Four Poems & A Short Story Collected Throughout The Years-Aging

Men At Forty

Men at forty
Learn to close softly
The doors to rooms they will not be
Coming back to.

At rest on a stair landing,
They feel it moving
Beneath them now like the deck of a ship,
Though the swell is gentle.

And deep in mirrors
They rediscover
The face of the boy as he practises tying
His father’s tie there in secret

And the face of the father,
Still warm with the mystery of lather.
They are more fathers than sons themselves now.
Something is filling them, something

That is like the twilight sound
Of the crickets, immense,
Filling the woods at the foot of the slope
Behind their mortgaged houses.

Donald Justice

IV

My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.

William Butler Yeats

Whole poem here (Vacillation).

An Old Man

In the inner room of the noisy café
an old man sits bent over a table;
a newspaper before him, no companion beside him.

And in the scorn of his miserable old age,
he meditates how little he enjoyed the years
when he had strength, the art of the word, and good looks.

He knows he has aged much; he is aware of it, he sees it,
and yet the time when he was young seems like
yesterday. How short a time, how short a time.

And he ponders how Wisdom had deceived him;
and how he always trusted her—what folly!—
the liar who would say, “Tomorrow. You have ample time.”

He recalls impulses he curbed; and how much
joy he sacrificed. Every lost chance
now mocks his senseless prudence.

…But with so much thinking and remembering
the old man reels. And he dozes off
bent over the table of the café.

C.P. Cavafy (translation from the Greek found here).

The Old Fools

What do they think has happened, the old fools,
To make them like this? Do they somehow suppose
It’s more grown-up when your mouth hangs open and drools,
And you keep on pissing yourself, and can’t remember
Who called this morning? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September?
Or do they fancy there’s really been no change,
And they’ve always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching the light move? If they don’t (and they can’t), it’s strange;
                               Why aren’t they screaming?

At death you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It’s only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can’t pretend
There’ll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they’re for it:
Ash hair, toad hands, prune face dried into lines –
                               How can they ignore it?

Perhaps being old is having lighted rooms
Inside your head, and people in them, acting
People you know, yet can’t quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a lamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun’s
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
                              This is why they give

An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction’s alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet:
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end? Not at night?
Not when the strangers come? Never, throughout
The whole hideous inverted childhood? Well,
                             We shall find out.

Philip Larkin

It’s barely twelve pages long, dear reader.

What are you doing with your time and imagination?

You’re fine, Mr. Corte.  In fact, you’re looking a little better than yesterday…:

‘Giuseppe Corte didn’t need anything, but he began to chat freely with the young woman, asking for information about the clinic. In this way, he learned about the hospital’s unique practice of assigning its patients to different floors in accordance with the gravity of their illness. On the seventh floor, the top floor, only the very mildest cases were treated. Those whose forms of the illness weren’t grave, but who certainly couldn’t be neglected, were assigned to the sixth floor. More serious infections were treated on the fifth floor, and so on and so forth. Gravely ill patients were housed on the second floor; and on the first floor, those for whom all hope had been abandoned.’

You probably spent a lot of energy when younger, wishing to be older, and as you get older, find yourself spending time wishing you were younger.

 

American Style-Some Weekend Beach And Ocean Poems Plus Two Songs

That’s a nod to this site’s international readers.  Maybe it’s worth posting some poems and music to share with others.

Thanks to everyone for stopping by.   It’s appreciated.

Sailing After Lunch

It is the word pejorative that hurts.
My old boat goes round on a crutch
And doesn’t get under way.
It’s the time of the year
And the time of the day.

Perhaps it’s the lunch that we had
Or the lunch that we should have had.
But I am, in any case,
A most inappropriate man
In a most unpropitious place.

Mon Dieu, hear the poet’s prayer.
The romantic should be here.
The romantic should be there.
It ought to be everywhere.
But the romantic must never remain,

Mon Dieu, and must never again return.
This heavy historical sail
Through the mustiest blue of the lake
In a really vertiginous boat
Is wholly the vapidest fake. . . .

