Repost-Edward Feser on David Mamet’s ‘Glengarry Glen Ross’ And More Modernist Commentary

This blog welcomes lenses with which to view works of modern art.

From Edward Feser: ‘Aquinas Watches Glengarry Glen Ross’

Feser:

‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types. Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.

So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter. One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’

Glengarry Glen Ross‘ has become something of a cultural touchstone for many; maybe this generation’s ‘Death Of A Salesman

You call yourself a salesman you son-of-a-bitch?:’

For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.

Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.

On fuller display, perhaps.

Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.

For those who didn’t ask!:

As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious: Make it new. Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).

It takes really talented individuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.

As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us. There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).

They write these f**king art blurbs before they have any art! What the f**k is this lady doing?:

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in this generation’s rather pervasive desire for fame and recognition.

The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).

As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.

Ah well…there’s my two cents.

There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.

Enduring…I like the sound of that.


Because you really didn’t ask:

Another video included at the link.

David Mamet underwent a conversion to conservatism in rather dramatic and public fashion a few years ago. In leaving his liberal views behind, he’s no doubt become a heretic to some. At the link, he hosts an interview at Il Forno in Santa Monica with Uncommon Knowledge’s Peter Robinson.

Here’s my take, for what it’s worth:

Born and raised in Chicago, Mamet seems pretty old-school and pretty tough. He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles. Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered). I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.

Mamet also cites Chicago School Of Economics neoclassical thinkers’ Milton Friedman, Thomas Sowell and Austrian economist/political philosopher Friedrich Hayek as central to his conversion. Hayek’s rather tragic view of limited resources and opportunity costs being the natural state of affairs for mankind is clearly an influence. This would generally lead one to eschew the Statist/rationalist idealism and socialist utopianism typically associated with many Left and liberal Left movements.

***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies. See him discuss his later vision of human nature and political organization in a Conflict Of Visions.

Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican. There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left. There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).

Religious belief can ground one in a kind of traditional and tragic view of human nature. This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves). As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.

I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed). I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.

Mamet also touches on the fact that the arts aren’t a political endeavor. If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show. Didactic art can come across as clunky at best, pure propaganda at worst.

Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.

Anyways, this is just a brief summary. Any thoughts or comments are welcome.

Feel free to highlight my ignorance.

A Bleak, Modern House-Four Poems

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

Repost-William Logan At The New Criterion: ‘Pound’s Metro’

Full piece here (behind a wall)

Logan takes a look at one of the most important modern poems:

In a Station of the Metro

The apparition of these faces in the crowd;
Petals on a wet, black bough.

Ezra Pound

Logan:

The minor vogue and rapid extinction of Imagism, a movement whose influence we still feel, has been hashed over by literary critics for a century. Its rehearsal here is merely to bring the poem into focus within the slow progress toward the densities of language, the images like copperplate engraving, that made Pound Pound’

Thorough and well done.

The result would echo back to the States years later:

The Great Figure

Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.
This blog tends to look cautiously at many of the ideas of the Romantic poets, and the break to modernism, but not necessarily the poems themselves.  The echo ripples outwards:

Mid-August at Sourdough Mountain Lookout

Down valley a smoke haze
Three days heat, after five days rain
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.

I cannot remember things I once read
A few friends, but they are in cities.
Drinking cold snow-water from a tin cup
Looking down for miles
Through high still air.

Gary Snyder

Once we start arriving at ‘ecological’ appreciations of nature, and the postmodern, confessional altar of Self and the turn inwards to the Self a subject for the art, and the desperate search for meaning, I get more and more turned off, for my own reasons.  Such good poems will carry on.
Any thoughts and comments are welcome.

Postmodern Conservatism, Celebrity As Currency, Protest Art, Politics And Some Bad Prose

Dear Reader, lately I’ve been lurking in the shadows, strolling from streetlight to streetlight, leaning and loitering. I feel like the character you confront while skirting the edge of the park, dimly established, on your way home.

Well, no, not really.  Life is often boring, full of work and loved ones, and what’s good.

True tales from my twenties, while on brief vacation:  I remember lying on a hotel bed in Vienna, restless with the euphoria of travel, the sounds of a foreign city alive in my ears.  I remember arising, standing at the window and staring at the moon and the mansard rooves across the street.

