Tuesday Quotation-Sir Thomas More

‘The fact is, even the sternest ascetic tends to be slightly inconsistent in his condemnation of pleasure. He may sentence you to a life of hard labour, inadequate sleep, and general discomfort, but he’ll also tell you to do your best to ease the pains and privations of others. He’ll regard all such attempts to improve the human situation as laudable acts of humanity – for obviously nothing could be more humane, or more natural for a human being, than to relieve other people’s sufferings, put an end to their miseries, and restore their joie de vivre, that is, their capacity for pleasure. So, why shouldn’t it be equally natural to do the same thing for oneself?’

More, Thomas. Utopia. Penguin (trans. Paul Turner), 1965. Print.

Hmmm…

“His problem (Plato’s) with the arts was that they operated by images rather than by ideas, and thus that they might cloud the truth rather than clarifying it.”

Yes, and religious traditions, for example, also have interpretations of how one ought to reproduce the image.

“Whatever one thinks of Plato’s solution to this problem, I suggest that this is one of the problems that elicited his proposals for severe censorship of the arts he so obviously loved and had been trained in.”

Repost-Roger Kimball At Arma Virumque: ‘Santayana On Liberalism And Other Matters Of Interest’

Full essay here.

Worth a read:

‘My point is only that Santayana — the Spanish-born, Boston-bred, Harvard educated cosmopolite — stands out as an unusual specimen in the philosophical fraternity. He wrote beautifully, for one thing, commanding a supple yet robust prose that was elegant but rarely precious or self-infatuated’

and Kimball on Santayana’s interaction with William James:

‘Temperamentally, the two men were complete opposites — James bluff, hearty, the thorough New England pragmatist in manner as well as philosophical outlook: Santayana the super-refined, sonnet-writing, exquisitely disillusioned Catholic Spaniard. In many ways, Santayana was closer in spirit to William’s brother Henry.’

For what it’s worth, I recall a deeply Catholic lament and longing in the Spanish character, which can be combined with a kind of clear-eyed realism and stoicism, but not always. The faith runs deep in St Teresa and her passions, and despite Miguel de Unamuno’s rationalist influences, I remember a general preference for wisdom in the Tragic Sense Of Life.

Something clicked regarding Spain when I finally visited the Escorial outside of Madrid after many months of being in that city. It’s a grand castle of course, but it also struck me as rather plain, barracks-like at times. Very austere. It was explained that the Escorial was both a royal palace and a monastery:

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Quote found here:

‘Philip’s instructions to Herrera stipulated “simplicity of form, severity in the whole, nobility without arrogance, majesty without ostentation,” qualities clearly illustrated by the long sweep of these facades.’

That Catholic influence can also get a little intense:

‘El Escorial was built to honor St. Lawrence, who was burned on a grill. In order to remind the citizens of his martyrdom and sacrifice, the entire building is a grill. Yes, it is shaped like a grill. There are paintings of St. Lawrence on a grill, grills are carved into the doorways, the weather vain is in the shape of a grill, the backs of chairs are supposed to be grills, the list literally could go on forever.’

Maybe they got a little carried away during the Reconquest.

Any thoughts and comments are welcome.

Related On This Site: Wednesday Poem: Wallace Stevens-Anecdote of The JarSome Sunday Quotations: (On) Kant, Locke, and Pierce

British conservatism with a fair amount of German idealist influence: Repost-Roger Scruton In The American Spectator Via A & L Daily: ‘Farewell To Judgment’

Via The University Of British Colombia: Kant-Summary Of Essential PointsFrom Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On KantSunday Quotation: From Jonathan Bennett On Kant

From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Six Links Somewhat Relevant In The Current Political Landscape

I’m still getting accustomed to the post 60’s political and cultural landscape in America, at least in response to the current round of progressivism; the idealism and utopianism of many collectivist platforms, and the election of Trump as some sort of response.

As someone of more conservative and religious temperment, but as someone who is not a believer and deeply committed to many projects of the Enlightenment, I’m just looking around for different types of liberalism.  Does equality always run aground on human nature?  Will pursuing broad definitions of the public good always lead to a corruption of the ideal of equality, and less freedom?

