I Clear water in a brilliant bowl, Pink and white carnations. The light In the room more like a snowy air, Reflecting snow. A newly-fallen snow At the end of winter when afternoons return. Pink and white carnations – one desires So much more than that. The day itself Is simplified: a bowl of white, Cold, a cold porcelain, low and round, With nothing more than the carnations there.
II Say even that this complete simplicity Stripped one of all one’s torments, concealed The evilly compounded, vital I And made it fresh in a world of white, A world of clear water, brilliant-edged, Still one would want more, one would need more, More than a world of white and snowy scents.
III There would still remain the never-resting mind, So that one would want to escape, come back To what had been so long composed. The imperfect is our paradise. Note that, in this bitterness, delight, Since the imperfect is so hot in us, Lies in flawed words and stubborn sounds.
James Lindsay and Peter Boghossian further discuss their exposure of the specious knowledge claims behind targeted postmodern grievance studies programs (if it has ‘studies’ after it, you should probably study something else).
Don’t you dare laugh.
Intersectionalism, and many postmodern movements in general, have many characteristics of religious movements.
If you’re thinking the plan is to bring progress to all (M)ankind; ever more freedom to ever more people along the ‘arc of (H)istory,’ you might want to keep thinking.
Much high liberal idealism is ripe for satire. Much radicalism beneath high liberal idealism is dangerously narrow and rigid.
“‘…a morally concerned style of intellectual atheism openly avowed by only a small minority of individuals (for example, those who are members of the British Humanist Association) but tacitly accepted by a wide spectrum of educated people in all parts of the Western world.”
Alas, the mildly ambitious knowledge, hobby, and vanity project that it is this blog continues (it takes a LOT to listen, watch and paste a link to a Youtube video):
Jordan Peterson and Stephen Hicks. Recommeded:
Mentioned: Immanuel Kant and his transcendental idealism, Noam Chomsky, Friedrich Nietzsche, Karl Marx, Jacques Derrida, the American Pragmatic tradition and more.
‘In the shorter term, postmodernism has caused an impoverishment of much of the academic humanities, both in the quality of the work being done and the civility of the debates. The sciences have been less affected and are relatively healthy. The social sciences are mixed.
I am optimistic, though, for a couple of reasons. One is that pomo was able to entrench itself in the second half of the twentieth century in large part because first-rate intellectuals were mostly dismissive of it and focused on their own projects. But over the last ten years, after pomo’s excesses became blatant, there has been a vigorous counter-attack and pomo is now on the defensive. Another reason for optimism is that, as a species of skepticism, pomo is ultimately empty and becomes boring. Eventually intellectually-alert individuals get tired of the same old lines and move on. It is one thing, as the pomo can do well, to critique other theories and tear them down. But that merely clears the field for the next new and intriguing theory and for the next generation of energetic young intellectuals.
So while the postmodernism has had its generation or two, I think we’re ready for the next new thing – a strong, fresh, and positive approach to the big issues, one that of course takes into account the critical weapons the pomo have used well over the last while’
More On Nietzsche’s influence-Part of Bryan Magee’s series:
Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic Greek (the beginning of the end).
Quote found here at friesian.com (recovering Kantian idealism and moving in a libertarian direction):
‘Oddly enough, it is the intellctual snobbery and elitism of many of the literati that politically correct egalitarianism appeals to; their partiality to literary Marxism is based not on its economic theory but on its hostility to business and the middle class. The character of this anti-bourgeois sentiment therefore has more in common with its origin in aristocratic disdain for the lower orders than with egalitarianism.’
Roger Scruton was cast out of polite society just for trying to provide some context and pushback:
Land-art pieces are site-specific. They require you to be there and experience them, designed as they are to be within the specific spaces they occupy.
In so doing, they break from previous modernist ‘Readymades‘ and reproduced images (I don’t know about you, but I’m tiring of so many commentaries on consumerism, the desire for craft over mass production, a certain collective vagueness against such disposability…the dream of unique Selfhood, celebrity even, amidst a thousand urinals).