I had seen the same rooftops in the changing light of late afternoon and dusk; the clotheslines swaying and the water stains on the walls, my eyes darting from small detail to facade to vast, unfamiliar horizon.

Life is so strange!

Now, in the middle of the night, I was with unlit cigarette (one or two a day for a year as I was very, very, cool).  I remember striking the lighter and my eyes catching a flash of light from across the street.  From the mansard rooves.

I flashed the lighter again.   One flash.

One flash in return came from the mansard rooves.  Fourth floor.  Dormer window.

I gave two flashes.

Two flashes came from the window.

I held my flame for about five seconds, about chest-level. I heard the sounds of a few cars down below.

I finally saw a light and the face of girl with dark hair, much younger, bigger nose, nice eyes, olive skin.

Was she alone?  Was she a Muslim immigrant? Why is she awake? Is she too young?  Am I a creep?  Should I try morse code?

If I have drawn your interest, I will say I remember that after a few more flashes and some rather innocent, thrilling moments of communication across the darkness under a strange moon in a strange city, I eventually found my way back to bed and to sleep.

I hope she’s well, and now too has a happy life.

As I’ve been called a ‘postmodern conservative’ (not so sure about that…), here’s an interesting piece from Matt McManus at Quillette: ‘Understanding Postmodern Conservatism: A Response To Aaron Hanlon:

‘…I do not believe postmodern conservatism emerged in a historical or ideological vacuum. It is not just the product of contemporary postmodern culture, which provided the necessary but not sufficient conditions for postmodern conservatism’s emergence. Rather, certain strands of conservative thinking that—while not in themselves postmodern—have nevertheless recently mutated into postmodern form. The two most prominent of these are Burkean historicism and De Maistrean irrationalism.’

and:

‘Theorists of postmodern culture…argue that the emergence of postmodern skepticism indicates a broader cultural shift within developed societies. What Jameson calls ‘postmodern culture’ is characterized by growing social skepticism about the stability of truth claims in general, but particularly truth claims related to identity and values.’

Personally, I remain open to much skepticism and many critiques of many parts of the ‘modern’ project.  I find myself interested in people providing reasons to support various traditions (music, art), religious faith (wouldn’t call myself a believer), patriotism (haven’t served, but necessary to the survival of our Republic) and rule of law (even more necessary to the survival of our Republic).

I think all of the above deserve a fair hearing.

On that note, Jesus Christ already

Yes, there’s nudity, and it’s not nearly so unappealing as a lot of art-activist-nudity out there.

The shock for shock’s sake, childishness, and resemblance to political protest arguably demean without much reward.  I doubt this ‘artist’ has reached the sensibilities of any pilgrims nor nuns (the foolish and childish, the mature and wise).  In fact, this isn’t really art, nor even political protest nor does it reasonably address the various matters of deep disagreement for which people can end up killing each other.

Go learn how to sketch, draw and paint.  Appeal to truth, pleasure, or beauty.

Or get paid for being naked and become an artist’s model.

‘In a statement to Hyperallergic, the artist has questioned Christianity’s exploitation of female figures like the Virgin Mary and Mary Magdalene, who are often portrayed on opposite sides of the stereotypical spectrum of female chasteness: virgin or whore.’

Admittedly, I don’t think the Virgin Mary above displays as shamelessly little talent as did ‘Mattress Girl,’ who after the hysteria and histrionics of lugging a mattress around NYU [correction: Columbia] campus, eventually did ‘classy’ pornography a disservice.

Thanks for the memories, Mattress Girl:

I do think that nowadays, art pieces can include whatever the artist desires, and in this performance art piece, it utilizes elements of protest, because that is what’s relevant to my life right now.’

Why should I, you, he, she it or they care?:  ‘Mattress Girl’ got a ticket punched to the State of The Union by Kirsten Gillibrand, a U.S. Senator from the state of New York.  It seems worth asking what the people making our laws believe and what they are saying they believe.

What do they do?  How do they behave?

Liberation is next!

Previously on this site,

Interesting piece here.

What is modernism, exactly?

This blog is still trying to work towards a definition:

‘Like many scholars of modernism, I’m often asked two questions: What is modernism? And why is modernist studies, it seems, all the rage right now? I don’t have a good, succinct answer to either question — and I’ve no doubt frustrated plenty of friends because of that — but the reasons why I don’t are pretty telling.’

