Roger Scruton (R.I.P.) discussed being misrepresented in the pages of a major publication, effectively purging him from an unpaid government architectural committee job.
“The math is telling us that when we begin to fracture rocks, however we do it, whether we do it randomly or deterministically, there is only a certain set of possibilities,” said Furbish. “How clever is that?”
Our author uses a bit of Plato to tie the piece together; a discussion of ideal forms:
As for Jerolmack, after first feeling uncomfortable over a possibly coincidental connection to Plato, he has come to embrace it. After all, the Greek philosopher proposed that ideal geometric forms are central to understanding the universe but always out of sight, visible only as distorted shadows.
“This is literally the most direct example we can think of. The statistical average of all these observations is the cube,” Jerolmack said.
“But the cube never exists.”
‘Universal’ is saying a lot.
In the meantime, enjoy walking through an abandoned mine. From engineers and geologists to wise men, fools and crazy old coots, it’s dangerous, dirty work.
Travel inside the Earth:
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Maybe out of the depths of post-war guilt and nihilism, some Germans are still trying to thread the needle of all experience through the new fields of knowledge.
There’s something about the earnest piety of ‘We Germans’ and the Natural World which unsettles. The triumphs and failures of German Idealism have convulsed to some terrible extremes.
Nevertheless, join Wener Herzog and Clive Oppenheimer as they use documentary filmmaking to discover something true about that Natural World and deep within ourselves and our origins.
If you listen to the above, with the sound turned off on the visuals below, you will arrive into the future (once the backbeat fills in, ‘Chase’ becomes more bodily percussive and rhythmic).
Don’t let this ruin your mental focus:
After traveling eons, you will arrive to a quiet room. There, a Japanese classical guitarist will be playing Handel’s Sarabande in D minor.
Such pomp, nobility and grief! Somewhere beyond the dancer and the dance might lie the truth.
On that note,
One can imagine an intelligence just ahead of ours, or wildly ahead of ours, with benevolent, indifferent or malevolent (evil demon) intentions.
Or perhaps one can imagine a story told using the the current popular visual narrative; a Sci-Fi novel played to classical music, such as 2001: A Space Odyssey.
The first monolith seems to inspire a string of causation and hominid evolution which leads to humans discovering the second monolith buried on the moon three million years later. This monolith is found to be directing a signal to another, possibly transponding, monolith found orbiting Jupiter.
A mission is sent to this third monolith as the new HAL 9000 integrated and artificial intelligence on board knows some knowns and unknowns, and proceeds to act accordingly. Methodically and chillingly, the HAL 9000 kills all but one crew member, perhaps in ‘Self-‘preservation or according to some unseen logic, or just because he’s broken and crazy).
David Bowman, the last remaining crew member, after a batle of wits, disables the HAL 9000 and catches up with the third monolith, in order to complete the mission. At the end of the film, Bowman seems to transcends his earthly body, space-time, and ends up gazing over earth with the innocent eyes of a placental StarBaby, born anew.
Meh, the deisre for transcendence hasn’t gone too far beyond here, has it?
The hypothesis that there was some lab-tinkering is not all that crazy, while pursuing this line of inquiry can potentially help us combat the virus. The video focuses on what is known from current facts.
More importantly, this should spur some rather dark thoughts about real risks: Just as the proliferation of nuclear fission, storage and rocketry has trickled down to non-state actors over time (any smallish group with funding and a grievance), so too are lab costs for bio-weaponry coming down.
This, and the ocassional accident, are enough to keep me and you up at night.
The anti-science, anti-reason postmodern emphasis is one worth examining through different lenses (there aren’t just ideas, I don’t think). Mentioned: Kant, Hegel, Marx, Heidegger, Kierkegaard, Wittgenstein, Derrida, Foucault, Lyotard etc. Also, John Locke and Adam Smith. And in the ‘will’ tradition, Arthur Schopenhauer and Friedrich Nietzsche.
In the Critique of Pure Reason, Kant leaves us with bounded input channels, mediating a reality which might well be fundamentally unknowable to us, beyond three dimensions of space and the arrow of time, or Riemannian-inspired, Einsteinian space-time curvature tensors. Human reason, for a Kantian, produces output (our knowledge and understanding) filtered through our sense experience and through deeper onboard structures. For Hicks, this transcendentally ideal, metaphysically mediated reality possibly puts human reason at a remove from a metaphysical reality to which we might arguably have more access.
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I first noticed the ‘Columbus is bad’ line of thinking about fifteen years ago (the nomadic tribe is much more Romantically pure, and in touch with Nature rather than the postmodern Self-alienated, conquering European hegemony), spilling from language departments, of all places.
