Update & Repost-You, Sir Or Ma’am, Are Probably As Bad As Hitler, And You’re Getting Warmer

Timothy Snyder’s then new book ‘The Next Genocide.

Bruce Everett on the book:

‘It’s de rigueur on college campuses to pledge allegiance to the climate agenda, denouncing Luddites who impede progress on the climate policies that all right-thinking people support. Those of us who work in academia are used to this ritual, but every once in a while an academic decides to distinguish himself by making his denunciation louder and more strident than the rest of the crowd. ‘

Personally, as someone interested in reserving my right to skepticism and following my limited understanding of climate science data (quite possibly happening, not clear how drastic, predictions are hard, especially about the future), climate change activism suspiciously resembles an ideological refugee camp for many followers of failed theories of history.

This is off-putting, to say the least.

From a reader: Christopher Essex discusses ‘Believing In Six Impossible Things Before Breakfast, And Climate Models:’

It really shouldn’t be that difficult a thing to keep a strong interest in the natural world and a desire to understand it quite apart from such true-belief, collectivist virtue-signalling, hyperbole and ideology.

This stuff is complicated!

It also seems obvious that some climate radicalism has congealed into an idealism guiding much establishment conventional wisdom, producing an enormous gravy-train of special interests, economy-stifling regulations and questionable incentives. At present, it would seem a vast majority of people busy scribbling for media outlets believe in climate change as much as they believe in anything.

As for Hitler, that reminds me to plug my remaindered pulp title: ‘Hitler’s Hell-Girls And The Venetian Platform Of Doom

Back cover blurb: ‘It’s 2076, and the Climate Wars have broken-out. Earth hangs in the balance. Quietly, Hitler’s head has been kept alive on a sub-station orbiting Venus, doing quality research on surface conditions and geology. When the first band of refugees arrives however, old ways return. Soon, Goering’s space-ghost is leading an army of Catholic school girls who’ve traded-in their plaid-skirts for brown-shirts. Can anything stop this nightmare from reaching Earth?’

He’s right…you know zat?

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The problem with people needing to believe in something begins with the idea that ignorance is the rule, not the exception.  It begins anew every time a baby is born, and we want babies to be born, but we really don’t like the idea that as individuals, our personal catastrophe awaits (at best, we leave something behind).

Some people will turn observation, data collection, statistical modeling and possible future outcomes into something like a religion/belief system.  This can threaten free speech and thought, which helps us arrive at the truth:

As previously posted: Bathe in the bathos of a warming world:

A reader sends a link to a SF Gate review of poet Jorie Graham’s ‘Sea Change:

‘In “Sea Change,” Graham becomes Prospero, casting spells by spelling out her thoughts to merge with ours, and with the voices of the elements. The result is a mingling of perceptions rather than a broadcasting of opinions. Instead of analysis, the poems encourage emotional involvement with the drastic changes overwhelming us, overwhelm- ing the planet.’

and:

‘Strengths and weaknesses, flows and ebbs, yet every poem in “Sea Change” bears memorable lines, with almost haunting (if we truly have but 10 years to “fix” global warming) images of flora and fauna under siege. Jorie Graham has composed a swan song for Earth.’

Oh boy.

What are these poems being asked to do?

Repost-Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

***Who do you trust for discussions of the arts and culture, and would you just rather publications be up front about their ideological bents and loyalties?

Related On This Site: Snyder is perhaps not a fan of libertarianism Timothy Snyder Responds To Steven Pinker’s New Book At Foreign Policy: ‘War No More: Why The World Has Become More Peaceful’

Christopher Hitchens At Slate: Yale Surrenders

From Youtube Via Reason: ‘Robert Zubrin: Radical Environmentalists And Other Merchants Of Despair’Ronald Bailey At Reason: ‘Delusional in Durban’A Few Links On Environmentalism And Liberty

Patterns In Nature, The Alhambra, Brexit & Oumuamua-That’s A Mouthful

-Via David Thompson, Cristobal Vila and Infinite Patterns.  Speaking of connecting geometry, (N)ature and architecture, a reader links to Penrose tiles.

