You Really Don’t Want People Who Only Believe in Power Having Real Power-Some Links, Photos & A Poem

Benjamin Boyce and ‘Wokal Distance’ have a discussion of postmodern, critical theory, and the intersectional epistemologies now exerting serious influence in many institutions.

Mentioned: Jean Baudrillard, Jacques Derrida, The Matrix, Kimberly Crenshaw etc. Recommended.

Part of this blog’s responsibility: Reaching into the postmodern stew and pulling out quality and properly contextualizing many elements of this movement, so that the arts and sciences can be properly extirpated from such acidic, resentment-driven ideologies.

All power and no truth makes monsters.

On that note, enjoy or don’t enjoy a poem by yours truly.

Quick And Slow Clouds

The rules, knife-smooth,
are useful tools
for light glinting over worried water.
Beneath a soaked, white sheet
dripping slowly to the street
the afternoon turns blue
from looking too long.
The firs brush
the sky clean. Within deepest green
lies a question: Our mountain. Washed
as your body was, with raindrops
from the ocean.

-Chris Navin

Here are some iPhone photos on the themes of blue, white, and green:

There Are So Many Ways To Do Better-Philosophy & Humanities 101

In light of the rather pathetic and predictable news out of the University Of Chicago’s English Department:

“For the 2020-2021 graduate admissions cycle, the University of Chicago English Department is accepting only applicants interested in working in and with Black Studies,” the program said in a statement on its website.

In light of the rather pathetic and predictable news out of the University of Edinburgh. They’ve renamed Hume Tower (after arch-empiricist David Hume and one of the greats) at the University of Edinburgh.

Some academics stood up to the administration and the decision:

The letter’s signatories include several of the university’s most respected academics, including Professor Sir Tom Devine, Scotland’s pre-eminent historian, Dr Michael Rosie, senior lecturer in sociology, Lindsay Paterson, professor of education policy, and Jonathan Hearn, professor of political and historical sociology.

During my humanities education, I developed an increasing suspicion of the postmodern rejection of tradition, rules, laws, rituals and beliefs, at least with regard to reading, writing and thinking.  In engaging with some dull, and other absolutely mesmerizing, works of the creative imagination, I realized many of my own rituals and beliefs were being challenged. There are many experiences, and views, and ways to understand both myself and the world.

This is a good reason to get a good education!

It also slowly dawned on me that the lack of pedagogy, endless deconstructionist academic discussions, canon-less syllabi and increasing identitarian drift (is this person a professor because he/she’s the best poet/teacher or because he/she’s black/female or some mix of both?) were a problem.

A lot of this aimlessness and rebellion had ramped-up in the 1960’s, but since then, I’ve come to understand there are even deeper problems.

I aim to be open-minded, but not so much as to notice my brains falling out.

More here.

Link sent in by a reader.

Interesting paper presented by Erika Kiss, beginning about minute 32:00 (the whole conference is likely worth your time for more knowledge on Oakeshott).

According to Kiss, Oakeshott’s non-teleological, non-purposive view of education is potentially a response to Friedrich Hayek, Martha Nussbaum, and Allan Bloom, in the sense that all of these thinkers posit some useful purpose or outcome in getting a liberal education.

Friedrich Hayek’s profound epistemological attack on rationalist thought is still a system itself, and attaches learning to market-based processes which eventually drive freedom and new thinking in universities. The two are mutually dependent to some extent.

Martha Nussbaum attaches liberal learning to ends such as making us ‘Aristotelian citizens of the world’, or better citizens in a democracy, which has struck me as incomplete at best.

Allan Bloom is profoundly influenced by Straussian neo-classicism, and wants love, classical learning, honor and duty to perhaps be those reasons why a young man or woman should read the classics. This, instead of crass commercialism, the influences of popular music, deconstructionism and logical positivism.

Via A Reader-Isaiah Berlin’s Lectures On The Roots Of Romanticism.  Romanticism–>Modernism–>Postmodernism–>Wherever We’re Heading Now

Maybe it all started with Beethoven:  Everyone’s a (S)elf.

Isaiah Berlin pretty much blackballed Roger Scruton, so it’s not all roses.

Scruton had some keen insights:

“The works of Shakespeare contain important knowledge. But it is not scientific knowledge, nor could it ever be built into a theory. It is knowledge of the human heart”

“…in the days when the humanities involved knowledge of classical languages and an acquaintance with German scholarship, there was no doubt that they required real mental discipline, even if their point could reasonably be doubted. But once subjects like English were admitted to a central place in the curriculum, the question of their validity became urgent. And then, in the wake of English came the pseudo-humanities—women’s studies, gay studies and the like—which were based on the assumption that, if English is a discipline, so too are they.”