It’s interesting to think about potential intellectual sources for such ideas.
Ah, well.
As posted:
Did Kant really address why his own metaphysical system is necessary as charting a course for possible human knowledge? Warnock states that Kant thought:
“All we can establish foundations for is the notion of possible experience and what can be an object of possible experience…”
In other words, physics can tell you all kinds of things about energy, but it can’t tell you what energy is. And this is the best of our knowledge. Kant’s metaphysics (and religion too) can’t even do that, and are possibly doomed to failure.
In a way, metaphysics may be just where Aristotle left it, or where someone like Roger Penrose might leave it (after a lifetime of applying deep mathematical thinking to physical theory in his work on black holes): An exercise in trying to develop firm footing for our knowledge after the fact…trying to provide some context for our knowledge and not being able to do so…yet…
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From an interesting comment thread:
1. If there are facts of a certain sort (chemical, biological, psychological, moral, whatever) which may be true true, even though everyone thinks they are false, then facts of this sort (chemical, biological, etc.) must never change.
The trouble is that you yourself don’t actually believe this principle. For example, geographical facts are clearly objectively true — even if everyone believes in El Dorado, El Dorado doesn’t exist; and even if no one believed in Everest, Everest still would exist. But it’s obvious that it doesn’t follow that geographical facts don’t change over time. Mountains and polar ice caps and rivers come and go. Geographical facts change all the time — it’s just that our beliefs don’t change them.
Perhaps your point is, not that the geographical facts don’t change, but rather that the geological laws don’t change. But at a certain level even this isn’t true: Plate Tectonics fits the earth over most of its history, but it doesn’t exactly fit the earth when it was molten or when it eventually cools down completely in the distant future. It doesn’t fit the moon or Jupiter. Perhaps at a high level of abstraction, we can imagine a final theory of planetary geography that fits ALL types of planets anywhere in the universe. Perhaps these very abstract laws don’t themselves vary (once there are any planets to talk about).
But if you make the moral law sufficiently abstract, it can be as unvarying as any laws of universal planetology. Utilitarianism is the theory that there is a rather abstract law of morality, which, though it does not vary, accounts for why seemingly quite different things can be right or wrong in different circumstances (e.g., why leaving your elderly to die may have been OK for the Eskimos in conditions of scarcity while it would be very wrong for us).
Since 2014, the University of Chicago has followed the Chicago Principles, formally titled the University of Chicago Statement of Principles of Free Expression. At the request of President Robert Zimmer and then-Provost Eric Isaacs, the Principles, which follow the guideline that “debate or deliberation may not be suppressed because the ideas put forth are thought by some or even by most members of the University community to be offensive, unwise, immoral, or wrong-headed,” were drafted by a committee led by law professor and former Dean of the Law School Geoffrey Stone.’
Would you rather be righteous than right; comfortably correct rather than uncomfortably true? Principles, beliefs, heuristics, status, relationships, incentives, money etc. tend to matter much more to most people, most of the time.
The politically Left, radical model seems fast becoming shared sentiment in many quarters of the Western World.
Dear Reader, it’s your problem if you remain skeptical of the Oppression and Grievance Model of History, Religion & Tradition. Don’t dare publicly question the wisdom of the latest politico-moral movements, nor the sincerity and good intentions of ‘-Ism’ members.
Of course, this doesn’t mean some traditions aren’t dangerously outdated, co-opted by entrenched interests, nor that some people you meet don’t know anything about genuine historical oppression.
It does mean righteousness can easily replace just aiming to be right; an ever growing list of human rights the glue holding many institutions together.
‘Medical journals have thus gone over to political correctness—admittedly with the zeal of the late convert—comparatively recently. Such correctness, however, is now deeply entrenched. With The New England Journal of Medicine for July 16, 2016 in hand, I compared it with the first edition I came across in a pile of old editions in my slightly disordered study: that for September 13, 2007, as it happened, which is not a historical epoch ago. What started as mild has become strident and absurd.’
There’s a popular narrative that drug companies have stolen the soul of psychiatry. That they’ve reduced everything to chemical imbalances. The people who talk about this usually go on to argue that the true causes of mental illness are capitalism and racism. Have doctors forgotten that the real solution isn’t a pill, but structural change that challenges the systems of exploitation and domination that create suffering in the first place?
No. Nobody has forgotten that. Because the third thing you notice at the American Psychiatric Association meeting is that everyone is very, very woke.
Pink and a bit soft-bodied, with a somewhat jazzy Middle-class bathing suit and sandy sideburns, to me He looked from the back like one more professor.
And from the front, too—the boyish, unformed carriage Which foreigners always note in American men, combined As in a professor with that liberal, quizzical,
Articulate gaze so unlike the more focused, more Tolerant expression worn by a man of action (surgeon, Salesman, athlete). On closer inspection was there,
Perhaps, a self-satisfied benign air, a too studied Gentleness toward the child whose hand he held loosely? Absurd to speculate; but then—the woman saw something.
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Moving along, are you into tornadoes, and maybe interested in gathering some useful data along the way?
Watch the video below.
Help build better models. The better understood the variables, the better the models become, and the more predictive they become.
Via Mick Hartley (a Brit in Britain): Photo set and link here. Eric Tabuchi homepage here.
Clearly there are many ideas in the modern world deeply idealistic and utopian, which even officialdom can take up by way of architecture and the arts: Some people who commissioned Boston’s City Hall were probably thinking they were bringing something new and wonderful into the world: Inspiring, modern, transformative.
The folks at bureaucratic levels up-top would steer this concrete ship, scanning the Horizon for The Future. The People down below, justly and benevolently guided, would feel welcome and do people-y, citizen-y things as though in a terrarium.
Maybe that’s why it’s not so popular.
Well, at least it isn’t Buzludzha, The Communist Spaceship plopped down as though from a world of Pure Ideology, Nature properly subdued:
As previously posted:
–Visit Lileks.com. A fine humorist with a sharp pen and a keen eye (American in America).
Here’s Australian art critic Robert Hughes (Aussie in America) discussing the Albany plaza, and almost hyperbolically criticizing the aims of modernist architecture.
***Fun fact, he pronounces the “Boogie Woogie” the “Boo-gie Woo-gie.”
‘The real feat achieved by Gropius and his cohorts was to have recognized and exposed the sociopolitical and moral power of architecture and design. They wanted to exert “effective influence” on “general conditions,” fashion a more just world and turn all of this into a “vital concern of the entire people.”‘
I don’t know, Picasso was pretty good, man:
See Also: They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City
‘My college art history course conveyed the Modernist Establishment party line that the practice of painting was teleological, that its ordained end was the Platonic ideal manifested by the New York School of Abstract Expressionist art. That’s the message I got by the end of the school year. And it was confirmed by the many examples of that style displayed on the pages of Time magazine in the late 1950s.’
and:
‘One such painter was Jasper Johns (b. 1930) who chose to paint objects that were already flat…’
As for the Abstract Expressionists, my grandfather was friends with Eddie Dugmore, and we had a painting of his up on the wall. I remember that it was abstract, and dark, and kind of raw.
Click through for a Serra-released photo of four metal pillar-forms aligned in the deserts of Qatar, designed to inevitably rust. The piece has a slight ‘2001: A Space Odyssey‘ feel, but that could just be me.
‘The Qatar Museums Authority is estimated to spend about a billion dollars per year on art. At its head is the young Sheikha al-Mayassa Hamad bin Khalifa al-Thani, a sister of the Emir of Qatar and a Duke University graduate, who was recently named the most powerful person in the art world by ArtReview.’
Get while the getting is good, so long as the Sheiks have the dough.
Serra is a quite accomplished modern artist and sculptor often working in the ‘land-art,’ category, or site-specific pieces interacting with the viewer and the natural surroundings. Check out Hyperallergic’s visit to ‘Shift,’ a series of concrete forms he left in an Ontario field.
Here’s Serra discussing a piece of his at 21 West Gagosian, or a densely-packed, carefully measured series of metal forms in a room. What does the viewer experience in this space?:
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Serra, I think, more than other land-artists, turns that discussion a little more inwards, towards the abstract, the body moving through a space of his design as he tries to bring something across to the viewer.
‘On the one hand, Qatar’s art initiatives can be seen as a modernizing force, one that could liberalize the tribal attitudes of the country’s native population and pave the way for further political reform. On the other hand, contemporary art may merely serve as a cover for further repressive policies.’
On another note, that of land-art, Robert Hughes took a look at the work of Michael Heizer, who’s been working since 1972 on a sculpture in the Eastern Nevada desert, which was originally called ‘Complex One.’ It’s morphed into his life’s work, called City. It’s very large. It can’t be moved. You can’t reproduce it. It represents a break from traditional sculpture. It can’t be put in a museum and it’s not clear that it has a function. See more on Hughes take on it from his series, “Shock Of The New” which includes some aerial shots (from 00:45 to 5:30):
‘We all know that psychopaths prefer contemporary design. Hollywood has told us so for decades. The classic film connection between minimal interiors and emotional detachment (see: any Bond adversary) or modern buildings and subversive values is well documented – and regrettable. The modernist philosophy of getting to the essence of a building was intended to be liberating and enriching for the lives of occupants. Hardly fair then that these buildings are routinely portrayed with villainous associations.’
