Designer Tribalism, Rich Kids, Jordan Peterson & Jesse Singal-Some Links On Knowledge Claims Which Are Good Enough For Many Who Want To Be In Charge

Worth a read. From the late Roger Sandall: ‘Designer Tribalism-The Communal Great Escape

Communes being communal, they are invariably seen as uniquely virtuous, fair and compassionate forms of association. Yet they rarely turn out that way. Discipline and authority are always a problem.’

What do rich folks and the children of many rich folks happen to believe these days? Does it happen to be more vaguely Communal? Many are definitely (S)elf-Oriented, or have bathed in the waters of such thinking.

How might this bear on the consent of the governed, and those difficult things which must be carried to maintain the Republic?

What are you carrying, Dear Reader?

Gore Vidal from a while ago did a thing called a ‘book review’: ‘Rich Kids’. Words can become delightful daggers.

The fact that I seldom actually finish reading anything that he writes probably has to do with my own perhaps irrational conviction that Dr. Coles’s heart is so entirely in all the right places (mouth, boots, upon the sleeve) that nothing he has to say will ever surprise me despite the fact that he has traveled far and reasonably wide because “One hopes; one hopes against hope that somehow it will make a little difference; only a little, but still some, if people mostly unknown to almost all of us get better known to more of us. 

Liberalism, and many rationalists, New Atheists, and other bright types often overlook some basics about human nature; just why Churches undergo schisms, why (S)cience might not be enough, and the many darknesses of the human heart. The rationalists/irrationalists have many causal relationships.

Perhaps the postmodern ground has been cleared, and the appeal to property, free-markets, collective duties and personal liberation won’t exactly cut it against points further Left. The call to adventure, and purpose, is partly what drives violent ideologues, anti-humanists and the same old Communists. The existential void and the abyss are deep.

Activists, the most impassioned and zealous, are definitely seeking to remake the world, and other people, through politics and law.

And if they’re wrong about a particular policy or law?

When knowledge claims are insufficient, and disagreement reasonable, the failure to maintain open dialogue is a failure which many liberals I know will be loathe to acknowledge, offloading onto the same old targets: Anyone conserving anything.

Coleman Hughes and Jesse Singal have an interesting discussion on the replicability crisis in psychology, the problems of IAT, and the TED circuit. Singal has a new book out: ‘The Quick Fix: Why Fad Psychology Can’t Cure Our Social Ills.’

Also discussed: The Research Behind Nudges & Cass Sunstein.

You don’t have to be a Cruisin’ Scientologist to have….some doubts:

As posted:

Lecture here.

Feynman (wikipedia) wonders what makes science science.  He manages to argue quite well why he doesn’t think psychology meets a certain standard.

At least, he says the following:

I think the educational and psychological studies I mentioned are examples of what I would like to call cargo cult science. In the South Seas there is a cargo cult of people. During the war they saw airplanes land with lots of good materials, and they want the same thing to happen now. So they’ve arranged to imitate things like runways, to put fires along the sides of the runways, to make a wooden hut for a man to sit in, with two wooden pieces on his head like headphones and bars of bamboo sticking out like antennas–he’s the controller–and they wait for the airplanes to land. They’re doing everything right. The form is perfect. It looks exactly the way it looked before. But it doesn’t work. No airplanes land. So I call these things cargo cult science, because they follow all theapparent precepts and forms of scientific investigation, but  they’re missing something essential, because the planes don’t land.’

Also On This Site: From 3 Quarks Daily: Richard Feynman Talks About A Pool And A Not-So-Pretty Girl.
Clearly math can bring people together, but what is it being asked to do, exactly? Elizabeth Spelke On Bloggingheads: Towards A Coalitional Mathematics?

A potentially interesting thought:  Let’s all take a moment to recall Jeffrey Dahmer, shall we?

What if through the social sciences and American institutional innovation (IQ tests for the military, academic placement testing), there dripped-down a battery of tests given to all American schoolchildren.  After an hour or two taken out of a child’s day, a thick envelope would arrive at home a few weeks later; to be examined or unexamined by the parents and/or child:

While possessing above-average intellience, JEFFREY scored high for violent imagery and/or ideation.  JEFFREY might display a predilection to become fixated on objects, animals and/or other living things in his attempts to understand and navigate the world.  Providing positive and rewarding outlets for JEFFREY will likely enhance learning opportunities and the chance to develop fruitful interpersonal relationships.

Oh, there are a few more out there…

As posted, someone’s going to be running our institutions and making rules out of a presumed universal and common sense set of knowledge claims:

An interesting take from Slate Star Codex-‘The APA Meeting: A Photo-Essay:’

There’s a popular narrative that drug companies have stolen the soul of psychiatry. That they’ve reduced everything to chemical imbalances. The people who talk about this usually go on to argue that the true causes of mental illness are capitalism and racism. Have doctors forgotten that the real solution isn’t a pill, but structural change that challenges the systems of exploitation and domination that create suffering in the first place?

No. Nobody has forgotten that. Because the third thing you notice at the American Psychiatric Association meeting is that everyone is very, very woke.

This reminds me of a poem by Robert Pinsky, entitled ‘Essay On Psychiatrists’

V. Physical Comparison With Professors And Others

Pink and a bit soft-bodied, with a somewhat jazzy
Middle-class bathing suit and sandy sideburns, to me
He looked from the back like one more professor.