From the comments:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known?Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

As previously posted:

-Daniel Dennett: ‘Postmodernism And Truth’

Repost-‘Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?’

Land Art Links Along A With A Quite Modernist W.S. Merwin Poem

William Logan At The New Criterion: ‘Pound’s Metro’…Monday Poem: ‘A Pact’ By Ezra Pound

Of some note:

James Lileks responds to an Atlantic piece

‘There is no morality in art. There is morality in religion; there are philosophical objectives embedded in politics. The two are intertwined in a society and reflected in its art. When you sever art from its cultural moorings and make “newness” the overriding criterion by which the merits of a work are judged, then anything is possible. This results in crap. Not always’

James Joyce, Virginia Woolf, Ezra Pound, the Bauhaus, the imagists, the futurists etc. Some of those influences have morphed into post-modernism or where such currents have flowed and keep flowing. Were they the best models, or has much been lost in translation?

Lileks’ take:

‘The primary urge of the revolutionary and the modernist and the adolescent: impatience.’

So, do we aim for maturity? Reverence? Good old Longfellow? Sonnets? Rhyming couplets delivered by higher powers to monks in haylofts?

Perhaps there is a growing body of intellectual and cultural pushback against the ‘-Isms’ (environmentalism, feminism, utopian political idealism) as these ideals and idealists continue their contact with current institutions, Nature and human nature.

It’s tough to get an education in the arts and humanities these days, moving through the postmodern landscape, without running into pockets of ‘-Isms.’

Results vary:

It’s not that the sciences, nor even the social sciences, don’t contain valid truth and knowledge claims.

This isn’t worrying so much as the cults of rationality and irrationality out and about; the reefs of radical discontent and group-thought hardening into new rules.

It’s not that change doesn’t need to happen, nor that what’s true remains even if we don’t want it to be so, rather, it’s the inability of many moderns to provide deep enough wisdom, truth and understanding so as not not slip into the same old problems with authority and hierarchy.

I think for some people, there’s an appealing critique of liberal rationalism contained within nihilism, but also something deeper which draws folks to seek out other ideas: An instinctive defense of the arts, myth, music, and tradition; the complexities of the human heart and mind, the long sweep of history, the wisdom contained within religious texts.

Defending tradition, even perhaps having been influenced by Nietzsche to some extent, has become heretical in parts of the academy and the media.

Merely pushing back against the influence of Foucault and Lacan in the academy, or perhaps questioning the motives of student radicals during Paris ’68, can be enough to torpedo an academic career:

Before modernism, there was the Romantic break of the individual artistic genius driving all this change forward on his own. Isaiah Berlin had some thoughts about this (as well as the horrendous totalitarianism which emerges when you start-out thinking the Ends Of Man are already known).

Thanks, reader. Probably worth revisiting:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

Anyways, let’s enjoy a poem:

Cousin Nancy

Miss Nancy Ellicott
Strode across the hills and broke them,
Rode across the hills and broke them—
The barren New England hills—
Riding to hounds
Over the cow-pasture.

Miss Nancy Ellicott smoked
And danced all the modern dances;
And her aunts were not quite sure how they felt about it,
But they knew that it was modern.

Upon the glazen shelves kept watch
Matthew and Waldo, guardians of the faith,
The army of unalterable law.

T.S. Eliot

Matthew=Matthew Arnold. Waldo=Ralph Waldo Emerson

Update & Repost-From The LA Review Of Books-‘Death By Prefix? The Paradoxical Life Of Modernist Studies’

Full piece here.

What is modernism, exactly?

This blog is still trying to work towards a definition:

‘Like many scholars of modernism, I’m often asked two questions: What is modernism? And why is modernist studies, it seems, all the rage right now? I don’t have a good, succinct answer to either question — and I’ve no doubt frustrated plenty of friends because of that — but the reasons why I don’t are pretty telling.’

From the comments:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known?Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

As previously posted:

-Daniel Dennett: ‘Postmodernism And Truth’

Repost-‘Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?’