Joel Kotkin has an interesting piece Class Warfare For Republicans:

As a Truman-style Democrat left politically homeless, I am often asked about the future of the Republican Party.’

The Tea Party probably might not agree, nor maybe many social and religious conservatives.

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Walter Russell Mead seems to be envisioning a reinvigorated liberalism 5.0, arguing that the current union fights, ecotopia, high-speed rail plans, and progressivism aren’t necessarily the best way forward given America’s challenges.  There’s been a fundamental shift that we must adjust to, and it involves technology and globalization for starters.  Repost-Via Youtube: Conversations With History – Walter Russell Mead

Interesting post here:

‘It is important to note, however, that rampant government dependence and economic mismanagement are not exclusively blue-state pathologies. Corrupt and crony Republicans can be every bit as sleazy and dangerous as their Democratic counterparts. South Carolina, Alabama and Mississippi are on this list for good reason.’

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Perhaps conservative Briton Roger Scruton is just being nostalgic for what he describes as the old humanism, but there sure is a lot of Hegel informing his thought:

Hesitate!

“There is no need for God, they thought, in order to live with a vision of the higher life. All the values that had been appropriated by the Christian churches are available to the humanist too.”

And he laments the new humanism, which lacks the noblility of purpose of the old, and offers nothing positive:

“Instead of idealizing man, the new humanism denigrates God and attacks the belief in God as a human weakness”

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Copied from Will Wilkinson’s piece on Gerry Gaus’s then new book:

In sum, OPR defends public reason liberalism without contractarian foundations. It is Kantian without being rationalistic. It is Humean without giving up the project of rationally reforming the moral order. It is evolutionary but not social Darwinist. It is classical liberal without being libertarian. It is Hegelian and organicist without being collectivist or statist. It shows us how political authority can be justified but only by accepting that moral authority limits it. It pushes us to look towards the practical and reject the utopian while simultaneously maintaining that a truly free and equal social order is within our grasp. It rejects the aspiration of political liberalism to neutrality among conceptions of morality while simultaneously retaining its spirit by sectioning off social morality from other normative domains.

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Theodore Dalrymple on the new atheists.

Dalrymple:

‘The search for the pure guiding light of reason, uncontaminated by human passion or metaphysical principles that go beyond all possible evidence, continues, however; and recently, an epidemic rash of books has declared success, at least if success consists of having slain the inveterate enemy of reason, namely religion. The philosophers Daniel Dennett, A. C. Grayling, Michel Onfray, and Sam Harris, biologist Richard Dawkins, and journalist and critic Christopher Hitchens have all written books roundly condemning religion and its works. Evidently, there is a tide in the affairs, if not of men, at least of authors.’

As to these more radical groups splintering and applying pressure upwards upon institutions of learning (or at least remaining very vocal and demanding voices within them), I remain skeptical of merely relying upon an adaptable and healthy post-Enlightenment humanism to push back against them in the long-run.

It seems groups of post-Enlightenment individuals gathering to solve commonly defined problems is a risky business, indeed, or at least subject to the same old schisms and problems religious institutions underwent and continue to undergo regarding human nature. I think it’s fair to say people and institutions are often requiring of constraints, especially when it comes to political power and lawmaking; especially when it comes to the challenges our civilization faces from within and without in maintaining institutional authority.

I’d like to think that secularly liberal leadership, more broadly, including the people who want to be in charge of all of us (at their best operating from within moral communities of not too great a solipsism and self-regard) can resist such pressures. For there certainly are those who would fracture our institutions into rafts of post-Enlightenment ‘-isms’ and politicized movements often driven by illiberal ideologies; movements relying on the presumed self-sufficiency of reason while behaving quite irrationally.

I’m looking around and not seeing too much decency in American politics, lately.

Post-60’s, I’m seeing a lot of people sucked into radical discontent, righteous certitude and often religion-deep belief in secular ideals and ideologies, demanding immediate change often faster than institutional stability can keep up.