And from the front, too—the boyish, unformed carriage
Which foreigners always note in American men, combined
As in a professor with that liberal, quizzical,

Articulate gaze so unlike the more focused, more
Tolerant expression worn by a man of action (surgeon,
Salesman, athlete). On closer inspection was there,

Perhaps, a self-satisfied benign air, a too studied
Gentleness toward the child whose hand he held loosely?
Absurd to speculate; but then—the woman saw something

Maintaining a healthy skepticism:

Repost-Edward Feser on David Mamet’s ‘Glengarry Glen Ross’ And More Modernist Commentary

This blog welcomes lenses with which to view works of modern art.

From Edward Feser: ‘Aquinas Watches Glengarry Glen Ross’

Feser:

‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types.  Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.

So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter.  One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’

Glengarry Glen Ross‘ has become something of a cultural touchstone for many; maybe this generation’s ‘Death Of A Salesman

You call yourself a salesman you son-of-a-bitch?:’

For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.

Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.

On fuller display, perhaps.

Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.

For those who didn’t ask!:

As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious:  Make it new.  Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).

It takes really talented individuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.

As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us.  There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).

They write these f**king art blurbs before they have any art!  What the f**k is this lady doing?:

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in upcoming generations’ rather pervasive desire for fame and recognition.

The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).

As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.

Ah well…there’s my two cents.

There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.

Enduring…I like the sound of that.


Because you really didn’t ask:

Another video included at the link.

David Mamet underwent a conversion to conservatism in rather dramatic and public fashion a few years ago.  In leaving his liberal views behind, he’s no doubt become a heretic to some.  At the link, he hosts an interview at Il Forno in Santa Monica with Uncommon Knowledge’s Peter Robinson.

Here’s my take, for what it’s worth:

Born and raised in Chicago, Mamet seems pretty old-school and pretty tough.  He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles.  Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered).  I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.

Mamet also cites Chicago School Of Economics neoclassical thinkers’ Milton Friedman, Thomas Sowell and Austrian economist/political philosopher Friedrich Hayek as central to his conversion.  Hayek’s rather tragic view of limited resources and opportunity costs being the natural state of affairs for mankind is clearly an influence. This would generally lead one to eschew the Statist/rationalist idealism and socialist utopianism typically associated with many Left and liberal Left movements.

***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies.  See him discuss his later vision of human nature and political organization in a Conflict Of Visions.

Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican.  There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left.  There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).

Religious belief can ground one in a kind of traditional and tragic view of human nature.  This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves).  As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.

I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed).  I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.

Mamet also touches on the fact that the arts aren’t a political endeavor.  If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show.  Didactic art can come across as clunky at best, pure propaganda at worst.

Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.

Anyways, this is just a brief summary.  Any thoughts or comments are welcome.

Feel free to highlight my ignorance.

A Bleak, Modern House-Four Poems

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

Adam Kirsch on Heidegger & Niall Ferguson on China-Let’s Not Discuss You-Know-Who

Adam Kirsch on Martin Heidegger, as well as three contemporary poets in ‘The Taste Of Silence:’

Ours does not promise to go down in literary history as a great age of religious poetry. Yet if contemporary poetry is not often religious, it is still intensely, covertly metaphysical.

and:

For Heidegger, more than any other philosopher, looked to poetry as a model of what thinking should be. He used individual poems, especially the hymns of Hölderlin, to help explicate his own ideas about nature, technology, art, and history.

As posted:

Ed Driscoll at PJ Media discusses ruin porn extensively (you pesky nihilists are leading us to Hitler!), and quotes Robert Tracinski’s ‘Why The Oscars Were So Bad.’:

‘This is the dead end of Modernist culture, which sought to break down traditional values and rules but was unable to replace them with anything better. It left us in a cultural void where, as the New York Times piece puts it, everyone is afraid that “serious commitment to any belief will eventually be subsumed by an opposing belief, rendering the first laughable at best and contemptible at worst.” In the second half of the 20th century, this corrosive Modernist skepticism brought us the ruling concept of contemporary popular culture: the “cool.” Remember the original meaning of the term. To be “cool” is to be emotionally cool, to refuse to be caught up in enthusiasm. Early on, this could be taken to mean a kind of manly reserve, the ability to be calm, cool, and collected in the face of strife, or to refuse to be carried away by momentary or trivial emotions. This is the sense in which James Bond was “cool.” But by the end of the 20th century, the culture of cool increasingly came to mean a studied lack of response to values. It meant refusing to be carried away by enthusiasm about anything.’

You’ve seen the game some people start playing when they don’t have other things in which to believe. They play the everyone-is-Hitler-game. They share ‘literature’, torch courthouses and deploy violent individuals within mob anonymity. They don’t believe in legitimate authority.

Liberal leadership doesn’t seem to have a strategic response, other than keep pushing the ‘liberation’ narratives while accruing more authority.

Niall Ferguson deploys Isaiah Berlin and Henry Kissinger lore. When it comes to Beijing’s Taiwan policy, their reunification plan and the long game, the Americans may not have a good strategy.

Zhou’s response was that of a hedgehog. He had just one issue: Taiwan. “If this crucial question is not solved,” he told Kissinger at the outset, “then the whole question [of U.S.-China relations] will be difficult to resolve.

