Repost-Within A Bank Of Modern Fog-Another Link To Robert Hughes On Jeff Koons

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There’s always been a bit of the showman about Jeff Koons; the kind of young man who could put on a bow tie and try to give many museum-goers their time/money/aspirations’ worth at the membership desk.

This blog forgives people trying to explain what their art ‘means,’ exactly, but confesses to pleasure in seeing Koons put on the spot under the suspicious eye of an ornery old Robert Hughes.

I don’t fault Koons for finding himself firmly within modernism, searching for universal forms and broader historical context within those confines, but I admit it’s nice to see him held to account for his bullshit, and perhaps the broader, deeper bullshit he shares with many modern and postmodern artists: Pursuing novelty and recognition and thus making art into a business and often commercializing it, aiming for celebrity while offering meta-critiques on celebrity, making the personal and private very public (masturbation into social commentary, sex into meta-critques of religious shame, ‘culture’ and pornography).

Two quotes by Hughes that stood out:

Religion is diminished into celebrity..a kind of reverse apotheosis.

‘This alienation of the work from the common viewer is actually a form of spiritual vandalism.’

It’s tough to say that art is really about religion (though much clearly is), but rather more about an experience Hughes wants as many people as possible to have, and that such experiences can elevate and expand.

Aside from the above, there’s something that strikes me as not just late 20th century-modern about Koons, but also very American.

As previously posted:

Is street-art, or the use of graffiti & mixed-materials performed illegally out in public (on public and privately owned property) partly due to the success of capital markets?

-Banksy’s website here.

-Newsweek’s piece: ‘See You Banksy, Hello Invader.

Response To A Reader On ‘Radical Chic’ And A Link to Banksy’s ‘Dismaland’

I’d argue that it’s possible, especially with the constant cries of modernism to ‘make it new,‘ I think this is one way we’ve arrived at pop art, and the desire to blend conceptual art and popular music together. This is in evidence from The Talking Heads to Lady Gaga to Jay Z promoting his new album alongside Marina Abramovic at MOMA.

Many modern artists, from Andy Warhol to Jeff Koons to Damien Hirst are people with some artistic talent and native gifts, but not as much in the way of classical and/or formal training. They may be trying to have a conversation with the old masters, but they are clearly also the products of, and speaking to, ‘modern’ audiences. Much of this has become a world of shallow depth, especially among the less talented. Drawing and drafting can be underdeveloped skills while ‘mixed-media’ presentations, celebrity, marketing, money and fame are all thrown into the same pot.

Also On This Site: Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.

Joan Miro: WomanGoethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

Repost: Clive James At The Prospect On Joseph Conrad-Some Links

James revisits many quite original, quite accomplished works.

Of note to this blogger:

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

Clive James’ site here.

Michael Dirda on ‘Clive James Last Readings’ review: A Critic’s Final Homage To Literature, Life:’

‘In 30 brief essays James goes on to tell us — in his most digressive, conversational manner — about the books he’s discovered or returned to quite probably for the last time.’

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Not entirely unrelated:

John Gray begins a discussion of his book ‘The Silence Of Animals‘ with a quote from Conrad:

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Added bonus if you act now in the face of no possible objective knowledge.

Part of Bryan Magee’s series:

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Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic.

Related On This Site: From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’.

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy..

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

 

Hey Kids, Come Over Here And Try Some Of This Depressive Realism-A Few Links & Thoughts

Ben Sixsmith ‘Art For The Age Of Social Media…

‘A YouGov poll on behalf of Homes & Antiques magazine has revealed that Banksy is Britain’s favourite artist.’

Dear Reader, I used to read ‘Homes & Antiques Magazine‘ religiously, hours of orange rinds scattered on my plate. ‘What does it mean?’

I used to drive half-dressed to the last parking lot on Earth, a few final photons bending through our atmosphere.

I could not outrun a racing mind, pacing among the dunes, staring out across an empty bay, salt winds curling the grasses: ‘Reese’s Peanut Butter Cups are FOURTH on the yougov most popular food and snack brands list.

