Repost-From The Liberal Bastions-James Baldwin, Often

Quote found here:

‘By the time Baldwin published “Another country” and the essay collection “Nobody Knows My Name,” both in 1962, he had become America’s leading black literary star. Both books were commercially successful, but reviews were mixed. In 1962, “The New Yorker” published Baldwin’s essay “The Fire Next Time,” which detailed his evangelical upbringing and his views on Christianity as a form of slavery forced on and then embraced by blacks. When Baldwin became the official voice of black America, however, he immediately compromised his voice as a writer, sacrificing his gifts in order to gain acceptance from the Black Power movement. In the 1970s, Baldwin was adrift not only politically but aesthetically. Nevertheless, up until his death, in 1987, at the age of 63, Baldwin continued to harbor the hope that he would be embraced as an important literary figure by his own race.’

And just to suggest no definitive answers to such problems, but rather which kinds of questions might be worth asking:

At minute 9:20 of Thomas Sowell discussing his book: ‘Intellectuals and Race…

…Baldwin is quoted:

People in Harlem know they are there because white people do not think they are good enough to live anywhere else…[In a new housing project they] naturally…began smashing windows, defacing walls {and] urinating in the elevators…

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But what if in the crusade of black folks to appeal to white folks’ better natures, one fell prey to the vanity of this idea?:

‘The central premise of liberal intellectuals for decades…[was] that the racial problem was essentially…inside the minds of white people…

Well, Baldwin was pretty successful at reaching inside the minds of many, to his credit, using his natural gifts to make a moral plea for such ends.

Sowell asks why certain cultures have pursued ideas and abstractions to tremendous advantage, developing habits of success in the sciences, politics, law, trade and technology in the process?

America, certainly, has been one such success story, despite and partly because of its original sin, and such successes have happened before in England instead of Ireland, the Greeks and Romans instead of Northern Europe, as Sowell notes.

Why not join ’em, copying what works, or at least trying hard to beat them at their own game once given the chance? This seems to be a logical consequence of Sowell’s reasoning. This, as opposed becoming locked in resentment, justified in anger, dependent upon the ‘oppressorfollowing an ideology in search of a cause; victimhood in search of facts and evidence.

Schools and programs can do a lot, expanding experience and making people larger than they otherwise would be, but they are often an inefficient way to do it, offering less than can a stable home in a growing economy, while running into problems of unions, twisted incentives, bureaucracies, corruption and waste.

Notice the emotional appeal:

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I suspect that under an activist moon, many liberals must feel the tidal pull of solidarity against the ‘oppressor;’ left seeking their own moral lights in a rather dense fog.

There must be someone to blame!

This can also be very funny; creating incentives for well-educated, often very square people to overlook, quite conveniently at times, their own habits of success, wealth-building and hard-work.

This can also be very sad, making successful folks follow incentives that will eventually undercut their own habits of success, wealth-building and hard-work through awful political incentives, potentially dragging us all into poorer place with little room to reflect.

Preach what you practice. Keep an open mind, but not so open that your brains fall out.

Any thoughts and comments are welcome.

Also On This Site: From Fora Via YouTube: ‘Thomas Sowell and a Conflict of Visions’Two Sunday Quotations By Albert Jay Nock in ‘Anarchist’s Progress’

Repost-Vidal/Buckley Debate, 1968

Looking For Place In America-Some Poetry & Photography Links

Via Mick Hartley, British photographer Mark Power’s Good Morning, America, vols. 1 (mostly Arkansas) & 2 (mostly across the South).

Power:

‘I keep a physical and metaphorical distance between myself and the subject. It’s a way of delineating my ‘foreignness’ and is a similar stance to the one I took while working in Poland making The Sound of Two Songs (2004-09). It’s comes very naturally to me; I’ve always felt I’m better at observing than participating, so to stand back and watch from afar suits me very well.’

I often find myself drawn to photos with some distance.