As posted:

Some interesting takeaways from the interview above (Kissinger was a young man whose family fled the Nazis and who not long after served in the American military, helping to free a concentration camp).

-In writing an entire undergraduate thesis on Kant’s transcendental idealism, Ferguson sketches a Kissinger who bypassed the historical determinism of the Hegelians and the economic determinism of the Marxists.  Freedom has to be lived and experienced to thrive and be understood, and Kant gets closer to championing this conception of individual freedom than do many German thinkers downstream of Kant.

-According to Ferguson, this still tends to make Kissinger an idealist on the idealist/realist foreign policy axis, but it also likely means he’s breaking with the doctrines which animate many on the political Left, hence his often heretical status.

***I’d add that unlike many thinkers in the German philosophical and political traditions, the Anglosphere has economic idealists and various systematists battling other systematists, yes, but there are looser networks of free, civic association and more avoidance of top-down organization and fewer internalized habits of order.

Perhaps such looser civic associations, broad geography and rougher, cruder practices of freedom help keep power and authority dispersed.  Kissinger came closer to being ‘America’s Metternich‘ than have all but a few other actors, and Kant was quite serious in the scope of his metaphysics.

Interesting piece here:

‘The most original and interesting aspect of the biography is Ferguson’s ability to engage with and analyze Kissinger’s ideas as set forth in the voluminous letters, papers, articles, and books written by Kissinger as a student, academic, and policy adviser. According to Ferguson, Kissinger the political philosopher was closer to Kant than Machiavelli. While he admired the brilliance of Metternich and Bismarck, his ideal statesmen (e.g., Castlereagh) sought to construct international orders that did not depend upon a guiding genius for their stability.

He was not, however, a Wilsonian idealist—idealism based on abstraction instead of experience, he believed, was a “prescription for inaction.” “The insistence on pure morality,” Kissinger once told a colleague, “is in itself the most immoral of postures.” Statesmen must act under a cloud of uncertainty and often their decisions reflect a choice among evils.’

As previously posted: – ‘Kissinger: Volume I: The Idealist.1923-1968:’

FT review. 

The Economist

Previously on this site:

Henry Kissinger and Brent Scowcroft here, long before any Iran dealing.

Some thoughts on Fukuyama and Leo Strauss: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Francis Fukuyama uses some Hegel and Samuel Huntington…just as Huntington was going against the grain of modernization theory…:Newsweek On Francis Fukuyama: ‘The Beginning Of History’Francis Fukuyama At The American Interest Online: ‘Political Order in Egypt’

Robert Nozick merged elements of Kant and Locke in a strong, libertarian defense of the individual A Few Thoughts On Robert Nozick’s “Anarchy, State and Utopia”From Slate: ‘The Liberty Scam-Why Even Robert Nozick, The Philosophical Father Of Libertarianism, Gave Up On The Movement He Inspired.’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

What Am I Doing? What Are You Doing, Dear Reader?-Some Sunday Links & Thoughts

Dear Reader, let’s say the following is mostly true: ‘In lieu of religious belief; the orienting structure which Christianity provides, most people in the West will replace faith with something else.’

Portions of this debate are as old as the Enlightenment, (much older, really) with regard to the natural sciences, born out of what was once natural philosophy.

Depending on what’s true and what is known, an additional question looms: Who ought to be in charge?

As many readers know, I’ve been looking at liberal and secular humanist leadership, finding much rot and confusion (modern conservative movements are hardly models of principled health and organization, Dear Reader).

Whether or not the proposition of the first sentence above can be empirically proven as emergent behavior, rooted in biology, at the level of basic individual consciousness, I believe to be another matter. I’m not expecting the growing fields of neuroscience and evolutionary biology to answer all questions as to deepest human problems.

As to bearing the weight of faith, true-belief and social organization, (how to live, what to do), such fields as evolutionary biology and neuroscience seem woefully inadequate; subject to ad hoc departments of ethics and groupthink (enforcers of the emergent, and often ideologically rooted, norms).

I will say I think neuroscience may be analogous to where internal medicine was right before the x-ray. It’s going to do a lot of us, a lot of good, a lot of the time.

Furthermore, I’m also of the mind that wrestling with one’s own heart, and works of creative genius, is what a good humanities education was supposed to be doing before the field drifted into the postmodern morass.

A lot of good art, poetry and music can elevate our base impulses into appreciation of the beautiful, the good, and what’s true.

I also expect a lot of modern leadership to claim the arts and sciences as credentials, and reasons to trust their leadership, freezing-out political enemies. I’m looking at a lot of the new moralizing busybodies, nitwits and ad-hoc ethicisists with skepticism.

Endless pursuit of (S)elf, the individual isolated and alone, drifting along currents of Romantic–>Modern–>Postmodern conceptualizations, has made for a kind of mystic gnosticism. Modern, feelings-first primitivism is drifting fast into something like a new religion.

Additionally, something I’m calling Neo-Romantic Collectivism, or Romantic Primitivism, generally tends to drive much behavior I see in Seattle (as if you care and as if you were planning a move):

‘If we all give ourselves to collectivist principles by sticking it to the (M)an, everyone will be made equal. The trains and buses will run on time. Gaia will be happy.’

We already know the modern ideologies promise a new telos (end-point) to (M)an’s affairs, politicizing private life into the public sphere, often as a badge of righteous honor.