It is least what one ever sees.
It is only the way one feels, to say
Where my spirit is I am,
To say the light wind worries the sail,
To say the water is swift today,

To expunge all people and be a pupil
Of the gorgeous wheel and so to give
That slight transcendence to the dirty sail,
By light, the way one feels, sharp white,
And then rush brightly through the summer air.

Wallace Stevens

***Wallace Stevens is often going meta and abstract, confusing nearly all readers, while indulging heavily in a lush Romantic style which later transitions to more blank verse modernism.  He’s sailing and he’s writing.  He’s charting new waters, the old dandy.

Neither Far Out Nor In Deep

The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day. 

As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull. 

The land may vary more;
But wherever the truth may be—
The water comes ashore,
And the people look at the sea. 

They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep

Robert Frost

Nantucket

Flowers through the window
lavender and yellow

changed by white curtains—
Smell of cleanliness—

Sunshine of late afternoon—
On the glass tray

a glass pitcher, the tumbler
turned down, by which

a key is lying— And the
immaculate white bed

William Carlos Williams 

A Long Branch Song

Some days in May, little stars
Winked all over the ocean. The blue
Barely changed all morning and afternoon:

The chimes of the bank’s bronze clock;
The hoarse voice of Cookie, hawking
The Daily Record for thirty-five years

Robert Pinsky

Some popular songs have buried themselves into people’s minds as well:  Young love on a blanket.  Shadow and sun.  Days that seem to last forever.  Songwriting that appeals to innocence and common experience.

Life’s got darker sides, too, and so does human nature.  Atlantic City became an East-Coast economic center for legal gambling; an empire which rose and fell.  The seediness was never that far from the surface.

From ‘Atlantic City Waiter’ by Countee Cullen

Just one stanza might do, to show there are many eyes you see, that may also see you:

‘For him to be humble who is proud
Needs colder artifice;
Though half his pride is disavowed,
In vain the sacrifice.’

It’s also the backdrop of a hard-luck guy with mob connections at the end of his rope. Desperate hopes.

Repost-Some People In New York Are At The Center Of The Universe

From a reader: The New York Observer-The Trial Of Ryder Ripps: ‘An Embattled Artist On Haters, Angry Muses, And Threats:

One brander was calling out another in the marketplace in a bid for fame, celebrity and self-promotion?:

‘The show is called “Ho,” as all the paintings are based on Instagram posts from the feed of model Adrienne Ho—the self-curated building blocks of her own personal brand—and to see the huge diptychs in person, the torrent of bilious blog posts hellbent on exposing Mr. Ripps as a misogynist, seems a little overblown. They’re just oil works on square canvas, but I was a tad surprised at how skillful they were, given that my exposure to Mr. Ripps had thus far been through the ad campaigns of his design firm, his internet hijinks, and his collaborations with fashion designers like Nicola Formichetti and rap producers like Mike Will Made It. Not through painting.’

Where post-pop, (some) art history and theory, meets coding and game design, meets post-Koons art marketeering?

Some people from Jeff Koons’ workshop were involved with the oil paintings.

Robert Hughes really didn’t like the lack of acquired skill and mastery of materials many moderns lack.

There have been a lot of virulent reactions to ‘modern’ life and technology ranging from utopian futurism to nihilism to consumerism and a kind of dejected anti-consumerism and spiritual malaise.

===============

Let’s suppose this isn’t your thing, not worth your time, and perhaps, you’re thinking, beneath you. But let’s also suppose that each of us have our own personal, moral, ideological, aesthetic and various other reasons for those suppositions: ‘I just don’t care,’ ‘Art should elevate the soul,’ ‘It’s not good art,’ ‘I don’t like what my ‘culture’ is producing,’ ‘This guy can’t even paint,’ ‘It’s a sham and a hustle,’ ‘Art for its own sake, technique and talent trump personality and celebrity…’ etc.

Perhaps you agree with at least one of these reasons, and I may agree with you, but whom do you trust to introduce new and good art to you and to maintain the pursuit of the good and the beautiful?

Anyone?

On that note: Banksy, the mildly talented, ironic/iconic graffiti artist tries to shock you awake to how the world really is.

It’s not Disneyland, it’s ‘Dismaland.

Get it?

——————-

I admit I find Disney theme parks to be rather sentimental recreations of nature, civilization, and storybook themes. There’s a lot of kitsch in them thar walls.