As posted:

Via Mick Hartley, Steve Fitch Photography has neon motel signs glowing into the Western night.

He also has a book simply titled ‘Motel Signs:’

What’s more American than an exiled member of the Russian aristocracy intimately making his way into the English language and peering out from a thousand Motor Lodges?

Nabokov in America:  On The Road To Lolita.

Michael Dirda review of the review here.

“Nabokov in America” is rewarding on all counts, as biography, as photo album (there are many pictures of people, Western landscapes and motels) and as appreciative criticism. Not least, Roper even avoids the arch style so often adopted by critics faintly trying to emulate their inimitable subject.’

Well, there’s Donald Judd and Marfa, Texas, which looks interesting:

As previously posted, The Critic Laughs, by Hamilton:

Do you long for the days of unabashed American consumerism? Are you nostalgic for nights lit only by a soft, neon glow on the underbellies of clouds? Return to a time when America broadcast its brash, unironic call to the heavens.

But it can be empty, and lonely, and full of hard work and suffering:

MT-3 Storm Breaking-3

Montana Pastoral
I am no shepherd of a child’s surmises.
I have seen fear where the coiled serpent rises,

Thirst where the grasses burn in early May
And thistle, mustard and the wild oat stay.

There is dust in this air. I saw in the heat
Grasshoppers busy in the threshing wheat.

So to this hour. Through the warm dusk I drove
To blizzards sifting on the hissing stove,

And found no images of pastoral will,
But fear, thirst, hunger, and this huddled chill.

Detroit Nocturne‘ found here. Via Mick Hartley.

I’m partial to ‘Joey’s Meatcutter Inn, Bar & Grill 2017‘:

Joey's Meatcutter's Inn, Eastside, Detroit 2017

Immediately, I think of Edward Hopper: The lonely cityscape at night or the familiar glow of gas station lights cast into the American wilderness. The eye might want to linger among the colors, shapes and clouds even though the mind knows this is pretty much an empty street in a ‘post-industrial’ zone.

Perhaps it has do with another strand of expression: The break into free verse from past forms. The move from American Romanticism to Modernism which occurred this early past century. William Carlos Williams produced many good poems from a process of earnest, scrapbook-style intensity in trying to discover, redefine, and order a new poetic form within a modern ‘urban landscape.’

The individual artist is quite alone in the task he’s set before himself, and like much of modernism, it’s a rather big task.

Pastoral

When I was younger
it was plain to me
I must make something of myself.
Older now
I walk back streets
admiring the houses
of the very poor:
roof out of line with sides
the yards cluttered
with old chicken wire, ashes,
furniture gone wrong;
the fences and outhouses
built of barrel staves
and parts of boxes, all,
if I am fortunate,
smeared a bluish green
that properly weathered
pleases me best of all colors.

No one
will believe this
of vast import to the nation

William Carlos Williams

Do you believe any of that to be of vast import to the nation? Are you no one?

Repost-Roger Kimball At Arma Virumque: ‘Santayana On Liberalism And Other Matters Of Interest’

Full essay here.

Worth a read:

‘My point is only that Santayana — the Spanish-born, Boston-bred, Harvard educated cosmopolite — stands out as an unusual specimen in the philosophical fraternity. He wrote beautifully, for one thing, commanding a supple yet robust prose that was elegant but rarely precious or self-infatuated’

and Kimball on Santayana’s interaction with William James:

‘Temperamentally, the two men were complete opposites — James bluff, hearty, the thorough New England pragmatist in manner as well as philosophical outlook: Santayana the super-refined, sonnet-writing, exquisitely disillusioned Catholic Spaniard. In many ways, Santayana was closer in spirit to William’s brother Henry.’

For what it’s worth, I recall a deeply Catholic lament and longing in the Spanish character, which can be combined with a kind of clear-eyed realism and stoicism, but not always. The faith runs deep in St Teresa and her passions, and despite Miguel de Unamuno’s rationalist influences, I remember a general preference for wisdom in the Tragic Sense Of Life.