Land Art Links Along A With A Quite Modernist W.S. Merwin Poem

William Logan At The New Criterion: ‘Pound’s Metro’…Monday Poem: ‘A Pact’ By Ezra Pound

Of some note:

James Lileks responds to an Atlantic piece

‘There is no morality in art. There is morality in religion; there are philosophical objectives embedded in politics. The two are intertwined in a society and reflected in its art. When you sever art from its cultural moorings and make “newness” the overriding criterion by which the merits of a work are judged, then anything is possible. This results in crap. Not always’

James Joyce, Virginia Woolf, Ezra Pound, the Bauhaus, the imagists, the futurists etc. Some of those influences have morphed into post-modernism or where such currents have flowed and keep flowing.  Were they the best models, or has much been lost in translation?

Lileks’ take:

‘The primary urge of the revolutionary and the modernist and the adolescent: impatience.’

So, do we aim for maturity?  Reverence?  Good old Longfellow?  Sonnets?  Rhyming couplets delivered by higher powers to monks in haylofts?

Perhaps there is a growing body of intellectual and cultural pushback against the ‘-Isms’ (environmentalism, feminism, utopian political idealism) as these ideals and idealists continue their contact with current institutions, Nature and human nature.

It’s tough to get an education in the arts and humanities these days, moving through the postmodern landscape, without running into pockets of ‘-Isms.’

Results vary:

It’s not that the sciences, nor even the social sciences, don’t contain valid truth and knowledge claims.

This isn’t worrying so much as the cults of rationality and irrationality out and about; the reefs of radical discontent and group-thought hardening into new rules.

It’s not that change doesn’t need to happen, nor that what’s true remains even if we don’t want it to be so, rather, it’s the inability of many moderns to provide deep enough wisdom, truth and understanding so as not not slip into the same old problems with authority and hierarchy.

I think for some people, there’s an appealing critique of liberal rationalism contained within nihilism, but also something deeper which draws folks to seek out other ideas:  An instinctive defense of the arts, myth, music, and tradition; the complexities of the human heart and mind, the long sweep of history, the wisdom contained within religious texts.

Defending tradition, even perhaps having been influenced by Nietzsche to some extent, has become heretical in parts of the academy and the media.

Merely pushing back against the influence of Foucault and Lacan in the academy, or  perhaps questioning the motives of student radicals during Paris ’68, can be enough to torpedo an academic career:

Before modernism, there was the Romantic break of the individual artistic genius driving all this change forward on his own.  Isaiah Berlin had some thoughts about this (as well as the horrendous totalitarianism which emerges when you start-out thinking the Ends Of Man are already known).

Thanks, reader.  Probably worth revisiting:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

Anyways, let’s enjoy a poem:

Cousin Nancy

Miss Nancy Ellicott
Strode across the hills and broke them,
Rode across the hills and broke them—
The barren New England hills—
Riding to hounds
Over the cow-pasture.

Miss Nancy Ellicott smoked
And danced all the modern dances;
And her aunts were not quite sure how they felt about it,
But they knew that it was modern.

Upon the glazen shelves kept watch
Matthew and Waldo, guardians of the faith,
The army of unalterable law.

T.S. Eliot  

Matthew=Matthew Arnold. Waldo=Ralph Waldo Emerson

Repost-From Roger Sandall: ‘The Slave Girl and the Professor’

Full piece here.

Sandall discussed a book and move titled I Am Slave as well as Kwame Appiah’s essay entitled “What’s Wrong With Slavery.” On some of Appiah’s thinking:

“What he calls “the central moral questions” about liberating slaves are the author’s main concern, and he affirms that freedom comes first. But according to Appiah “freedom is not enough”. After the act of liberation we also have a duty to guarantee every freed slave respect, dignity, and both social- and self-esteem.”

In the ‘best of all possible worlds’, perhaps we do, as far as self-esteem is concerned.  Sandall finds Western liberal establishment thinking a target when it comes to the depths of moral arguments necessary to address such an issue:

‘According to the title of a recent book by the amiable Dutch primatologist Frans de Waal we live in The Age of Empathy, something he attributes to our warmly social hominid instincts. Also recently published is a book by Steven Pinker, The Better Angels of Our Nature, arguing that the modern era has been one of moral progress accompanied by a steady decline in violence. It seems that what Norbert Elias called “the civilizing process” is nowadays on many minds, and Kwame A. Appiah’s 2010 book, The Honor Code: How Moral Revolutions Happen, might be seen as broadly in the same vein. Taking an idiosyncratic view of moral and social progress, he sees national and social honour playing a key role in the outlawing of the duel, in the abandonment of Chinese foot-binding, in the abolition of slavery, and in the ongoing struggle by enlightened men and women in Islamic lands against the horror of “honour killings”. All these changes are what he calls “moral revolutions.”