There’s good discussion of the Alhambra at the Infinite Patterns link; which contains wonderful and intricate tilework (including and aside from the important Moorish influence, I just want to remind that the Spaniards are among the best visual artists in the world ((El Greco, Goya, Velazquez, Picasso)).

Imagine yourself high above Grenada, a hot summer day winding-down.  Your feet are tired.  Your back aches and the straps on your bag, where they meet your shirt, even they are covered in sweat.

Evening breezes cause the trees to rustle on the surrounding hillside.  This is worth it. This must be why I came.  The sun’s light reflects off a thin, now visible, moon.  The sky is deepening to dusk; a royal blue.  There are a few traces of snow up in the Sierra Nevada.  Is that the smell of oranges on the air?  Roses?  Jasmine?

Is this real?

Other links:

-Christopher Caldwell from August 15th on ‘Why Hasn’t Brexit Happened‘  (Will it happen by October 31st, 2019?).

What if you just kept going, out into space?

-Via kottke.org via Vimeo, a composite of photographs depicting ESA’s Rosetta’s hard-landing on comet 67P/Churyumov-Gerasimenko.  I play it without the music.

-A pancake-shaped object, traveling for eons through interstellar space, likely becomes coated with regolith.  Where did it come from?  Probably some other solar system, ejected during planetary formation, long ago.  How long has it been out there?  A long, long time.

Orbital animation here.

An uncoventional theory is floated.  For a brief time, available evidence supports that this could be a light-sail on a reconnaissance mission; some kind of non-self-replicating von Neumann probe.  It’s a clever bit of science, really, and couldn’t we send out light sails in a bottle, pushed from our shore?

Statistically such a thing is unlikely, and intuitively, many sense that such a thing is statistically unlikely, but it manages to arouse public interest and excitement.

What are you doing with your hope?

Farewell, Oumuamua, we hardly knew ye.  The object accelerates, outgassing a bit as it leaves (on its sunward side), fading back into a deeper darkness.

How many of these things are out there?

The Race To Freedom-Andrew Sullivan At The NY Mag On The NY Times ‘1619 Project’

Colonists practicing freedom, becoming slowly habituated to running their own lives and affairs, taming an often hostile wilderness, ruled by a distant and increasingly controlling crown, require certain conceptual definitions of freedom.

They were written down in case you’re interested.

Activists practicing liberation, colonizing existing newsrooms and administrative hierarchies, tending to totalize all personal and public relationships into an oppressor/opppressed worldview, require other conceptual definitions of freedom.

Andrew Sullivan on the ‘1619’ project, at the NY Times:

‘The New York Times, by its executive editor’s own admission, is increasingly engaged in a project of reporting everything through the prism of white supremacy and critical race theory, in order to “teach” its readers to think in these crudely reductionist and racial terms. That’s why this issue wasn’t called, say, “special issue”, but a “project”. It’s as much activism as journalism.’

and:

‘But it is extremely telling that this is not merely aired in the paper of record (as it should be), but that it is aggressively presented as objective reality. That’s propaganda, directed, as we now know, from the very top — and now being marched through the entire educational system to achieve a specific end.’

As previously posted:

Jason Hill’s open letter to Ta-Nehisi Coates here.

Theodore Dalrymple’s review of Coates:

‘Coates fails to notice that his blanket exoneration of the perpetrators actually dehumanizes them. On his view, when the young perpetrators pull the trigger or thrust the knife in they are only vectors of forces, not agents with purposes, desires, plans, or motives. Therefore they are not really men at all, so that, ironically enough, they become for him Invisible Man writ large.’

Many black writers in America should be recognized as having crossed bridges over chasms in communicating their experiences, experiences which have often made even the best radicalize to some degree in the face of such injustice.

Regardless, I’m guessing we’re all best off if the same high standards are universally applied when it comes to quality of prose, depth of thought, scope of imagination and moral courage. Good writing deserves as much: Genuine, even if grudging or even if unfettered, respect.

Works of art are going to do what they’re going to do, polemics what they do, and I tend to believe that respect for the freedom, responsibility, agency and complexity of the individual ought to be central. Realizing the interior lives of others, especially if they’re just characters in a novel, even when they fail miserably and do horrible things, is what I’ve taken to be a core feature of writing which has moved me. This, much more than ideological solidarity and what may be the shared popular sentiment of the moment.

