Literature

The Two Clashing Meanings Of Free Speech-Whence Liberalism?

‘Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.’

-1st amendment to the Constitution.

Teresa Bejan’s ‘The Two Clashing Meanings Of ‘Free Speech‘ piece at the Atlantic:

‘Recognizing the ancient ideas at work in these modern arguments puts those of us committed to America’s parrhesiastic tradition of speaking truth to power in a better position to defend it. It suggests that to defeat the modern proponents of isegoria—and remind the modern parrhesiastes what they are fighting for—one must go beyond the First Amendment to the other, orienting principle of American democracy behind it, namely equality. After all, the genius of the First Amendment lies in bringing isegoria and parrhesia together, by securing the equal right and liberty of citizens not simply to “exercise their reason” but to speak their minds. It does so because the alternative is to allow the powers-that-happen-to-be to grant that liberty as a license to some individuals while denying it to others.’

Further exploration in the video below…:

My brief summary (let me know what I may have gotten wrong): Bejan appeals to two ancient and somewhat conflicting Greek concepts in order to define two types of ‘free speech.’

Isegoria:  More associated with reason, argument, and debate.  You may feel, believe and think certain things to be true, but you’re a member/citizen of a Republic and you’ve got to martial your arguments and follow the rules (not all people may be members/citizens either, depending on the rules).  Many Enlightenment figures (Locke, Kant, Spinoza) appealed to reason more through isegoria according to Bejan (given the tricky course they had to navigate with the existing authority of the time).  Think first, speak later.

Parrhesia: More associated with open, honest and frank discussion, and with much less concern as to consequences:  ‘Say-it-all’ Socrates was voted to death by the People after all, despite his reasoning prowess. She brings up Diogenes (the lantern guy), who flaunted convention, tooks serious risks and even masturbated publicly. She brings up all the racy stuff even Quakers and various other sects said against each other in the early days of our Republic.

So, why create this particular framework, and why is it necessary to ‘go around’ the 1st amendment upon it in pursuit of Equality?: Perhaps one of Bejan’s aims is to resuscitate an American liberalism which would allow old-school liberals to appeal to young activists and a lot of young people influenced by activists, obliquely routing all back to the Constitution.  Only through becoming aware of their own assumptions can liberals better address the ‘hate-speech’ concept (with no Constitutional basis) which has taken root in our universities, for example.

Bejan relies on some data and some anecdotal evidence from her own teaching experience to justify a potential shift in public sentiment, requiring of her approach.  Such evidence might line-up with elements of libertarian/conservative critiques of liberalism, too, which tend to focus on liberals lacking a sufficiently profound moral framework to justify why liberals should make and enforce laws, and run our institutions, especially when those institutions are judged by outcomes, not intentions, bound as they are within a Constitutional framework.

So far, I’m not sure I’m persuaded by Bejan’s reasoning, for why not just stick to teaching, promoting and discussing the Constitution? Has Bejan really punched a hole back to the Greeks, or has she fashioned a tool-at-hand to grasp certain products of Enlightenment modernity to address more crises of modernity?

***In the video Bejan mentions, in non-Burkean, non-conservative fashion, our founding documents, the French Revolutionaries, and the U.N. charter as examples of rights-based thinking.  Of course, beyond debates about liberalism, there’s quite a lot of dispute about where our rights might come from in the first place (from God, from a Deity, from Nature, from Nature’s Laws, from past Laws and Charters, from knowledge gained through the Natural Sciences, from the latest Social Science, from coalitions of like-minded people, from majorities/pluralities of people, from top-down lists of rights and ideological platforms etc.)

Any thoughts and comments are welcome.

Found here.

I keep hearing about a supposed “hate speech” exception to the First Amendment, or statements such as, “This isn’t free speech, it’s hate speech,” or “When does free speech stop and hate speech begin?” But there is no hate speech exception to the First Amendment. Hateful ideas (whatever exactly that might mean) are just as protected under the First Amendment as other ideas.

Yes, a modern Marxist: Brendan O’Neill At Spiked: ‘Why We Must Fight For Free Speech For People We Loathe:

‘A true devotee of freedom of speech says, ‘Let everyone speak, because it is important that all sides are heard and that the public has the right to use their moral muscles and decide who they trust and who they don’t’. The new, partial campaigners for friends’ speech effectively say, ‘Let my friend speak. She is interesting. She will tell the public what they need to hear.’ These are profoundly different positions, the former built on liberty and humanism, the latter motored by a desire to protect oneself, and oneself alone, from censorship. The former is free speech; the latter ‘me speech.’