Once you accept the idea that a good work of art can play deep chords, elevating you, proffering wisdom, awe, and pleasure, you generally wish to preserve it and hold it close, sharing in its illumination.  In such a light, a lot of other stuff can resemble so much kitsch strewn after a storm of technological and engineering progress..

Depending on how deeply and often you do this, you can become ‘refined.’

Sixsmith again:

‘We have been replacing a lack of cultural quality with cultural quantity. Instead than having rare moments of beauty, power and insight, we (or, at least, many of us) face a ceaseless barrage of the cute, the curious and the clichéd. Rather than seeking out artworks which flicker in our minds long after we have stopped looking at them, we browse past endless images that light our brains up like catherine wheels. Images are almost too accessible. We can see everything, and nothing matters. Like. Like. Like.’

As I currently see things, there are always questions of artistic sorts feeling constrained by convention, tradition, repetition and practice.  Money issues never really go away.  Now there’s just an arguably greater quantity of crap with which to compete for a reader’s attention.

Perhaps there’s also the condition of the isolated individual artist alone, conceiving of himself as outside all meaningful conventions, traditions and practices.  This, too, has become a convention, tradition and practice, for many artists and non-artists alike.  Selves speak to Selves.

Just stay on the surface of things, and move through:

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

Billy Collins

The confessional poets wove inner revelations into the architecture of their poems, and made themselves into active subjects.

A generation or two later, and they seem to have more prizes than poets.  From cartoons to comedians, many Selves are seeking hidden meanings behind every word.

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Repost-So, You’re Telling Me What’s Cool?-Theodore Dalrymple At The City Journal: ‘Banksy In Neverland’

Repost-Daniel Dennett: ‘Postmodernism And Truth’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Repost-Neither Commerce Nor Contemplation, Exactly?

Perhaps aestheticizing a city isn’t necessarily good for long-term prospects, at least not at the cost of actual jobs. Maybe it’s at best a second- or third- order priority.

Perhaps aestheticization can bring good to a city if there are already enough people providing goods in the city. Curating and criticizing art can be valuable, of course, but both seem second- or third-order priorities to actually making art (citizens, be wary of leaving arts in the hands of many enbalment-oriented Arts Councils, public radio and college professors, docents, Mayor’s Offices…they [often] have other interests and incentives aside from the art).

There are some things (bullshittery) which don’t sit right with me about the below video, this packaging of chocolate with high middle-brow tastes and vague Self-oriented hipster collectivism.

It strikes me as the kind of thing people from smaller towns and suburbs might imagine an ideal city to be on a visit, which is to say, potentially imbued with a lot of high middle-brow tastes these days (creative, urban, vibrant etc).

Such is my read, anyways, which probably says quite a bit about me.

The Mast Brothers invite customers into their process. They’re giving you bits of their individual Selves to mix with your individual Self as you band together towards the future that awaits. Come to the glittering Brooklyn upon the horizon.

Few chocolate-makers take pains to mention Mark Twain & Ralph Waldo Emerson in their promo videos:

From The American Conversative: ‘The Gentrification Trade-Off In Buffalo:’

‘Hidden away in the far western corner of New York State and straddling the Canadian border, Buffalo sometimes feels like the city that time forgot. Many of its storefronts, bars, and bowling alleys look like they haven’t been updated since the 1970s.’

Vincent Gallo has Italian roots and comes from an industrial, hard-working city full of Catholic immigrants and is also interested in the Arts. He was a visual artist who went to NYC, then L.A., and turned to film as a means to self-expression and potential financial success. Did he want Celebrity? Money? Fame?

This, apparently, is one aspect of ‘culture’ that’s been created:  The pursuit Self through celebrity, money and fame, as a thing that many, many people all share as an artifact of ‘culture.’

Probably all of the above in addition to self-expression and the pursuit of beauty and saying true things by creating images.

I can say it’s rare to find a tradition-defending aesthete and iconoclastic supporter of the Republican party. Maybe it’s the Buffalo roots.

It makes for great T.V. taking on the critics in a USA track-suit while defending the vision behind ‘Buffalo 66‘, even though he seems like, potentially, quite an asshole:

American cities relying on industries such as textiles, furniture, various light and heavy manufacturing, railroads, steel, coal, oil, automobiles etc. have seen good times come and go.