To my mind, there’s something comic about a man (and I can’t be alone) espousing rather radical political views (theories of victim-hood, a lack of individual agency and anti-white racism, postmodern ‘body’ talk etc.) while being feted, possibly with the intent of appeasement and assimilation, by mostly less radical (and often very white) audiences.

That’s got to create some tension.

As to politics and social institutions, sent in by a reader, here’s a talk given by John McWhorter about his views in ‘Losing The Race‘, a man who strikes me as politically amorphous, unsatisfyingly moderate for some, and often very sensible. As has been the case for a while, there [are] a whole range of views out there:

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From The Liberal Bastions-James Baldwin, Often

James Baldwin’s works are there to be read and thought about, his words and ideas echoing in your mind; your words formed in response.

Take or leave those words and ideas. You can write a paper, and forget them. They may deeply move and stir your moral imagination, or not.

Such is freedom.

A lack of freedom is demonstrated by uttering James Baldwin’s words as incantations seeking solidarity; chanted mindlessly by a mob of moral/ideological purists, shouting down anyone who might disagree.

Most of these low-rent, post-Enlightenment ideological re-enactors are happy to become stars; each of their own scripted passion-plays and soapy little dramas; tacitly cradled by the academics and administrators off-camera.


In this blog’s opinion, John Derbyshire has extended his own experiences into broader truth claims about race and empirical reality. He uses statistics and evidence to bolster his arguments. There are, frankly, quite a few people who agree with him.  What he says may simply be true, or contain truths, partial truths and misconceptions.  Some central claims may not be true.

Should one disagree, it must be demonstrated to him, and to others, why he might be wrong. Derbyshire’s intellectually honest enough to present his arguments clearly and cogently, as presumably he believes what he’s saying is true.

Become part of a much nobler process, dear reader. Most decent people already know better than to claim all the truth, moral goodness and virtue for themselves.

Related On This Site: What about black people held in bondage by the laws..the liberation theology of Rev Wright…the progressive vision and the folks over at the Nation gathered piously around John Brown’s body?: Milton Friedman Via Youtube: ‘Responsibility To The Poor’……Robert George And Cornel West At Bloggingheads: “The Scandal Of The Cross”

Race And Free Speech-From Volokh: ‘Philadelphia Mayor Suggests Magazine Article on Race Relations Isn’t Protected by the First Amendment’

Repost-Eugene Volokh At The National Review: ‘Multiculturalism: For or Against?

Journey To The Center Of The Navel

This Wendell Berry quote, from on “tolerance and multiculturalism,” from his essay “The Joy of Sales Resistance”, has stayed with me:

‘Quit talking bad about women, homosexuals, and preferred social minorities, and you can say anything you want about people who haven’t been to college, manual workers, country people, peasants, religious people, unmodern people, old people, and so on.’

Please do keep in mind Wendell Berry is NOT going to buy a computer.

My discount predictions (buy 2 get 1 FREE): Radical campus politics will continue to settle into newsroom malaise and an increasingly fevered search for meaning, identity and the Self in the culture-at-large.  Folks already committed to particular doctrines will continue seeking solidarity with other Selves through identity collectivism and group-belonging while making [elements of] politics, the humanities and the social sciences something like an exclusionary religion (the pathway to a better world).

Down below the radicals and up-top some high minded idealists, free-thinkers and all manner of others in-between, a bit like folks in a church, which is why there might be so much hatred and potential overlap with religious belief (to say nothing of the relentless focus on authoritarian/totalitarian impulses).

I’m pretty sure publicly taking the mildest ‘bourgeois’ stance on marriage, kids, work etc. will continue to make one an enemy, political and otherwise, to those gathered around such nodes.

The Boston Evening Transcript

The readers of the Boston Evening Transcript
Sway in the wind like a field of ripe corn.


When evening quickens faintly in the street,
Wakening the appetites of life in some
And to others bringing the Boston Evening Transcript,
I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld,
If the street were time and he at the end of the street,
And I say, “Cousin Harriet, here is the Boston Evening Transcript.”