Also:

“First, if any opinion is compelled to silence, that opinion may, for aught we can certainly know, be true. To deny this is to assume our own infallibility.’

‘Secondly, though the silenced opinion be an error, it may, and very commonly does, contain a portion of truth; and since the general or prevailing opinion on any subject is rarely or never the whole truth, it is only by the collision of adverse opinions that the remainder of the truth has any chance of being supplied. ‘

‘Thirdly, even if the received opinion be not only true, but the whole truth; unless it is suffered to be, and actually is, vigorously and earnestly contested, it will, by most of those who receive it, be held in the manner of a prejudice, with little comprehension or feeling of its rational grounds. ‘

And not only this, but, fourthly, the meaning of the doctrine itself will be in danger of being lost, or enfeebled, and deprived of its vital effect on the character and conduct: the dogma becoming a mere formal profession, inefficacious for good, but cumbering the ground, and preventing the growth of any real and heartfelt conviction, from reason or personal experience.”

-John Stuart Mill ‘On Liberty: Chapter II-Of The Liberty Of Thought And Discussion’

On this site, see: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

A Modern Liberal, somewhat Aristotelian and classical?:  From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’…Repost: Martha Nussbaum Channels Roger Williams In The New Republic: The First Founder

Samuel Huntington was quite humble, and often wise, about what political philosophy could do:  From Prospect: Eric Kaufmann On ‘The Meaning Of Huntington’

From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’

From Edward Feser: ‘Nagel And His Critics Part IV’

 

This Post Is Way Too Modern?

Two juxtapositions of ‘texts in space’ found at the Times Literary Supplement.

From ‘Postmodernism is dead. What comes next?‘ by Alison Gibbons:

‘At the same time, our culture retains many of the themes and concerns that exercised writers of earlier generations; there is little sign of a radical literary avant garde sweeping away the old to make way for the new. Postmodernism might not be as emphatically over as some critics like to claim, but it does seem to be in retreat. Its devices have become so commonplace that they have been absorbed into mainstream, commercial and popular culture. Postmodernism has lost its value in part because it has oversaturated the market. And with the end of postmodernism’s playfulness and affectation, we are better placed to construct a literature that engages earnestly with real-world problems.’

From ‘The relentless honesty of Ludwig Wittgenstein‘ by Ian Ground:

‘Wittgenstein was hostile to modern philosophy as he found it. He thought it the product of a culture that had come to model everything that matters about our lives on scientific explanation. In its ever-extending observance of the idea that knowledge, not wisdom, is our goal, that what matters is information rather than insight, and that we best address the problems that beset us, not with changes in our heart and spirit but with more data and better theories, our culture is pretty much exactly as Wittgenstein feared it would become.’

Goodness, this is messy.  As previously posted:

Repost-Daniel Dennett: ‘Postmodernism And Truth’

Maybe if you’re defending religion, Nietzsche is a problematic reference: Dinesh D’Souza And Daniel Dennett at Tufts University: Nietzsche’s Prophesy…

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

Related: From Darwinian Conservatism: Nietzsche-Aristocratic Radical or Aristocratic Liberal?

*******And mostly, but not entirely unrelated, you can make your own Tom Friedman columns at home.  Is Tom Friedman a bot?

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

From The New Criterion: ‘Solzhenitsyn’s Cathedrals’

Thanks, reader:

‘Like Gibbon’s Decline and Fall of the Roman Empire, Gulag is literary without being fictional. Indeed, part of its value lies in its bringing to life the real stories of so many ordinary people. When I first began to read it, I feared that a long list of outrages would rapidly prove boring, but to my surprise I could not put the book down.’

and:

‘One lesson of Gulag is that we are all capable of evil, just as Solzhenitsyn himself was. The world is not divided into good people like ourselves and evil people who think differently. “If only it were so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”

I believe within the Western canon (traditions, laws, works of art, literature, moral philosophy etc.) there is enough knowledge, experience, and wisdom to light the way.

Take heart, but watch out for yourselves.