Sometimes the good times came and went one generation ago, sometimes three. Buffalo is certainly among those cities.

Will the good times come again?

It’s certainly making for ‘interesting’ politics.

The arts can be one lens with which to look at these problems and places…

Repost-Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

-Banksy’s website here. Newsweek’s piece: ‘See You Banksy, Hello Invader.

I’d argue that it’s possible, especially with the constant cries of modernism to ‘make it new,‘ I think this is one way we’ve arrived at pop art, and the desire to blend conceptual art and popular music together. This is in evidence from The Talking Heads to Lady Gaga to Jay Z promoting his new album alongside Marina Abramovic at MOMA.

Another lens to understand the world as a citizen is the social sciences, and this blog favors the contrarians amongst what is increasingly monolithic and received opinion:

Here’s a fine example of how to exchange ideas. Two people gather in a forum to present and dispute the data used, the methodologies applied, the empirical evidence offered, and the conclusions and conjectures both might draw from their own thinking. There’s some light moderation and Q & A from the audience:

Maybe vocation, purpose and meaning have A LOT to do with our current issues. How to live and what to do?

Some Thoughts On That Camille Paglia Write-Up At The City Journal-Cosmic Reality? Also, Her Interview With Jordan Peterson

Full piece here.

Our author finds Paglia a welcome, often contrary, voice:

‘Behind that devotion to heterodoxy lies something softer. She [Paglia] admitted that she’s chosen to censor herself in front of her students, no longer teaching them, for example, Billie Holiday’s “Strange Fruit,” a song about lynching, which was for years an important part of her course “The Art of Song Lyric.’

I had a very competent, very good professor tell me she stopped teaching Sylvia Plath for somewhat similar reasons.  It was too much for some students.

‘In her slender 1998 book The Birds, for example, published by the British Film Institute, she [Paglia] writes that the Hitchcock classic is “in the main line of British Romanticism, descending from the raw nature-tableaux and sinister femmes fatales of Coleridge.”

One could do worse than study British Romanticism (Wordsworth, Keats, Mad Bad Byron), despite the problems that come in glorifying (M)an and (H)umanity.  Some people are so busy glorifying (M)an they treat actual men appallingly.  The record isn’t always so (I)deal.

One could do worse than the Romantic return to Nature as a worthwhile area of study, (despite a serious German problem, among others). The Modernist response to Romanticism (Bloomsbury, Eliot, Pound) and some current neo-classical retorts out of the postmodern soup could take up a few good semesters.

Heck, there’s plenty of good blank verse out there right now, and American Romanticism and American pragmatism have much to recommend.

So much to learn!

Our author finishes with:

‘Cosmic reality is both wondrous and terrifying to her. “The sublime,” she said, “opens up the vastness of the universe, in which human beings and their works are small and nothing!” The world may be less enchanted than it was when Paglia was a child, but she still stands in awe of it. Her life’s work has been to share that message with others.’

There’s plenty to share, and, for what it’s worth, John Williams playing Isaac Albeniz’ Cordoba can induce a sublime state for me (especially at minute 1:20):

I think this is more reflection and a desire for the holy and larger-than-myself (ducking away from busy streets, into the quiet interplay of shadow and sun, observing the stars carved into the ceiling and looking for patterns).

Dear Reader, I’m accustomed to my own little corner of the internet, where I traffic in low-traffic.  I synthesize many of my own experiences, ideas and other people’s thoughts into occasional bursts of competency.

In the video below, Camille Paglia and Jordan Peterson discuss a shared view that post-structuralism (Foucault, Lacan, Derrida) has impoverished much of the humanities.  As Paglia notes, the older-school New Criticism at least had some devotion to truth in its close textual readings.

She might share some similar intellectual ground with Peterson in using Nietzsche’s nihilist toolkit to examine many modern problems in the arts and where people are finding meaning in their lives (the move from Schopenhauer’s Will To Nietzsche’s Will To Power).  Deploying Nietzsche’s Apollonian/Dionysian dichotomy, too, into pop culture gives Paglia some depth as she tries to synthesize high and low (Madonna, George Lucas, Alfred Hitchcock).  Despite her affinity for actual 60’s Marxist radicals which I don’t share (many of whom LSD’d their way into oblivion), Paglia pushes against many feminists and careerists from this radical point-of-view.