T.S. Eliot

The best kinds of clubs tend to be those whose members aren’t even sure they’re in a club.

The most interesting kinds of people can be free-thinkers, maintaining their humility, kindling a flame of quiet moral courage when called-upon.

Some of these people are quite traditional, others, not so much.

Theodore Dalrymple on Banksy:

‘The enormous interest his work arouses, disproportionate to its artistic merit, shows not that there is fashion in art, but that an adolescent sensibility is firmly entrenched in our culture. The New York Times reports that a lawyer, Ilyssa Fuchs, rushed from her desk the moment she heard about Banksy’s latest work and ran more than half a mile to see it. Would she have done so if a delicate fresco by Peiro della Francesca had been discovered in Grand Central Terminal? In the modern world, art and celebrity are one. And we are all Peter Pan now: We don’t want to grow up.’

Well, I certainly hadn’t noticed an adolescent sensibility at the NY Times. Certainly not.

An image of one of those Peiro della Francesca frescoes here.

Perhaps it’s worthwhile to view Banksy as a kind of poor man’s Damien Hirst: A ‘working-class’ British guy with some native talent but not too much in the way of formal training nor arguably lasting artistic achievement (perhaps in the ‘graffiti’ world). Instead of working as a gallery, mixed-media modern installation artist like Hirst, he’s followed the street-graffiti path leaving ‘transgressive’ messages on politics and ethics scrawled across the cityscape in anonymity. For all his irony, and the fact that he’s likely in on the joke, Banksy still finds himself subject to the larger forces at work where art, money, & fame are meeting.

As a girl in Seattle here mentioned to me at a party: ‘His work is a meta-commentary on art, commerce, greed, creativity and all that. His becoming a commodity is the ultimate irony.’

Deep, man, deep.

Yet, as to Dalrymple’s point, I could imagine an adult sneaking off to check out a Michaelangelo fresco with childlike anticipation, and maybe even a little childish or adolescent delight at being the first to arrive. Of course, I think that fresco tends to engender a much deeper and complex response than that of Banksy’s work and ‘social commentary’, but the desire for beauty, hope, and brief bursts of transcendence aren’t going anywhere. This reminds me of Richard Wilbur’s poem: ‘First Snow In Alsace.‘ which evokes the grim realities of war and suffering covered up by a beautiful snowfall.

Here are the last stanzas and line:

…You think: beyond the town a mile
Or two, this snowfall fills the eyes
Of soldiers dead a little while.

Persons and persons in disguise,
Walking the new air white and fine,
Trade glances quick with shared surprise.

At children’s windows, heaped, benign,
As always, winter shines the most,
And frost makes marvelous designs.

The night guard coming from his post,
Ten first-snows back in thought, walks slow
And warms him with a boyish boast:

He was the first to see the snow.

The worst war can bring is juxtaposed against our simple childlike wonder (and possibly childish) delight at that which is beautiful and mysterious in nature. Of course, such desires can help cause the destruction of war, too, but…hey. People love to be the first and the coolest. As Dalrymple argues above, these childish impulses are the ones that should not be so easily encouraged nor celebrated, especially by Banksy nor his reviewers at the NY Times. I pretty much agree.

On that note, Dear Reader, I’d like to leave you these words from Slate’s review of that hot new motion picture-film, Joker:

‘The opening scene, in which Arthur, who’s peacefully but unhappily twirling a sign for a discount store, is taunted and then beaten by a gang of Latino-coded thugs, draws directly on the narrative of white persecution so effectively weaponized by Donald Trump.’

Glorious!

Repost-Within A Bank Of Modern Fog-Another Link To Robert Hughes On Jeff Koons

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There’s always been a bit of the showman about Jeff Koons; the kind of young man who could put on a bow tie and try to give many museum-goers their time/money/aspirations’ worth at the membership desk.

This blog forgives people trying to explain what their art ‘means,’ exactly, but confesses to pleasure in seeing Koons put on the spot under the suspicious eye of an ornery old Robert Hughes.