As Roger Scruton continually pointed out, a basic organizing principle of the ‘conserve first’ mindset, with all its drawbacks, brings more mid and long-term stability: ‘What if our existing institutions are already representations of who/what we are?’

I’m not sure having to pass through Schopenhauer’s looking-glass is necessary, nor on through Nietzsche’s Will-to-Power, but it helps understand where a lot of people are coming from.

Long-story short: There are many people pursuing something like tenets of faith, rule-following punishment, and a commitment to thoughtless conformity during these times.

But we pretty much already knew this to be true, if that opening statement is mostly true.

What are you doing?

Repost-Via C-SPAN-The Historical Context Of Allan Bloom

Click here.

Thanks to a reader.

Quite a varied discussion on Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind

Does rock/popular music corrupt the souls of youth in preventing them from evening-out the passions; from pursuing higher things that a quality humanities education can offer?

Might such a lack allow political ideology to offer young people something to do, something to be, and something of which to be a part?

A questioning of premises, with varied disagreement, including that from an Emersonian.

Related On This Site:

Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

There Are So Many Ways To Do Better-Philosophy & Humanities 101

In light of the rather pathetic and predictable news out of the University Of Chicago’s English Department:

“For the 2020-2021 graduate admissions cycle, the University of Chicago English Department is accepting only applicants interested in working in and with Black Studies,” the program said in a statement on its website.

In light of the rather pathetic and predictable news out of the University of Edinburgh. They’ve renamed Hume Tower (after arch-empiricist David Hume and one of the greats) at the University of Edinburgh.

Some academics stood up to the administration and the decision:

The letter’s signatories include several of the university’s most respected academics, including Professor Sir Tom Devine, Scotland’s pre-eminent historian, Dr Michael Rosie, senior lecturer in sociology, Lindsay Paterson, professor of education policy, and Jonathan Hearn, professor of political and historical sociology.

During my humanities education, I developed an increasing suspicion of the postmodern rejection of tradition, rules, laws, rituals and beliefs, at least with regard to reading, writing and thinking.  In engaging with some dull, and other absolutely mesmerizing, works of the creative imagination, I realized many of my own rituals and beliefs were being challenged. There are many experiences, and views, and ways to understand both myself and the world.

This is a good reason to get a good education!

It also slowly dawned on me that the lack of pedagogy, endless deconstructionist academic discussions, canon-less syllabi and increasing identitarian drift (is this person a professor because he/she’s the best poet/teacher or because he/she’s black/female or some mix of both?) were a problem.

A lot of this aimlessness and rebellion had ramped-up in the 1960’s, but since then, I’ve come to understand there are even deeper problems.

I aim to be open-minded, but not so much as to notice my brains falling out.

More here.

Link sent in by a reader.

Interesting paper presented by Erika Kiss, beginning about minute 32:00 (the whole conference is likely worth your time for more knowledge on Oakeshott).

According to Kiss, Oakeshott’s non-teleological, non-purposive view of education is potentially a response to Friedrich Hayek, Martha Nussbaum, and Allan Bloom, in the sense that all of these thinkers posit some useful purpose or outcome in getting a liberal education.

Friedrich Hayek’s profound epistemological attack on rationalist thought is still a system itself, and attaches learning to market-based processes which eventually drive freedom and new thinking in universities. The two are mutually dependent to some extent.

Martha Nussbaum attaches liberal learning to ends such as making us ‘Aristotelian citizens of the world’, or better citizens in a democracy, which has struck me as incomplete at best.

Allan Bloom is profoundly influenced by Straussian neo-classicism, and wants love, classical learning, honor and duty to perhaps be those reasons why a young man or woman should read the classics. This, instead of crass commercialism, the influences of popular music, deconstructionism and logical positivism.

Via A Reader-Isaiah Berlin’s Lectures On The Roots Of Romanticism.  Romanticism–>Modernism–>Postmodernism–>Wherever We’re Heading Now

Maybe it all started with Beethoven:  Everyone’s a (S)elf.

Isaiah Berlin pretty much blackballed Roger Scruton, so it’s not all roses.

Scruton had some keen insights:

“The works of Shakespeare contain important knowledge. But it is not scientific knowledge, nor could it ever be built into a theory. It is knowledge of the human heart”

“…in the days when the humanities involved knowledge of classical languages and an acquaintance with German scholarship, there was no doubt that they required real mental discipline, even if their point could reasonably be doubted. But once subjects like English were admitted to a central place in the curriculum, the question of their validity became urgent. And then, in the wake of English came the pseudo-humanities—women’s studies, gay studies and the like—which were based on the assumption that, if English is a discipline, so too are they.”

Quite importantly:

“And since there is no cogent justification for women’s studies that does not dwell upon the subject’s ideological purpose, the entire curriculum in the humanities began to be seen in ideological terms.

Terry Eagleton, British Marxist and professor in the humanities, debates Scruton below.

Will Marxism & continental philosophy become further guiding lights for the humanities here in America as we find much more so in Britain?

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

The nihilist claims are deeper than you may think, and the Nietzschean, and Will–>Will to Power German influence is also deeper than most people think; offering profound criticisms of the scientific project, liberalism, liberal institutions, and a secular humanism which is the air many folks breathe these days.