She’s a popularizer appealing to a large audience and a contrarian in the sense of the word for which I have some respect.

In fact, both have an ability to appreciate and understand many knowledge claims made by many Englightment and post-Enlightenment fields of study.  One shouldn’t have to become anti-empiricist (including nihilism), nor anti-humanist, in seeking a good humanities education.

Many postmoderns (and some Nietzscheans, for that matter) dislike being called-out their on relative ignorance of the sciences. From mathematics to statistics, from chemistry to biology, from psychology and on down the line to history, many institutionalized folks imagine themselves often standing outside, and in radical opposition to, the civilization and institutions they are entrusted to maintain.

One of the reasons I suspect both Paglia and Peterson are in a currently ‘semi-banished’ cultural space is that they both openly claim a respect for the wisdom and depth found in the Bible (whatever your thoughts on the transcendent claims to truth and knowledge found therein).  It appears both take a deeply tragic view of life and human nature, and both reject the rejection of traditions so much in vogue these days.

Notice this is enough to upset the apple-cart of many  ‘-Ists,’ from feminists to gender activists to many Left-leaning coalitions of political utopians and social justice seekers, often seeking institutional authority while claiming all current institutional authority is illegitimate. Many such ideas have become very mainstream, indeed.

If you haven’t noticed such ‘-Ists,’ it seems they and I’d argue, too, that you maybe should be paying more attention.

Related On This Site:  Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…See the comments Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was SuccessfulUpdate And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

Kant chopped the head off from German deism and the German State has been reeling every since…is value pluralism a response?: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Is there a move afoot in America away from religion, social conservatism, and toward morality via secular Enlightenment ideals…towards value-free relativism?  toward secular morality?:  Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’Repost-Steven Weinberg’s Essay ‘On God’ In The NY Times Review Of BooksRoger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’ …Will Wilkinson At Forbes: ‘The Social Animal by David Brooks: A Scornful Review’..

Via A Reader-Isaiah Berlin’s Lectures On The Roots Of Romanticism

Bonus interview with Roger Scruton on his ‘Fools, Frauds, & Firebrands:’

Roger Scruton-Sad News

Roger Scruton has announced this bit of news via his newsletter.  I have quite a few of his books, and have been quite influenced by the man.  Get well.  Take it one day at a time.

In honor of his influence:

First Of Three Charles Test Lectures Hosted By Princeton University-In the Q & A afterwards, Scruton receives about as pointed a post-lecture questioning on his metaphysics as I’ve seen.

In the final moments, Robert George also posits that Scruton’s four presented categories actually rather resemble Aristotle’s Order of Nature and three of them Aristotle’s Practical Reason.

Interesting presentation by an interesting thinker, indeed.

Below is some criticism of Scruton from a Kantian-Friesian line of thinking.

Is there a turn back towards the Hegelian ‘we’ from the Kantian ‘I?’

Scruton’s attractive and practical deployment of the ‘lebenswelt’ in describing the day to day relationships in which we find ourselves (a tissue of contingencies, possibilities and ‘I’ ‘thou’ relationships) provides robust criticism of the totalitarian ideologies and scientism of post-Enlightenment ideological utopians.  This has been highly valuable and rather courageous.

Are the potentially Hegelian dangers to abstract, absolutize and collectivize still present?

‘Now, I think that this is an accurate and honest presentation of Wittgenstein’s thought, except perhaps for the notion of “an independent world,” which sounds like a metaphysical assertion; but it also makes it look like Roger Scruton has fallen into the same kind of dark well as the “nonsense machine” of post-modernism that he examined in his other book.