I don’t fault Koons for finding himself firmly within modernism, searching for universal forms and broader historical context within those confines, but I admit it’s nice to see him held to account for his bullshit, and perhaps the broader, deeper bullshit he shares with many modern and postmodern artists: Pursuing novelty and recognition and thus making art into a business and often commercializing it, aiming for celebrity while offering meta-critiques on celebrity, making the personal and private very public (masturbation into social commentary, sex into meta-critques of religious shame, ‘culture’ and pornography).

Two quotes by Hughes that stood out:

Religion is diminished into celebrity..a kind of reverse apotheosis.

‘This alienation of the work from the common viewer is actually a form of spiritual vandalism.’

It’s tough to say that art is really about religion (though much clearly is), but rather more about an experience Hughes wants as many people as possible to have, and that such experiences can elevate and expand.

Aside from the above, there’s something that strikes me as not just late 20th century-modern about Koons, but also very American.

As previously posted:

Is street-art, or the use of graffiti & mixed-materials performed illegally out in public (on public and privately owned property) partly due to the success of capital markets?

-Banksy’s website here.

-Newsweek’s piece: ‘See You Banksy, Hello Invader.

Response To A Reader On ‘Radical Chic’ And A Link to Banksy’s ‘Dismaland’

I’d argue that it’s possible, especially with the constant cries of modernism to ‘make it new,‘ I think this is one way we’ve arrived at pop art, and the desire to blend conceptual art and popular music together. This is in evidence from The Talking Heads to Lady Gaga to Jay Z promoting his new album alongside Marina Abramovic at MOMA.

Many modern artists, from Andy Warhol to Jeff Koons to Damien Hirst are people with some artistic talent and native gifts, but not as much in the way of classical and/or formal training. They may be trying to have a conversation with the old masters, but they are clearly also the products of, and speaking to, ‘modern’ audiences. Much of this has become a world of shallow depth, especially among the less talented. Drawing and drafting can be underdeveloped skills while ‘mixed-media’ presentations, celebrity, marketing, money and fame are all thrown into the same pot.

Also On This Site: Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.

Joan Miro: WomanGoethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

The British Are Coming, Darth Vaper And Just Look At That Parking Lot

I’m sure there’s already an outfit called ‘Serial Vapist’ (after twenty seconds of searching, yes, in fact, there is).

Here’s Matt Ridley on vaping, and most of the specious arguments made in favor of regulation:

‘Vaping is the perfect example of a voluntary innovation derived from free enterprise that delivers better human health, at no cost to the taxpayer, and no inconvenience to society — and causes pleasure. I neither smoke nor vape and have no financial interest in either, but I wish it every success.’

I AM your father.

As posted: It’s no coincidence that libertarian-minded folk at Reason magazine are addressing the issue. E-cigarettes could be confusing the children in NYC.  The FDA has recently been on the manufacturer’s case.  The City Council takes the smoking ban (get Big Tobacco!) a step further:

What’s a little surprising may be the rush to moral judgment, condemnation and control.

Addition:  Delivering stuff into your lungs with a ‘portable chemistry set’ is going to have side-effects, if we’re honest, but relative to smoking cigarettes and relative to the level of potential moral panic going around, I remain skeptical and open to data. I also remain somewhat skeptical that a movement towards ever-expanding individual freedoms, often towards anarchy, won’t have side-effects either.

Compared to modern revolutionary movements, radical activism, collectivist Romantic tribalism and the morally panicked, one could do much worse.

Get ready for some bloviating:

As this blog sees things, the posture of radical opposition to some existing rule or law, through claims of liberation from oppression, tends to yield an ever-growing list of new and/or hybrid rules and laws.  Radicals, after all, are still full of thoughts, beliefs, hopes, moral and aesthetic judgments etc.  No man is an island, least of all men enmeshed within liberatory, collectivist movements united against the oppressor.

It’s unsurprising that the Marxist tendency to conceive of all of life (personal and public) in economic terms, puts ever more pressure upon ‘capitalism’ and marketplaces (the freer flow of capital) to deliver meaning and purpose in people’s lives.  Though to be fair, some old-school Marxists are sticks-in-the-mud against the postmodern, post-Marxist drift towards radical individualism, nihilism and existentialism, critical of the many knowledge claims within the old systems.