Something clicked regarding Spain when I finally visited the Escorial outside of Madrid after many months of being in that city. It’s a grand castle of course, but it also struck me as rather plain, barracks-like at times. Very austere. It was explained that the Escorial was both a royal palace and a monastery:

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Quote found here:

‘Philip’s instructions to Herrera stipulated “simplicity of form, severity in the whole, nobility without arrogance, majesty without ostentation,” qualities clearly illustrated by the long sweep of these facades.’

That Catholic influence can also get a little intense:

‘El Escorial was built to honor St. Lawrence, who was burned on a grill. In order to remind the citizens of his martyrdom and sacrifice, the entire building is a grill. Yes, it is shaped like a grill. There are paintings of St. Lawrence on a grill, grills are carved into the doorways, the weather vain is in the shape of a grill, the backs of chairs are supposed to be grills, the list literally could go on forever.’

Maybe they got a little carried away during the Reconquest.

Any thoughts and comments are welcome.

Related On This Site: Wednesday Poem: Wallace Stevens-Anecdote of The JarSome Sunday Quotations: (On) Kant, Locke, and Pierce

British conservatism with a fair amount of German idealist influence: Repost-Roger Scruton In The American Spectator Via A & L Daily: ‘Farewell To Judgment’

Via The University Of British Colombia: Kant-Summary Of Essential PointsFrom Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On KantSunday Quotation: From Jonathan Bennett On Kant

From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’From Darwinian Conservatism: ‘The Evolution of Mind and Mathematics: Dehaene Versus Plantinga and Nagel’

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

 

That Old-Timey Puritan Spirit And That Old-Timer’s WASP Establishment-I’m Not Sure America Has Changed That Much, Or Has It?

From this article in the Independent on American novelist Louis Auchincloss:

How did money actually work among those in America’s elite?:

But the old monopoly of power had gone, and the country was the poorer for it. “The tragedy of American civilization,” Auchincloss wrote in 1980, “is that it has swept away WASP morality and put nothing in its place.”

Here’s another Auchincloss quote from a reader (haven’t checked this one out…probably a quote site). The prose strikes me as kind of post-Wharton, mannered and dull:

“I used to go to church. I even went through a rather intense religious period when I was sixteen. But the idea of an everlasting life — a never-ending banquet, as a stupid visiting minister to our church once appallingly described it — filled me with a greater terror than the concept of extinction…”

If such things be true, then many of the best and the brightest seem busy contructing a meritocracy in the old WASP establishment’s place; an enterprise of many unresolved personal conflicts between political ideals of activist change, progress, and ever-expanding personal freedoms on one hand and deeply held religious beliefs, traditions and customs on the other.

There seems to be an ex post facto character to much of the ol’ meritocratic enterprise, in my humble opinion, where a healthy skepticism is warranted.

In fact, it’s probably made [more] room for the same old Socialism.

On that note, I have a healthy respect for contrarians, frankly, when merely speaking out in favor of…:

‘the importance of traditional marriage values in ensuring children’s future success…’

…involves controversy and professional censure.

It’s so bland!

In fact, what will you do with your own blandness, dear reader, entombing the flaming desire to be woke within; the little half-opened doors of ecstasy and ‘environmental justice’?:

Earth Quaker Action Team is ON IT.:

Two More Syria Links

Was there a chemical attack?  One respected journalist, anyways, having visited the site in Douma, says there’s very little evidence.

Addition: Maybe he’s a dupe at best?

And:

‘Meanwhile, the Organization for the Prohibition of Chemical Weapons (OPCW) Fact-Finding Mission (FFM) team arrived in Damascus on Saturday, April 14th – after the US-led overnight strikes which primarily hit government buildings in the capital. ‘

Hmmm…maybe it’s just me, but I see a crisis of belief all throughout the West and relatively poor leadership (what to believe, and when to act?).  This can lead to greater instability.