Here’s a somewhat similar vein of thought.  From friesian.com:

Although Anglo-American philosophy tended to worship at the feet of science, the drift of academia to the left has led to characteristically totalitarian political attacks on science itself — this despite the leftist program to use “climate science” to impose a Sovietized command economy on energy and the tactic to smear climate skeptics, i.e. “Deniers,” through associaton with Creationism or Neo-Nazi Holocaust denial. None of that has stopped the “post-modern” move…’

Alas, this blog has been writing about such issues for over a decade, and I’ve been thinking about them for more than two decades:  Should You Bother To Get A Liberal Arts Education? Allan Bloom, Camille Paglia and Anthony Kronman

Repost-From Scientific Blogging: ‘The Humanities Are In Crisis-Science Is Not’

Click here for a quite a varied discussion of Allan Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind

Repost-From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’

Civil Right logic, and protest alone, isn’t likely deep enough to prevent against ideological capture: Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

Repost: A Bleak, Modern House-Four Poems

This will be a longer one, so thanks in advance.

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

As to the epistemological questions surrounding Modernism, below are four poems. Hopefully, each is a representative example of a move away from the Romanticism that had been prevalent up until the late 1800’s.

In addition to the move away from traditional Romantic rhyme and meter towards modern blank verse, there’s also a certain conception of the Self rendered in them; a presentation of our natures that might be worth examining in some detail.

I believe we can see clearly a move away from tradition towards the Self, the Poet isolated, the poem itself as a means of communication, and an anxiety so common within the 20th century.

I should note that a friend points out Harold Bloom does it much better (well, yes…obviously). From this blurb:

‘At the heart of Bloom’s project is the ancient quarrel between “poetry” and “philosophy.” In Bloom’s opinion, we ought not have to choose between Homer and Plato; we can have both, as long as we recognize that poetry is superior.’

Says the guy who writes about poetry…


What does one find within, as one looks without, waking from sleep and dream?

What kind of world is this, and can the poet actually help us know it?

T.S. Eliot (Preludes: Stanza 3)

3.

You tossed a blanket from the bed
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

The world will stain you, and it is a fallen, modern world, rendered profoundly and exquisitely.

As consciousness creeps in, building a bridge to the day, to the world, to the facts left as though they were the first facts, the light as though it were the first light, what one finds is distressing, both within and without.

That distress must be ‘made new,’ which is to say, the suffering (original?) in which we all sometimes find ourselves must match our experiences within the modern city and world, at least, the world created within Eliot’s lyrical verse.

Of the four poems, only the first and last have a 3rd-person subject.

Wallace Stevens‘ ‘I’ is in a more contemplative state, but it’s an ‘I’ exploring similar themes, and experiencing some distress in trying to know how the world actually is, and what might lie within.

The journey to The Self may not be a journey for the faint of heart.

The Poems Of Our Climate (stanzas II and III)

II
Say even that this complete simplicity
Stripped one of all one’s torments, concealed
The evilly compounded, vital I
And made it fresh in a world of white,
A world of clear water, brilliant-edged,
Still one would want more, one would need more,
More than a world of white and snowy scents.

III
There would still remain the never-resting mind,
So that one would want to escape, come back
To what had been so long composed.
The imperfect is our paradise.
Note that, in this bitterness, delight,
Since the imperfect is so hot in us,
Lies in flawed words and stubborn sounds.

Even if the verse can describe a perfected world, delivering us, perhaps, a little closer to perfection, our poet is still not free from the impulses and desires which simply never cease.

Interestingly, we end-up not with a discussion of the heart, the spirit, libido etc. as a source for those desires (for Plato, the irrational), but rather, for Stevens, just a mind.

We also find more Romantic elements of language and an almost baroque/rococo arrangement of words and ideas, dandyish even, yet combined with an intense effort to abstract, define, and clarify. From here, the poet may proceed on his task of flawed words and stubborn sounds.

***I find myself thinking of elements of modern architecture and abstract-expressionist painting. The meaning, or at least some delivery from our restless existences, can be found within the abstract itself. Or at least within a retreat to the abstract for its own sake, away from the world.

The modernist, glass-walled house on the hill will exist in its own space, offering and defying meaning. The structure’s own shapes will be stripped down to often mathematically precise forms interacting with Nature. These shall guide Man, or at least offer individual men a little refuge.

It is perhaps in Stevens’ poem we can see the questions of knowledge about the world suggesting questions about whether there is a world at all, or, at least, what kind of worlds each Self might be able to inhabit.

Here’s one of Robert Lowell’s poems, occurring a generation later, in the mid 20th-century, as part of the confessionals.

The Self is extremely isolated. In fact, Lowell went more than a little crazy. Unlike the known nervous breakdown of Eliot from which Eliot recovered, Lowell’s life was essentially one long breakdown from which he never recovered.

Here he is, looking back:

Epilogue

Those blessed structures plot and rhyme-
why are they no help to me now
i want to make
something imagined not recalled?
I hear the noise of my own voice:
The painter’s vision is not a lens
it trembles to caress the light.
But sometimes everything i write
With the threadbare art of my eye
seems a snapshot
lurid rapid garish grouped
heightened from life
yet paralyzed by fact.
All’s misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun’s illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts.
warned by that to give
each figure in the photograph
his living name.

The weight of having to make that meaning, for yourself, and by yourself, is a horrible weight indeed. One can glorify one’s Self and family, but that, alas, only goes so far. Rhyme and form still carry one’s living name, as far as they do.

Of course, there’s still wonderful rhythm and form here (this is excellent verse), but blanker now, with a relentless focus on the ‘I.’ The poet is perhaps talking a little more to himself, and the poem keeps self-consciously calling attention to itself.

In fact, it reminded me of the poem below, by Robert Creeley, which was published a few years afterwards.

From this page:

‘Creeley was a leader in the generational shift that veered away from history and tradition as primary poetic sources and gave new prominence to the ongoing experiences of an individual’s life. Because of this emphasis, the major events of his life loom large in his literary work.’

There’s Nothing but the Self and the Eye seeking and making meaning, by itself within a void of emotionally compact and precise language (of course there’s still form and other things besides).

Can the poet fit inside the little abstract chapel of words he’s building for himself (let alone the world, tradition etc.)?

For all the talk about ‘space,’ there seems very little.

The Window

Position is where you
put it, where it is,
did you, for example, that

large tank there, silvered,
with the white church along-
side, lift

all that, to what
purpose? How
heavy the slow

world is with
everything put
in place. Some

man walks by, a
car beside him on
the dropped

road, a leaf of
yellow color is
going to

fall. It
all drops into
place. My

face is heavy
with the sight. I can
feel my eye breaking.

The distress is still there…but I’d argue that we are now a good distance away from the grandness of Eliot’s vision, his religiosity and virtuosity with form and meter at the dawn of Modernism. Very few people can/could do what Eliot did (addition: even if he can help us gain knowledge of our Selves or the world).

That said, it’s unclear there’s enough tradition and confidence to even undertake such a project, now, even as such talents come along. The state of things is more scattered. We’re in a very different place of selves and artists isolated, of anxiety and post-anxiety.

Aside from the very accomplished poets above, in terms of both knowledge (epistemology) and being (ontology), we often have writers feeling pressure to weigh-in on such questions without even being about to write that well; artists who can’t draw or paint that well, and frankly, quite a bit of bullshit besides.

So, where are we headed? Who’s ‘we’ exactly?

Predictions are hard, especially about the future.


As previously posted:

Why not just put a few algorithms to work in writing those artist statements?

Bathe in the bathos of a warming world:

A reader sends a link to a SF Gate review of poet Jorie Graham’s ‘Sea Change:

‘In “Sea Change,” Graham becomes Prospero, casting spells by spelling out her thoughts to merge with ours, and with the voices of the elements. The result is a mingling of perceptions rather than a broadcasting of opinions. Instead of analysis, the poems encourage emotional involvement with the drastic changes overwhelming us, overwhelm- ing the planet.’

and:

‘Strengths and weaknesses, flows and ebbs, yet every poem in “Sea Change” bears memorable lines, with almost haunting (if we truly have but 10 years to “fix” global warming) images of flora and fauna under siege. Jorie Graham has composed a swan song for Earth.’

Oh boy.

What are these poems being asked to do?


And moving away from poetry into the realm of ‘performance art,’


Tilda Swinton At MOMA-From Arma Virumque: ‘Nightmare In A Box’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

Some Updated Links On Postmodernism

Dogs, Snakes & Alas, Words

In the moment: There’s mention of Roger Scruton and some other interesting thoughts: ‘The ways of dog to Mann.’

Having had many dogs, I’m pretty sure I could infer what they were thinking a lot of the time (where are we going now? can I eat that? I’m gonna eat that), but I’m pretty sure I’ll never know what it’s like to be a dog.

Speaking of which, what’s it’s like to imagine oneself a snake and write about that? What have you done with your I/Eye, dear Reader?

From Paul Bowles Allal, found within this collection of short stories.

Moments passed with no movement but then the snake suddenly made a move towards Allal. It then began to slither across Allal’s body and then rested next to his head. He was very calm at this moment and looked right into the snake’s eyes and felt almost one with the snake. Soon his eyes closed and he fell asleep in this position.’

Long experience, but none yet yours?

 XXIV

A narrow fellow in the grass
Occasionally rides;
You may have met him, — did you not,
His notice sudden is.

The grass divides as with a comb,
A spotted shaft is seen;
And then it closes at your feet
And opens further on.

He likes a boggy acre,
A floor too cool for corn.
Yet when a child, and barefoot,
I more than once, at morn,

Have passed, I thought, a whip-lash
Unbraiding in the sun, —
When, stooping to secure it,
It wrinkled, and was gone.

Several of nature’s people
I know, and they know me;
I feel for them a transport
Of cordiality;

But never met this fellow,
Attended or alone,
Without a tighter breathing,
And zero at the bone

Emily Dickinson

It’s not so much the social science knowledge claims which worry, though there are epistemological problems of accuracy and reproducibility.  More often, it’s the hopes and moral sentiments which can follow into institutional rules, group-think, policy, and law.

Many people are quite reasonable, but some people need to be right because they can’t be anything else (watch out for this part of yourself).  Deeper problems within the latest published paper can be mere loose-ends, whereas getting funding to meet payroll and printing-out motivational mantras for the next meeting are what really matters.  Or worse yet, making the personal political and punishing political enemies.

Still, it’s interesting to get some data from longitudinal studies.  Tyler Cowen links to this book.

Cowen:

The traits of being “undercontrolled” or “inhibited,” as a toddler are the traits most likely to persist up through age eighteen. The undercontrolled tend to end up as danger-seeking or impulsive. Those same individuals were most likely to have gambling disorders at age 32. Girls with an undercontrolled temperament, however, ran into much less later danger than did the boys, including for gambling.’

Just thought I’d Throw This In There:

An interesting take from Slate Star Codex-‘The APA Meeting: A Photo-Essay:’

There’s a popular narrative that drug companies have stolen the soul of psychiatry. That they’ve reduced everything to chemical imbalances. The people who talk about this usually go on to argue that the true causes of mental illness are capitalism and racism. Have doctors forgotten that the real solution isn’t a pill, but structural change that challenges the systems of exploitation and domination that create suffering in the first place?

No. Nobody has forgotten that. Because the third thing you notice at the American Psychiatric Association meeting is that everyone is very, very woke.

This reminds me of a poem by Robert Pinsky, entitled ‘Essay On Psychiatrists’

V. Physical Comparison With Professors And Others

Pink and a bit soft-bodied, with a somewhat jazzy
Middle-class bathing suit and sandy sideburns, to me
He looked from the back like one more professor.

And from the front, too—the boyish, unformed carriage
Which foreigners always note in American men, combined
As in a professor with that liberal, quizzical,

Articulate gaze so unlike the more focused, more
Tolerant expression worn by a man of action (surgeon,
Salesman, athlete). On closer inspection was there,

Perhaps, a self-satisfied benign air, a too studied
Gentleness toward the child whose hand he held loosely?
Absurd to speculate; but then—the woman saw something

Maintaining a healthy skepticism:

Previous ‘elite’ links on this site, arriving at some yet predictable, unrealized truths:  Via Marginal Revolution via American Affairs: ‘The Western Elite From A Chinese Perspective:’

Kenneth Anderson At Volokh: ‘The Fragmenting of the New Class Elites, Or, Downward Mobility

Two Kinds Of Elite Cities in America?

There are people with careers writing about elites, becoming somewhat elite themselves, which haven’t fared too well

Repost-Plenty Of Reasons To Lament The Losses

Theodore Dalrymple:  ‘The Will To Outrage

‘Outrage supposedly felt on behalf of others is extremely gratifying for more than one reason. It has the appearance of selflessness, and everyone likes to feel that he is selfless. It confers moral respectability on the desire to hate or despise something or somebody, a desire never far from the human heart. It provides him who feels it the possibility of transcendent purpose, if he decides to work toward the elimination of the supposed cause of his outrage. And it may even give him a reasonably lucrative career, if he becomes a professional campaigner or politician: For there is nothing like stirring up resentment for the creation of a political clientele.’

Michael Totten: ‘The Ghost Of Communism In Asia’ And A Few ThoughtsMichael Totten At World Affairs: ‘The Once Great Havana’…Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

As previously posted:

Full piece here.

There’s something almost religious about the way some people go about pursuing their non-religious ideas.

Minogue framed it thusly:

‘Olympianism is the characteristic belief system of today’s secularist, and it has itself many of the features of a religion. For one thing, the fusion of political conviction and moral superiority into a single package resembles the way in which religions (outside liberal states) constitute comprehensive ways of life supplying all that is necessary (in the eyes of believers) for salvation. Again, the religions with which we are familiar are monotheistic and refer everything to a single center. In traditional religions, this is usually God; with Olympianism, it is society, understood ultimately as including the whole of humanity. And Olympianism, like many religions, is keen to proselytize. Its characteristic mode of missionary activity is journalism and the media.’

And:

‘Progress, Communism, and Olympianism: these are three versions of the grand Western project. The first rumbles along in the background of our thought, the second is obviously a complete failure, but Olympianism is not only alive but a positively vibrant force in the way we think now. Above all, it determines the Western moral posture towards the rest of the world. It affirms democracy as an ideal, but carefully manipulates attitudes in a nervous attempt to control opinions hostile to Olympianism, such as beliefs in capital or corporal punishment, racial, and other forms of prejudice, national self-assertion—and indeed, religion

As previously posted, Minogue discussed ideology (Marxist ideology in particular), and modern promises of radical and revolutionary freedom: To go deeper and replace Science and Religion, Economics and Politics, on the way to some knowable end-point to human affairs.

Does Nature need to lead, follow or get out of the way?  Can we know Nature’s Laws?

Can Kant do all that heavy lifting…what are some of the dangers of Kantian reason? Or:  From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On Kant

Kant chopped the head off from German deism and the German State has been reeling every since…is value pluralism a response?: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Is there a move afoot in America away from religion, social conservatism, and toward morality via secular Enlightenment ideals…towards value-free relativism?  toward secular morality?:  Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’Repost-Steven Weinberg’s Essay ‘On God’ In The NY Times Review Of BooksRoger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’ …Will Wilkinson At Forbes: ‘The Social Animal by David Brooks: A Scornful Review’..

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Full piece here

Scruton:

‘It is true that the theory of the meme does not deny the role of culture, nor does it undermine the nineteenth-century view that culture properly understood is as much an activity of the rational mind as is science. But the concept of the meme belongs with other subversive concepts — Marx’s “ideology,” Freud’s unconscious, Foucault’s “discourse” — in being aimed at discrediting common prejudice. It seeks to expose illusions and to explain away our dreams. But the meme is itself a dream, a piece of ideology, accepted not for its truth but for the illusory power that it confers on the one who conjures with it. It has produced some striking arguments, not least those given by Daniel Dennett in Breaking the Spell, in which he explains away religion as a particularly successful but dangerous meme.’