As a viewer, you’re supposed to interact with these pieces and start feeling and thinking differently than perhaps you might have otherwise. Walk around, through, and over them. View one hillock from another. Walk back over to the first hillock and look from whence you came. The view is never quite what you were imagining.
Clap inside of Serra’s ‘Vortex:’
Time is clearly intended to be an element, here; the long sweep of geologic and/or historical time as the artist understands it, as well as the relative brevity of personal time during just a 10-minute visit.
These pieces can act as signposts towards Nature and what we can begin to observe of our specific natural environments (steel rusts in unique, but perhaps underlying, patterns…winds blow at different angles and around different obstacles in one grove as opposed to another, these lichens are growing here…other lichens over there, are they the same species?).
If you pull the piece out of its specific environment, it may just wither and die, looking out-of-place as many other products of civilization do amidst natural settings (a jar in Tennessee). Perhaps, though, they won’t look quite so out-of-place as mass-produced objects because of such careful design and attention to detail.
That said, these pieces will eventually look quite awkward undergoing the changes they will undergo if Nature’s Laws are any guide (Romantic/Modernist recreations of Nature can promise the comforts of Home).
Here’s Wikipedia, keeping it simple:
‘Land art, earthworks (coined by Robert Smithson), or Earth art is an art movement in which landscape and the work of art are inextricably linked.’
‘Robert Smithson and Richard Serra both believed that sculpture should have a dialog with its environment. This program explores the challenging dialectic of the site-specific sculpture of Smithson and Serra through examples of their work. In an interview, Serra discusses the aspects of time and context in relation to his art as well as the influence of Smithson.’
Maybe it’s worth pointing out that Serra seems interested in symmetry, visualizing and realizing abstract shapes with the help of some mathematics and the practice of drawing/drafting. Interesting problems can arise from tooling around with shapes on paper (a practice of Serra’s), the kind I’m guessing folks fascinated by puzzles and software and math love to solve.
But Serra’s not a mathematician nor an engineer nor an architect. He’s not writing a proof for its own sake nor building bridges nor houses for practical use.
Rather, the intuitive and creative impulses of the artist take over in his work, a kind of creative exploration, as well as the dialog between fellow artists, living and dead.
Much (A)rt, of course, is useless for most, if not all, purposes. It’s one of the things that can make it meaningful for people. There can be a significant gap between what the artist may have felt, thought and realized, and which emotions, thoughts and experiences any viewer/listener might have in interacting with a particular piece.
Serra, in his work, wants to alter the thinking of anyone moving through the space he creates by manipulating specific substances like steel (he has a facility with the material), and by getting viewers to a point of reorientation of spatial and temporal awareness.
Of course, this involves reorientation towards certain ideas as he understands them, and by promising people a return to themselves, or a state of experience and creative play perhaps similar to that of the artist.
Here’s a Charlie Rose interview:
More about Land Artists:
Any thoughts and comments are welcome. Feel free to highlight my ignorance…
‘A state without the means of some change is without the means of its conservation. Without such means it might even risque the loss of that part of the constitution which it wished the most religiously to preserve. The two principles of conservation and correction operated strongly at the two critical periods of the Restoration and Revolution, when England found itself without a king. At both those periods the nation had lost the bond of union in their antient edifice; they did not however, dissolve the whole fabric.’
-Via Marginal Revolution: Digging deeper on that conservative revolution. Looks like we’re still trending towards more social liberalism?
A healthy skepticism regarding politics and politicians probably wouldn’t hurt people self-selecting towards certain ideals with the idea of re-designing, re-shaping and ‘modernizing’ our institutions.
‘The scientific study of politics is, then a great but limited achievement of our century. Like any other form of understanding, it gains its power from its limitations, but it happens that the specific limitations of science in its fullest sense are restrictive in the understanding of human life. But political science often escapes this limitation by ignoring the strict requirements of science as a discipline. Much of its material is historical and descriptive, as indeed it must be if we are to recognize that any understanding of the government of modern states cannot be separated from the culture of the people who live in them.’
Minogue, Kenneth. Politics. Oxford: Oxford University Press, 1995. (Pg 93).
‘The tattoo in modern society is thus a subject of greater interest and deeper significance than might at first be supposed, a subject worthy of reflection and a possible departure point for an assessment of the soul of modern man.’
Being something of a coward, I wouldn’t approach a bunch of guys outside a biker bar asking just what in the hell’s going on with all those tattoos. ‘Prison tat?’ doesn’t seem like the best icebreaker while strolling the Vegas strip.
Maybe soothing isn’t always what you need or want from your (A)rt?
Some of the stuff is pretty ecstatic:
The Tyger
Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry?
In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire?
And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet?
What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp!
When the stars threw down their spears And water’d heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee?
Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?
‘Bliss it was in that dawn to be alive
But to be young was very Heaven.’
Come see us at The Human Pagoda. Serve (M)ankind. We’re celebrating Progress, collective humanity and secular human transcendence daily. Liberation is Next. Nature is your home.
I’d like to point out the quote from William Wordsworth was celebrating the birth of not only new Enlightenment knowledge, but the French Revolution as it came to term.
It’s certainly not to be confused with popular 80’s American rocker band ‘The Romantics,’ singing about raw desires and the fears of infidelity.
***Addendum: Yes, Our Leader was caught mumbling phrases like I’m ‘tracing the hoarfrost design of your dreams‘ while hovering over the beds of some female community members. No, none of those members left or pursued legal action as a result. Emphatically, these events occurred over a period of incredible stress as the EPA raid and the aftermath took their toll.
What we do know or can infer from this video: A lot of hair spray and black Glad trash bags were used.
Will all roads will pass through the solar and wind energies of Peace Pavilion West, and the rooftop kale gardens of Manhattan’s Peace Plaza East (in the international, brutal style, of course)?
Will all (P)olitics, (H)istory, (A)rt and (S)cience finally be united in the utopia to come?
We shall have to wait and see.
As previously posted: Bathe in the bathos of a warming world:
‘In “Sea Change,” Graham becomes Prospero, casting spells by spelling out her thoughts to merge with ours, and with the voices of the elements. The result is a mingling of perceptions rather than a broadcasting of opinions. Instead of analysis, the poems encourage emotional involvement with the drastic changes overwhelming us, overwhelming the planet.’
and:
‘Strengths and weaknesses, flows and ebbs, yet every poem in “Sea Change” bears memorable lines, with almost haunting (if we truly have but 10 years to “fix” global warming) images of flora and fauna under siege. Jorie Graham has composed a swan song for Earth.’
Via a reader: Heather Heying, evolutionary biologist, and wife of Bret Weinstein, offers reasonable insight.
The sexes obviously can work together collaboratively, but I’m guessing neither a vast majority of women, nor some plurality of men, desire a return to previous traditional and religiously conservative sex roles, especially in the workplace.
One key will be continuing to identify, satirize and freeze-out radicals and narrow, rigid ideologues pursuing conformity and true-belief. Such resistance requires the labor and firmness of the knowledgable and reasonable before this process becomes even more personal and political.
Many people are still getting passes for their questionable knowledge claims, agressive behavior and totalizing movements to contemporize all towards their utopia/dystopia. These ideological maps tend not to line-up well with human nature (as a good humanities education can reveal), and furthermore, cloud the moral imagination.
Please let’s not politicize medicine. Our very lives may depend on it.
‘Two items in the British Medical Journal last week caught my eye. The first was an editorial titled “Tackling Female Genital Mutilation in the UK,” and the second was an article titled “Diversifying the Medical Curriculum.”
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Speech and thought are intimately intertwined, and the crude stuff you might say at the bar may not entirely be true, nor is it necessarily what you ought to say to your boss, amongst neighbors, or at the town hall meeting.
Personally, I don’t trust any one institution, neither public nor private, to manage all my data.
Why do I keep harping the folks posing the clearest and most immediate dangers to liberty?
Because they pose the clearest and most immediate dangers to liberty…
‘By the time the 2016 U.S. election craze began (particularly after Donald Trump secured the Republican nomination), however, things had changed. The combination of Facebook’s corporate encouragement to “bring your authentic self to work” along with the overwhelmingly left-leaning political demographics of my former colleagues meant that left-leaning politics had arrived on campus’
