‘Art history department chair and the course’s instructor Tim Barringer told the News that he plans to demonstrate that a class about the history of art does not just mean Western art. Rather, when there are so many other regions, genres and traditions — all “equally deserving of study” — putting European art on a pedestal is “problematic,” he said.’
Some people are trying to erode common sense until it becomes less common:
‘The horrors and atrocities of history have been edited out of primary and secondary education except where they can be blamed on racism, sexism, and imperialism — toxins embedded in oppressive outside structures that must be smashed and remade. But the real problem resides in human nature, which religion as well as great art sees as eternally torn by a war between the forces of darkness and light.’
Christopher Hitchens (nearly a free speech absolutist, railing against many of his former friends on the Left) discussing the Yale Press, which was genuinely afraid that publishing this book could lead to violence in the Muslim street:
“…Yale had consulted a range of experts before making its decision and that “[a]ll confirmed that the republication of the cartoons by the Yale University Press ran a serious risk of instigating violence.”
‘Coates fails to notice that his blanket exoneration of the perpetrators actually dehumanizes them. On his view, when the young perpetrators pull the trigger or thrust the knife in they are only vectors of forces, not agents with purposes, desires, plans, or motives. Therefore they are not really men at all, so that, ironically enough, they become for him Invisible Man writ large.‘
Many black writers in America should be recognized as having crossed bridges over chasms in communicating their experiences, experiences which have often made even the best radicalize to some degree in the face of such injustice.
Regardless, I’m guessing we’re all best off if the same high standards are universally applied when it comes to quality of prose, depth of thought, scope of imagination and moral courage. Good writing deserves as much: Genuine, even if grudging or even if unfettered, respect.
Works of art are going to do what they’re going to do, polemics what they do, and I tend to believe that respect for the freedom, responsibility, agency and complexity of the individual ought to be central. Realizing the interior lives of others, especially if they’re just characters in a novel, even when they fail miserably and do horrible things, is what I’ve taken to be a core feature of writing which has moved me. This, much more than ideological solidarity and what may be the shared popular sentiment of the moment.
To my mind, there’s something comic about a man (and I can’t be alone) espousing rather radical political views (theories of victimhood, a lack of individual agency and anti-white racism, postmodern ‘body’ talk etc.) while being feted, possibly with the intent of appeasement and assimilation, by mostly less radical (and often very white) audiences.
That’s got to create some tension.
As to politics and social institutions, sent in by a reader, here’s a talk given by John McWhorter about his views in ‘Losing The Race‘, a man who strikes me as politically amorphous, unsatisfyingly moderate for some, and often very sensible. As has been the case for a while, there [are] a whole range of views out there:
Many of the arguments surrounding ‘pure’ democracy and the eventual inclusion of everyone into an arrangement of equal political representation (one voice, one vote) can be fruitfully analyzed from a Hayekian perspective.
Many radical ideologists and idealists driving political change claim the above as justification for having eroded current institutional arrangements, of course.
This isn’t necessarily because such folks don’t have knowledge (we all have some knowledge, despite a collective madness usually residing in crowds, and despite everyone in a crowd knowing many different things even if they chose not to exercise such knowledge while in the crowd).
Rather, as Hayek offers, it’s because the knowledge simply doesn’t exist to run an economy from a central point, nor design and encompass a language from the top down, nor rationally plan how everyone ought to live through collective committee and/or pure democratic representation. Such an ideal, thus, will never be realized.
Often, such idealism travels accompanied by undue faith in rationalism where claims to knowledge are used to defend one’s personal beliefs, interests, reputation and ideological commitments: As though it were all purely ‘rational,’ when, in fact, the reasoning comes later.
Often, undue weight is placed in scientism, where relatively limited understanding of recent scientific findings are pressed into service for political and ideological goals. Obviously, such activity often leads the sciences become a tool to engineer and plan people’s lives in the political realm, rather than trying to figure out how nature works, or engineer systems that can understand and manipulate the natural world.
Now, of course, this doesn’t discredit the work of all economists, scientists, Dr. Johnson’s dictionary (but probably Esperanto), nor the importance of Statesman to have specific wisdom, knowledge and experience.
But, as to the reasons given for constant radical change towards pure and equal representative democracy in the area of political philosophy, Hayek has much to offer.
‘Hayek’s argument against planning was rooted in his views about how to assimilate the knowledge relevant to economic decisions that, necessarily in a modern society, is dispersed among millions of distinct individuals. What feasible mechanisms of social action would allow this diffused information to be most efficiently brought to bear on decisions about the use of scarce resources? How can the actions of myriad individual producers and consumers be so coordinated as to exploit most effectively the specialized knowledge which each possesses about their respective circumstances?
His answer, of course, was that central planning could not improve upon — and invariably would lead to outcomes much worse than — what can be achieved via the price system operating within competitive markets where institutions of private property and freedom of contract are respected, and where individuals enjoy liberty to puruse their own best interests, as they understand them.
This, I wish to insist, is a profound insight into the functioning of economic systems which — though subject to qualification and exception — is largely a correct conclusion with far-reaching implications for the design of economic institutions and the conduct of public affairs. To my mind, the world’s history since publication of The Road to Serfdom has largely vindicated Hayek’s concerns…
‘Berlin’s coinage of 1973 is not even the first minting of the expression in English, since the term ‘Counter-Enlightenment’ appears fifteen years earlier in William Barrett’s Irrantional Man, where he states, not without some justice, that ‘Existentialism is the counter-Enlightenment come at last to philosophical expression’.
Such antipodal movement between reason enthroned and some of anti-reason’s shrines is likely going to keep influencing all of our lives for some time.
Here’s a quote from Kelley Ross, highlighting some of the clear dead-ends and unworkable ideologies that have come out of the Enlightenment, and which have crushed individuals underfoot but still generate loyal sympathies and continue living on in various forms, finding some traction in the modern/postmodern malaise:
‘In addition to these legal and institutional usurpations of liberty, the attacks on individualism itself by socialism and communism have continued under the guise of “communitarianism,” and trendy thinkers now like to say that only as much freedom as “possible” should be allowed given the fundamental priority of the state, of “society as a collective unit” (they know that they will sound like Nazis if they start talking about “the state,” so they say “society” instead). It is not, indeed, that freedom must never be abridged, but it is a very different matter to see this as a choice by necessity in a moral dilemma rather than as an unproblematic pursuit of a fundamental “collective” good. If the abstract entity (the “state,” “society,” or the “collective”) has the moral priority, then the even permanent abridgment of any amount of freedom is no moral wrong. What the state giveth, the state taketh away.’
Something I like to keep in mind: Many people, in fact, most people, haven’t really thought through the consequences of what changing a particular rule and/or law will have beyond their own narrower interests. It’s rare that a particular injustice, the facts on the ground, and some moral and presumed universal claim align, thus requiring very important change.
In the public square and the marketplace, too, simple ignorance is often the rule, not the exception. Genuine truths usually come bundled with self-interest, financial interest, and groups of people often reinforcing their own pre-held beliefs, opinions, convictions and let’s not forget: A required common enemy to define themselves against. There’s a lot of preening and in-group/out-group issues constantly going on.
One path through the postmodern landscape lies in cultivating some appreciation for math and the sciences, direct observation and statistical analysis within the social sciences, and plumbing the depths of a good humanities education (you know, the stuff universities pretty much ought to be teaching).
Receiving or pursuing such an education doesn’t necessarily require religious belief, nor does it necessarily dislodge religious belief.
Aside from the craziness of love, dedication to family, the pressures of work and career, the inevitably of sickness and death, such cultivation can prevent against the sublimity of nihilist and existentialist despair, the Romance of collective primitivism, and the dangers of ideological possession (quick to judge, quick to be judged, forever resentful).
Many readers of this blog don’t necessarily share my views on the importance of limited government and economic growth, tolerance for religious belief and skepticism regarding political idealism (joining an ‘-Ism’ is only the beginning, as hopes soon follow into politics and visions of the good, the true and the beautiful).
You have your reasons.
In the meantime, here are some links gathered over the years from the New Atheists and many independent-minded thinkers of the Left pushing against many excesses of the American and Global Left.
It’s pretty clear to me that many mainstream publications and political debates occur downstream of many intellectual debates.
-James Lindsay offers a cogent account of his experiences in the Atheism movement, and the emergence of Atheism Plus. He attempts to use moral psychology (he mentions Jonathan Haidt) to explain many religious-seeming elements of the woke, social justice crowd.
-Larry Arnhart, of Darwinian Conservatism, continued his careful reading of Jonathan Haidt’s work, to which Haidt responded.