Quite importantly:

“And since there is no cogent justification for women’s studies that does not dwell upon the subject’s ideological purpose, the entire curriculum in the humanities began to be seen in ideological terms.

Terry Eagleton, British Marxist and professor in the humanities, debates Scruton below.

Will Marxism & continental philosophy become further guiding lights for the humanities here in America as we find much more so in Britain?

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

The nihilist claims are deeper than you may think, and the Nietzschean, and Will–>Will to Power German influence is also deeper than most people think; offering profound criticisms of the scientific project, liberalism, liberal institutions, and a secular humanism which is the air many folks breathe these days.

Here’s a somewhat similar vein of thought.  From friesian.com:

Although Anglo-American philosophy tended to worship at the feet of science, the drift of academia to the left has led to characteristically totalitarian political attacks on science itself — this despite the leftist program to use “climate science” to impose a Sovietized command economy on energy and the tactic to smear climate skeptics, i.e. “Deniers,” through associaton with Creationism or Neo-Nazi Holocaust denial. None of that has stopped the “post-modern” move…’

Alas, this blog has been writing about such issues for over a decade, and I’ve been thinking about them for more than two decades:  Should You Bother To Get A Liberal Arts Education? Allan Bloom, Camille Paglia and Anthony Kronman

Repost-From Scientific Blogging: ‘The Humanities Are In Crisis-Science Is Not’

Click here for a quite a varied discussion of Allan Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind

Repost-From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’

Civil Right logic, and protest alone, isn’t likely deep enough to prevent against ideological capture: Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

Brutalism & Governance-Some Sunday Links

Via de zeen via Mick Hartley: ‘Roberto Conte photographs Madrid’s brutalist architecture:’

The visual arts, painting and architecture are all areas where Spaniards thrive, and where much genius is funneled and compressed through the culture. Madrid’s also a governing city, with a certain staid heaviness found in such places.

Look what we’ve gone and built: The 7 Ugliest Government Buildings In Washington D.C.

A reader sends a link to a bad public art blog.

Via Mick Hartley via the BBC-‘The Brutalist Divide: Concrete Monsters Or Concrete Icons

Earthlings were visited, many times this past century, by beings from the planet Utopia. Little is known about these curious creatures, but they were advanced, and went about vigorously erecting structures across our planetary surface.

What were they trying to tell us?

Concrete, as a material, was used, presumably because it was so common and functioned as our ‘lingua franca’ (so hard to use well). Shapes were decided upon that might please and delight us (flowers, blocks, dodecahedrons), but also shapes that could disconsole, consigning some souls to work and live in an eternal present, possible futures winking upon the horizon.

Dear Reader, rumor has it these beings whispered in Esperanto, but only into the ears of those most ready to receive such comprehensive knowledge and advanced understanding; humans beings closer to knowledge of Universal Shapes and Human Destinies.

As posted, come to the University of Washington, where neo-Gothic meets brutalism. The Global People’s Revolutionary Movement is just around the corner within the Department of Studies’ Studies:

IMG_0952

We should be comforted when corporate/bureaucratic art is bland, bad, and uncommunicative.  After all, do you think you’d trust a bank more or less if it had a shocking modern/pop art sculpture in the lobby?

What about when their marketing team tells you how you should think, behave and act?

The attempt to seek collective purpose and postmodern meaning in modern art, music and even cartoons etc. is fast upon us. The flirtations with nihilism can encourage more desperate collectivist/ideological impulses to fill the void. The excesses are many.

As for a critique of Albany Plaza, another modernist/bureaucratic concrete wonderland, here’s Robert Hughes:

—————

Some snippets of previous posts:

James Lileks responds to an Atlantic piece which reflects upon the modernist influence.  From the Atlantic piece.

‘At their best, the Schiffs can be models for renewing the unquenched aspiration of a century ago, to place art and its imaginative demands at the center of an effort to build a more humane future’

Humane.  Human.  Human rights.  Make it new.  Break with the past.  Shape man’s destiny upon new foundations of knowledge, explore new possibilities, and perhaps shape men themselves.

Why, there’s a whole philosophy under there.  Not a religion necessarily, and not always moral claims to knowledge, but a whole framework nonetheless.

Well, some of it, anyways.

A previous head of the Social Security Administration was also a pretty good poet.

See Also On This Site:  Trying to stick something against his poems: Wednesday Poem: Wallace Stevens-Anecdote of The JarWednesday Poem: Wallace Stevens, The Snow ManFriday Poem: Wallace Stevens And A Quote By David Hume

They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

Roger Scruton In The American Spectator: The New Humanism…From Nigel Warburton’s Site: A Definition of Humanism?…From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

Repost: A Bleak, Modern House-Four Poems

This will be a longer one, so thanks in advance.