Of course, one moral injunction might run:  “One should not enslave another”  which sounds straight-forward enough, but as we see in Africa and increasingly in Britain via Africa, some people are still engaging in the practice.  In fact, for much of American history, and in various other parts of the world in the past, now, and presumably in the future, many people can be said to violate such an injunction.  Human cruelty and indifference, the spoils of war, economic and competitive advantage, and the complex relationship between master and slave just to name a few, are reasons that one person will enslave another, and which allows other people to look away.

‘As a result, what amounts to an uncivilizing processis now flourishing on Europe’s fringes. For that is what the modern slave trade represents — the trade that trapped a 12-year-old girl in the Sudan and has doomed hundreds more African youngsters from elsewhere. This also relates to Appiah’s respectful anthropological account of the several grades of domestic servitude and patriarchal subordination in traditional West African society, grades blandly euphemised by apologists as “our regional family culture,” and that all too easily collapse into subjection and brutality’

Interesting essay.

Some truth and courage in the face of barbarism, but also a lot of sentiment, and dramatic romanticization of Africa: Kony 2012.

Related On This Site:  Repost-Roger Sandall At The American Interest: ‘Tribal Realism’

Romantic primitivism in Australia: ….Roger Sandall At The New Criterion Via The A & L Daily: ‘Aboriginal Sin’

Did Jared Diamond get attacked for not being romantic enough…or just for potential hubris?:  Was he acting as a journalist in Papua New-Guinea?:  From The Chronicle Of Higher Education: Jared Diamond’s Lawsuit

Hirsi Ali seems to have found the embrace of the West out of both tribal localism and its customs, Islam, and the short-sightedness of multiculturalism.  Notice non-Muslims are not the ones threatening her with death: Tunku Varadarajan Reviews Ayaan Hirsi Ali’s ‘Nomad’ At The Daily BeastRepost-Ayan Hirsi Ali At The CSM: ‘Swiss Ban On Minarets Was A Vote ForTolerance And Inclusion’

————————————————

At Bloggingheads Steven Pinker Discusses War And Thomas HobbesFrom Reason.TV Via YouTube: ‘Steven Pinker on The Decline of Violence & “The Better Angels of Our Nature”‘

Evolutionary psychology and moral thinking: Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’

Blackburn not so impressed with the Blank Slate: Simon Blackburn Reviews Steven Pinker’s “The Blank Slate: The Modern Denial Of Human Nature” Via the University Of Cambridge Philosophy DepartmentAt Bloggingheads Steven Pinker Discusses War And Thomas HobbesFrom Reason.TV Via YouTube: ‘Steven Pinker on The Decline of Violence & “The Better Angels of Our Nature”‘

Moving Towards Truth And Liberty, But What To Conserve?-Some Thoughts On The Bret & Eric Weinstein Interview

Via The Rubin Report:

As I currently see events, a self-directed life and the freedom to live such a life is a blessing of the Enlightenment, indeed, but much Enlightenment thinking has also helped produce many Shrines-Of-The-Self which currently dot the landscape, and which come with many downside risks.

Reserving judgment about such Shrines (should they exist), I suspect many in the West feel a tidal pull towards Romanticized-Modernized-Postmodernized visions of Nature, and the triumph of the individual artist, revealing and having revelations, creating, striving, and making anew in a process of casting old models aside. Towering genuises abound. Many are European.

Generations and centuries later, however, such ideas have also saturated Western civil society enough to create many of our familiar tensions: Some individuals are in a process of fully rejecting religion, science, mathematics and many products of reason in favor of modern mysticism, ideology and the nihilist denial of objective reality.