-Daniel Dennett from 1998: Postmodernism and Truth
‘So, what is all this Nothing-ness about? ‘My view’, says Scruton, ‘is that what’s underlying all of this is a kind of nihilistic vision that masks itself as a moving toward the enlightened future, but never pauses to describe what that society will be like. It simply loses itself in negatives about the existing things – institutional relations like marriage, for instance – but never asks itself if those existing things are actually part of what human beings are. Always in Zizek there’s an assumption of the right to dismiss them as standing in the way of something else, but that something else turns out to be Nothing.’
‘At the same time, our culture retains many of the themes and concerns that exercised writers of earlier generations; there is little sign of a radical literary avant garde sweeping away the old to make way for the new. Postmodernism might not be as emphatically over as some critics like to claim, but it does seem to be in retreat. Its devices have become so commonplace that they have been absorbed into mainstream, commercial and popular culture. Postmodernism has lost its value in part because it has oversaturated the market. And with the end of postmodernism’s playfulness and affectation, we are better placed to construct a literature that engages earnestly with real-world problems.’
‘Wittgenstein was hostile to modern philosophy as he found it. He thought it the product of a culture that had come to model everything that matters about our lives on scientific explanation. In its ever-extending observance of the idea that knowledge, not wisdom, is our goal, that what matters is information rather than insight, and that we best address the problems that beset us, not with changes in our heart and spirit but with more data and better theories, our culture is pretty much exactly as Wittgenstein feared it would become.’
My major reason for critiquing high liberalism: Although modern, secular institutions aren’t churches and don’t make faith-based knowledge claims to truth and knowledge, these institutions (faculties, bureaucracies, administrations) aren’t necessarily safe in the hands of even the most wise and good. Rationalists, practioners of science and scientism, as well liberal idealists cultivating radicals aren’t always what they’re cracked up to be.
Postmodernism has profoundly anti-scientific, anti-free thinking elements within itself, and using radical ideologues as drivers of change subjects high liberals to the demands of radicals, merely later on.
Change is a constant, from within and without. Idealism can blind one to the tragic depths of human nature, and problems of action in the world, just as the casual abandonment of deeply conservative truths can lead to unexpected dangers.
Well, it’s not a photograph quite abstract enough to get to mid-century American abstract expressionism, anyways.
Where did poems and paintings go, exactly, within the imaginations of many in this past generation now passing away?
Why I Am Not A Painter
I am not a painter, I am a poet. Why? I think I would rather be a painter, but I am not. Well,
for instance, Mike Goldberg is starting a painting. I drop in. “Sit down and have a drink” he says. I drink; we drink. I look up. “You have SARDINES in it.” “Yes, it needed something there.” “Oh.” I go and the days go by and I drop in again. The painting is going on, and I go, and the days go by. I drop in. The painting is finished. “Where’s SARDINES?” All that’s left is just letters, “It was too much,” Mike says.
But me? One day I am thinking of a color: orange. I write a line about orange. Pretty soon it is a whole page of words, not lines. Then another page. There should be so much more, not of orange, of words, of how terrible orange is and life. Days go by. It is even in prose, I am a real poet. My poem is finished and I haven’t mentioned orange yet. It’s twelve poems, I call it ORANGES. And one day in a gallery I see Mike’s painting, called SARDINES.
Poems require your mouth and mind to come alive. But aren’t there real things, to which these words refer within our visual memories, out in the world?
Are you lost within the peaks and valleys of the sounds, mesmerized by the singer and the song (poet and poem), as well as the underlying patterns, working upon your mind?
What are you doing with your visual imagination?
If you’re like me, maybe you just want a few minutes of pleasure; a return to when your mind (if you’re getting older) encoded sounds into a map within, during times of impressionable openness.
Strange how they stick around:
As posted: Let’s go further back, now, to a place and time which we’ve never experienced, but live partially within:
Maybe it’s Pilgrim’s pride, or perhaps the Puritan pursuit of image-less purity, or the Colonialists ecumenical style, or maybe even some Shaker weirdness that finds itself up for analysis.
Perhaps somewhere there’s a spare, Yankee work ethic resting on a simple, wooden shelf in the ‘American mind.’
Could such a thing be discovered within mid 20th-century modernism?
Robert Hughes takes a look at Donald Judd’s ‘Temple Of Aesthetic Fanaticism,’ and Richard Serra’s nod to Jackson Pollack and abstract expressionism in the rawness of material sculpture. You know, making stuff (a potentially sensitive subject with so many technological changes going on right now).
(link may not last):
As for Land Art, Michael Heizer’s life’s-work land-art project is apparently complete, if such a thing can be complete:
Apparently, Heizer’s been working since 1972 on this sculpture in the Eastern Nevada desert, which was originally called ‘Complex One.’ It’s morphed into his life’s work, called City. It’s very large. It can’t be moved. You can’t reproduce it. It represents a break from traditional sculpture. It can’t be put in a museum and it’s not clear that it has a function.
In Brasil, they just started from the top-down and built a city that doesn’t work that well for people: Brasilia: A Planned City
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I have to confess that seeing that structure upon the wide open emptiness of Eastern Nevada is comforting for the familiarity it brings. It’s a little bit of order upon the unknown, and the design, or lack thereof (about which a man may wonder), within Nature herself. I think this is why a military installation out in the desert can captivate the imagination as it’s been known to in Hollywood and in the public mind (dreaming of aliens and conspiracies).
To expand on that theme, Wallace Stevens might shed some light. He was an American poet on the hinge between Romanticism and Modernism:
Anecdote of the Jar
I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.
The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.
It took dominion every where.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.
What do you do with an uncivilized, wild land? Import European learning and literature “atop” it? Christian tradition and the Natural Law? Import the triumph of the Western mathematical sciences and technology? Import its movements of the arts and the individual artist?
Gloomy grammarians in golden gowns, Meekly you keep the mortal rendezvous, Eliciting the still sustaining pomps Of speech which are like music so profound They seem an exaltation without sound. Funest philosophers and ponderers, Their evocations are the speech of clouds. So speech of your processionals returns In the casual evocations of your tread Across the stale, mysterious seasons. These Are the music of meet resignation; these The responsive, still sustaining pomps for you To magnify, if in that drifting waste You are to be accompanied by more Than mute bare splendors of the sun and moon.
‘One of the most urgent challenges, today, is that of correcting the double standard in education that discriminates against Native American students, in effect, maintaining a lower standard for Native American students. While it would be truly exceptional and aberrant to find the science curriculum of a typical high school or university contaminated by creationist versions of human origin, the same cannot be said today for schools on Indian reservations and programs in American Indian Studies, Indigenous Studies, and Multicultural Education.’
‘The Noble Savage,’ by definition, is a figure shrouded in sentiment. The idealized native bi-pedals through a diorama of Romanticized Nature, living off the land, performing his rituals while in possession of a profound and ancient wisdom. Perhaps, at least, we should study him, copying his mysterious ways, living alongside him in a journey of discovery.
I’d say there’s definitely a well of modern primitivism within Western thought: The search for shared spiritual and/or ideological goals, a primitive freedom of one’s own along with moral absolution (lessening the guilt and shame). For many in the West, ‘going native’ has all the appeal of an escape hatch.
Actual natives, too, can remain something less than individuals for many ideologues and true-believers. Being asked to join a separate and not yet (E)qual identity group, fighting in fierce competition over scarce political resources in the bosom of empathy, might not be all it’s cracked up to be.
That Columbus, what a bad guy! Am I right?
Perhaps neither is simply becoming another of God’s children carted-off to an Indian School.
For some Westerners, understanding involves using the tools of (S)cience and the expansion of knowledge within Western taxonomy. Mathematics, observation, developed problem-solving techniques, the historical record, evolutionary theory and the Western fields of archaeology and anthropology all play a part.
For others in the American West, especially, I’m guessing it’s also about practicality: Genuinely living in closer quarters with tribes and having to the negotiate different languages, conceptions of ownership, scarce resources and whatever challenges and shared traditions have arisen over the years.
Maybe it’s as simple as going to the casino Friday Night to play bingo and blowing $100 on drinks and tickets for the Blue Oyster Cult, if that’s your thing.
Laws and free-markets matter, too.
Various and assorted links:
Painting lush Romantic visual tapestries and synthesizing Irish music can create something of global appeal…and that’s something, right?:
Hmmm…..
Maybe we should just stop with the museums, at least for a few years. Maybe I’m wrong.
Not really science-Running After Antelope from This American Life. The latest theory/fad meets some guy with probably too much time on his hands.