Those concepts according to Scruton, are not science, but rather ‘scientism.’

And he focuses back-in on judgment, or the capacity for judgment attached to ‘I,’ and an ‘I’ which looks towards transcendence:

‘Surely human beings can do better than this — by the pursuit of genuine scientific explanation on the one hand, and by the study of high culture on the other. A culture does not comprise works of art only, nor is it directed solely to aesthetic interests. It is the sphere of intrinsically interesting artifacts, linked by the faculty of judgment to our aspirations and ideals. We appreciate works of art, arguments, works of history and literature, manners, dress, jokes, and forms of behavior. And all these things are shaped through judgment. But what kind of judgment, and to what does that judgment lead

Worth a read.

As posted:

-Steven Pinker, Harvard experimental psychologist and cognitive scientist wrote a piece in the New Republic, entitled: ‘Science Is Not Your Enemy

-Leon Wieseltier, literary editor of the New Republic since the 60′s, responded at The New Republic: ‘No, Science Doesn’t Have All The Answers.

-Ross Douthat, conservative Catholic columnist at the Times jumped in the fray: ‘The Scientism Of Steve Pinker’

-Jerry Coyne, evolutionary biologist, responded to Douthat.

-Wieseltier jumped back in with: ‘Crimes Against Humanities: Now science wants to invade the humanities. Don’t let it happen.

-Daniel Dennett, philosopher, cognitive scientist, one of the New Atheists and Boston-based secularist responded to Wieseltier:

‘Pomposity can be amusing, but pomposity sitting like an oversized hat on top of fear is hilarious. Wieseltier is afraid that the humanities are being overrun by thinkers from outside, who dare to tackle their precious problems—or “problematics” to use the, um, technical term favored by many in the humanities. He is right to be afraid. It is true that there is a crowd of often overconfident scientists impatiently addressing the big questions with scant appreciation of the subtleties unearthed by philosophers and others in the humanities, but the way to deal constructively with this awkward influx is to join forces and educate them, not declare them out of bounds.’

So, how do you teach the arts and tilt the culture? Camille Paglia had some ideas, including the idea that George Lucas has taken root in more 20th-century minds than anyone else with his space opera:

According to Paglia, there were the real Marxists, and then there were the Post-structuralists and Deconstructionists.  She favors the radicalism of the ‘real’ Marxists against the careerism and priestly cant of the latter, though I doubt either group is necessary for a good humanities education.

With a somewhat Nietzschean (Schopenhauer’s ‘Will‘ is now the ‘Will To Power’), and New Historicist approach, Paglia is also a bit disposed towards an appreciation of art, religious art, and religion, within a longer anthropological view.

She sees feminism and the ‘studies’ departments as ungrounded, wanting biology, medicine and anthropology to provide structure in order to study the arts:

Related On This Site: Repost-Adam Kirsch At The New Republic: ‘Art Over Biology’…From Edward Feser: ‘Nagel And His Critics Part IV’

Philosopher Of Art Denis Dutton of the Arts & Letters Daily argues the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Evolutionary psychology and moral thinking: Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’From The Stanford Encyclopedia Of Philosophy: Charles Sanders Peirce

Larry Arnhart At Darwinian Conservatism Reviews E.O. Wilson’s ‘The Social Conquest Of Earth’Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

From Nigel Warburton’s Site: A Definition of Humanism?…A Debate: Would We Better Off Without Religion?…Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism

Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’

Larry Arnhart at Darwinian Conservatism: ‘Roger Scruton, 1944-2020: The Romantic Conservatism of Atheistic Religiosity:’

‘As is often true of the traditionalist conservative thinkers today, his thought was shaped by the Kantian Romantic tradition of the Nineteenth Century that saw a religious attitude as essential for a healthy moral order, so that traditional religious experience needed to be defended against a Darwinian science that claims to explain the place of human beings in the natural world without any reference to a transcendent realm beyond nature. And yet–again like many traditionalist conservatives–Scruton did not believe in the literal truth of Christianity or any other religion.’

Kelley Ross at Friesian.com, discussing ‘Scruton’s treatment of Wittgenstein:’

At the same time, there is the irony and paradox of this treatment that Scruton is “considered to be one of the world’s leading conservative philosophers” — which is what it says on the cover of his own book. Now I see Scruton called “Our greatest living conservative thinker,” by Daniel Hannan (an “author, journalist, and politician”), and “One of the most eminent philosophers in the world,” by Robert P. George (a Princeton University professor of jurisprudence). But “conservative” thinkers are not generally happy with the cognitive and moral relativism, if not nihilism, that follows from anything like Wittgenstein’s thought, and even from, as we shall see, Scruton’s own analysis of Wittgenstein’s thought. This is particularly surprising given the devastating critique in Scruton’s Fools, Frauds and Firebrands, Thinkers of the New Left [Bloomsbury, 2015], which exposes the irrational “nonsense machine” of “post-modernism” and “Critical Theory” Marxism. But even in that book, and in the passage I have just quoted, there is a clue to what is going on and to what kind of “conservative” Scruton may be. And that is, in the former, his benign and complacent attritude towards Hegel, and, in the latter, the impression he gives that the “ambition” of Kant and Hegel is comparable or even equivalent.’