Another argument against the American military strikes (we pulled our influence in the region, and all this is now too little, too late…come what may):

‘To reiterate my own longstanding view: Russia is a nasty place and Vladimir Putin is a nasty man, of the ilk that always has ruled Russia, a country where nobody talks about Ivan the Reasonable. On my Ogre-ometer, Putin barely registers a 1.9 against Stalin’s 9.8. Russia is NOT our friend and NOT a prospective ally. But we have two choices. One is to attempt to bring Putin down and bring in a government we like, and the other is to strike a deal with Putin that we can live with.’

How about we avoid gazing into Putin’s soul this time?  Is the French-American alliance durable?  Perhaps this is what to make of a dimished thing, which means more compromise, strategy, and vision with our military.

What’s the plan, here?

—–
As posted:

Michael McFaul at Foreign Policy: ‘How Trump Can Play Nice With Russia Without Selling-Out America:’

After some policy suggestions, there’s this:

‘I continue to believe that it is in the U.S. interest to promote the independence, territorial integrity, and security not only of Ukraine, but also Georgia, Moldova, and all countries threatened by Russian hegemony. And the United States and its allies must develop new strategies for engaging Russian society and other societies throughout the former Soviet Union, including even in the Donbass region of Ukraine now occupied by Kremlin-supported separatists. We need more student exchanges, more peer-to-peer dialogues, more business internships to increase connections between our societies. We cannot revert to a policy where we only speak to officials in Moscow and attempt to do right by the Kremlin.

A lot of those former Soviet satellites, especially the Baltics, needed courage, hard-work, and luck just to get far enough away from Moscow to recieve NATO protection….:

Not exactly a foregone conclusion…

Here’s Putin, back in the 80’s, meeting Reagan. Ho hum, just a tourist, snapping some photos and meeting, how do you say, your premier.

What goes around, comes around-An oldie but a goodie-George Kennan: ‘The Sources Of Soviet Conduct

60 Minutes had an interview with ‘Jack Barsky,‘ an East-German Soviet spy who ended up living in America.  To hell with it!

From The National Interest: ‘Inside The Mind Of George F. Kennan’

Some Sunday Swedish Pop-Country-Folk Links

These are great vocals and harmonies and very good songwriting.  It’s country-folk with a bit of distance and strangeness; as though its been washed-through some pop and the indie L.A. scene, but also, apparently, through Sweden.

The Swedes seem to bring a forlorn, northern folk-depth to the table.

Hey, this reciprocity works for me:

A quintessential pop-song.  There’s actually a lot of depth and arrangment here:

Sunday Poem-W.H. Auden

On The Circuit

Among pelagian travelers,
Lost on their lewd conceited way
To Massachusetts, Michigan,
Miami or L.A.,

An airborne instrument I sit,
Predestined nightly to fulfill
Columbia-Giesen-Management’s
Unfathomable will,

By whose election justified,
I bring my gospel of the Muse
To fundamentalists, to nuns,
to Gentiles and to Jews,

And daily, seven days a week,
Before a local sense has jelled,
From talking-site to talking-site
Am jet-or-prop-propelled.

Though warm my welcome everywhere,
I shift so frequently, so fast,
I cannot now say where I was
The evening before last,

Unless some singular event
Should intervene to save the place,
A truly asinine remark,
A soul-bewitching face,

Or blessed encounter, full of joy,
Unscheduled on the Giesen Plan,
With, here, an addict of Tolkien,
There, a Charles Williams fan.

Since Merit but a dunghill is,
I mount the rostrum unafraid:
Indeed, ‘twere damnable to ask
If I am overpaid.

Spirit is willing to repeat
Without a qualm the same old talk,
But Flesh is homesick for our snug
Apartment in New York.

A sulky fifty-six, he finds
A change of mealtime utter hell,
Grown far too crotchety to like
A luxury hotel.

The Bible is a goodly book
I always can peruse with zest,
But really cannot say the same
For Hilton’s Be My Guest.

