Some Sunday Links To Roger Scruton & The Passion Of The Geist

If you hadn’t noticed, many people claiming child-rearing should be monetized, and that every (S)elf is sacred, are probably not going to be satisfied with more commodification of children and atomization of (S)elf.

People want to believe stuff, act righteously in the world and be an important part of a group. We get the heroes we deserve:

There are other ideals most such folks I’ve spoken with hold higher as good, beautiful and true. Unfortunately for me, as I see the world, such ideals typically ‘labor in the negative.’

Solidarity, brother: These would include the grudge-holding and anti-corporatism of the Union Left, cartelizing the labor market, and placing onerous labor laws upon entire populations through collectivization (play the game or you don’t work and your vote won’t matter much at all). Good luck being an individual in this landscape.

Religions Of Man: Socialism and Communism claiming ‘scientific’ knowledge of (M)an’s ends (the people in charge, after the violent revolution, will know your ends better than you ever could). Global Workers of the World Unite! Your death was for the greater good.

There is no World, man. What does your body feel? Or take the postmodern relativism and nihilism spilling from our universities (there’s no objective reality) and existentialist chic increasingly found amongst our young. There are some very deep thinkers to inspire here, and great works of art, but where is this all heading? Should I even ask such a question, Man?

One-World Government (Surprisingly Fragile & Authoritarian): Or take the kind of ‘-Ismology’ and latest moral-cause crusades our politicians must increasingly surf into power (do they even believe some of this s**t?).

Meanwhile, the realities of local conflicts and populations consistently move in their own directions and deals with foul tinpot dictators continue (which probably feeds into the postmodern cynicism). A la Ken Minogue, I’ve been viewing such movements as containing a lot of over-extended utilitarian logic and ‘Olympianism.’ This scaling of liberal ideals congeals into a kind of authoritarian egalitarian paternalism. There’s much to guide us within the best of Civil Rights Activism, undeniably, but, what are the practical consequences should this ideal become the highest thing around?

Well, Dear Reader, one way around this seemingly inexorable pull of the modern and postmodern, and the atomization of (S)elf, is towards a kind of Hegelian-inspired ‘Romantic Conservatism’, or back to the family, the land, the local and of course, the universal found in God.

Are you convinced?

From The Imaginative Conservative: ‘Philosophy Of Roger Scruton‘:

A rampaging modernity ignores the centrality for human beings of community, home and settlement and leaves behind nothing but atomised individuals, “living like ants within their metallic and functional shells.”

This pervasive sense of homelessness can be overcome, Scruton believed: “underlying that sense of loss is the permanent belief that what has been lost can also be recaptured,” albeit in a modified form, “to reward us for all the toil of separation through which we are condemned by our original transgression.” And he saw this redemptive faith as “the romantic core of conservatism, as you find it—very differently expressed—in Burke and Hegel, in Coleridge, Ruskin, Dostoevsky and T.S. Eliot.” It was found also in F.R. Leavis, who insisted in The Great Tradition (1948) that superior literature displays “a vital capacity for experience, a kind of reverent openness before life, and a marked moral intensity,” and found these qualities present pre-eminently in the novels of Jane Austen, George Eliot, Henry James, Joseph Conrad and D.H. Lawrence. For Leavis, Scruton explained in The Philosopher on Dover Beach (1990):

As posted:

In the Q & A afterwards, Scruton receives about as pointed a post-lecture questioning on his metaphysics as I’ve seen.

In the final moments, Robert George also posits that Scruton’s four presented categories actually rather resemble Aristotle’s Order of Nature and three of them Aristotle’s Practical Reason.

Interesting presentation by an interesting thinker, indeed.

Below is some criticism of Scruton from a Kantian-Friesian line of thinking.

Is there a turn back towards the Hegelian ‘we’ from the Kantian ‘I?’

However attractive and practical Scruton’s deployment of the ‘lebenswelt’ in describing the day to day relationships in which we find ourselves (a tissue of contingencies, possibilities and ‘I’ ‘thou’ relationships); however useful the ‘lebenswelt’ might be providing robust criticism of the totalitarian ideologies and scientism of post-Enlightenment ideological utopians, are the Hegelian dangers to abstract, absolutize and collectivize still present?

‘Now, I think that this is an accurate and honest presentation of Wittgenstein’s thought, except perhaps for the notion of “an independent world,” which sounds like a metaphysical assertion; but it also makes it look like Roger Scruton has fallen into the same kind of dark well as the “nonsense machine” of post-modernism that he examined in his other book.

First of all, if we have decided that the “emphasis” of Frege on truth is now to be replaced with the “more fundamental demand” that our language conform to “correctness,” alarm bells should go off. There is in fact nothing more fundamental than truth, if we are talking about knowledge or logic (and not just “communication”); and “correctness” could mean anything, varying with the standard that is applied to judge it. But we quickly get what the standard of “correctness” is, and that is the “common usage” that has “created the rules,” outside of which we cannot “look,” to govern our linguistic practice. These are rules that the invididual cannot decide for himself but that somehow “we,” collectively, in our “form of life” have created.

Key points there are that the autonomous individual and the “independent world” have both dropped out of the treatment. Scruton, as we might suspect for a Hegelian, does not speak up for the individual, but even his explicit invocation of the “independent world” is immediately voided by the assertion that only language itself, in its practice, correctness, and form of life, determines what is going to stand as the equivalent of truth. Thus, the chilling absurdity is that “the ultimate facts are language,” while, naively, we might think that facts are characteristics of the “independent world” that determine truth, as the Early Wittgenstein himself had said. In an objective world without facts, language is the substitute (whose status is somehow established by facts about the world).’

What are some dangers of the projects of reason in the wake of the Enlightenment, or stretching post-Enlightenment reason into a replacement for God, tradition, and Natural Law: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”Trolley Problems, Utilitarian Logic, Liberty, Self-Defense & Property

Leo Strauss tried to tackle that problem, among others with the reason/revelation distinction, did he succeed? How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Addition:  As a friend points out:  Strauss is trying to get around the 2nd Nietzschean crisis of modernity, and the cinching and tightening of moral, political, and philosophical thinking into only an Enlightenment and post-Enlightenment pursuit of truth under Reason alone.  The Natural Right and Natural Law Philosophies, including and a pursuit of the truth which can involve religion (Augustine?), or Greek conceptions of the good and the true as applied to the city-state vastly broaden and prevent the inherent nihilism in these waves of modernity as Strauss saw them…historicism being one of these Enlightenment pursuits, from political science to the social sciences to Hegelian and post-Hegelian historicism…the logic is followed to its inherently nihilistic ends.  This poses a threat to individual liberty among other things…

Repost-Roger Kimball At The New Criterion-‘The Legacy Of Friedrich Nietzsche’

Hmmm…:

‘Nietzsche snidely remarked that Christianity was “Platonism for the masses.” In the academy today we have what we might call Nietzscheanism for the masses, as squads of cozy nihilists parrot his ideas and attitudes. Nietzsche’s contention that truth is merely “a moveable host of metaphors, metonymies, and anthropomorphisms,” for example, has become a veritable mantra in comparative literature departments across the country.’

On this site, well, there’s been quite a bit of related content over the years:

From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?:

‘In November of 1887, the Danish scholar George Brandes wrote a letter to Nietzsche praising his writings and endorsing his “aristocratic radicalism.”  Nietzsche responded by accepting this label: “The expression Aristocratic Radicalism, which you employ, is very good.  It is, permit me to say, the cleverest thing I have yet read about myself.”‘

Excellent, as always.

‘Finally, as I have indicated in some previous posts, Nietzsche’s aristocratic liberalism is based on a Darwinian anthropology that is open to empirical verification or falsification, while his aristocratic radicalism is based on mythopoetic fictions–the will to power, eternal recurrence, the Ubermensch, and Dionysian religiosity–that are beyond empirical testing.

From all of this, I conclude that Nietzsche’s Darwinian aristocratic liberalism is superior to his Dionysian aristocratic radicalism.’

Arnhart maintains that Nietzsche’s middle period, focused on Darwin’s thought, is the most defensible.

Here’s a quote from Leo Strauss, on Nietzsche beginning the 3rd crisis of modernity, having followed the logic of relativism to nihilism:

The theoretical analysis of life is noncommittal and fatal to commitment, but life means commitment.  To avert the danger to life, Nietzsche could choose one of two ways: he could insist on the strictly esoteric character of the theoretical analysis of life–that is restore the Platonic notion of the noble delusion–or else he could deny the possibility of theory proper. and so conceive of theory as essentially subservient to, or dependent on, life or fate.  If not Nietzsche himself, at any rate his successors adopted the second alternative.’

A paper arguing that Strauss conflated his own critique of modernity with the intentions of philosophers:

‘A fervent critic of modernity, Leo Strauss attributed modernity’s intellectual degradation to the influence of some great philosophers in the history of political thought who radically broke with classical political thinking.  In doing so, Strauss believed, these thinkers either directly or indirectly contributed to the emergence of historicism and positivism, and he held these movements accountable for spineless relativism, nihilism, and modernity’s moral and intellectual demise.’

Above is Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…See the comments Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was SuccessfulUpdate And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom: Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’Some Tuesday Quotations From Leo StraussFrom Peter Berkowitz At Harvard: ‘The Reason Of Revelation: The Jewish Thought Of Leo Strauss’

Can Kant do all that heavy lifting…what are some of the dangers of Kantian reason?:  From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On KantA Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty” …

Peter Singer discusses Hegel and MarxFrom Philosophy And Polity: ‘Historicism In German Political Theory’

Wednesday Poem-Wallace Stevens

Postcard From The Volcano

Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;

And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;

And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt

At what we saw. The spring clouds blow
Above the shuttered mansion-house,
Beyond our gate and the windy sky

Cries out a literate despair.
We knew for long the mansion’s look
And what we said of it became

A part of what it is . . . Children,
Still weaving budded aureoles,
Will speak our speech and never know,

Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,

A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.

Wallace Stevens

A little authoritative and paternal, but a Romantic poet. A modernist, brilliant with language but precise in meaning, abstract, somewhat philosophical.  They say he had a deathbed conversion. Here’s another line of his:

The poem must resist the intelligence / Almost successfully.“

And then just to frustrate matters more:

Beauty is no quality in things themselves, it exists merely in the mind which contemplates them; and each mind perceives a different beauty.

David Hume

See Also:  Wednesday Poem: Wallace Stevens-Anecdote of The Jar…and while I may not agree with his conclusions, Denis Dutton knows aesthetics pretty well and philosophy too:  Review of Denis Dutton’s ‘The Art Instinct’…Bryan Magee Via Youtube: ‘John Passmore on Hume: Section 1′

f-30-moving-carousel-1

The Figure 5-A Weekend Poem By William Carlos Williams & A Photo

The Great Figure

Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.

William Carlos Williams

I like Charles Demuth’s fidelity to the original, and use of imagist-imagination. The figure 5 comprises such an important part of the poem.

A little more broadly…

Imagism was a sub-genre of Modernism concerned with creating clear imagery with sharp language. The essential idea was to re-create the physical experience of an object through words. As with all of Modernism, Imagism implicitly rejected Victorian poetry, which tended toward narrative.

And:

The most exemplified phase of Modernism, referred to as “High Modernism,” occurred during the inter-war years (1918-1939). This was the time when writers synonymous with Modernism, such as Virginia Woolf, James Joyce, T.S. Eliot, and D.H. Lawrence, thrived. While Victorians typically concerned themselves with rendering reality as they understood it into fiction, Modernists recognized that reality was subjective, and instead strove to represent human psychology in fiction.

During the post-war years, the confessionals, with a fair amount of free and blank verse became dominant, with a kind of feelings-first, psychological exploration of the (S)elf.

Dear Reader, this photograph represents the closest I’ve gotten to elements of the modernist imagination so far. I hope you enjoy. The Straussian movement pushes back to a kind of classicist revival, an embrace of tradition, and rejection of much modernity.

***On second-thought, the photo of these parts of very real thing is abstracted into a kind of modernesque design.

Fire Truck Mirrors & A Bit Of Sky

Repost-Friday Quotation From Roger Scruton

Interesting quote at min 3:07 of video 3/3:

‘Universal values only make sense in a very specific context…the attempt to universalize them, or project or impose them…just leads to their appropriation by sinister forces.”

I wonder what this would mean when applied to American foreign policy, the Cold War, and Western influence when it comes to world order at the moment…this call for a return to tradition, local politics and religion.

Scruton saw postmodern nihilism as one of the greatest threats to Western civilization right now. Is the Hegelian conceptual framework really a good one to hang the Lebenswelt upon, and a kind of finding yourself in the eyes of others and the works of the world?

My current frustration: The rush away from tradition, towards liberation, and towards the Left has rearranged many of our institutional arrangements and ‘what’s cool’ away from duty, responsibility, much common sense, and many elements of the American past.

It’s not clear at all that what’s replacing such traditions won’t be worse, and not better, especially when you measure people as capable of great evil and good, and mobs as dangerous, and liberation as not liberty.

It’d be nice if many liberal idealists said ‘I didn’t realize the postmodern problems were so deep, the cost of simply ‘change for its own sake’ so steep, in terms of institutional stewardship, speech, and liberty.

Maybe it’s just me.

Related On This SiteFrom Nigel Warburton’s Site: A Definition of Humanism?…A Debate: Would We Better Off Without Religion?…Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism

Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’

Repost-Via a Reader via Scientific American: ‘An Update On C.P. Snow’s “Two Cultures:”

Essay here (PDF).

‘Earlier this summer marked the 50th anniversary of C. P. Snow’s famous “Two Cultures” essay, in which he lamented the great cultural divide that separates two great areas of human intellectual activity, “science” and “the arts.” Snow argued that practitioners in both areas should build bridges, to further the progress of human knowledge and to benefit society.’

My two cents: This blog tends to worry about modern ‘one culture’ visions, too.

On the one hand, you’ve got your ‘scientific socialism;’ the clear dead-end, totalizing Marxist theories of history and various neo-Marxist movements having since colonized many faculty-lounges, HR departments, and media pulpits across America.

Deep, bad ideas tend to live on once plugged into many deep, human desires and dreams. The radical pose will be with us for a while.

Of course, it’s rather sad to witness the sheepish, suburban apologetics of identity amongst the chattering classes; the moment of surprise and fear when a previously insulated writer (leaning upon traditions) realizes today just is their day in the barrel.

Sooner or later you’re going to have to stand up for your principles.

You’ve also got many modern ‘-Ist’ movements, which, whatever truth and knowledge claims they may contain (some quite important ones, I think), are often quick to conflate the means of science with the ends of politics. ‘Join us,’ they say, and become a part of the modern world. The mission of ‘Education’ is easily mistaken for knowledge, learning with wisdom, collective group action with individual achievement.

There is a kind of a high middlebrow drift towards….I’m not sure where, exactly.

Alas, if you’re still with me, here are some links:

M.H. Abrams here.

“...in the days when, to get a Ph.D., you had to study Anglo-Saxon, Old Norse, Old French, and linguistics, on the notion that they served as a kind of hard-core scientific basis for literary study.”

and of the New Criticism he says:

I’ve been skeptical from the beginning of attempts to show that for hundreds of years people have missed the real point,”

Did literature professors at one point have something more substantive to teach?

In a broader context, hasn’t the Western mind has shifted to “science,” instead of God as a deepest idea, and so too isn’t literature a part of this shift?

As Richard Rorty sees it, no standard objective for truth exists but for the interpretation of a few philosophers interpreting whatever of philosophy they’ve read. It’s all just an author’s “stuff.” Here’s an excerpt discussing the debate between him and Hilary Putnam:

Addition: Western mind shifted to “science?”…well as for poetry T.S. Eliot and Wallace Stevens had some fairly profound religious influences.

See Also: Should You Bother To Get A Liberal Arts Education? From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’

Repost-Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

***Whom do you trust for discussions of the arts and culture, and would you just rather publications be up front about their ideological bents and loyalties?

F-30 Moving Carousel -1

Beauty is no quality in things themselves, it exists merely in the mind which contemplates them; and each mind perceives a different beauty.

David Hume

Repost-Via A Reader-Isaiah Berlin’s Lectures On The Roots Of Romanticism

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

The radical and rationalist project, anarcho-syndicalism and libertarian socialism: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

Somewhere from the old aristocratic Russia softly speaks a keen mind in beautiful, strange English: Michael Dirda At The Washington Post Reviews ‘Nabokov in America’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Wednesday Photo-Freedom Is Next

After you’ve undergone our seven-night welcome session, your white initiation robe will be given a red band. ‘Redbands’ have full access to the dormitories, performing hall and two on-site cafeterias.

Six months and two bluebands later, you’re officially a member of the Session UN.

Two years and two global tours after that, a recital of the Global Human Rights Charter will be scheduled.

Five yellow stars means a Merit Leader will have emerged, with full access to the Staff Budget, Policy Handbook, and Equity Index.

After a successful Global Human Data & Trust Mission, a soulful chorus of John Lennon’s ‘Imagine’ will fill The Stadium Of (M)an.

Three extraordinary, beautiful humans will take the stage to receive their Golden Diplomas.

Repost-A Few Thoughts On Thomas Cole’s ‘The Voyage Of Life’

A few decades ago, while visiting D.C., I saw Thomas Cole’s ‘The Voyage Of Life:

It’s a four-part series: Childhood, Youth, Manhood, Old Age.

One person’s life, and all of our lives, can be broken-down into four allegorical stages, pregnant with visual and universal symbols.

From Cole’s bio:

‘Although Cole had ample commissions in the late 1820s to paint pictures of American scenery, his ambition was to create a “higher style of landscape” that could express moral or religious meanings.’

From this more interactive page:

‘In the late 1830s, Cole was intent on advancing the genre of landscape painting in a way that conveyed universal truths about human existence, religious faith, and the natural world. First conceived in 1836, the four pictures comprising The Voyage of Life: Childhood, Youth, Manhood, and Old Age fulfilled that aspiration.’

These scenes in the Romantic style can have an emotional pull for me, as generally does the work of the Hudson River School. Such allegory certainly tends to function as a vehicle into memory (Cole’s work has really stuck with me…in a sort of haunting way, mixed with some thought of how I’m supposed to live and what might be coming next).

Also, the wild, untamed nature we Americans have often faced is perhaps requiring of a spirited and grand attempt at putting our experiences within Nature into some context: To soar as high as our hopes often do.

Or at least, to find in paintings: Familiarity. I like to see the roll of a hill like I’ve seen, or an opening of clouds, sky and light like I’ve seen.

Perhaps Wild Nature can be ordered in a Romantic, neo-classical or more modern way. Perhaps Nature can be made, with the tools at our disposal, to conform to some of our deeper ideas about Nature, mirroring our hopes in some recognizable fashion; giving some basic comfort and meaning.

Maybe, after all, we can find a home here.

On the other hand, allegory with overt moral/religious meaning can also come across as heavy-handed, sentimental, and moralistic. Too lush and pretentious; perhaps a bit anachronistic.

Do I really have to hunt for all the symbols and put the puzzle together?

‘So, you’re going to reveal universal truths, eh?’

This can seem distant from the experiences of the modern viewer, often finding himself a little further down the modern/postmodern ‘river’, where such attempts at universality might seem a wash.

Much more common these days are the very personal shards and glimpses of the inner life of an artist, attached to high ambition and great talent surely in some cases; as well to form and tradition, but generally making less bold claims to knowledge than ‘The Voyage Of Life‘.

In painting, I’m reminded of the abstract expressionist movement seeking meaning in reducing experience to the abstract in order to reveal something essential within Nature, or essential about our relationship to Nature: A transcendent place where shape, form and color can be isolated from anything immediately recognizable in the world.

Or maybe, I’m being too generous?

‘The movement’s name is derived from the combination of the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus, and Synthetic Cubism. Additionally, it has an image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic.[5] In practice, the term is applied to any number of artists working (mostly) in New York who had quite different styles, and even to work that is neither especially abstract nor expressionist.’

The exploration of the Self is often pursued, as well as that of Nature, but the general hope that it might all make sense (life, death, Nature, purpose etc) in many more modern movements is often left abandoned.

Or so often, as we’ve seen in the past few generations: The pursuit of The Self can easily become subsumed to the pursuit of fame, celebrity, and money.

***

Towards a theme: Perhaps you’ve also heard of the Rothko chapel, in Houston, Texas.

Mark Rothko undertook the idea that within the modern context, one could create temples of universal meaning through aesthetics, art, and beauty:

‘The Rothko Chapel, founded by Houston philanthropists John and Dominique de Menil, was dedicated in 1971 as an intimate sanctuary available to people of every belief. A tranquil meditative environment inspired by the mural canvases of Russian born American painter Mark Rothko (1903-1970), the Chapel welcomes over 60,000 visitors each year, people of every faith and from all parts of the world.’

See Also On This Site: Trying to stick something against his poems: Wednesday Poem: Wallace Stevens-Anecdote of The JarWednesday Poem: Wallace Stevens, The Snow ManFriday Poem: Wallace Stevens And A Quote By David Hume

Some Updated Links On Postmodernism

Repost: From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Some Sunday Songs-Metal, Myth, American Romanticism And The Civil War

Within A Bank Of Modern Fog-Another Link To Robert Hughes On Jeff Koons

Repost-A Religiously Conservative Point Of View And More On The Mystery Of The Moth-Eaten Marxist Coat

Where is that coat?

Podcast here.

Yoram Hozany takes two institutional data points, the NY Times and Princeton University, to argue that whatever you want to call it (‘Marxism’, ‘Neo-Marxism,’ Postmodern ‘Wokism’); these institutions increasingly have a new moral, ideological orthodoxy in place.

James Bennet resigns as the New York Times opinion editor (pushed-out, really).

Bari Weiss resigns from the New York Times opinion pages.  Her letter here.

-Even ol’ Andrew Sullivan left the NY Mag (The ‘People’s’ vox media helping to push him out)

-Over 300 Princeton faculty propose a new ‘anti-racism agenda.’

From Hazony’s reasoning then, it follows that this new moral, ideological orthodoxy is driven by committed and competing factions of radicals and true-believers, ideologically purifying towards revolutionary praxis.

It also follows that on the American political scene many moderate, opposing groups will have to deal with this new reality:  Religious believers, social conservatives, traditionalists, constitutionalists, economic conservatives, libertarians, classical liberals, moderate and reasonable liberals, and even the populist, union Left, will be in some kind of tension with this group of radicals and true-believers.

Is there some kind of New, new Left forming?:  Towards A New Center? Ted Cruz & Eric Weinstein Have A Talk-Also, Alas, The Atlantic & Let Poetry Die

Ah well, it could have been about free speech and free thought, a morally decent center, but Twitter was more about about geekier white kids wanting to hang out with cool black kids.

Welcome to the new wealthy and woke:

Jay Z promoting his then new album alongside Marina Abramovic at MOMA, many years ago.

A lot of people I know resist such arguments, often because they’re caught up in the pro-Trump, anti-Trump battles of the day.  Or they’re older and can’t process the levels of institutional capture, rot and over-build we’ve got.

Or they haven’t seen the glazed eyes and closed minds up close.

If you’ve been keeping tabs on this stuff, from a perspective like mine (small ‘c’ conservative), it’s been a long, depressing ride.

Did I leave it at the Oscars?

Is the exotic Oxiris Barbot, former people’s Health Czar of New York, wearing my jacket?

Meanwhile, as for policing in Seattle, something’s always gotta change (moral progress don’t ya know), and this means always reacting against what’s here, what works, and what’s basic common sense.

Repost-Watching The Shadows Go By-A Few Links & Thoughts On Romantic Primitivism, ‘Culture’ And Political Idealism