I think other individuals in the modern world have placed a lot of hope and meaning into political ideals and political movements gathered around what I’ve been calling the ‘-Isms’ (feminism, environmentalism, racism etc…where group identity can easily crowd out the pursuit of truth and individual autonomy). Such movements have important moral truths to offer and arguably freedoms for all (such is always the claim), but they don’t come without costs, dangers and downsides either (spin-cycles of utopia/dystopia as Eric Weinstein points out in the video above).

I consider these movements to be in serious need of critique, resistance and context, especially in dealing with hard problems of human nature like war and conflict, potential evil, and the incredible difficulty of maintaining legitimate moral decency aligned with positions of authority. Process can often matter as much as outcome.

Last but not least, still other individuals have been taken up into radical movements staying true to the totalitarianism and misery guaranteed within doctrines of revolutionary praxis, and such individuals are still busy activating beneath the deeper bedrock of secular humanism and liberal thinking, pushing upwards.

The Weinsteins are engaged in a lot of the pushback:

That mathematics, the natural sciences and evolutionary biology offer profound truth and knowledge should go without saying, expanding human understanding of the natural world, more accurately explaining empirically observed patterns and relationships within that natural world, and actively disrupting most old models many of us have long since internalized.

This is what free and rigorous thinking, often at great personal cost, can offer to an open and free society. May it long continue.

I don’t know if I’m with the brothers Weinstein when it comes to their radicalism regarding all current institutional arrangements, but I could be persuaded by their ‘panther-in-the-china-shop’ model of reform. Frankly, many of our most important institutions are proving over-inflated, cumbersome, and full of rot: Buffeted as we all are are by migration and mass communication, global labor markets, and very rapid technological rates of change.

***Perhaps if there’s a spectrum of change, I fall more on the conservative side. At the moment, I’m skeptical of the defense of experts and expertise (despite the truths), the panther-reformers (despite our common interests), and the populist discontent so active in our politics (boiling over, but accurately, I think, representing many of the fissures and chasms in civil society right now).

I should add that I think much that’s being conserved is arguably not worth conserving at any given time, but I doubt any one of us, nor any group, has accesss to full knowledge of what should stay and what should go. In fact, I’m pretty certain one of the main points of good governance lies in prohibiting any one of us, nor any particular faction, no matter how reasonable, to have very much power for very long (and it’s definitely the job of good people and the good in people to keep the demagogues, zealots, career bureuacrats and grubby strivers from too much power).

Let me know what I may have gotten wrong. Any thoughts and comments are welcome.

As always, thanks for reading. That’s a blessing in and of itself.

Related On This Site:

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

The radical and rationalist project, anarcho-syndicalism and libertarian socialism: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

Somewhere from the old aristocratic Russia softly speaks a keen mind in beautiful, strange English: Michael Dirda At The Washington Post Reviews ‘Nabokov in America’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Please Don’t Join A F**kin’ Cult-Some Gathered Links And Stray Thoughts

Technology can affect each of us personally and intimately; vast distances suddenly bridged and scaled downwards.  Endless distractions.

How to live and what to do?  Family, friends, neighbors, colleagues, people in the academy; some people are handling this change better than others, personally and professionally.

High rates of technological change are likely a leading cause for our institutional chaos right now; the political extremes dominating discourse, the shifting middle, the more visibly grubby political class members ascendance and the social media mobbing.

From where I stand, it seems some on the religious and political right suggest withdrawal from the public square entirely.

It seems many on the ideological Left are thinking the same (back to the Commune), despite a longer, rather successful march through many institutions and likely being overstretched at the moment (the dark web cometh).

I figure if you know how to value that which matters most, you’ll navigate alright.  Don’t forget to do right by those you love, and those who love you:  Work, effort, and sacrifice.  Take a look at the stars when you can.  Keep learning.  Take it easy, sometimes.

And don’t join a f**kin’ cult!

-Nxivm is pronounced ‘Nexium,’ which sounds prettly classy (the purple pill) and legit (like something carved at Caesar’s Palace parking lot) : The ‘Sex Cult’ That Preached Empowerment

-Is Nxivm lower on the rung of ‘bad ideas’ than Heaven’s Gate (a steaming pile of scripture, New Age lunacy, weird sexual abnegation and half-baked astronomy..):

-Lawrence Wright on his book-Going Clear: Scientology, Hollywood & The Prison Of Belief.