Nor bear with equanimity
The radio in students’ cars,
Muzak at breakfast, or–dear God!–
Girl-organists in bars.

Then, worst of all, the anxious thought,
Each time my plane begins to sink
And the No Smoking sign comes on:
What will there be to drink?

Is this a milieu where I must
How grahamgreeneish! How infra dig!
Snatch from the bottle in my bag
An analeptic swig?

Another morning comes: I see,
Dwindling below me on the plane,
The roofs of one more audience
I shall not see again.

God bless the lot of them, although
I don’t remember which was which:
God bless the U.S.A., so large,
So friendly, and so rich.

W.H. Auden

The Western Elite From A Chinese Perspective And A Talk On Minimalism Or Deflationism

Via Marginal Revolution via American Affairs: ‘The Western Elite From A Chinese Perspective:’

Well, one Chinese perspective:

‘I thought I was an amazing trader. But there was a slight problem: I wanted to do the trade because I thought the market was pricing UK interest rates to go up. And when interest rates go up, UK inflation would rise mechanically due to the way it is defined and calculated. But in that year, the Bank of England didn’t raise interest rates at all. Rather, the increase in inflation was due to things like tax increases, exchange rate fluctuations, oil price moves, etc.—things I didn’t anticipate at all. It was pure luck that I made money, and I made it for the wrong reason.’

Previous links on this site: ‘Surf China’s Censored Web At An Internet Café In New York:’ From a George F Kennan article written in 1948 on China.

Interesting piece here. Our author reviews Evan Osnos’ book about his 8 years spent living on the ground in China:

Check out journalist’s Eveline Chao’s site.

Simon Blackburn at the University of Toronto discussing the minimalist or deflationist view:

‘Along comes someone like Pilate, Pontius Pilate, and says something like: ‘What is truth?’ and everybody goes sort of dizzy, and you look to the philosopher to provide a suitably abstract and highfalutin answer.  The minimalist says you shouldn’t answer Pilate, or rather, if you answer Pilate, you answer should take the form of a question…which is “What are you interested in?’

So basically, you throw the question ‘What is truth?’ back until the person who’s interlocuting you… gives you an example and says ‘Well, I’m interested in whether penguins fly’ and you say ‘Okay well the truth there…the truth would consist in penguins flying…’

…that’s very disappointing:’

Alas, what were you expecting?

Blackburn on Richard Rorty here.

From Kelley Ross, who takes a step back from moral relativism and good ‘ol American Pragmatism:

‘It is characteristic of all forms of relativism that they wish to preserve for themselves the very principles that they seek to deny to others. Thus, relativism basically presents itself as a true doctrine, which means that it will logically exclude its opposites (absolutism or objectivism), but what it actually says is that no doctrines can logically exclude their opposites. It wants for itself the very thing (objectivity) that it denies exists. Logically this is called “self-referential inconsistency,” which means that you are inconsistent when it comes to considering what you are actually doing yourself. More familiarly, that is called wanting to “have your cake and eat it too.” Someone who advocates relativism, then, may just have a problem recognizing how their doctrine applies to themselves’

Also On This SiteA Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”Repost-Some Thoughts On Noam Chomsky Via The American Conservative: ‘American Anarchist’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost: Two Links-Robert Hughes’ Take On America Through Its Art & Michael Heizer’s ‘City’

Maybe it’s Pilgrim’s pride, or perhaps the Puritan pursuit of image-less purity, or the Colonialists ecumenical style, or maybe even some Shaker weirdness that finds itself up for analysis.

Perhaps somewhere there’s a spare, Yankee work ethic resting on a simple, wooden shelf in the ‘American mind.’

Could such a thing be discovered within mid 20th-century modernism?

Robert Hughes takes a look at Donald Judd’s ‘Temple Of Aesthetic Fanaticism,’ and Richard Serra’s nod to Jackson Pollack and abstract expressionism in the rawness of material sculpture. You know, making stuff (a potentially sensitive subject with so many technological changes going on right now).

(link may not last):

As for Land Art, Michael Heizer’s life’s-work land-art project is apparently complete, if such a thing can be complete:

There’s a good piece in the New Yorker here.

There is an air of secrecy about the whole thing.

You can’t even visit?


Apparently, Heizer’s been working since 1972 on this sculpture in the Eastern Nevada desert, which was originally called ‘Complex One.’ It’s morphed into his life’s work, called City. It’s very large. It can’t be moved. You can’t reproduce it. It represents a break from traditional sculpture. It can’t be put in a museum and it’s not clear that it has a function.

In Brasil, they just started from the top-down and built a city that doesn’t work that well for people: Brasilia: A Planned City

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I have to confess that seeing that structure upon the wide open emptiness of Eastern Nevada is comforting for the familiarity it brings. It’s a little bit of order upon the unknown, and the design, or lack thereof (about which a man may wonder), within Nature herself. I think this is why a military installation out in the desert can captivate the imagination as it’s been known to in Hollywood and in the public mind (dreaming of aliens and conspiracies).

To expand on that theme, Wallace Stevens might shed some light. He was an American poet on the hinge between romanticism and modernism:

Anecdote of the Jar

I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion every where.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.

Wallace Stevens

You’ve changed all of nature with just one jar.

What do you do with an uncivilized, wild land? Import European learning and literature “atop” it? Christian tradition and the Natural Law? Import the triumph of the Western mathematical sciences and technology? Import its movements of the arts and the individual artist?

You can’t help but do this.

Related On This Site: L.A.’s New Public Art Piece ‘The Levitated Mass,’ Or As The American Interest Puts It: ‘A Moving Rock’

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’

Denver’s Devil Horse may be flirting with kitsch: From The Wall Street Journal: Denver’s Mustang Or ‘Devil Horse’…and I like his work:…Joan Miro: Woman

From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’…Marketplace aesthetics in service of “women”: Dove’s Campaign For Real Beauty: Pascal Dangin And AestheticsRoger Scruton In The City Journal: Cities For Living–Is Modernism Dead?Brasilia: A Planned City

Sent In By A Reader-‘Graham Greene’s Last Interview’

Full piece here.

Well, it can be easy to criticize American idealism and naivete:

I can’t think of a novelist who has skewered the American sense of manifest destiny more effectively than Greene. If you said he was automatically anti-American you’d be right, but I wish presidents Eisenhower, Kennedy, and Johnson and Dean Fusk and Robert Mcnamara had read The Quiet American instead of Walt Whitman Rostow before they launched their war in Southeast Asia.

But from which vantage point, exactly?:

“I went down to Bratislava to give a talk,” he said, “because I’d accidentally been in Prague in 1948 on the night the Communists took over. I talked about the French Revolution and quoted Wordsworth writing of its beginning, ‘blissful was it in that dawn to be alive, but to be young was very heaven!’ And I said. ‘I was there on the first day of your revolution, but one changes one’s mind. Wordsworth changed his mind.’

A writer’s writer?  A Catholic?  A fallen idealist?  A hard-bitten realist and world-traveler? Man-Of-The-Left?

Also On This Site:Michael Dirda At The Washington Post Reviews ‘Nabokov in America’…Interview With Vladimir Nabokov In The Paris Review

From HenryKissinger.Com, Published In The WaPo August 5th, 2012: ‘Idealism and Pragmatism in the Middle East’

Repost-John Gray At The Literary Review Takes A Look At A New Book On Michael Oakeshott: ‘Last Of The Idealists’

Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge

What about value pluralism…positive and negative liberty?: The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

A reader points out that I’ve put forth no real arguments…: The Politics Of Noam Chomsky-The Dangers Of Kantian Transcendental Idealism?

Martha Nussbaum criticizing Chomsky’s hubris in Martha Nussbaum In Dissent–Violence On The Left: Nandigram And The Communists Of West Bengal