First of all, if we have decided that the “emphasis” of Frege on truth is now to be replaced with the “more fundamental demand” that our language conform to “correctness,” alarm bells should go off. There is in fact nothing more fundamental than truth, if we are talking about knowledge or logic (and not just “communication”); and “correctness” could mean anything, varying with the standard that is applied to judge it. But we quickly get what the standard of “correctness” is, and that is the “common usage” that has “created the rules,” outside of which we cannot “look,” to govern our linguistic practice. These are rules that the invididual cannot decide for himself but that somehow “we,” collectively, in our “form of life” have created.

Key points there are that the autonomous individual and the “independent world” have both dropped out of the treatment. Scruton, as we might suspect for a Hegelian, does not speak up for the individual, but even his explicit invocation of the “independent world” is immediately voided by the assertion that only language itself, in its practice, correctness, and form of life, determines what is going to stand as the equivalent of truth. Thus, the chilling absurdity is that “the ultimate facts are language,” while, naively, we might think that facts are characteristics of the “independent world” that determine truth, as the Early Wittgenstein himself had said. In an objective world without facts, language is the substitute (whose status is somehow established by facts about the world).’

What are some dangers of the projects of reason in the wake of the Enlightenment, or stretching post-Enlightenment reason into a replacement for God, tradition, and Natural Law: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”Trolley Problems, Utilitarian Logic, Liberty, Self-Defense & Property

Leo Strauss tried to tackle that problem, among others with the reason/revelation distinction, did he succeed? How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Addition: As a friend points out: Strauss is trying to get around the 2nd Nietzschean crisis of modernity, and the cinching and tightening of moral, political, and philosophical thinking into only an Enlightenment and post-Enlightenment pursuit of truth under Reason alone. The Natural Right and Natural Law Philosophies, including and a pursuit of the truth which can involve religion (Augustine?), or Greek conceptions of the good and the true as applied to the city-state vastly broaden and prevent the inherent nihilism in these waves of modernity as Strauss saw them…historicism being one of these Enlightenment pursuits, from political science to the social sciences to Hegelian and post-Hegelian historicism…the logic is followed to its inherently nihilistic ends. This poses a threat to individual liberty among other things…

Repost-Wandering the Sea Of Fog Above Your Hotel Bed-Diminished Things: Theodore Dalrymple On Susan Sontag

From Fans Of Theodore Dalrymple: ‘The White Race Is The Cancer Of The Human History.’

Susan Sontag couldn’t mean such nonsense, could she?

‘The truth is that Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, Balanchine ballets, et al., don’t redeem what this particular civilisation has wrought upon the world. The white race is the cancer of human history; it is the white race and it alone — its ideologies and inventions.’

Yes and no, probably.

Traversing the rocky outcrops of the postmodern landscape can lead to occasional outbursts of moral grandeur.  Beneath the fog, hilltops can present themselves as though all of ‘(H)istory’ is coming into view.

Bathing in the thermal pools of group identity, deep inside of this ritual or that, perhaps chanting ‘power-theories’ to feel some warmth and comfort; all may quiet the conscience for a time.

Sooner or later, though, action is required. The injustice becomes unbearable.  The Self lies suspended atop ‘(H)istory’ and the utopias to come under its oppressions.

What were once Romantic visions of grandeur high above the clouds (is that an old German castle?) were still available to some Modernists, but maybe even fewer postmodernists, yet.

Where are these things headed?

Addition: It would seem I can state the radical case well enough that actual radicals are mistaking this post for one of sympathy.

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Be careful where you put your Self, dear reader, as your moral sentiments, hope and despair will follow.

If I’m going to make an appeal to your Self, then at least let me do it in more pragmatic fashion, away from these many post-Enlightenment dead-ends and radical discontents.

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

Kelley Ross responds to a correspondent on Isaiah Berlin’s value pluralism, while discussing John Gray as well:

Now, I do not regard Berlin’s value pluralism as objectionable or even as wrong, except to the extend that it is irrelevant to the MORAL issue and so proves nothing for or against liberalism. Liberalism will indeed recommend itself if one wishes to have a regime that will respect, within limits, a value pluralism. I have no doubt that respecting a considerable value pluralism in society is a good thing and that a nomocratic regime that, mostly, leaves people alone is morally superior to a teleocratic regime that specifies and engineers the kinds of values that people should have. However, the project of showing that such a regime IS a good thing and IS morally superior is precisely the kind of thing that Gray decided was a failure.