Modern ideological movements tend to promise the good, the true and the beautiful all in one package.  (H)istory has a direction and a purpose which can be known; it can be visualized and actualized.  (H)istory, for the committed ideologue, has an end, and men’s ends can be known and actualized within this vision.

(S)cience, of course, provides precise mathematical and probabilistic knowledge of the Natural world, usually the best knowledge we have, based upon observation.  This knowledge can reach out and describe the material world, elements of which may actually empirically exist similar as they present themselves to our senses and the complex analyses some people perform.

What, I, personally, tend to see as a category error, however, lies in assuming the sciences can produce such knowledge transferable to (H)istory and (P)olitics without information loss; not merely what is, but what ought to be.

On that note, Theodore Dalrymple, prison psychiatrist, tries to take some claims of psychiatry down a peg or two.  Aside from the application of biology, medicine and psychology to people’s interior thoughts, psychology has had some serious reproducibility problems.

Perhaps that latest Self-Help indulgence, or that Psych 101 course applied to HR problem-solving is about as reliable as the abstract metaphysics of a young Man Of God?

Just look at that Parking Lot!:

Dalrymple comes at problems of psychiatry as a psychiatrist, and from the perspective of a humanist.  There’s deep suffering and deep wisdom in literature; the kind of which can cultivate humble self-reflection.  All people and all problems are not necessarily going to be solved in the DSM.

Some of [psychiatry’s] knowledge claims may be slightly inflated, hopes ready to be dashed and lives harmed, especially when they deal with people in prisons and on the edges of society, the most vulnerable and/or dangerous among us.

Any thoughts and comments are welcome.

Repost: Clive James At The Prospect On Joseph Conrad-Some Links

James revisits many quite original, quite accomplished works.

Of note to this blogger:

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

Clive James’ site here.

Michael Dirda on ‘Clive James Last Readings’ review: A Critic’s Final Homage To Literature, Life:’

‘In 30 brief essays James goes on to tell us — in his most digressive, conversational manner — about the books he’s discovered or returned to quite probably for the last time.’

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Not entirely unrelated:

John Gray begins a discussion of his book ‘The Silence Of Animals‘ with a quote from Conrad:

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Added bonus if you act now in the face of no possible objective knowledge.

Part of Bryan Magee’s series:

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Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic.

Related On This Site: From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’.

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy..

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

 

Maybe It’ll Become Cool To Skeptically Observe Coalitional Political Idealism. Maybe Not.

From Edward Feser: ‘Continetti on post-liberal conservatism:’

‘Continetti notes that post-liberals are “mainly but not exclusively traditionalist Catholics,” and proposes a test for determining whether someone falls into the category:’

One way to tell if you are reading a post-liberal is to see what they say about John Locke. If Locke is treated as an important and positive influence on the American founding, then you are dealing with just another American conservative. If Locke is identified as the font of the trans movement and same-sex marriage, then you may have encountered a post-liberal.

Feser again:

‘The late Michael Novak, who was no post-liberal, made a useful distinction between liberal institutions on the one hand, and liberal philosophical foundations on the other. Examples of liberal institutions would be the market economy, limited government and its constitutional constraints, and the rule of law. There is in fact nothing essentially liberal about any of these things, but they have certainly come to be closely associated with the modern liberal political order. Examples of liberal philosophical foundations would be Locke’s version of social contract theory, Kant’s conception of human civilization as a kingdom of ends, Rawls’s egalitarian theory of justice, and Nozick’s libertarian theory of justice.’

My speculation:  A deeper, broader American conservative coalition has broken apart (or is being renegotiated), and some religious folks no longer see a path forward through current culture and/or politics.  Some are recommending a retreat into communities of like minds in order to build again.  Retreat and regroup, even in Britain.  Genuine persecution is coming from radical activists pushing liberatory doctrines (Equality, Social Justice, Sexual Liberation), and these doctrines have increasingly become institutionalized (academia, government & corporations).  Coalitions of liberal idealists fail to observe the barbarians agitating at their own gates; the instability of their own foundations.

Looking at a liberal, Left and Democrat coalition, it too has broken apart (or is being renegotiated), the most true-believing Socialists and Communists still seeking authoritarian/totalitarian utopias here on Earth.  The persecution is coming from all existing forms of illegitimate, oppressive moral and political authority.  Violent revolution remains an option.  Anarchy is preferable to stability and slow change.