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

As to the epistemological questions surrounding Modernism, below are four poems. Hopefully, each is a representative example of a move away from the Romanticism that had been prevalent up until the late 1800’s.

In addition to the move away from traditional Romantic rhyme and meter towards modern blank verse, there’s also a certain conception of the Self rendered in them; a presentation of our natures that might be worth examining in some detail.

I believe we can see clearly a move away from tradition towards the Self, the Poet isolated, the poem itself as a means of communication, and an anxiety so common within the 20th century.

I should note that a friend points out Harold Bloom does it much better (well, yes…obviously). From this blurb:

‘At the heart of Bloom’s project is the ancient quarrel between “poetry” and “philosophy.” In Bloom’s opinion, we ought not have to choose between Homer and Plato; we can have both, as long as we recognize that poetry is superior.’

Says the guy who writes about poetry…


What does one find within, as one looks without, waking from sleep and dream?

What kind of world is this, and can the poet actually help us know it?

T.S. Eliot (Preludes: Stanza 3)

3.

You tossed a blanket from the bed
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

The world will stain you, and it is a fallen, modern world, rendered profoundly and exquisitely.

As consciousness creeps in, building a bridge to the day, to the world, to the facts left as though they were the first facts, the light as though it were the first light, what one finds is distressing, both within and without.

That distress must be ‘made new,’ which is to say, the suffering (original?) in which we all sometimes find ourselves must match our experiences within the modern city and world, at least, the world created within Eliot’s lyrical verse.

Of the four poems, only the first and last have a 3rd-person subject.

Wallace Stevens‘ ‘I’ is in a more contemplative state, but it’s an ‘I’ exploring similar themes, and experiencing some distress in trying to know how the world actually is, and what might lie within.

The journey to The Self may not be a journey for the faint of heart.

The Poems Of Our Climate (stanzas II and III)

II
Say even that this complete simplicity
Stripped one of all one’s torments, concealed
The evilly compounded, vital I
And made it fresh in a world of white,
A world of clear water, brilliant-edged,
Still one would want more, one would need more,
More than a world of white and snowy scents.

III
There would still remain the never-resting mind,
So that one would want to escape, come back
To what had been so long composed.
The imperfect is our paradise.
Note that, in this bitterness, delight,
Since the imperfect is so hot in us,
Lies in flawed words and stubborn sounds.

Even if the verse can describe a perfected world, delivering us, perhaps, a little closer to perfection, our poet is still not free from the impulses and desires which simply never cease.

Interestingly, we end-up not with a discussion of the heart, the spirit, libido etc. as a source for those desires (for Plato, the irrational), but rather, for Stevens, just a mind.

We also find more Romantic elements of language and an almost baroque/rococo arrangement of words and ideas, dandyish even, yet combined with an intense effort to abstract, define, and clarify. From here, the poet may proceed on his task of flawed words and stubborn sounds.

***I find myself thinking of elements of modern architecture and abstract-expressionist painting. The meaning, or at least some delivery from our restless existences, can be found within the abstract itself. Or at least within a retreat to the abstract for its own sake, away from the world.

The modernist, glass-walled house on the hill will exist in its own space, offering and defying meaning. The structure’s own shapes will be stripped down to often mathematically precise forms interacting with Nature. These shall guide Man, or at least offer individual men a little refuge.

It is perhaps in Stevens’ poem we can see the questions of knowledge about the world suggesting questions about whether there is a world at all, or, at least, what kind of worlds each Self might be able to inhabit.

Here’s one of Robert Lowell’s poems, occurring a generation later, in the mid 20th-century, as part of the confessionals.

The Self is extremely isolated. In fact, Lowell went more than a little crazy. Unlike the known nervous breakdown of Eliot from which Eliot recovered, Lowell’s life was essentially one long breakdown from which he never recovered.

Here he is, looking back:

Epilogue

Those blessed structures plot and rhyme-
why are they no help to me now
i want to make
something imagined not recalled?
I hear the noise of my own voice:
The painter’s vision is not a lens
it trembles to caress the light.
But sometimes everything i write
With the threadbare art of my eye
seems a snapshot
lurid rapid garish grouped
heightened from life
yet paralyzed by fact.
All’s misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun’s illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts.
warned by that to give
each figure in the photograph
his living name.

The weight of having to make that meaning, for yourself, and by yourself, is a horrible weight indeed. One can glorify one’s Self and family, but that, alas, only goes so far. Rhyme and form still carry one’s living name, as far as they do.