A.C. Grayling makes one of the better cases for morality without religious doctrine (in Britain), I’ve heard of late, but I’m not entirely sold these particular problems can be addressed sufficiently:

His recent public statements don’t help

People on the modern American right take issue with Rawls, but have they addressed his depth?:  From The American Conservative: Going Off The Rawls–David Gordon On John Rawls…Utilitarianism leads to problems.  Will the Rawlsian center-left hold up?:

From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’… From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum

Robert Nozick merged elements of Kant and Locke in a strong, libertarian defense of the individual A Few Thoughts On Robert Nozick’s “Anarchy, State and Utopia”From Slate: ‘The Liberty Scam-Why Even Robert Nozick, The Philosophical Father Of Libertarianism, Gave Up On The Movement He Inspired.’

Some Friday Quotations: (On) Kant, Locke, and Pierce

A New ‘Sokal Hoax?’-If It Has A ‘Studies’ After It, You Should Probably Be Studying Something Else

IA new ‘Sokal Hoax?’ (Alan Sokal has moved on, apparently)

From Aero:  ‘Academic Grievance Studies and the Corruption of Scholarship:’

‘We undertook this project to study, understand, and expose the reality of grievance studies, which is corrupting academic research. Because open, good-faith conversation around topics of identity such as gender, race, and sexuality (and the scholarship that works with them) is nearly impossible, our aim has been to reboot these conversations.’

Ideas spilling from the academy into politics and the public mind come with their own internal logic and boundary conditions; the latest moral idea comes with its own priests, zealots and enforcers.

Perhaps in an increasingly less religious American context, it’s better for many citizens to think of such folks as ‘true-believers’ or members of a religion-deep belief system with many bad incentives and with much dangerous design.

As posted years ago now:

Simon Blackburn review here.

Do you remember the Sokal hoax?

“…in 1996 the radical “postmodernist” journal Social Text published an article submitted by Alan Sokal, a mathematical physicist at New York University, with the mouthwatering title “Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity.” Sokal then revealed the article to be a spoof…”

Sokal has apparently been busy ruminating since that paper, and Blackburn, a Cambridge philosophy professor, reviews his ruminations.

David Thompson offers satire on such matters.

Postmodern generator here, via David Thompson.

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

Repost-‘Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?’

Land Art Links Along A With A Quite Modernist W.S. Merwin Poem

William Logan At The New Criterion: ‘Pound’s Metro’…Monday Poem: ‘A Pact’ By Ezra Pound

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And mostly, but not entirely unrelated, you can make your own Tom Friedman columns at home.

Related On This Site:  Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’ Classical Liberalism Via Friesian.Com-’Exchange with Tomaz Castello Branco on John Gray’

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”… From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.…  Repost: Another Take On J.S. Mill From “Liberal England”

From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

Repost-From Scientific Blogging: ‘The Humanities Are In Crisis-Science Is Not’

Full post here.

Saving the humanities from some humanists, anti-humanists, ideologues and people who understand too little and expect too much of both the arts and the sciences?

A brief response by our author to this NY Times Op-Ed piece:

“Graduate education in the humanities may have its problems, but don’t try to tar science with the same brush.”

and:

“The humanities aren’t sciences, they don’t solve problems like sciences, and they shouldn’t try to be sciences.”

Is the public lens currently being focused on the problem in a way that does justice to neither the humanities nor the sciences?

Here are some links gathered over the years:

1. Lots of people invested in ideology will naturally seek to extend their ideological commitments, worldview, and beliefs into the books they read (including this blogger?).  What are you hoping to get out of that book in your hand?: Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’…

2. Conservative Briton Roger Scruton suggests keeping political and aesthetic judgments apart in the humanities, via a lot of German philosophical idealism Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgmentbut some German influences may come with other problems.

“In the days when the humanities involved knowledge of classical languages and an acquaintance with German scholarship, there was no doubt that they required real mental discipline, even if their point could reasonably be doubted. But once subjects like English were admitted to a central place in the curriculum, the question of their validity became urgent. And then, in the wake of English came the pseudo-humanities—women’s studies, gay studies and the like—which were based on the assumption that, if English is a discipline, so too are they.”