Thus, I believe Gray himself sees clearly enough that a thoroughgoing “value pluralism” would mean that the regime of the Ayatollah Khomeini is just as morally justified as the regime of Thomas Jefferson. Gray prefers liberalism (or its wreckage) for the very same reason that the deconstructionist philosopher Richard Rorty prefers his leftism: it is “ours” and “we” like it better. Why Gray, or Rorty, should think that they speak for the rest of “us” is a good question. ‘

and about providing a core to liberalism:

‘Why should the state need a “sufficient rational justificaton” to impose a certain set of values? The whole project of “rational justification” is what Gray, and earlier philosophers like Hume, gave up on as hopeless. All the state need do, which it has often done, is claim that its values are favored by the majority, by the General Will, by the Blood of the Volk, or by God, and it is in business.’

And that business can quickly lead to ever-greater intrusion into our lives:

‘J.S. Mill, etc., continue to be better philosophers than Berlin or Gray because they understand that there must be an absolute moral claim in the end to fundamental rights and negative liberty, however it is thought, or not thought, to be justified. Surrendering the rational case does not even mean accepting the overall “value pluralism” thesis, since Hume himself did not do so. ‘

The radical and rationalist project, anarcho-syndicalism and libertarian socialism: Repost-From Michael Totten At World Affairs: “Noam Chomsky: The Last Totalitarian”

Somewhere from the old aristocratic Russia softly speaks a keen mind in beautiful, strange English: Michael Dirda At The Washington Post Reviews ‘Nabokov in America’

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Via Youtube-‘Week 2 Leo Strauss-The Three Waves Of Modernity’

From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Postmodern Pushback-Some New Links & Lots Of Old Links Gathered Throughout The Years

Discussed in the video: James Lindsay’s cogent account of his experiences in the Atheism movement, and the emergence of Atheism Plus.  He attempts to use moral psychology (he mentions Jonathan Haidt) to explain many religious-seeming elements of the woke, social justice crowd.

Also, the two touch upon Critical Theory, and the next generation of post-post-modernists, reacting against the previous generation.

I doubt movements like this ever really die, especially ones committed to the logic of radically standing apart from all institutions of authority, traditions, systems and social arrangments;  the lone, brilliant artists and the academic poseurs cloaked within the glamour of nihilist jargon and bad epistemologies.

Lindsay also mentions the Stephen Hicks/Thaddeus Russell debate:  ‘Postmodernism Is Necessary For A Politics Of Individual Liberty

Related On This Blog:

Martha Nussbaum on Judith Butler: ‘The Professor Of Parody

Postmodern generator here, via David Thompson.

Simon Blackburn revisits the Sokal hoax.

The Sokal hoax:

“…in 1996 the radical “postmodernist” journal Social Text published an article submitted by Alan Sokal, a mathematical physicist at New York University, with the mouthwatering title “Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity.” Sokal then revealed the article to be a spoof…”

Sokal has been busy ruminating since that paper, and Blackburn, a Cambridge philosophy professor, reviews his ruminations.

Mentioned In The Review:  Kant, Karl Popper, Einstein, postmodernism, a sympathetic account of the academic postmodernist climate, Heisenberg and Niels Bohr, (T)ruth, Richard Rorty…


Daniel Dennett from 1998: Postmodernism and Truth

‘When I was a young untenured professor of philosophy, I once received a visit from a colleague from the Comparative Literature Department, an eminent and fashionable literary theorist, who wanted some help from me. I was flattered to be asked, and did my best to oblige, but the drift of his questions about various philosophical topics was strangely perplexing to me. For quite a while we were getting nowhere, until finally he managed to make clear to me what he had come for. He wanted “an epistemology,” he said. An epistemology. Every self-respecting literary theorist had to sport an epistemology that season, it seems, and without one he felt naked, so he had come to me for an epistemology to wear–it was the very next fashion, he was sure, and he wanted the dernier cri in epistemologies. It didn’t matter to him that it be sound, or defensible, or (as one might as well say) true; it just had to be new and different and stylish. Accessorize, my good fellow, or be overlooked at the party’

Worth a read.