Coalitions of conservatives fail to observe the suffering and injustice of those not included within their closed-minded conceptions of home, hearth, family, Nation and God.  Progress is generally a moral good.  Coalitions of open-minded, educated, tolerant, individuals can make a better, human, more globally connected world.

John Locke quote found here:

“7. What is meant by enthusiasm. This I take to be properly enthusiasm, which, though founded neither on reason nor divine revelation, but rising from the conceits of a warmed or overweening brain, works yet, where it once gets footing, more powerfully on the persuasions and actions of men than either of those two, or both together: men being most forwardly obedient to the impulses they receive from themselves; and the whole man is sure to act more vigorously where the whole man is carried by a natural motion. For strong conceit, like a new principle, carries all easily with it, when got above common sense, and freed from all restraint of reason and check of reflection, it is heightened into a divine authority, in concurrence with our own temper and inclination.”

A quote from this piece over at the Atlantic: From The Atlantic: Samuel Huntington’s Death And Life’s Work

“Although the professional soldier accepts the reality of never-ending and limited conflict, “the liberal tendency,” Huntington explained, is “to absolutize and dichotomize war and peace.” Liberals will most readily support a war if they can turn it into a crusade for advancing humanistic ideals. That is why, he wrote, liberals seek to reduce the defense budget even as they periodically demand an adventurous foreign policy.”

I’ll keep putting it up, as it’s so relevant. A few central quotes from this article here:

Huntington was instinctively a conservative because he valued an ordered society, but he also championed conservatism as a necessary instrument to defend liberal institutions against communism. In many of his books he attacked idealistic liberals for holding such institutions to impossible, utopian standards that undermined their effectiveness in the world.”

and:

“An iconoclast to the core, Huntington never threw his lot in with left or right. He was too statist to be a libertarian, too realist to embrace neoconservatism, and too sympathetic to nationalism, religion and the military to identify with liberal Democrats. As a conservative Democrat, then, he is an intellectual rarity.”

Political Order In Changing Societies info here, a book likely worth your time.

Hey Kids, Come Over Here And Try Some Of This Depressive Realism-A Few Links & Thoughts

Ben Sixsmith ‘Art For The Age Of Social Media…

‘A YouGov poll on behalf of Homes & Antiques magazine has revealed that Banksy is Britain’s favourite artist.’

Dear Reader, I used to read ‘Homes & Antiques Magazine‘ religiously, hours of orange rinds scattered on my plate. ‘What does it mean?’

I used to drive half-dressed to the last parking lot on Earth, a few final photons bending through our atmosphere.

I could not outrun a racing mind, pacing among the dunes, staring out across an empty bay, salt winds curling the grasses: ‘Reese’s Peanut Butter Cups are FOURTH on the yougov most popular food and snack brands list.

Once you accept the idea that a good work of art can play deep chords, elevating you, proffering wisdom, awe, and pleasure, you generally wish to preserve it and hold it close, sharing in its illumination.  In such a light, a lot of other stuff can resemble so much kitsch strewn after a storm of technological and engineering progress..

Depending on how deeply and often you do this, you can become ‘refined.’

Sixsmith again:

‘We have been replacing a lack of cultural quality with cultural quantity. Instead than having rare moments of beauty, power and insight, we (or, at least, many of us) face a ceaseless barrage of the cute, the curious and the clichéd. Rather than seeking out artworks which flicker in our minds long after we have stopped looking at them, we browse past endless images that light our brains up like catherine wheels. Images are almost too accessible. We can see everything, and nothing matters. Like. Like. Like.’

As I currently see things, there are always questions of artistic sorts feeling constrained by convention, tradition, repetition and practice.  Money issues never really go away.  Now there’s just an arguably greater quantity of crap with which to compete for a reader’s attention.

Perhaps there’s also the condition of the isolated individual artist alone, conceiving of himself as outside all meaningful conventions, traditions and practices.  This, too, has become a convention, tradition and practice, for many artists and non-artists alike.  Selves speak to Selves.