3. Keep politics (add: and business) out of academia, when you can?-Repost-Stanley Fish At The NY Times Blog: ‘The Last Professors: The Corporate Professors And The Fate Of The Humanities’

4. Strauss and the Straussians-Via C-SPAN-The Historical Context Of Allan Bloom…Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

5. Just read for its own sake, man, it doesn’t need an endpoint, because art’s pretty useful and useless: Why Should You Get A Liberal Education? From The ASAN Institute Via Vimeo: ‘Michael Oakeshott’s Cold War Liberalism 1’

6. Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Two Links-Brexit & Speech On Campus & Hitchens On Speech Again

Walter Russell Mead At the WSJ (behind a paywall) on European politics and Brexit (British exit from the European Union) below:

One angle: Most technology reduces distances, but not necessarily ignorance, and increases communication, but not necessarily understanding.

The EU started out as a trade union, but also, in seeking to protect its members and advance its interests, has been levying serious fines on American tech companies.  Controlling flows of information upwards towards mercantilism is an obvious result (Eurocrats and big players make and approve the rules, supposedly in favor of ‘the little guy’ but only so far as the moral lights and sentiments of the Eurocrats and big players can envision, if they spend much time envisioning).

These laws tend to be more restrictive than many American laws, but not nearly so restrictive as nearly all Chinese laws, where, apparently, Google has had to make concessions in order to create a search engine alongside the Chinese government.

On speech, and the moral sentiments being animated on parts of many campuses across the country: Greg Lukianoff via Reason: ‘Speech Code Hokey Pokey: How Campus Speech Codes Could Rebound

‘Yesterday, we showed how speech codes are consistently struck down by courts. Today, we look at two ongoing cases that threaten to curb that trend by expanding the doctrine of mootness while narrowing what qualifies to establish standing.’

As posted: Nick Gillespie of Reason Magazine interviews Professor Jonathan Haidt and Greg Lukianoff on their new book: The Coddling Of The American Mind:  How Good Intentions & Bad Ideas Are Setting Up A Generation For Failure

It’s worth revisiting a once very committed Trotskyist who came to the U.S. and quite iconoclastically kept searching for the truth, and on speech, spoke pretty eloquently:

Fire….fire…fire…fire:

Repost-Edward Feser on David Mamet’s ‘Glengarry Glen Ross’ And More Modernist Commentary

This blog welcomes lenses with which to view works of modern art.

From Edward Feser: ‘Aquinas Watches Glengarry Glen Ross’

Feser:

‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types. Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.

So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter. One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’

Glengarry Glen Ross‘ has become something of a cultural touchstone for many; maybe this generation’s ‘Death Of A Salesman

You call yourself a salesman you son-of-a-bitch?:’

For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.

Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.

On fuller display, perhaps.

Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.

For those who didn’t ask!:

As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious: Make it new. Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).

It takes really talented individuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.

As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us. There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).

They write these f**king art blurbs before they have any art! What the f**k is this lady doing?:

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in this generation’s rather pervasive desire for fame and recognition.

The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).

As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.

Ah well…there’s my two cents.

There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.

Enduring…I like the sound of that.


Because you really didn’t ask:

Another video included at the link.

David Mamet underwent a conversion to conservatism in rather dramatic and public fashion a few years ago. In leaving his liberal views behind, he’s no doubt become a heretic to some. At the link, he hosts an interview at Il Forno in Santa Monica with Uncommon Knowledge’s Peter Robinson.

Here’s my take, for what it’s worth:

Born and raised in Chicago, Mamet seems pretty old-school and pretty tough. He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles. Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered). I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.

Mamet also cites Chicago School Of Economics neoclassical thinkers’ Milton Friedman, Thomas Sowell and Austrian economist/political philosopher Friedrich Hayek as central to his conversion. Hayek’s rather tragic view of limited resources and opportunity costs being the natural state of affairs for mankind is clearly an influence. This would generally lead one to eschew the Statist/rationalist idealism and socialist utopianism typically associated with many Left and liberal Left movements.

***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies. See him discuss his later vision of human nature and political organization in a Conflict Of Visions.

Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican. There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left. There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).

Religious belief can ground one in a kind of traditional and tragic view of human nature. This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves). As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.

I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed). I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.

Mamet also touches on the fact that the arts aren’t a political endeavor. If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show. Didactic art can come across as clunky at best, pure propaganda at worst.

Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.

Anyways, this is just a brief summary. Any thoughts or comments are welcome.

Feel free to highlight my ignorance.

A Bleak, Modern House-Four Poems

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’