The arts and humantities can be given a seriousness of purpose, I’m guessing, but must that purpose necessarily be scientific?

Do creative musical/artistic geniuses really need to understand particularly well how the sciences advance? How much does it matter that a theater major understands how the sciences come to say true things about the world and predict with high accuracy how nature behaves beyond a science course or two?

I could be wrong.

Clearly, one problem is that out of the postmodern malaise comes the nihilism, moral relativism and general desperation where many can be found clinging to the sciences, or some standard of rationalism and reason that doesn’t seem sufficient in answering all the questions religion claims to answer, nor doesn’t seem sufficient as a platform to understand human nature, history, tradition, the wisdom in our institutions, and the experience past generations can offer beyond its own presumptions.

Lots of people can thus make ideology their guide and political change their purpose, or the State their religion and their own moral failings or moral programs everyone’s moral oughts through the law and politics.

Who has the moral legitimacy to be in charge?

Quote found here at friesian.com (recovering Kantian idealism through post-Kantian philosopher Jakob Fries):

‘Oddly enough, it is the intellectual snobbery and elitism of many of the literati that politically correct egalitarianism appeals to; their partiality to literary Marxism is based not on its economic theory but on its hostility to business and the middle class. The character of this anti-bourgeois sentiment therefore has more in common with its origin in aristocratic disdain for the lower orders than with egalitarianism.’

John M. Ellis, Literature Lost [Yale University Press, 1997, p. 214]


Using quite a bit of German idealism (Hegelian) to get at the problem:

Roger Scruton here.

Book here.

‘While I am complaining, I will also note that Scruton has nothing to say about how several of these figures—especially Žižek and Alain Badiou, along with Jacques Derrida, who is barely mentioned here—have played a role in the so-called “religious turn” of humanistic studies, in which various movements generally called “postmodern” find a significant place for religion in their reflections, if not in their beliefs or practices. This marks a significant departure from the relentless secularism of most earlier forms of European leftism, and that deserves note. Nor does Scruton account fully for Jürgen Habermas’s reputation as a centrist figure in the German and more generally the European context. (Habermas too has spoken more warmly of religion in recent years.’

I’ve heard Scruton’s rather sober vision of the good society referred to as ‘Scrutopia’ by dissenters:

On this site, see:

More Scruton here.

So, what is all this Nothing-ness about? ‘My view’, says Scruton, ‘is that what’s underlying all of this is a kind of nihilistic vision that masks itself as a moving toward the enlightened future, but never pauses to describe what that society will be like. It simply loses itself in negatives about the existing things – institutional relations like marriage, for instance – but never asks itself if those existing things are actually part of what human beings are. Always in Zizek there’s an assumption of the right to dismiss them as standing in the way of something else, but that something else turns out to be Nothing.’

Steven Pinker piece here.

Pinker boils his argument down to two ideals:

‘The first is that the world is intelligible. The phenomena we experience may be explained by principles that are more general than the phenomena themselves.’

and:

‘The commitment to intelligibility is not a matter of brute faith, but gradually validates itself as more and more of the world becomes explicable in scientific terms.’

Hilary Putnam and Bryan Magee discuss the ‘treasure chest’ vision of science, where you just keep filling up the chest with more and more knowledge.

————————

Pinker’s second ideal is as follows:

‘The second ideal is that the acquisition of knowledge is hard. The world does not go out of its way to reveal its workings, and even if it did, our minds are prone to illusions, fallacies, and superstitions.’

One of the other debates here is about where meaning shall be found, in politics, in ethics, as a foundation for the humanities, and religion, as all manner of other ideas fill the void.

Addition:  I guess I’m trying to say that I remain skeptical the sciences can properly scale. Many people claiming to have a scientific worldview are curiously more committed to ideas downstream of scientific inquiry. This can involve an idealized or popular, mummified vision of ‘science,’ (the science is clear, it’s on on my side, we must act together or vote for x) or even ‘anti-science’ nihilism and destructive cultism (the universe is a meaningless void, you’re utterly alone, here’s exactly what the scientists don’t want you to know, so join us).