Of course, there’s still wonderful rhythm and form here (this is excellent verse), but blanker now, with a relentless focus on the ‘I.’ The poet is perhaps talking a little more to himself, and the poem keeps self-consciously calling attention to itself.

In fact, it reminded me of the poem below, by Robert Creeley, which was published a few years afterwards.

From this page:

‘Creeley was a leader in the generational shift that veered away from history and tradition as primary poetic sources and gave new prominence to the ongoing experiences of an individual’s life. Because of this emphasis, the major events of his life loom large in his literary work.’

There’s Nothing but the Self and the Eye seeking and making meaning, by itself within a void of emotionally compact and precise language (of course there’s still form and other things besides).

Can the poet fit inside the little abstract chapel of words he’s building for himself (let alone the world, tradition etc.)?

For all the talk about ‘space,’ there seems very little.

The Window

Position is where you
put it, where it is,
did you, for example, that

large tank there, silvered,
with the white church along-
side, lift

all that, to what
purpose? How
heavy the slow

world is with
everything put
in place. Some

man walks by, a
car beside him on
the dropped

road, a leaf of
yellow color is
going to

fall. It
all drops into
place. My

face is heavy
with the sight. I can
feel my eye breaking.

The distress is still there…but I’d argue that we are now a good distance away from the grandness of Eliot’s vision, his religiosity and virtuosity with form and meter at the dawn of Modernism. Very few people can/could do what Eliot did (addition: even if he can help us gain knowledge of our Selves or the world).

That said, it’s unclear there’s enough tradition and confidence to even undertake such a project, now, even as such talents come along. The state of things is more scattered. We’re in a very different place of selves and artists isolated, of anxiety and post-anxiety.

Aside from the very accomplished poets above, in terms of both knowledge (epistemology) and being (ontology), we often have writers feeling pressure to weigh-in on such questions without even being about to write that well; artists who can’t draw or paint that well, and frankly, quite a bit of bullshit besides.

So, where are we headed? Who’s ‘we’ exactly?

Predictions are hard, especially about the future.


As previously posted:

Why not just put a few algorithms to work in writing those artist statements?

Bathe in the bathos of a warming world:

A reader sends a link to a SF Gate review of poet Jorie Graham’s ‘Sea Change:

‘In “Sea Change,” Graham becomes Prospero, casting spells by spelling out her thoughts to merge with ours, and with the voices of the elements. The result is a mingling of perceptions rather than a broadcasting of opinions. Instead of analysis, the poems encourage emotional involvement with the drastic changes overwhelming us, overwhelm- ing the planet.’

and:

‘Strengths and weaknesses, flows and ebbs, yet every poem in “Sea Change” bears memorable lines, with almost haunting (if we truly have but 10 years to “fix” global warming) images of flora and fauna under siege. Jorie Graham has composed a swan song for Earth.’

Oh boy.

What are these poems being asked to do?


And moving away from poetry into the realm of ‘performance art,’


Tilda Swinton At MOMA-From Arma Virumque: ‘Nightmare In A Box’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

Some Updated Links On Postmodernism

I’m Sure This Will All Work Out-Links To A William Carlos Williams Poem And A Satirical Tweet By James Lindsay

The Return To Work

Promenading their
skirted galleons of sex,
the two office assistants

rock unevenly
together
down the broad stairs,

one
(as I follow slowly
in the trade wind

of my admiration)
gently
slapping her thighs.

William Carlos Williams

Who’s driving the car?

As to this blog’s favored critique of the radical base beneath liberal idealism, and the category errors of (S)cientism and (R)ationalism.

James Linday explains what is probably the dominant worldview in many quarters. Click through for some nice satire:

Dogs, Snakes & Alas, Words

In the moment: There’s mention of Roger Scruton and some other interesting thoughts: ‘The ways of dog to Mann.’

Having had many dogs, I’m pretty sure I could infer what they were thinking a lot of the time (where are we going now? can I eat that? I’m gonna eat that), but I’m pretty sure I’ll never know what it’s like to be a dog.

Speaking of which, what’s it’s like to imagine oneself a snake and write about that? What have you done with your I/Eye, dear Reader?

From Paul Bowles Allal, found within this collection of short stories.

Moments passed with no movement but then the snake suddenly made a move towards Allal. It then began to slither across Allal’s body and then rested next to his head. He was very calm at this moment and looked right into the snake’s eyes and felt almost one with the snake. Soon his eyes closed and he fell asleep in this position.’

Long experience, but none yet yours?

 XXIV

A narrow fellow in the grass
Occasionally rides;
You may have met him, — did you not,
His notice sudden is.

The grass divides as with a comb,
A spotted shaft is seen;
And then it closes at your feet
And opens further on.

