step in and make decisions that are in the best interest of students and our community. This is one of those times.’

John Derbyshire raised quite a stir after publishing ‘The Talk: Nonblack Version,’

‘There is a talk that nonblack Americans have with their kids, too. My own kids, now 19 and 16, have had it in bits and pieces as subtopics have arisen. If I were to assemble it into a single talk, it would look something like the following.

Of course, what better place than a liberal arts college to talk these matters out?

Sigh.

Read up. Get your reasons and arguments together. Show up at the debate, alone or with friends. Listen to the other fellow. Think. Respond. Think some more. Debate.

Publishing and disseminating the thoughts and ideas of others is not necessarily an endorsement of those thoughts and ideas, but it is absolutely vital in maintaining a free and open society:

Out of principle alone, here’s Derbyshire discussing his general worldview:

Monday Poem-T.S. Eliot

Macavity:  The Mystery Cat

Macavity’s a Mystery Cat: he’s called the Hidden Paw–
For he’s the master criminal who can defy the Law.
He’s the bafflement of Scotland Yard, the Flying Squad’s despair:
For when they reach the scene of crime–Macavity’s not there!

Macavity, Macavity, there’s no one like Macavity,
He’s broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime–Macavity’s not there!
You may seek him in the basement, you may look up in the air
But I tell you once and once again,–Macavity’s not there!

Macavity’s a ginger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly domed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he’s half asleep, he’s always wide awake.

Macavity, Macavity, there’s no one like Macavity,
For he’s a fiend in feline shape, a monster of depravity.
You may meet him in a bystreet, you may see him in the square
But when a crime’s discovered, then–Macavity’s not there!

He’s outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard’s.
And when the larder’s looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke’s been stifled,
Or the greenhouse glass is broken, and the trellis past repair
Ay, there’s the wonder of the thing! Macavity’s not there!

And when the Foreign Office find a Treaty’s gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scrap of paper in the hall or on the stair
But it’s useless to investigate–Macavity’s not there!
And when the loss has been disclosed, the Secret Service say:
‘It must have been Macavity!’ but he’s a mile away.
You’ll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.

Macavity, Macavity, there’s no one like Macavity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibi, and one or two to spare:
At whatever time the deed took place–MACAVITY WASN’T THERE!
And they say that all the Cats whose wicked deeds are widely known,
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime.

T.S. Eliot

-Best for kids 4-8.

Curmudgeon’s Dudgeon-Theodore Dalrymple On ‘Youth In Asia’

Mouse-in-hand, I’m daily reminded of the abundant mental and physical weakness on display in this world, should I care to notice, both within and without.

When it comes to yet another cause of the day, euthanisia, my skeptic’s eye glasses over anew; one thought temporarily overriding all incoming sensory perception:  ‘What’re they up to now?’

Perhaps there are good reasons not to glamourize nor Romanticize the urge to a young, tragic and rather public demise in addition to the moral questions death raises?

Or at least, maybe just teach the kids some Romeo and Juliet:

‘But soft! What light through yonder window breaks?
It is the East, and Juliet is the sun!’

I positively relish the day our academic, political and media ‘intelligentsia’ give this latest cause the dignity it so richly deserves.

Dalrymple:

If I were Dutch, I would not be altogether reassured by the ease with which it was widely (though mistakenly) believed that a 17-year-old girl named Noa Pothoven was put to death by doctors because of her unbearable mental suffering, rather than the fact that she was actually allowed to refuse all food and drink until she died of dehydration.’

and:

‘There was something distinctly histrionic or self-advertising about her suicide. She did not go quietly: she advertised or broadcast what she was going to do, and why she was going to do it. She did not want to shuffle off this mortal coil: she wanted to make a mark, to enter history. And she succeeded.’

There certainly is something rather histrionic and hysterical in the ‘environment’ these days:

***Bonus points to Dalrymple for mentioning ‘The Sufferings Of Young Werther‘ which I suffered in translation during year twenty-one on this Earth.  After spending time with Nietzsche via Walter Kaufman, eternity as a bath house full of spiders, and Rilke’s panther, I was well on my way to having a proper heart of stone.

Toss in some Blake, and ‘Bartleby, The Scrivener: A Story Of Wall Street‘, and I’m laughing all the way through the modern fog bank.

See you on the other side, Dear Reader (or not).

Come to think of it, the ‘Youth In Asia,’ probably will have something to do with the future:

Tuesday Poem-Wallace Stevens & Some Quotes, Links & Thoughts

Six Significant Landscapes

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman’s arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself
Against a tall tree.
I find that I am much taller,
For I reach right up to the sun,
With my eye;
And I reach to the shore of the sea
With my ear.
Nevertheless, I dislike
The way ants crawl
In and out of my shadow.

IV
When my dream was near the moon,
The white folds of its gown
Filled with yellow light.
The soles of its feet
Grew red.
Its hair filled
With certain blue crystallizations
From stars,
Not far off.

V
Not all the knives of the lamp-posts,
Nor the chisels of the long streets,
Nor the mallets of the domes
And high towers,
Can carve
What one star can carve,
Shining through the grape-leaves.

VI
Rationalists, wearing square hats,
Think, in square rooms,
Looking at the floor,
Looking at the ceiling.
They confine themselves
To right-angled triangles.
If they tried rhomboids,
Cones, waving lines, ellipses
As, for example, the ellipse of the half-moon
Rationalists would wear sombreros.

Wallace Stevens

I quite like this one.  Perhaps it’s because of what I see as a Romantic sensibility fitted to imagistic purpose.

As to that final stanza: That’s a lot of very lush language to describe what are, to my mind, very visual-field, mathematical concepts.  Stevens was a poet of lush language, celebrating it like the old dandy he was, but also translating the Romantic arrangment of language to the spare, image-based aims of modernism.  Make it new and strip it down.

Perhaps, this is more the tension occurring here rather than that of a frustrated mathematician.

I’ll try and stir the pot a bit:

‘…modern rationalism is what commonplace minds made out of the inspiration of men of discrimination and genius.’

Oakeshott, Michael. Rationalism In Politics And Other Essays. Indianapolis: Liberty Fund, 1991. Print. Pg 6.

One might ask what kind of genius?  Artistic, linguistic and poetic? Or rather mathematical and physical?  Parts of this debate could be said to stretch back to the Greeks, at least.  They exist [such debates] all around us today, within our universities, politics and lives.

Personally, I’m reminded of many modern debates over reason, what it can do , what it can’t, and also many rationalist/anti-rationalist reactions to it.

The Romantic impulse generally involves a return to Nature and the countryside, away from civilization.  The poet and the artist also invite one back to one’s own sense experience anew; the ambitious attempting to celebrate the emotions and grand themes without a hint of irony (love, death, war).

At least, many try and show us as we are and can be to ourselves.

But, this is also having some downstream effects, at least in German theory: Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:

aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…

The first modern?

Full slide show here.

“Fantasy abandoned by reason produces impossible monsters: united with her, she is the mother of the arts and the origin of their marvels.”

See Also On This Site: Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.