Related On This Site:  From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

From Darwinian Conservatism: Nietzsche-Aristocratic Radical or Aristocratic Liberal?

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”… From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.…  Repost: Another Take On J.S. Mill From “Liberal England”

Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge

More here from the Times Literary Supplement.

I suppose ‘anarcho-syndicalism’ and/or ‘libertarian socialism’ is better than the dead-ends of socialist doctrine.  Noam Chomsky actually had enough computational/scientific training to be dismissive of postmodern thought. Perhaps after Kant’s transcendental idealism, Chomsky really does believe that morality, like Chomsky’s innatist theory of language, is universal and furthermore hard-wired into the brain.  This could lead to a political philosophy of either universalism or nihilism, or at least his retreat into anarchism or anarcho-syndicalism away from such idealism.  There’s little to no room for the individual in such a vision.  Perhaps Chomsky has never seen life, liberty and property and the individual except from such a vantage point:  Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge

What about value pluralism…positive and negative liberty?: The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Martha Nussbaum criticizing Chomsky’s hubris in Martha Nussbaum In Dissent–Violence On The Left: Nandigram And The Communists Of West Bengal

Friday Poem-Dana Gioia

California Hills In August

I can imagine someone who found
these fields unbearable, who climbed
the hillside in the heat, cursing the dust,
cracking the brittle weeds underfoot,
wishing a few more trees for shade.

An Easterner especially, who would scorn
the meagerness of summer, the dry
twisted shapes of black elm,
scrub oak, and chaparral, a landscape
August has already drained of green.

One who would hurry over the clinging
thistle, foxtail, golden poppy,
knowing everything was just a weed,
unable to conceive that these trees
and sparse brown bushes were alive.

And hate the bright stillness of the noon
without wind, without motion,
the only other living thing
a hawk, hungry for prey, suspended
in the blinding, sunlit blue.

And yet how gentle it seems to someone
raised in a landscape short of rain—
the skyline of a hill broken by no more
trees than one can count, the grass,
the empty sky, the wish for water.

Dana Gioia

Thanks, reader.  What are you doing with your imagination? (the first and last lines).

Repost-Via A Reader Via ABC Gotham-‘Ugliest Buildings, Part I: Brutalism’

Full podcast here.

Brutalist architecture flourished from the 1950s to the mid-1970s, having descended from the modernist architectural movement of the early 20th century. The term originates from the French word for “raw”, as Le Corbusier described his choice of material béton brut, meaning raw concrete in French.’

Our local host and local guest pick favorite (unfavorite) examples of ‘raw concrete’ buildings in NYC and alternately discuss some facts about each one.

Some buildings mentioned: 375 Pearl Street is being worked on.  The ‘Krull‘ Long Lines building is not for use.

As posted

Some people who commissioned Boston’s City Hall were probably thinking they were bringing something new and wonderful into the world: Inspiring, modern, transformative.

The folks at bureaucratic levels up-top would steer this concrete ship, scanning the Horizon for The Future. The People down below, justly and benevolently guided, would feel welcome and do people-y, citizen-y things as though in a terrarium.

Maybe that’s why it’s not so popular.

Well, at least it isn’t Buzludzha, The Communist Spaceship plopped down as though from a world of Pure Ideology, Nature properly subdued:

As previously posted:

–Visit Lileks.com. A fine humorist with a sharp pen and a keen eye.

Here’s Australian art critic Robert Hughes discussing the Albany plaza, and almost hyperbolically criticizing the aims of modernist architecture.

***Fun fact, he pronounces the “Boogie Woogie” the “Boo-gie Woo-gie.”

Modernism goes to the movies.

Some pictures at the link.

There’s mention of the Mt. Rushmore house at the end of North By Northwest. I suspect some among us have wanted to live in a modernist lair.

From an article in Der Spiegel on the Bauhaus, where modernism got its start:

‘The real feat achieved by Gropius and his cohorts was to have recognized and exposed the sociopolitical and moral power of architecture and design. They wanted to exert “effective influence” on “general conditions,” fashion a more just world and turn all of this into a “vital concern of the entire people.”‘

See Also: They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar ManFrom Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’