He likes a boggy acre,
A floor too cool for corn.
Yet when a child, and barefoot,
I more than once, at morn,

Have passed, I thought, a whip-lash
Unbraiding in the sun, —
When, stooping to secure it,
It wrinkled, and was gone.

Several of nature’s people
I know, and they know me;
I feel for them a transport
Of cordiality;

But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone

Emily Dickinson

It’s not so much the social science knowledge claims which worry, though there are epistemological problems of accuracy and reproducibility.  More often, it’s the hopes and moral sentiments which can follow into institutional rules, group-think, policy, and law.

Many people are quite reasonable, but some people need to be right because they can’t be anything else (watch out for this part of yourself).  Deeper problems within the latest published paper can be mere loose-ends, whereas getting funding to meet payroll and printing-out motivational mantras for the next meeting are what really matters.  Or worse yet, making the personal political and punishing political enemies.

Still, it’s interesting to get some data from longitudinal studies.  Tyler Cowen links to this book.

Cowen:

The traits of being “undercontrolled” or “inhibited,” as a toddler are the traits most likely to persist up through age eighteen. The undercontrolled tend to end up as danger-seeking or impulsive. Those same individuals were most likely to have gambling disorders at age 32. Girls with an undercontrolled temperament, however, ran into much less later danger than did the boys, including for gambling.’

Just thought I’d Throw This In There:

An interesting take from Slate Star Codex-‘The APA Meeting: A Photo-Essay:’

There’s a popular narrative that drug companies have stolen the soul of psychiatry. That they’ve reduced everything to chemical imbalances. The people who talk about this usually go on to argue that the true causes of mental illness are capitalism and racism. Have doctors forgotten that the real solution isn’t a pill, but structural change that challenges the systems of exploitation and domination that create suffering in the first place?

No. Nobody has forgotten that. Because the third thing you notice at the American Psychiatric Association meeting is that everyone is very, very woke.

This reminds me of a poem by Robert Pinsky, entitled ‘Essay On Psychiatrists’

V. Physical Comparison With Professors And Others

Pink and a bit soft-bodied, with a somewhat jazzy
Middle-class bathing suit and sandy sideburns, to me
He looked from the back like one more professor.

And from the front, too—the boyish, unformed carriage
Which foreigners always note in American men, combined
As in a professor with that liberal, quizzical,

Articulate gaze so unlike the more focused, more
Tolerant expression worn by a man of action (surgeon,
Salesman, athlete). On closer inspection was there,

Perhaps, a self-satisfied benign air, a too studied
Gentleness toward the child whose hand he held loosely?
Absurd to speculate; but then—the woman saw something

Maintaining a healthy skepticism:

Previous ‘elite’ links on this site, arriving at some yet predictable, unrealized truths:  Via Marginal Revolution via American Affairs: ‘The Western Elite From A Chinese Perspective:’

Kenneth Anderson At Volokh: ‘The Fragmenting of the New Class Elites, Or, Downward Mobility

Two Kinds Of Elite Cities in America?

There are people with careers writing about elites, becoming somewhat elite themselves, which haven’t fared too well

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Full piece here

Scruton:

‘It is true that the theory of the meme does not deny the role of culture, nor does it undermine the nineteenth-century view that culture properly understood is as much an activity of the rational mind as is science. But the concept of the meme belongs with other subversive concepts — Marx’s “ideology,” Freud’s unconscious, Foucault’s “discourse” — in being aimed at discrediting common prejudice. It seeks to expose illusions and to explain away our dreams. But the meme is itself a dream, a piece of ideology, accepted not for its truth but for the illusory power that it confers on the one who conjures with it. It has produced some striking arguments, not least those given by Daniel Dennett in Breaking the Spell, in which he explains away religion as a particularly successful but dangerous meme.’

Those concepts according to Scruton, are not science, but rather ‘scientism.’

And he focuses back-in on judgment, or the capacity for judgment attached to ‘I,’ and an ‘I’ which looks towards transcendence:

‘Surely human beings can do better than this — by the pursuit of genuine scientific explanation on the one hand, and by the study of high culture on the other. A culture does not comprise works of art only, nor is it directed solely to aesthetic interests. It is the sphere of intrinsically interesting artifacts, linked by the faculty of judgment to our aspirations and ideals. We appreciate works of art, arguments, works of history and literature, manners, dress, jokes, and forms of behavior. And all these things are shaped through judgment. But what kind of judgment, and to what does that judgment lead

Worth a read.

As posted:

-Steven Pinker, Harvard experimental psychologist and cognitive scientist wrote a piece in the New Republic, entitled: ‘Science Is Not Your Enemy

-Leon Wieseltier, literary editor of the New Republic since the 60′s, responded at The New Republic: ‘No, Science Doesn’t Have All The Answers.