Just stay on the surface of things, and move through:

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

Billy Collins

The confessional poets wove inner revelations into the architecture of their poems, and made themselves into active subjects.

A generation or two later, and they seem to have more prizes than poets.  From cartoons to comedians, many Selves are seeking hidden meanings behind every word.

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Repost-So, You’re Telling Me What’s Cool?-Theodore Dalrymple At The City Journal: ‘Banksy In Neverland’

Repost-Daniel Dennett: ‘Postmodernism And Truth’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Repost-Neither Commerce Nor Contemplation, Exactly?

Perhaps aestheticizing a city isn’t necessarily good for long-term prospects, at least not at the cost of actual jobs. Maybe it’s at best a second- or third- order priority.

Perhaps aestheticization can bring good to a city if there are already enough people providing goods in the city. Curating and criticizing art can be valuable, of course, but both seem second- or third-order priorities to actually making art (citizens, be wary of leaving arts in the hands of many enbalment-oriented Arts Councils, public radio and college professors, docents, Mayor’s Offices…they [often] have other interests and incentives aside from the art).

There are some things (bullshittery) which don’t sit right with me about the below video, this packaging of chocolate with high middle-brow tastes and vague Self-oriented hipster collectivism.

It strikes me as the kind of thing people from smaller towns and suburbs might imagine an ideal city to be on a visit, which is to say, potentially imbued with a lot of high middle-brow tastes these days (creative, urban, vibrant etc).

Such is my read, anyways, which probably says quite a bit about me.

The Mast Brothers invite customers into their process. They’re giving you bits of their individual Selves to mix with your individual Self as you band together towards the future that awaits. Come to the glittering Brooklyn upon the horizon.

Few chocolate-makers take pains to mention Mark Twain & Ralph Waldo Emerson in their promo videos:

From The American Conversative: ‘The Gentrification Trade-Off In Buffalo:’

‘Hidden away in the far western corner of New York State and straddling the Canadian border, Buffalo sometimes feels like the city that time forgot. Many of its storefronts, bars, and bowling alleys look like they haven’t been updated since the 1970s.’

Vincent Gallo has Italian roots and comes from an industrial, hard-working city full of Catholic immigrants and is also interested in the Arts. He was a visual artist who went to NYC, then L.A., and turned to film as a means to self-expression and potential financial success. Did he want Celebrity? Money? Fame?

This, apparently, is one aspect of ‘culture’ that’s been created:  The pursuit Self through celebrity, money and fame, as a thing that many, many people all share as an artifact of ‘culture.’

Probably all of the above in addition to self-expression and the pursuit of beauty and saying true things by creating images.

I can say it’s rare to find a tradition-defending aesthete and iconoclastic supporter of the Republican party. Maybe it’s the Buffalo roots.

It makes for great T.V. taking on the critics in a USA track-suit while defending the vision behind ‘Buffalo 66‘, even though he seems like, potentially, quite an asshole:

American cities relying on industries such as textiles, furniture, various light and heavy manufacturing, railroads, steel, coal, oil, automobiles etc. have seen good times come and go.

Sometimes the good times came and went one generation ago, sometimes three. Buffalo is certainly among those cities.

Will the good times come again?

It’s certainly making for ‘interesting’ politics.

The arts can be one lens with which to look at these problems and places…

Repost-Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

-Banksy’s website here. Newsweek’s piece: ‘See You Banksy, Hello Invader.

I’d argue that it’s possible, especially with the constant cries of modernism to ‘make it new,‘ I think this is one way we’ve arrived at pop art, and the desire to blend conceptual art and popular music together. This is in evidence from The Talking Heads to Lady Gaga to Jay Z promoting his new album alongside Marina Abramovic at MOMA.

Another lens to understand the world as a citizen is the social sciences, and this blog favors the contrarians amongst what is increasingly monolithic and received opinion:

Here’s a fine example of how to exchange ideas. Two people gather in a forum to present and dispute the data used, the methodologies applied, the empirical evidence offered, and the conclusions and conjectures both might draw from their own thinking. There’s some light moderation and Q & A from the audience:

Maybe vocation, purpose and meaning have A LOT to do with our current issues. How to live and what to do?