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”… From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.New liberty away from Hobbes?: From Public Reason: A Discussion Of Gerald Gaus’s Book ‘The Order of Public Reason: A Theory of Freedom And Morality In A Diverse And Bounded World’…Richard Rorty tried to tie postmodernism and trendy leftist solidarity to liberalism, but wasn’t exactly classically liberal:  Repost: Another Take On J.S. Mill From “Liberal England”

Repost: Clive James At The Prospect On Joseph Conrad-Some Links

James revisits many quite original, quite accomplished works.

Of note to this blogger:

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

Clive James’ site here.

Michael Dirda on ‘Clive James Last Readings’ review: A Critic’s Final Homage To Literature, Life:’

‘In 30 brief essays James goes on to tell us — in his most digressive, conversational manner — about the books he’s discovered or returned to quite probably for the last time.’

============

Not entirely unrelated:

John Gray begins a discussion of his book ‘The Silence Of Animals‘ with a quote from Conrad:

————————————-

Added bonus if you act now in the face of no possible objective knowledge.

Part of Bryan Magee’s series:

=========================

Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic.

Related On This Site:  From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’.

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy..

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Wednesday Short Story-Flannery O’Connor

Well, that’s a story:

Nelson, composing his expression under the shadow of his hat brim, watched
him with a mixture of fatigue and suspicion, but as the train glided past them and disappeared like a frightened serpent into the woods, even his face lightened and he muttered, “I’m glad I’ve went once, but I’ll never go back again!”

Repost-Via C-SPAN-The Historical Context Of Allan Bloom

Click here.

Thanks to a reader.

Quite a varied discussion on Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind

Does rock/popular music corrupt the souls of youth in preventing them from evening-out the passions; from pursuing higher things that a quality humanities education can offer?

Might such a lack allow political ideology to offer young people something to do, something to be, and something of which to be a part?

A questioning of premises, with varied disagreement, including that from an Emersonian.

Related On This Site:

Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

 

Edward Feser on David Mamet’s ‘Glengarry Glen Ross’ And More Modernist Commentary

This blog welcomes lenses with which to view works of modern art.

From Edward Feser: ‘Aquinas Watches Glengarry Glen Ross’

Feser:

‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types.  Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.

So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter.  One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’

Glengarry Glen Ross‘ has become something of a cultural touchstone for many; maybe this generation’s ‘Death Of A Salesman

You call yourself a salesman you son-of-a-bitch?:’

For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.

Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.

On fuller display, perhaps.

Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.

For those who didn’t ask!:

As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious:  Make it new.  Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).

It takes really talented individuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.

As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us.  There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).

They write these f**king art blurbs before they have any art!  What the f**k is this lady doing?:

From the comments on this piece:

‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’

The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in this generation’s rather pervasive desire for fame and recognition.

The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).

As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.

Ah well…there’s my two cents.

There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.

Enduring…I like the sound of that.


Because you really didn’t ask:

Another video included at the link.

David Mamet underwent a conversion to conservatism in rather dramatic and public fashion a few years ago.  In leaving his liberal views behind, he’s no doubt become a heretic to some.  At the link, he hosts an interview at Il Forno in Santa Monica with Uncommon Knowledge’s Peter Robinson.

Here’s my take, for what it’s worth:

Born and raised in Chicago, Mamet seems pretty old-school and pretty tough.  He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles.  Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered).  I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.

Mamet also cites Chicago School Of Economics neoclassical thinkers’ Milton Friedman, Thomas Sowell and Austrian economist/political philosopher Friedrich Hayek as central to his conversion.  Hayek’s rather tragic view of limited resources and opportunity costs being the natural state of affairs for mankind is clearly an influence. This would generally lead one to eschew the Statist/rationalist idealism and socialist utopianism typically associated with many Left and liberal Left movements.

***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies.  See him discuss his later vision of human nature and political organization in a Conflict Of Visions.

Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican.  There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left.  There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).

Religious belief can ground one in a kind of traditional and tragic view of human nature.  This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves).  As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.

I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed).  I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.

Mamet also touches on the fact that the arts aren’t a political endeavor.  If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show.  Didactic art can come across as clunky at best, pure propaganda at worst.

Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.

Anyways, this is just a brief summary.  Any thoughts or comments are welcome.

Feel free to highlight my ignorance.

A Bleak, Modern House-Four Poems

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

In Search Of A Modernist Muse-Wallace Stevens

The Idea Of Order At Key West

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.

For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.