-Ross Douthat, conservative Catholic columnist at the Times jumped in the fray: ‘The Scientism Of Steve Pinker’

-Jerry Coyne, evolutionary biologist, responded to Douthat.

-Wieseltier jumped back in with: ‘Crimes Against Humanities: Now science wants to invade the humanities. Don’t let it happen.

-Daniel Dennett, philosopher, cognitive scientist, one of the New Atheists and Boston-based secularist responded to Wieseltier:

‘Pomposity can be amusing, but pomposity sitting like an oversized hat on top of fear is hilarious. Wieseltier is afraid that the humanities are being overrun by thinkers from outside, who dare to tackle their precious problems—or “problematics” to use the, um, technical term favored by many in the humanities. He is right to be afraid. It is true that there is a crowd of often overconfident scientists impatiently addressing the big questions with scant appreciation of the subtleties unearthed by philosophers and others in the humanities, but the way to deal constructively with this awkward influx is to join forces and educate them, not declare them out of bounds.’

So, how do you teach the arts and tilt the culture? Camille Paglia had some ideas, including the idea that George Lucas has taken root in more 20th-century minds than anyone else with his space opera:

According to Paglia, there were the real Marxists, and then there were the Post-structuralists and Deconstructionists.  She favors the radicalism of the ‘real’ Marxists against the careerism and priestly cant of the latter, though I doubt either group is necessary for a good humanities education.

With a somewhat Nietzschean (Schopenhauer’s ‘Will‘ is now the ‘Will To Power’), and New Historicist approach, Paglia is also a bit disposed towards an appreciation of art, religious art, and religion, within a longer anthropological view.

She sees feminism and the ‘studies’ departments as ungrounded, wanting biology, medicine and anthropology to provide structure in order to study the arts:

Related On This Site: Repost-Adam Kirsch At The New Republic: ‘Art Over Biology’…From Edward Feser: ‘Nagel And His Critics Part IV’

Philosopher Of Art Denis Dutton of the Arts & Letters Daily argues the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Evolutionary psychology and moral thinking: Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’From The Stanford Encyclopedia Of Philosophy: Charles Sanders Peirce

Larry Arnhart At Darwinian Conservatism Reviews E.O. Wilson’s ‘The Social Conquest Of Earth’Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

From Nigel Warburton’s Site: A Definition of Humanism?…A Debate: Would We Better Off Without Religion?…Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism

Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’

Larry Arnhart at Darwinian Conservatism: ‘Roger Scruton, 1944-2020: The Romantic Conservatism of Atheistic Religiosity:’

‘As is often true of the traditionalist conservative thinkers today, his thought was shaped by the Kantian Romantic tradition of the Nineteenth Century that saw a religious attitude as essential for a healthy moral order, so that traditional religious experience needed to be defended against a Darwinian science that claims to explain the place of human beings in the natural world without any reference to a transcendent realm beyond nature. And yet–again like many traditionalist conservatives–Scruton did not believe in the literal truth of Christianity or any other religion.’

Kelley Ross at Friesian.com, discussing ‘Scruton’s treatment of Wittgenstein:’

At the same time, there is the irony and paradox of this treatment that Scruton is “considered to be one of the world’s leading conservative philosophers” — which is what it says on the cover of his own book. Now I see Scruton called “Our greatest living conservative thinker,” by Daniel Hannan (an “author, journalist, and politician”), and “One of the most eminent philosophers in the world,” by Robert P. George (a Princeton University professor of jurisprudence). But “conservative” thinkers are not generally happy with the cognitive and moral relativism, if not nihilism, that follows from anything like Wittgenstein’s thought, and even from, as we shall see, Scruton’s own analysis of Wittgenstein’s thought. This is particularly surprising given the devastating critique in Scruton’s Fools, Frauds and Firebrands, Thinkers of the New Left [Bloomsbury, 2015], which exposes the irrational “nonsense machine” of “post-modernism” and “Critical Theory” Marxism. But even in that book, and in the passage I have just quoted, there is a clue to what is going on and to what kind of “conservative” Scruton may be. And that is, in the former, his benign and complacent attritude towards Hegel, and, in the latter, the impression he gives that the “ambition” of Kant and Hegel is comparable or even equivalent.’

Three Quotations On Liberalism-Lionel Trilling, Michael Oakeshott & J.S. Mill

‘Contemporary liberalism does not depreciate emotion in the abstract, and in the abstract it sets great store by variousness and possibility. Yet, as is true of any other human entity, the conscious and the unconscious life of liberalism are not always in accord. So far as liberalism is active and positive, so far, that is, as it moves toward organization, it tends to select the emotions and qualities that are most susceptible of organization. As it carries out its active and positive ends it unconsciously limits its view of the world to what it can deal with, and it unconsciously tends to develop theories and principles, particularly in relation to the nature of the human mind, that justify its limitation.’

Trilling, Lionel.  The Liberal Imagination: Essays On Literature And Society.  The Viking Press:  New York, 1950. (preface xiii).

It’s easy to believe that because you know one thing pretty well, or a few things reasonably well, that what you know is known by all, and that this knowledge is universal.  What if what you can know is bound up with your experiences, and is acutely limited?

A 20th century address of such problems:

But my object is not to refute Rationalism: its errors are interesting only in so far as they reveal its character.  We are considering not merely the truth of a doctrine, but the significance of an intellectual fashion in the history of post-Renaissance Europe. And the questions we must try to answer are: What is the generation of this belief in the sovereignty of technique? When springs this supreme confidence in human ‘reason’ thus interpreted? What is the provenance, the context of this intellectual character?  And in what circumstances and with what effect did it come to invade European politics?’

Oakeshott, Michael. Rationalism In Politics“. Rationalism In Politics And Other Essays. Liberty Fund, 1991. Print. (Pg 17).

One of the more solid moral foundations for why you should be liberal still comes from J.S. Mill:

“The likings and dislikings of society, or of some powerful portion of it, are thus the main thing which has practically determined the rules laid down for general observance, under the penalties of law or opinion. And in general, those who have been in advance of society in thought and feeling, have left this condition of things unassailed in principle, however they may have come into conflict with it in some of its details. They have occupied themselves rather in inquiring what things society ought to like or dislike, than in questioning whether its likings or dislikings should be a law to individuals. They preferred endeavoring to alter the feelings of mankind on the particular points on which they were themselves heretical, rather than make common cause in defence of freedom, with heretics generally. The only case in which the higher ground has been taken on principle and maintained with consistency, by any but an individual here and there, is that of religious belief:…”

John Stuart Mill, On Liberty (New York: Barnes & Noble, 2007), 8-9.

Watch out for the assumption of rational and knowable ends, and the one-stop-shop of modern doctrines promising radical liberation. All that’s left is to implement such knowledge into systems that will lead all men to some point outside of themselves.: -The Englightenment/Romantic tension…the horror of rationalist systems which claimed knowledge of man’s ends, but also a defense of both positive and negative liberties-Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’…A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

The radical and rationalist project, anarcho-syndicalism and libertarian socialism: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Full post here.

Bonus quote:

“More recently Richard Rorty made an attractive attempt to reconcile the most avant-garde postmodern theory with a defence of the institutions of the Western liberal democracies, but the Mill of On Liberty still reigns supreme.”

Repost-Marxist Jamborees In Paris, Getting A Humanities Education & Getting To Space-Some Recycled Links

Claire Berlinksi visited a Marxist Jamboree in Paris a while back (The City Journal):

‘“Oh.” She rearranged her face to look less judgmental.’

Roger Scruton on his experiences in 1968 Paris (behind a paywall at The New Criterion):

‘In the narrow street below my window the students were shouting and smashing. The plate-glass windows of the shops appeared to step back…’

Speaking of The New Criterion, they have a piece on Jeffrey Hart:

‘Lit by an inner illumination, which regularly showed through the glimmer of his blue eyes, he checked his politics at the door and let the lyricism of “books, arts, and manners” lead the way for students.’

Rand Simberg at The New Atlantis on ‘The Return Of The Space Visionaries:’

Saganites view the universe as a precious jewel. How beautiful! “Look at it — but don’t touch it!” Tumlinson quips. Space is for scientific inquiry only, and that is best done by investigating it with robots. Later in life Sagan recognized the value of sending humans to other worlds, but as an astrophysicist and planetary scientist, his goals were focused on science, not economic development or settlement.’

Barring revolution, an attractive option for many committed ideologues lies in gathering under the ideals of education, health-care, peace and the environment, becoming institutionalized at taxpayer expense.

Common threads?: ‘Social’ justice is a kind of unclear concept.  Ideology ain’t necessarily science.  Many adrift in the postmodern humanities are quite hostile to the sciences, living within their own dramas and [even] doing dirt on the arts.

As previously and consistently posted-Thanks to a reader. Pournelle’s Iron Law of Bureaucracy:

‘Pournelle’s Iron Law of Bureaucracy states that in any bureaucratic organization there will be two kinds of people”:

 First, there will be those who are devoted to the goals of the organization. Examples are dedicated classroom teachers in an educational bureaucracy, many of the engineers and launch technicians and scientists at NASA, even some agricultural scientists and advisors in the former Soviet Union collective farming administration.

Secondly, there will be those dedicated to the organization itself. Examples are many of the administrators in the education system, many professors of education, many teachers union officials, much of the NASA headquarters staff, etc.

The Iron Law states that in every case the second group will gain and keep control of the organization. It will write the rules, and control promotions within the organization.’

Universal wokeness need not be confined to Earth.  Zoe Satchel, cast adrift from her graduate English work at Yale, discusses Space Oppression!

Have you read Zoe Satchel’s piece about pre-blaming the West for any potential damage done to any potential extra-terrestrial life? Now that’s groundbreaking.

— Chris Navin (@chris_navin) March 11, 2019

Repost-Some Links On Robert Kagan’s New Book: ‘The Jungle Grows Back: America And Our Imperiled World’

Our author reviews Robert Kagan’s new book ‘The Jungle Grows Back: America And Our Imperiled World.’

The piece contains liberal pushback (the search for a center?) against what’s argued to be Kagan’s proselytizing neo-conservatism.

I’m pretty sure I wouldn’t advocate for too many young people to join a military run by the current institutional leadership without serious thought. You may have your reasons, but think twice:

That is precisely what today’s moment cries out for: Kennan’s humility rather than a new crusade against a new Evil Empire. It cries out for a skeptical liberalism that sees the world as it is rather than going looking for new monsters to destroy.’

Our ideological troubles spring, I have argued before, from liberalism’s lack of perceived legitimacy. Authoritarianism emerges as a symptom either where the liberal approach to organizing society has failed to take root, or where an established liberalism is seen to be overreaching unopposed. We ought to be on the lookout for these failures of liberalism—for “the appeals to core elements of human nature that liberalism does not always satisfy,”

There’s lots of stuff in the piece for regular readers of this blog (Mention of Edmund Burke, Isaiah Berlin etc.).

The author finishes with the area of most shared agreement [between himself] and Kagan (a view of ‘teleological’ progressivism as dangerously narrow and very authoritarian itself; delegitimizing and destabilizing Western liberalism from within).

It’s going to be harder to deal with the rest of the world when these core elements of debate rage within Western hearts, minds and institutions:

The Jungle Grows Back is an important book insofar as it contains all the debates outlined above within it. And Kagan opens the space for these ideas to breathe a little by rightly dismissing teleological progressivism in his book’s opening pages—a great service that makes reading the book a richer experience than it otherwise might have been. But a more moderate, and therefore much wiser, conclusion is passed over by an author whose commitment to his priors prevents him from seeing what a gem he might have had on his hands. It’s too bad.’

Kagan discusses the book here with what I’d describe as an evolutionary psychologist/soft-ish Marxist:

Also On This Site: Taking on the telos of progress and questioning  modern liberal assumptions with a largely nihilistic approach (progress is learned but doesn’t stay learned in human affairs; the lesson of various 20th centry writers and one of the main purposes of a humanities education): Repost-John Gray At The Literary Review Takes A Look At A New Book On Michael Oakeshott: ‘Last Of The Idealists’…Repost-John Gray Reviews Francis Fukuyama At The Literary Review: ‘Destination Denmark’…Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

People on the Left and a more moderate middle, and from libertarian conservative backgrounds are increasingly challenging core ideological assumptions of far Left doctrines having crept into so many institutions.  They must defend their own disciplines and be of exemplary character: Repost-Moving Towards Truth And Liberty, But What To Conserve?-Some Thoughts On The Bret & Eric Weinstein Interview…Jonathan Haidt At Heterodox Academy: ‘The Blasphemy Case Against Bret Weinstein, And Its Four Lessons For Professors’…Charles Murray From ‘The Happiness Of People’…The Hoover Institution Via Youtube: Charles Murray On ‘Coming Apart’

Repost-Looking For Liberals In The Postmodern Wilderness-Jordan Peterson & Stephen Hicks

A restatement of Anglican, British conservatism with deep Kantian, Hegelian roots: Repost-Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’…Link To Roger Scruton’s First Of Three Charles Test Lectures Hosted By Princeton University

The Religious Conservative American right advocating a step back from a common Constitutional project?: Two Links To Rod Dreher On How To Live And What To Do... Another view of the 60’s radicalism on campus: Repost-A Few Thoughts On Robert Bork’s “Slouching Towards Gomorrah”

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom: Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’Some Tuesday Quotations From Leo StraussFrom Peter Berkowitz At Harvard: ‘The Reason Of Revelation: The Jewish Thought Of Leo Strauss’

Kant chopped the head off from German deism and the German State has been reeling every since…is value pluralism a response?: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”