Clearly, though, many people love them. They provide families with a place to go and spend time with their kids, and provide the kids a safe place to explore.

They’re a business, operating for profit. I get it, but I don’t really care.

I can understand that a Frenchman, living in the shadow of Euro Disney, consuming a local wheel of perfectly aged cheese might have a different set of concerns, and perhaps some valid concerns.

=============

So, why ‘ironically’ target Disney, copying their model of people paying to wander through rather sentimental recreations of nature, civilization and storybook themes?

Artists often want your attention, usually to have shaped your imagination in a slightly different way, or to make see the world anew by creating something beautiful enough that your reasons can’t justify your aesthetic pleasure.

So, ironically, and with politics infused, Banksy has deigned to get your attention by making something shockingly modern and urgent, globally just and socially conscious enough to direct your attention to the world as it really is.

Deep man, deep.

Surely, while highlighting the problems artists have always had with money and patronage, Banksy has no commitment to post-Enlightenment ideas that offer rather sentimental recreations of nature, civilization and storybook themes…still haunting the landscape like so many abandoned theme parks that few people care to visit?

This strikes me as a rather sad use of the imagination…

Related On This Site: Jay Z And Marina Abramovic Via Twitter: A Pop-Rap Art Marketing Performaganza

They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

A Few Thoughts On Twitter Enforcement-Is It Politically Biased?

We all have individual biases and institutions are filled with people self-selecting towards certain biases and away from others.

A few clear rules of the road and a mission statement from the folks running Twitter enforcement would be nice.  I’m already pretty sure I don’t share many political views with the curators, but that’s fine as long as the rules are clear.

I see Twitter as a very effective, constantly updating communication channel with design elements that will likely outlive the platform. This has attracted users like me to filter information about the world (weather, humor, politics) and stolen the lunch of many older communication channels.

Twitter also highlights very difficult challenges in designing any sort of rule structure on a relatively open platform, and the costs of instant gratification through narrow communication channels.

The loudest people are often the ones who get the most attention, and they can easily traffic in very bad ideas and very bad behavior (what, you’re surprised?).

Which loud voices are being encouraged?

Here’s the most charitable information I can offer with my current lack of knowledge:

Every person takes the limits of their own field of vision for the limits of the world.”  Arthur Schopenhauer

People with high IQs trained to solve problems rationally can just as easily overlook their biases as the rest of us.  People who design, engineer and maintain network systems can spend less time examining their own thinking about personal, social and political beliefs.  Each of us doesn’t know what we don’t know, but smart people, especially, can mistake specific domain knowledge for all the other knowledge contained on their platform.

I suspect there’s some capture going on with certain users and the curators of the platform, which is unsurprising.  Shallow conversations often have deeper contexts, but I find Twitter is not a great place to have deep conversations, especially about politics.

Yet, the people running the platform now have a lot of power and influence over political conversations.

Here’s what I think would be a good standard. As previously and often posted (from a reader):

“First, if any opinion is compelled to silence, that opinion may, for aught we can certainly know, be true. To deny this is to assume our own infallibility.’

‘Secondly, though the silenced opinion be an error, it may, and very commonly does, contain a portion of truth; and since the general or prevailing opinion on any subject is rarely or never the whole truth, it is only by the collision of adverse opinions that the remainder of the truth has any chance of being supplied. ‘

‘Thirdly, even if the received opinion be not only true, but the whole truth; unless it is suffered to be, and actually is, vigorously and earnestly contested, it will, by most of those who receive it, be held in the manner of a prejudice, with little comprehension or feeling of its rational grounds. ‘

And not only this, but, fourthly, the meaning of the doctrine itself will be in danger of being lost, or enfeebled, and deprived of its vital effect on the character and conduct: the dogma becoming a mere formal profession, inefficacious for good, but cumbering the ground, and preventing the growth of any real and heartfelt conviction, from reason or personal experience.”

-John Stuart Mill ‘On Liberty: Chapter II-Of The Liberty Of Thought And Discussion’

Repost-Moving Towards Truth And Liberty, But What To Conserve?-Some Thoughts On The Bret & Eric Weinstein Interview

Via The Rubin Report:

As I currently see events, a self-directed life and the freedom to live such a life is a blessing of the Enlightenment, indeed, but much Enlightenment thinking has also helped produce many Shrines-Of-The-Self which currently dot the landscape, and which come with many downside risks.

Reserving judgment about such Shrines (should they exist), I suspect many in the West feel a tidal pull towards Romanticized-Modernized-Postmodernized visions of Nature, and the triumph of the individual artist, revealing and having revelations, creating, striving, and making anew in a process of casting old models aside. Towering genuises abound. Many are European.

Generations and centuries later, however, such ideas have also saturated Western civil society enough to create many of our familiar tensions: Some individuals are in a process of fully rejecting religion, science, mathematics and many products of reason in favor of modern mysticism, ideology and the nihilist denial of objective reality.

I think other individuals in the modern world have placed a lot of hope and meaning into political ideals and political movements gathered around what I’ve been calling the ‘-Isms’ (feminism, environmentalism, racism etc…where group identity can easily crowd out the pursuit of truth and individual autonomy). Such movements have important moral truths to offer and arguably freedoms for all (such is always the claim), but they don’t come without costs, dangers and downsides either (spin-cycles of utopia/dystopia as Eric Weinstein points out in the video above).

I consider these movements to be in serious need of critique, resistance and context, especially in dealing with hard problems of human nature like war and conflict, potential evil, and the incredible difficulty of maintaining legitimate moral decency aligned with positions of authority. Process can often matter as much as outcome.

Last but not least, still other individuals have been taken up into radical movements staying true to the totalitarianism and misery guaranteed within doctrines of revolutionary praxis, and such individuals are still busy activating beneath the deeper bedrock of secular humanism and liberal thinking, pushing upwards.

The Weinsteins are engaged in a lot of the pushback:

That mathematics, the natural sciences and evolutionary biology offer profound truth and knowledge should go without saying, expanding human understanding of the natural world, more accurately explaining empirically observed patterns and relationships within that natural world, and actively disrupting most old models many of us have long since internalized.

This is what free and rigorous thinking, often at great personal cost, can offer to an open and free society. May it long continue.

I don’t know if I’m with the brothers Weinstein when it comes to their radicalism regarding all current institutional arrangements, but I could be persuaded by their ‘panther-in-the-china-shop’ model of reform. Frankly, many of our most important institutions are proving over-inflated, cumbersome, and full of rot: Buffeted as we all are are by migration and mass communication, global labor markets, and very rapid technological rates of change.

***Perhaps if there’s a spectrum of change, I fall more on the conservative side. At the moment, I’m skeptical of the defense of experts and expertise (despite the truths), the panther-reformers (despite our common interests), and the populist discontent so active in our politics right now (boiling over, but accurately, I think, representing many of the fissures and chasms in civil society right now).

I should add that I think much that’s being conserved is arguably not worth conserving at any given time, but I doubt any one of us, nor any group, has accesss to full knowledge of what should stay and what should go. In fact, I’m pretty certain one of the main points of good governance lies in prohibiting any one of us, nor any particular faction, no matter how reasonable, to have very much power for very long (and it’s definitely the job of good people and the good in people to keep the demagogues, zealots, career bureuacrats and grubby strivers from too much power).

Let me know what I may have gotten wrong. Any thoughts and comments are welcome.

As always, thanks for reading. That’s a blessing in and of itself.

Related On This Site:

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

The radical and rationalist project, anarcho-syndicalism and libertarian socialism: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

Somewhere from the old aristocratic Russia softly speaks a keen mind in beautiful, strange English: Michael Dirda At The Washington Post Reviews ‘Nabokov in America’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Repost-Roger Sandall At The New Criterion Via The A & L Daily: ‘Aboriginal Sin’

Full piece here.

Sandall took a look at how Australia’s been dealing with the native population, and argued that there is a lot wrong with the current situation:

“Fifty years ago, the Australian Left strongly favored literacy, health, and the assimilation of indigenes. It was a broadly sensible goal. But Left progressivism is incompatible with the romantic idealization of hunting and gathering: the one wants to go forward, the other wants to go back. As anthropological romanticism triumphed in the sphere of social policy, the Left embraced “Aboriginality” over literacy and vocational skills, assimilation was denounced as supremely evil, and Australia’s northern indigenes began their slide into the oblivion of fixed dependency—illiterate, vocationally disabled, desperately in need of help.”

Now morally, if you extend concern toward the native tribes of North America you might disagree with their treatment at the hands of many a pioneer, settler, rancher and the U.S. Army.  The forced migration and stories you’ll hear are not morally uplifting, to say the least.  They can be quite awful.   But you might also find that a move leftward socially (despite some arguable rewards and benefits to Natives from multiculturalism) is not nearly as good enough reason to scrap personal responsibility, a larger and more free economy (so that people may work and live alongside one another), nor your ability to choose to whom you extend moral concern.

The myth of the Noble Savage, and the sentiment directed at natives can often make things worse.  Of course, one current American solution is to include natives in our economy (federally mandated casinos).

Feel free to highlight my ignorance and share any thoughts.

Also On This Site:  Roger Sandall: Marveling At The Aborigines, But Not Really Helping?

Did Jared Diamond get attacked for not being romantic enough…or just for potential hubris?:  Was he acting as a journalist in Papua New-Guinea?:  From The Chronicle Of Higher Education: Jared Diamond’s Lawsuit

One of the few people who might be considered left who’s thought deeply about the matter.  Religion has a fair amount to do with it:  Repost: Martha Nussbaum Channels Roger Williams In The New Republic: The First Founder


by NichK

The Mohegan Sun Casino

Some Links On Meritocracy-Many People Want Politics To Be Interested In You

In light of all the flak Ross Douthat is getting for his opinion piece on the death of G.H.W. Bush ‘Why We Miss The WASPs.’

As posted, let me offer this quote from ‘A Modest Proposal’:

‘But as to myself, having been wearied out for many years with offering vain, idle, visionary thoughts, and at length utterly despairing of success, I fortunately fell upon this proposal, which, as it is wholly new, so it hath something solid and real, of no expense and little trouble, full in our own power, and whereby we can incur no danger in disobliging England.’

Of course, some criticism is coming from predicably Left and activist elements (amplified on Twitter).

I don’t think a lot of people already in positions of authority have thought this through…

What needs replacing, exactly, and why?  Compared to what? Which kinds of ideas and habits ought to be those someone holds close and puts into practice while in positions of authority? What about incentives?

The consent of the governed?

From this article in the Independent on American novelist Louis Auchincloss:

How did money actually work among those in America’s elite?:

But the old monopoly of power had gone, and the country was the poorer for it. “The tragedy of American civilization,” Auchincloss wrote in 1980, “is that it has swept away WASP morality and put nothing in its place.”

Here’s another Auchincloss quote from a reader (haven’t checked this one out…probably a quote site). The prose strikes me as kind of post-Wharton, mannered and dull:

“I used to go to church. I even went through a rather intense religious period when I was sixteen. But the idea of an everlasting life — a never-ending banquet, as a stupid visiting minister to our church once appallingly described it — filled me with a greater terror than the concept of extinction…”

If such things be true, then many of the best and the brightest seem busy contructing a meritocracy in the old WASP establishment’s place; an enterprise of many unresolved personal conflicts between political ideals of activist change, progress, and ever-expanding personal freedoms on one hand and deeply held religious beliefs, traditions and customs on the other.

There seems to be an ex post facto character to much of the ol’ meritocratic enterprise, in my humble opinion, where a healthy skepticism is warranted.

In fact, it’s probably made [more] room for the same old Socialism.

On that note, I have a healthy respect for contrarians, frankly, when merely speaking out in favor of…:

‘the importance of traditional marriage values in ensuring children’s future success…’

…involves controversy and professional censure.

It’s so bland!

In fact, what will you do with your own blandness, dear reader, entombing the flaming desire to be woke within; the little half-opened doors of ecstasy and ‘environmental justice’?:

Earth Quaker Action Team is ON IT. (I’m not sure the Quakers ever had much institutional authority…so this could well be a marketing ploy to start more Quaking)

Full discussion here.

Helen Andrews offers a critique of the meritocratic system she sees dominating U.S. education (more grades, achievement and performance-based…less legacy and WASP based).

Yes, the old system had its problems and horrors, but she cites its end in a Victorian redesign of the British civil service, a redesign whose counterpart is now thriving here in the U.S. since the 1960’s.

Andrews from her original piece:

‘Others favor the slightly more radical solution of redefining our idea of merit, usually in a way that downplays what Guinier calls “pseudoscientific measures of excellence.” She even has a replacement in mind, the Bial-Dale College Adaptability Index, the testing of which involves Legos. (Why are you laughing? It is backed by a study.) This is even less likely to work than fiddling with the equality-of-opportunity end. For one thing, the minority of families willing to do whatever it takes to get into Harvard will still do whatever it takes to get into Harvard.’

and:

‘My solution is quite different. The meritocracy is hardening into an aristocracy—so let it. Every society in history has had an elite, and what is an aristocracy but an elite that has put some care into making itself presentable? Allow the social forces that created this aristocracy to continue their work, and embrace the label.’

Is there proof of a causal mechanism from which this meritocracy will thus harden into an aristocratic elite?

If so, will it just be an elite of different ideals, assumptions, blind-spots and stupidities…now with top-down social-science and pseudo-scientific bureaucratic/administrative oversight?:

As I see it, yes, these schools were always about grooming ambitious, wealthy, and well-connected people to some extent; grooming them into institutions that often govern the rest of us.

***I’d add that much like the deeper logic behind a more general multiculturalism, its practitioners and the younger people raised within this system can easily lose sight of the lenses they’re using to view the world (shared ideals and assumptions about moral virtue, truth and knowledge claims, the idea of moving towards the telos of a ‘better world’ which can now become the social glue of the institutions themselves).

***I should add that I’m rather sympathetic to Andrews’ slow-change, tradition-favoring, conservative-ish, position.

I’ve been getting a lot of mileage out of this quote by Ken Minogue:

‘We may sum this up by saying that the more the style of what used to be called politics becomes theorized, the more political problems come to be reintrepreted as managerial.  Working out the least oppressive laws under which different and sometimes conflicting groups may live peaceably together is being replaced by manipulation and management of the attitudes different groups take towards each other, with the hope that this will ultimately bring harmony.  In other words, in the new form of society, human beings are becoming the matter which is to be shaped according to the latest moral ideas.’

-Minogue, Kenneth.  Politics.  Oxford:  Oxford University Press, 1995. (Pg 111).

If we are coming apart, who’s putting us back together? :  Via Youtube: ‘Are We Really Coming Apart?’ Charles Murray and Robert Putnam Discuss…Repost-Charles Murray Lecture At AEI: The Happiness Of People

Related On This Site: Once you take apart the old structure, you have to criticize the meritocracy you’ve helped create: David Brooks At The NY Times: ‘Why Our Elites Stink’

The anti-intellectual’s intellectual: Repost-Via Youtube: Eric Hoffer-’The Passionate State Of Mind’

Leo Strauss:From Darwinian Conservatism By Larry Arnhart: “Surfing Strauss’s Third Wave of Modernity”

A deeper look at what education “ought” to be, which is remarkably like it is now: A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.

How dare he?: Repost-Revisting Larry Summers: What Did He Say Again?From The Harvard Educational Review-

Still reliving the 60′s?: A Few Thoughts On Robert Bork’s “Slouching Towards Gomorrah”

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.New liberty away from Hobbes?: From Public Reason: A Discussion Of Gerald Gaus’s Book ‘The Order of Public Reason: A Theory of Freedom And Morality In A Diverse And Bounded World’…Richard Rorty tried to tie postmodernism and trendy leftist solidarity to liberalism, but wasn’t exactly classically liberal: Repost: Another Take On J.S. Mill From “Liberal England”

Two Links To Rod Dreher On How To Live And What To Do

Arguably, the influence of religious belief as well as Natural Law/Natural Right doctrines, traditionally profound influences on American civic life, continues to diminish.  So, the thinking goes, we are fast arriving at an increasingly divided civic and political life.  The logic of Left political radicalism becomes ever more entrenched in our universities, media and politics, entrenching a more Right-radical, European-style response.

It didn’t have to be this way.

Rod Dreher (The Benedict Option), points to what he believes are signs of the obvious failure of modern, liberal doctrines to replace the kinds of meaning such religious doctrines have provided.

Here are two recent blog posts containing this worldview of his, about which I’ve provided additional summary and commentary (please let me know what I’m missing).

Advice For A Weary Ghost-A 35 year-old woman feels empty inside, writing to ‘The Cut‘ for advice.  She doesn’t have a husband and can’t seem to maintain deep, meaningful relationships.  She’s had jobs but not a career.  Maybe it’s not just her.

The adviser promotes a surburbanely popularized vision of the rebellious and Romantically-inspired artistic life, reaffirming much of what Dreher and his commenters see as inadequate for most people, most of the time.

This view, I presume, utilizes the wrong maps to steer one’s (S)oul and inform life decisions.  Perhaps it allows one to succumb to materialist concerns and potentially materialist doctrines (too strongly measuring one’s life largely by economic, professional and outward successes/failures).  It also perpetuates the woman’s confessedly empty, Self-interested pursuits, cutting her off from the happiness of family and loved ones without much to show for it.

The ‘-Isms’ (feminism, environmentalism, political activism etc.) are poor substitutes for a moral, meaningful life.  The Church might just the place to be, but Catholic Church leadership, too, is corrupt and covered with the dust of this world.  There will increasingly be witch hunts upon religious believers by the new SJW believers.

The lady’s probably not going to be an (A)rtist, the lady giving advice probably ain’t so great an (A)rtist either.

Can the humanities become a lifelong source of wisdom and meaning?

Manufacturing Consent To Gender Ideology‘-Boys wanting to be girls, and vice versa, is the latest (C)ause. These outliers upon distributions of human sexual behavior, often shunned, mocked and condemned to limited lives, must not only be included in everyone’s moral concern, but celebrated.  Through social activism and protest, they are to become exemplars of the new normal.

Doctrines promising radical liberation, hinging upon revolutionary praxis, go about attacking and reforming current traditions, institutions, laws and arrangements, often grossly mischaracterizing and misrepresenting them to gain advantage. The grudging acknowledgement of freedoms gained through progressive activism and radical thought always come with costs.

And, given the natural ignorance of the human condition, and the basic desire humans have for group meaning, authority, security, identity and purpose, this latest (C)ause which promises liberation, will end-up delivering something quite different.

Cycles of utopianism and dystopianism await, and more disgruntled individuals drifting around aimlessly looking for an ad hoc ethics and politics, sometimes flirting with authoritarian and totalitarian Leftist doctrines as those doctrines become more mainstreamed:

How to live and what to do?

A reasonable summary and comentary?

Are you convinced of such a vision?

On this site, see:

Roger Scruton On Moral Relativism And Ross Douthat On Bill Maher…Catholics, Punditry, Progressives & Rubes-Ross Douthat At The NY Times

Moral Relativism is actually quite hard to define:

Ross Douthat made similar arguments some years ago while promoting his book ‘Bad Religion:

‘…what is the idea of universal human rights if not a metaphysical principle?  Can you find universal human rights under a microscope?

The Brothers Weinstein put forth one of the deeper defenses of Enlightenment principles I’ve heard while also remaining of the Left, simultaneously pushing against the radical elements of The Left:

Repost-Some McGraffiti Links

Via Ed Driscoll, James Lileks on ‘A Clockwork Orange:’

‘Alex is a monster, and the fact that he can enjoy the high arts of Beethoven is the author’s way of rubbing our nose in our preconceptions about the elevating power of Art.’

It’s a hard movie to even like, in my opinion:

There is some mention in the post of a McDonald’s opening up in Britain, with graffiti included as part of the design.

Perhaps this is evidence of a trend making its way into consumer culture, or perhaps more of a necessity for McDonald’s to try and appeal to its consumer base and stay alive.

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Mick Victor walks down the streets and alleyways of L.A. with camera in tow, his focus eventually drawn to some forms, shapes, colors or configuration.

Some of those abstract photos here.

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Would you be willing to undermine property-rights and the rule-of-law in order to celebrate ‘graffiti-art’?

Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:

‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…

Apparently graffiti art does have a price, and it may be much more than $$$:

Ruling that graffiti — a typically transient form of art — was of sufficient stature to be protected by the law, a federal judge in Brooklyn awarded a judgment of $6.7 million on Monday to 21 graffiti artists whose works were destroyed in 2013 at the 5Pointz complex in Long Island City, Queens.

NY Curbed had 5Pointz coverage here.

A NY Times beat reporter shared in the pathos and suffering of those graffiti artists whose 5pointz canvas was whitewashed in preparation for demolition by owner Jerry Wolkoff.

One street artist, who would give his name only as Just, had at least two works painted over. He spent hours early Tuesday gazing at the whitewashed buildings, leaning against a red-brick wall across the street. Then he bought himself a tall glass of beer, which he sipped slowly from a brown paper bag.

“Heartbreaking,” he said. “This is not just about graffiti — it’s about the unity of people who met here from all over the world.” He paused and took a drink. “That’s what really hurts.”

Three photos and some backstory here.  5pointz had become something of a graffiti mecca, arguably more than the sum of its parts:

Heather MacDonald At The City Journal: ‘Radical Graffiti Chic’

Response To A Reader On ‘Radical Chic’ And A Link to Banksy’s ‘Dismaland’

So, You’re Telling Me What’s Cool?-Theodore Dalrymple At The City Journal: ‘Banksy In Neverland’ What are these people doing with art?:  Often combining them with a Left-of-Center political philosophy as they are at NPR for popular consumption.

On this site, see: From ReasonTV Via Youtube: ‘Ken Burns on PBS Funding, Being a “Yellow-Dog Democrat,” & Missing Walter Cronkite’Repost-From NPR: Grants To The NEA To Stimulate The Economy?

From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’…Marketplace aesthetics in service of “women”: Dove’s Campaign For Real Beauty: Pascal Dangin And Aesthetics… Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Brasilia: A Planned City

Repost-Edward Feser on David Mamet’s ‘Glengarry Glen Ross’ And More Modernist Commentary

This blog welcomes lenses with which to view works of modern art.

From Edward Feser: ‘Aquinas Watches Glengarry Glen Ross’

Feser:

‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types. Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.

So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter. One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’

Glengarry Glen Ross‘ has become something of a cultural touchstone for many; maybe this generation’s ‘Death Of A Salesman

You call yourself a salesman you son-of-a-bitch?:’

For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.

Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.

On fuller display, perhaps.

Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.

For those who didn’t ask!:

As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious: Make it new. Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).

It takes really talented individuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.

As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us. There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).

They write these f**king art blurbs before they have any art! What the f**k is this lady doing?:

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in this generation’s rather pervasive desire for fame and recognition.

The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).

As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.

Ah well…there’s my two cents.

There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.

Enduring…I like the sound of that.


Because you really didn’t ask:

Another video included at the link.

David Mamet underwent a conversion to conservatism in rather dramatic and public fashion a few years ago. In leaving his liberal views behind, he’s no doubt become a heretic to some. At the link, he hosts an interview at Il Forno in Santa Monica with Uncommon Knowledge’s Peter Robinson.

Here’s my take, for what it’s worth:

Born and raised in Chicago, Mamet seems pretty old-school and pretty tough. He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles. Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered). I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.

Mamet also cites Chicago School Of Economics neoclassical thinkers’ Milton Friedman, Thomas Sowell and Austrian economist/political philosopher Friedrich Hayek as central to his conversion. Hayek’s rather tragic view of limited resources and opportunity costs being the natural state of affairs for mankind is clearly an influence. This would generally lead one to eschew the Statist/rationalist idealism and socialist utopianism typically associated with many Left and liberal Left movements.

***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies. See him discuss his later vision of human nature and political organization in a Conflict Of Visions.

Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican. There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left. There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).

Religious belief can ground one in a kind of traditional and tragic view of human nature. This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves). As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.

I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed). I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.

Mamet also touches on the fact that the arts aren’t a political endeavor. If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show. Didactic art can come across as clunky at best, pure propaganda at worst.

Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.

Anyways, this is just a brief summary. Any thoughts or comments are welcome.

Feel free to highlight my ignorance.

A Bleak, Modern House-Four Poems

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’