If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.
                    It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.

Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.

Oh! Blessed rage for order, pale Ramon,
The maker’s rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.

Wallace Stevens

Some ideas of what it could mean here, though I suspect saying it aloud, feeling its pomp and humility, staring out at the sea, into the dark ahead of you; is enough the kind of satisfaction to be found in such a poem.

Universal Enlightenment Truths & Politics In The Academy-Two Links

Theodore Dalrymple at the Library of Law & Liberty:  ‘The Impotence Of The Kantian Republic.’

Many proposed Enlightenment universal truths, truths used to make moral claims, and truths often used to guide modern institutions and political movements (and a lot secular global humanism besides) come into conflict with local, religious, traditional, patriotic and national truths, a conflict which can be witnessed in much current political debate here in America.

I think Dalrymple is leveraging such a gap to highlight the downside realities of Muslim immigration to Europe:

‘When I learned of the provenance of the Manchester bomber, namely that he was the son of Libyan refugees, I asked myself a question that is now almost disallowable, even in the privacy of one’s own mind: whether any authority, in granting them asylum in Britain, asked whether it was in the national interest to do so. In all probability, the answer is no. The officials concerned probably thought only that they were applying a universal rule, or pseudo-universal rule, that in the name of humanity all political refugees (as Salman Abedi’s parents were) have an automatic right of asylum. And if they, the officials, were to be criticised, they would no doubt reply that there were a thousand, or five thousand, refugees for every suicide bomber, and that therefore the admission of Salman Abedi’s parents was a risk that had, on humanitarian grounds, to be taken.’

Via Heterodox Academy (& Jonathan Haidt)-‘On The Intrusion Of National Politics In College Classrooms:

A student suggests (with the necessary caveat of having the proper politics) that point of entry to Shakespeare really shouldn’t be solidarity around current political ideals, especially solidarity as advocated by professors:

‘Students I spoke with after class appreciated the “relevance” of the lecture, noting how the election had revitalized the otherwise inaccessible works of Shakespeare. It’s been over 7 months since Trump was elected, yet my professors show no signs of putting their political digressions on hold. The spread of this phenomenon to subjects like Literature and English reflects a troubling trend: the growing partisanship of higher education.’

It’s hard to see how playing fast and loose with much of the humanities curriculum these past generations, while simultaneously inviting much political idealism, activism and radicalism to settle into academies won’t also invite a subsequent political response by those who don’t share in the ideals (if it’s got ‘studies’ after it…).

If you’re going to gather around political ideals, don’t be surprised when you’ve carved up the world into a series of political fiefdoms.

If it’s any consolation-I discovered similar trends occurring about twenty years ago: The vague notion there had actually been, and should be, a canon, along with much overt and covert political idealism uniting people in the academy.

But, I also found a lot to absorb, experience and hold dear.

It can be a bitter pill to swallow realizing how much shallowness, group-think and moral cowardice there is in a place dedicated to the pursuit of truth and wisdom, especially regarding radical ideologies, but that’s not all there is.

Try and leave things a little better than you found them.

There’s a lot to learn.

Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

Repost-From Scientific Blogging: ‘The Humanities Are In Crisis-Science Is Not’…Which Way The Humanities? Five Links & Quotes Gathered Over The Years, Culture Wars Included

Sunday Quotation: From Jonathan Bennett On Kant…Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge…From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On Kant

An Excerpt From Paul Bowles’ ‘Allal’ & A Strange, Schlocky Scene From ‘Conan The Barbarian’

From Paul Bowles Allal, found within this collection of short stories.

I recall musical and deeply rhythmic English (Bowles was a composer who lived in Morocco for most of his life), along with a recurrent theme of Western innocence, ignorance and arrogance meeting ancient North African realities and brutalities.

‘Moments passed with no movement but then the snake suddenly made a move towards Allal. It then began to slither across Allal’s body and then rested next to his head. He was very calm at this moment and looked right into the snake’s eyes and felt almost one with the snake. Soon his eyes closed and he fell asleep in this position.’

What have you done with your I/Eye, dear Reader?

Something tells me the kind of fantastical savagery and imaginative schlock of Conan the Barbarian doesn’t quite capture the deeply moral, frighteningly real and lushly imagined Bowlesian world…

But maybe it does highlight some themes Bowles’ drew into relief:

You know, maybe I’d just better put this up: