Repost-The Noblest Of Professions-A Few Links

I expect some muckraking, yellow journalism, and journalists set up for and against politicians as both vie for similar kinds of public influence, depending on circumstances.   Such is life.

Still funny in my opinion:  Who reads the newspapers?

But, still to me, even funnier:  Yes, that’s a Chinese brothel.

‘Noble’ profession journalism never so much was, though I suppose it has a place for the essential in our Republic.  The essential won’t happen without the right kind of local civic engagement, either.

Here’s an interesting discussion between two people, likely led by opposing political instincts but who find themselves sharing some radical, common ground (right and left, O’Keefe and Weinstein, respectively).

How low should you go, especially if you’re out in the cold with respect to many mainstream media and political institutions?

As posted, my biases:

Perhaps the NY Times is loping, mid-transformation, towards the clearing where The Guardian can be found, baying at the moon:  Not exactly whom you can trust to commit to facts, but some facts will be gotten right along the path towards equity, social justice, and the coming global worker’s paradise.

It’s true that all institutions have bias, current members tending to signal ‘here’s what matters around here‘, prospective members signaling back ‘of course it matters to me too‘ in hopes of gaining a foot in the door or another rung up the ladder.  The less objective and performance-based the core activities of the institutions, the more group loyalty and politics seem to matter.

Unsurprising then, that the latest politico-moral movements should hold sway as they do.  Everyone’s a captive until they take a stance.

As for the NY Times, I think this ‘The Hunt’ piece from the Real Estate section sums up my expectations nicely:

‘As conservationists, they decorated almost exclusively with secondhand furniture. The large closets — “the biggest I’ve had in my life,” Ms. Sinclair said — have enough storage space for the craft materials she uses for her feminist tableware line, Oddtitties.us.’

Remember The Maine! The good old days…by malik2moon

From The Nieman Lab:-An Oral History Of The Epic Collision Between Journalism & Digital Technology, From 1980 To The Present.

A Few Thoughts On NPR And Current Liberal Establishment Thinking Under Obama…Hate Is A Strong Word-Some Links On The BBC, The CBC, & NPR

Ken Burns makes a good documentary, but he’s also arguing he absolutely needs your tax dollars in service of what he assumes to be a shared definition of the “common good” as he pursues that art.  The market just can’t support it otherwise. Repost-From ReasonTV Via Youtube: ‘Ken Burns on PBS Funding, Being a “Yellow-Dog Democrat,” & Missing Walter Cronkite’From NPR: Grants To The NEA To Stimulate The Economy?…

Megan McArdle At Bloomberg: ‘The Slow, Painful Death Of The Media’s Cash Cow’

Repost-Via C-SPAN-The Historical Context Of Allan Bloom

Click here.

Thanks to a reader.

Quite a varied discussion on Bloom’s surprise 1987 bestseller: ‘The Closing Of The American Mind

Does rock/popular music corrupt the souls of youth in preventing them from evening-out the passions; from pursuing higher things that a quality humanities education can offer?

Might such a lack allow political ideology to offer young people something to do, something to be, and something of which to be a part?

A questioning of premises, with varied disagreement, including that from an Emersonian.

Related On This Site:

Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Repost-Graeme Wood At The Atlantic-‘His Kampf: Richard Spencer Is A Troll And An Icon For White Supremacists. He Was Also My High-School Classmate’

There sure are a lot of people ignoring the obvious fascism of the anti-fascists inviting the fascists into their collectivist, ideological embrace, giving meaning to a lot of rather pathetic, lonely people.

The individuals focusing on the idea of racial categories, collectivist solutions to individual problems, equity-first and tribal/group-first ideological and political frameworks have the right to peaceably assemble, of course, but there must be law and order and there must be enough individual citizens answering bad speech with more speech.

I am hoping (perhaps unwisely) for a correction in many media quarters, parts of the academy and the high-liberal turrets where’s there’s been great clamor towards activist logic and increasing emotional commitment to the same old political idealism which gives cover for the violent and radical elements on the Left.

This invites genuine fascism which I sternly and open denounce (not patriotism, not a nation of citizens and laws, not the conservation of liberal order). Violence is not the answer.

Full piece here. (Includes audio interview)

To be fair, I think Wood offers a decent piece of journalism (interviews, phone calls, research etc.); a well-written, longer-form work I find to be in shorter-supply these days.

In it, he highlights Spencer’s Nietzschean-influenced intellectual aspirations and populist ambitions to become a mouthpiece for alt-right advocacy (serious enough to get attention, unserious enough to be poseurish and pathetically fascistic..which means Spencer may not represent more than a vocal minority, even on the alt-right……feel free to send some data my way).

To be critical: What I think Wood misses, and what many anti-Trumpers and liberal ‘gentry’ miss (Trump is an opportunist if there ever was one), is that Richard Spencer (an opportunist if there ever was one) isn’t enjoying his moment in the sun alone. The kind of black bloc, antifa radicalism which Spencer publicly addresses is clearly ok using violence on the way to radical and revolutionary freedom.

Addition: I should clarify that I don’t think Trump is a fascist, but merely an opportunist; a rather socially liberal, NYC real-estate developer.

This leads to the most persuasive arguments I’ve heard criticizing modern liberalism: It’s all too easy to ignore the true-believers, radicals, poseurs and nutbars (they’re our bastards) beneath one’s own platform, especially if they share some version of one’s own cherished beliefs and ideals.

Left and Left-liberal idealism prospers and is even institutionalized at places like Berkeley (no shortage of anti-racist, neo-Marxist, anti-establishment, anti-capitalist sentiment at Berkeley), which helps fuel radicals which help fuel the Richard Spencers.

Fascists and anti-fascists sure can come to resemble one another, trading tired power theories, hitting each other over the head, and trying to squeeze some meaning from similar principles while showboating through the nihilistic void.

Frankly, they deserve each other, and they deserve to be marginalized by the rest of us.

***I don’t think one need be a Nietzschean nor Nietzsche-inspired, nor a Nietzsche-reacting sort of Straussian (from H.L. Mencken to Leo Strauss to Camille Paglia to John Gray) to seriously question the modern liberal and secular human project, and help offer perspective.

But, it probably helps in understanding the fascist tendencies of Spencer and his enemies/allies..

Addition: I should make it clear that Nietzsche didn’t have much truck with fascists, and that he diagnosed, from the depths of his own nihilism, a lot of the crises that would come to face Europe…as for folks like Spencer, they seem to get enough nihilism to carry around while looking for meaning/purpose/identity/belonging elsewhere (in fascist movements)

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases

On this site, see also:

-Graeme Wood At The Atlantic: ‘The American Leader In The Islamic State’

Hitchens could be entertaining, especially on grounds I’m guessing he knew instinctively well as a former Trotskyite: Ideologies, while highlighting truths, promise a one-stop shop on truth, knowledge, how to be in the world, what to do and what the future will be.

People can kill for less, and when they adhere to such systems, then they can end-up killing more.

This is something of what neo-neo conservatism might look like, and a Man Of The Left recognizing what an ideologue and a favorite target looks like.

NOTE: You’ll have to click through and sign-in to Youtube because the ‘Youtube Community’ is now deciding what is and isn’t acceptable discourse within a new set of emerging rules, partially driven by ideologues in the comment section.

Surely you trust the new rules and rule-enforcers?

Via a reader. Platonic idealism has advantages in restoring both idealism and realism into political debate, but also drawbacks. It can be a bulwark against moral relativism, which is a modern soup in which Left and Right fascism can be found simmering.

A Podcast From Britain: E30 | Dreaming The Future | Natalie Bennett, Phillip Blond, Roger Scruton

Related On This Site: -Repost: Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

-Some thoughts on Fukuyama and Leo Strauss: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom: Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’Some Tuesday Quotations From Leo Strauss

Peter Singer discusses Hegel and MarxFrom Philosophy And Polity: ‘Historicism In German Political Theory’

Step By Step-Some Humble Space Links

Frank Drake brings some realism to the S.E.T.I. debate.  The space-time distances are a huge hurdle, and the challenges of becoming a spacefaring civilization make the journey to nearby star systems fairly impractical at the moment.

The less evidence and fewer data points there are, the more rampant the speculation, inventive the Sci-Fi imaginings, and important the foundation to create such new fields of knowledge.

There’s been an explosion of private entrepreneurship and NASA partnership lately (loosened regulations and better incentives) to help get cargo (things and people) into space much more cheaply than before.

What’s it like to be on a spacewalk?  In some ways, pretty normal and pretty not normal, apparently: Just pace yourself, focus, and get the job done in an unwieldy suit while you hover between everything you’ve ever known and an incomprensible abyss.

In addition to recent rapid advances in ‘seeing’ with radio waves, gravity waves and light, and we’ve got better tools to get a little further out into our own neighborhood.

This means we could find out if we can find some life on Mars (methane spikes), Jupiter’s icy moon Europa and Saturn’s icy moon Enceladus:

and:

and:

1980’s Aesthetics Matter-Also, Handel’s Sarabande In D Minor & StarBabies Transcending Earthly Experience In 2001: A Space Odyssey

To the Future!:

If you listen to the above, with the sound turned off on the visuals below, you will arrive into the future (once the backbeat fills in, ‘Chase’ becomes more bodily percussive and rhythmic).

Don’t let this ruin your mental focus:

After traveling eons, you will arrive to a quiet room.  There, a Japanese classical guitarist will be playing Handel’s Sarabande in D minor.

Such pomp, nobility and grief!  Somewhere beyond the dancer and the dance might lie the truth.

On that note,

One can imagine an intelligence just ahead of ours, or wildly ahead of ours, with benevolent, indifferent or malevolent (evil demon) intentions.

Or perhaps one can imagine a story told using the the current popular visual narrative; a Sci-Fi novel played to classical music, such as 2001:  A Space Odyssey.

The first monolith seems to inspire a string of causation and hominid evolution which leads to humans discovering the second monolith buried on the moon three million years later.  This monolith is found to be directing a signal to another, possibly transponding, monolith found orbiting Jupiter.

A mission is sent to this third monolith as the new HAL 9000 integrated and artificial intelligence on board knows some knowns and unknowns, and proceeds to act accordingly.  Methodically and chillingly, the HAL 9000 kills all but one crew member, perhaps in ‘Self-‘preservation or according to some unseen logic, or just because he’s broken and crazy).

David Bowman, the last remaining crew member, after a batle of wits, disables the HAL 9000 and catches up with the third monolith, in order to complete the mission.  At the end of the film, Bowman seems to transcends his earthly body, space-time, and ends up gazing over earth with the innocent eyes of a placental StarBaby, born anew.

Meh, the deisre for transcendence hasn’t gone too far beyond here, has it?

What am I missing?

Is this your favorite movie?

Repost-The Duran Duran Phenomenon, High And Low Art In The Modern Anglosphere

For you kids out there, Duran Duran are a band from Birmingham, England who made it big in the 80’s. They succeeded with genuine musical talent, technical and marketing prowess, a new-romantic visual-style, and presumably, somewhat deeper artistic aspirations.

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There are, no doubt, trade-offs people in the Anglosphere make, living with our particular Anglo-focus upon government, law, trade, and generally speaking, more open markets. There are reasons English is spoken so widely, after all, while the food has remained so bad.

Traveling abroad while younger, I often observed the American genius as a kind of egalitarian gathering of talent; general and specialized, ambitious and organized.

Such ‘Americanness’ can be shrewd, though it often comes with a certain optimism and idealism, for which Americans are known.

This is the stuff of American diplomacy, international lawyering, and business management. American advertising techniques, Hollywood movies, franchises like Starbucks and Apple, all can earn almost instant global recognition (if you’re not too far off the beaten path).

——————

That said, deeper artistic aspirations also tend to seek nourishment apart from such commercial populism and American egalitarianism in particular.

The accomplished artist probably had a lot of natural talent to begin with, but also joins in conversation with serious past talent and endures critique of his development, spends years of life engaged in hard work, and perhaps profits from greater tilt in the culture towards admiration for artists in general.

See: ‘Tradition And The Individual Talent’

This can send many American artists out on a mission to gain technique and skills elsewhere. This can fill many American cultural critics with a sense of European yearning and envy, and this can leave some Americans indulging in rather cheap, unimaginative commercialist America-bashing that usually lines-up with preconceived political/ideological commitments.

It’s here in the modern to postmodern to wherever-we’re-heading-now that, as an American, I find much of my daily life being lived.

For me and many of my fellows, the latest shows, pop-music, games and movies are the culture, even though we all have deeper ambitions and aspirations, and even if much of that culture has deeper roots of which we remain unaware.

————–

Here’s Robert Hughes from The Guardian on Damien Hirst: ‘Day Of The Dead’

‘If there is anything special about this event, it lies in the extreme disproportion between Hirst’s expected prices and his actual talent. Hirst is basically a pirate, and his skill is shown by the way in which he has managed to bluff so many art-related people, from museum personnel such as Tate’s Nicholas Serota to billionaires in the New York real-estate trade, into giving credence to his originality and the importance of his “ideas”. This skill at manipulation is his real success as an artist. He has manoeuvred himself into the sweet spot where wannabe collectors, no matter how dumb (indeed, the dumber the better), feel somehow ignorable without a Hirst or two.’.

I’m guessing Hughes loathed such confusion over money, art, fame, and our deepest aspirations, and thought such an approach prevents everyday people from entering into conversations with the everyday in great works of art. I find myself attracted to his marriage of Anglo-tradition and more ‘high’ European art-criticism.

For my part, I’d simply argue that more open markets in the Anglo-sphere offer a lower bar to reach a larger audience with one’s artistic ambitions. Such a marriage of art + market may be less likely to happen, in, say, Spain or France.

Perhaps this is true of Duran Duran, Damien Hirst, and various others with some natural talent and access to a wider audience through a global supply-chain.

This lower bar, in turn, can allow for perhaps more questionable art and marketing jargon; postmodern concept-shilling and various bullshit promising freedom within stale ideology and often poorly-executed art.

Or, at least, the above comes with its own Anglo-character.

(Addition: I should add that it gives more people easier access to make and gain exposure to the arts, which benefits a lot more people, but also puts the artist, and modernists, especially, in tension with the really hard task of making something beautiful which can last. Does good art have to be hard, and be made free of ‘The People?,’ or at least the passing fads, genres and styles that come and go?)

————————

Thanks to a reader for the link:

From The Daily Beast: ‘Get Into Bed With Tracey Emin For $2 million: The Sale Of A British Art Icon.’

“My Bed” will be sold at auction at Christie’s on July 1, and has been given an estimate price of between £800,000 and £1.2m (approximately $1.35 million to $2 million), which seems astonishingly low given the piece’s cultural impact. Indeed, David Maupin, Emin’s dealer in New York who sold the bed to Saatchi in 2000 for £150,000 (about $252,000), has said he thinks the Christie’s estimate is too low. “It’s historic. It’s priceless.”

———————–

‘Cultural impact.’ So, a lot of people noticed it? It took a lot of technical skill? People were shocked by it? People had a strong reaction after seeing it in person?

It made her a celebrity?

I generally prefer the art dealer’s self-interested marketing bulls**t to a journalist’s ‘cultural impact’ claptrap.

Quote found here at friesian.com:

‘Oddly enough, it is the intellectual snobbery and elitism of many of the literati that politically correct egalitarianism appeals to; their partiality to literary Marxism is based not on its economic theory but on its hostility to business and the middle class. The character of this anti-bourgeois sentiment therefore has more in common with its origin in aristocratic disdain for the lower orders than with egalitarianism.’

Related: From Darwinian Conservatism: Nietzsche-Aristocratic Radical or Aristocratic Liberal?

Another pomo quote from Dr. Stephen Hicks:

‘In the shorter term, postmodernism has caused an impoverishment of much of the academic humanities, both in the quality of the work being done and the civility of the debates. The sciences have been less affected and are relatively healthy. The social sciences are mixed.

I am optimistic, though, for a couple of reasons. One is that pomo was able to entrench itself in the second half of the twentieth century in large part because first-rate intellectuals were mostly dismissive of it and focused on their own projects. But over the last ten years, after pomo’s excesses became blatant, there has been a vigorous counter-attack and pomo is now on the defensive. Another reason for optimism is that, as a species of skepticism, pomo is ultimately empty and becomes boring. Eventually intellectually-alert individuals get tired of the same old lines and move on. It is one thing, as the pomo can do well, to critique other theories and tear them down. But that merely clears the field for the next new and intriguing theory and for the next generation of energetic young intellectuals.

So while the postmodernism has had its generation or two, I think we’re ready for the next new thing – a strong, fresh, and positive approach to the big issues, one that of course takes into account the critical weapons the pomo have used well over the last while’

 

A U.S. County Quiz, Some Mars Links, And Earlier Thoughts About The Latest Moral Ideas

Via David Thompson, take a quiz of All Counties of the United States by Proximity.

Some Mars links:

If you’ve been cooped-up indoors lately, like we are for Corona, then you’re probably experiencing ‘cabin fever’.  Bouts of restless energy, boredom, and frustration are common.

Imagine for a moment you’re stuck on Antarctica, the next delivery weeks away, the temperature -40 F outside.  It’s been months and that guy you never liked anyways just passed by your room and he’s totally f**king with you by casually mentioning the ending to the book he sees in your hand (some reports suggest alcohol was involved).  The base smells like body odor, cooking oil and that same streak is still on the kitchen floor in that same exact spot.

Now imagine somewhere much colder than this, the atmosphere so thin your blood would alternately pressure boil and freeze.  It’s drier than the driest desert on Earth.  The surface outside is rusted and toxic (like you could breathe the air or play in the dirt anyways).  The next delivery, well, there is no next delivery.  This is another planet.

Was there ever water?  How acidic was that water?  Did the EM dynamo just run out, the planet left to spin alone, slowly losing any atmosphere it might have had?  Did any microbial life move underground with the ice billions of years ago?  Could it have done so?

It’s only about 49 million miles to get back home.

Moving along, and because you didn’t ask:

For me, it’s refreshing to hear any celebrity, politician, or public figure express anything other than support for what the latest moral cause might be these days.  New rules are being formed.

The late Ken Minogue:

On the many dangers of political idealism, and using political theory as the limits of your field of vision:

‘We may sum this up by saying that the more the style of what used to be called politics becomes theorized, the more political problems come to be reintrepreted as managerial. Working out the least oppressive laws under which different and sometimes conflicting groups may live peaceably together is being replaced by manipulation and management of the attitudes different groups take towards each other, with the hope that this will ultimately bring harmony. In other words, in the new form of society, human beings are becoming the matter which is to be shaped according to the latest moral idea.’

-Minogue, Kenneth. Politics. Oxford: Oxford University Press, 1995. (Pg 111).

Related: A definition of humanism:

“‘…a morally concerned style of intellectual atheism openly avowed by only a small minority of individuals (for example, those who are members of the British Humanist Association) but tacitly accepted by a wide spectrum of educated people in all parts of the Western world.”

Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’

Related On This Site: From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’

Sunday Quotation: Edmund Burke On The French Revolution

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’…

Roger Sandall, Australian critic of romantic primitivism and the Western’s Left’s penchant for the Noble Savage: His home page where his essays can be found. Here’s “The Rise Of The Anthropologues“ and…

Robert Hughes, Australian and often fierce critic of modernism and post-modernism.

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Dreams Of Cities: The Anglosphere Will Be Full Of Mutual Admiration & Perhaps Skulduggery-Some Theodore Dalrymple, Clive James, Sting & Tom Wolfe Links

Let’s start this off with a quote from Italo Calvino, an Italian by way of Havana:

“The city of your dream is Lalage. Its inhabitants arranged these invitations to rest in the night sky so that the moon would grant evrything in the city the power to grow and grow endlessly. “

Calvino, Italo.  Invisible Cities. Orlando: Harcourt Brace & Company, 1974. Print.

Via the City Journal, Theodore Dalrymple reflects upon his visits to New York City, Chicago, Detroit and New Orleans-Cities and Memory: An Englishman reflects on his travels in urban America:

‘The first time I visited New York, between 40 and 50 years ago, it was a place of ill repute, at least among foreigners. Rumor and report made the city sound like a low-intensity war zone, and you would find yourself regaled with advice on how to stay safe there, un-mugged and un-shot.’

and:

‘Just under a half-century later, the level of civility in the two cities has switched: New York now feels safer than London.’

It was the really pretty girls, and the tall, ambitious guys, among my cohort, who made made their way to Manhattan.

Touring the city, I was shown a dream, gazing down from Midtown; a forest of skyscrapers on a clamorous loading-dock.  I saw people easily dead within a week, and people trying to write their names in marble or maybe a concrete cornerstone.

We all have ambitions.

The recently deceased Clive James (England via Australia) visited New York in the 1980’s for his Postcards series.  He seems very worried about getting mugged a second time.

Everybody knows you take a classy, beautiful lady on a classy movie date, down in Times Square:

I don’t know about all these Brits roaming around.

Here’s Sting singing his classic ‘British Guy In The Five Boroughs’

In fact, what people with a longer history can teach us about history is that people might forgive, but they rarely forget:

Ambitious Southern Gentleman makes his way to New York and gets hip to The Arts & Journalism, fact and fiction:

Avant, Huitard? Alas, The New Yorker

Not the ‘right’ kind of emptiness for Richard Brody, at The New Yorker, in Todd Phillips’ ‘The Joker.’

‘“Joker” is an intensely racialized movie, a drama awash in racial iconography that is so prevalent in the film, so provocative, and so unexamined as to be bewildering.’

Brody’s review is as much about historical events (The Central Park Five), and moral judgments surrounding these historical events (racist and nothing else, Trump is horrible) as it is about the movie.

Basic plot, aesthetics, and stylized choices are kind of what I’m after in a movie review, with some of the reviewer’s own expertise and respect for the reader’s intelligence thrown-in (should I see this movie?).

Should I see this movie?  Anyone?

Slate’s review here is even dumber:

‘The opening scene, in which Arthur, who’s peacefully but unhappily twirling a sign for a discount store, is taunted and then beaten by a gang of Latino-coded thugs, draws directly on the narrative of white persecution so effectively weaponized by Donald Trump.’

Moving along-A reader sends a link to The Confessions Of Bernhard Goetz, subway vigilante.  What kind of public sentiments, professional incentives and lack of moral courage would get in the way of a fair trial (facts and law?)

There’s a lot here: Genuine threat (thugs), fear, real victimization (previous muggings and a likely soon-to-be mugging), but also serious ignorance and over-reaction.

I imagine Goetz was a bit like a feral animal fleeing out of that subway car, up the station stairs and into the night.

You know, the Bonfire Of The Vanities was about very similar circumstances: The satire of the liberal intelligentsia is pretty rich, as well as the Southern Gentleman’s WASP ‘rejuvenation.’ You just know Christopher Hitchens had to get-in on that action:

From the Late Show in 1989 with Howard Jacobson.

New York City is unlike most other places in America:

===============

Was Tom Wolfe seeing things clearly, as they really are?

Certainly the liberal pieties and the conflicted, activist base is still ripe for the picking…for what is preventing the mocking of the Brooklyn hipster and the echoing of ‘This Land Is Your Land’ across the fruited plain?:

Peter Berkowitz review of Tom Wolfe’s Miami novel here.

As posted: Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about. As I see things, many people who care deeply about the avant-garde also can bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

According to some folks at The New Yorker magazine, the only answer to injustice is radical and revolutionary equality.

To be fair, the logic embedded within much radical chic usually reveals itself to be cool at first, the same old murderously bad doctrinaire utopianism a little later on:

Under A Green Moon-Ira Stoll At The New York Sun: ‘Comma in the New Yorker Opens Up Quite a Vista Of Liberal Parochialism’

From The New Yorker: ‘Writing Powered By Amtrak’

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

Related On This Site: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’ Classical Liberalism Via Friesian.Com-’Exchange with Tomaz Castello Branco on John Gray’

Hey Kids, Come Over Here And Try Some Of This Depressive Realism-A Few Links & Thoughts

Ben Sixsmith ‘Art For The Age Of Social Media…

‘A YouGov poll on behalf of Homes & Antiques magazine has revealed that Banksy is Britain’s favourite artist.’

Dear Reader, I used to read ‘Homes & Antiques Magazine‘ religiously, hours of orange rinds scattered on my plate. ‘What does it mean?’

I used to drive half-dressed to the last parking lot on Earth, a few final photons bending through our atmosphere.

I could not outrun a racing mind, pacing among the dunes, staring out across an empty bay, salt winds curling the grasses: ‘Reese’s Peanut Butter Cups are FOURTH on the yougov most popular food and snack brands list.

Once you accept the idea that a good work of art can play deep chords, elevating you, proffering wisdom, awe, and pleasure, you generally wish to preserve it and hold it close, sharing in its illumination.  In such a light, a lot of other stuff can resemble so much kitsch strewn after a storm of technological and engineering progress..

Depending on how deeply and often you do this, you can become ‘refined.’

Sixsmith again:

‘We have been replacing a lack of cultural quality with cultural quantity. Instead than having rare moments of beauty, power and insight, we (or, at least, many of us) face a ceaseless barrage of the cute, the curious and the clichéd. Rather than seeking out artworks which flicker in our minds long after we have stopped looking at them, we browse past endless images that light our brains up like catherine wheels. Images are almost too accessible. We can see everything, and nothing matters. Like. Like. Like.’

As I currently see things, there are always questions of artistic sorts feeling constrained by convention, tradition, repetition and practice.  Money issues never really go away.  Now there’s just an arguably greater quantity of crap with which to compete for a reader’s attention.

Perhaps there’s also the condition of the isolated individual artist alone, conceiving of himself as outside all meaningful conventions, traditions and practices.  This, too, has become a convention, tradition and practice, for many artists and non-artists alike.  Selves speak to Selves.

Just stay on the surface of things, and move through:

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

Billy Collins

The confessional poets wove inner revelations into the architecture of their poems, and made themselves into active subjects.

A generation or two later, and they seem to have more prizes than poets.  From cartoons to comedians, many Selves are seeking hidden meanings behind every word.

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Repost-So, You’re Telling Me What’s Cool?-Theodore Dalrymple At The City Journal: ‘Banksy In Neverland’

Repost-Daniel Dennett: ‘Postmodernism And Truth’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’