Maybe I’ll help gore a sacred cow or two:

Dorothy Thompson speculates who would go Nazi in a room full of people at a dinner party.

‘Kind, good, happy, gentlemanly, secure people never go Nazi. They may be the gentle philosopher whose name is in the Blue Book, or Bill from City College to whom democracy gave a chance to design airplanes–you’ll never make Nazis out of them. But the frustrated and humiliated intellectual, the rich and scared speculator, the spoiled son, the labor tyrant, the fellow who has achieved success by smelling out the wind of success–they would all go Nazi in a crisis.’

Power through discipline!  Strengthen your will!

Intellectuals running things…who joins mass movements?

Ross Douthat made similar arguments some years ago while promoting his book ‘Bad Religion:

‘…what is the idea of universal human rights if not a metaphysical principle?  Can you find universal human rights under a microscope?

===============

As previously posted:

Part 10 of a discussion between Douthat and Will Saletan here.

Natural law, Christian theology and metaphysics meet liberalism, gay rights, and a more rights-based definitions of liberty. Saletan and Douthat are discussing Douthat’s new book Bad Religion and having a back and forth.

Douthat puts forth the following:

‘Indeed, it’s completely obvious that absent the Christian faith, there would be no liberalism at all. No ideal of universal human rights without Jesus’ radical upending of social hierarchies (including his death alongside common criminals on the cross). No separation of church and state without the gospels’ “render unto Caesar” and St. Augustine’s two cities. No liberal confidence about the march of historical progress without the Judeo-Christian interpretation of history as an unfolding story rather than an endlessly repeating wheel’

Perhaps modern American liberalism can claim other roots for itself.  Here’s a quote from Leo Strauss, who has influenced American conservative thought heavily:

Strauss taught that liberalism in its modern form contained within it an intrinsic tendency towards extreme relativism, which in turn led to two types of nihilism. The first was a “brutal” nihilism, expressed in Nazi and Marxist regimes. In On Tyranny, he wrote that these ideologies, both descendants of Enlightenment thought, tried to destroy all traditions, history, ethics, and moral standards and replace them by force under which nature and mankind are subjugated and conquered. The second type – the “gentle” nihilism expressed in Western liberal democracies – was a kind of value-free aimlessness and a hedonistic”permissive egalitarianism”, which he saw as permeating the fabric of contemporary American society.”

And another quote on Strauss, which seems more compelling to me:

“As Strauss understood it, the principle of liberal democracy in the natural freedom and equality of all human beings, and the bond of liberal society is a universal morality that links human beings regardless of religion. Liberalism understands religion to be a primary source of divisiveness in society, but it also regards liberty of religious worship to be a fundamental expression of the autonomy of the individual. To safeguard religion and to safeguard society from conflicts over religion, liberalism pushes religion to the private sphere where it is protected by law. The liberal state also strictly prohibits public laws that discriminate on the basis of religion. What the liberal state cannot do without ceasing to be liberal is to use the law to root out and entirely eliminate discrimination, religious and otherwise, on the part of private individuals and groups.”

I’m more interested in the many people who are claiming that more freedom is necessary to reach a liberal ideal as they go about extending it to another group of people.  They aren’t just asking for a little more freedom, for as we humans do, they are striving to make their ideal the highest thing around, as well as a source for the laws, and a way to organize people and a path to political power and influence.  That seems to be part of the deal, but rarely discussed and I think should be open for debate a la Strauss. Christianity certainly has a lot of experience in that realm.

Related On This Site: While politically Left, Slate used to be a bit edgy, thoughtful, occasionally more of a haven for artists, writers, creative thinkers and iconoclasts (Christopher Hitchens was a good example). At least Saletan thinks pretty deeply  From Slate: William Saletan’s ‘White Men Can’t Jump’

Douthat’s The Grand New PartyRoss Douthat At First Principles: ‘The Quest for Community in the Age of Obama: Nisbet’s Prescience’

Nussbaum argues that relgion shouldn’t be a source for the moral laws From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum…More on Strauss as I’m skeptical of his hermeticism and his strong reaction to Nietzsche and some things he may have missed about the Anglo tradition: From Philosophy And Polity: ‘Historicism In German Political Theory’From The Selected Writings By And About George Anastaplo: ‘Reason and Revelation: On Leo Strauss’