Have you seen the Mt. Rushmore house at the end of North By Northwest? I suspect some among us have wanted to live in a modernist lair.
‘The real feat achieved by Gropius and his cohorts was to have recognized and exposed the sociopolitical and moral power of architecture and design. They wanted to exert “effective influence” on “general conditions,” fashion a more just world and turn all of this into a “vital concern of the entire people.”‘
I’m always a little skeptical of such grand visions. Utopianism runs deep.
Speaking of cinema, this blog hasn’t given up on searching for awesome badness, preferably 80’s awesome badness. I simply offer the following scene from Gymkata, which encapsulates good and evil, gymnastics and karate, foreign policy and an American national greatness since sunken into ironic detachment and doubt:
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–Want to lose an afternoon? Visit Lileks.com. A fine humorist with a sharp pen and a keen eye. This is what the internet is for.
Related On This Site: They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City
‘The system, designed by British cybernetician Stafford Beer, was supposed to allow powerful men to make decisions about production, labor, and transport in real time using up-to-the-minute economic information provided directly by workers on the factory floors of dozens of newly nationalized companies’
A shag carpet probably would have been out of place, but I like the white pod chairs (Captain Kirk to the bridge for fuel price re-allocations).
‘In fact, the network that fed the system was little more than a series of jury-rigged Telex machines with human operators, transmitting only the simplest data, which were slapped onto old-style Kodak slides—again, by humans. The controls on the chairs merely allowed the operator to advance to the next slide’
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In working towards a theme, check out Buzludzha, the abandoned communist monument in Bulgaria’s Balkan mountains, which still draws up to 50,000 Bulgarian Socialists for a yearly pilgrimage. Human Planet’s Timothy Allen visited the structure in the snow and took some haunting photos. You will think you’ve stepped into a Bond film and one of Blofeld’s modernist lairs, but with somewhat Eastern Orthodox tile frescos of Lenin and Marx gazing out at you, abandoned to time, the elements and to nature.
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Continuing towards that theme, here are two quotes from a recent Harvey Mansfield review of Steven Bilakovics new book, which could possibly help explain how, say, the Chrysler building and St. Patrick’s Cathedral have become two of New York’s most iconic buildings (hint: we’re not a socialist society):
Tocqueville almost uses the above phrase in a chapter on “why American writers and orators are often bombastic.” He says that there is “nothing in-between,” or more literally, “the intermediate space is empty,” implying that there might have been something there. In democratic societies, each citizen is habitually occupied in the contemplation of a very small object: himself. If he raises his eyes, he sees only the “immense object of society” or even the whole human race. If he leaves his normal concerns, he expects it to be for something indefinitely vast instead of something definite and greater than himself.”
Artists have a particularly tough time in America, because they’re often particularly alone in America. Ezra Pound and T.S Eliot abandoned the place completely, and many aspiring artists get their training in Europe. This blog believes Wallace Stevens to especially be representative of this dilemma (he never left). He was an insurance executive by day and perhaps one of America’s best poets; a romantic, a modernist, as well as a man who possibly had a deathbed conversion to Christianity: From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’
On this view, being the good democratic citizens that we are, we reject the aristocratic elements from gaining too much traction, and thus do not create the vine-ripened literary, artistic, and cultural traditions that can make good artists into what they become, and what makes European cities, novels, poets, museums, and Europeans themselves something of what they are (a broad brush, I know).
Some of these same folks see religion (the Puritan roots especially) as a restrictive, repressive force that needs to be overcome in order for freedom, free artistic expression and individual autonomy to flourish (I believe this is a driving tension in Hollywood). There’s some truth to this, because I believe religion and politics, and even philosophy itself, have troubled relationships with art.
Mansfield goes on:
‘The theorists of materialism tell us that the long term will take care of itself so long as we do not obstruct materialism in the short run in our everyday lives. With a view to supporting political liberty, Tocqueville wants to limit everyday materialism and to concern us with a long-term goal, such as improving our immortal souls. This is why he fears for the state of democratic souls and speaks so strongly, if not fervently, in favor of religion. This is also why he showed such disgust for socialism.’
Perhaps we can keep it simpler, and not get taken with grand theories, or at least socialist ones anyways:
