Five Short Stories Likely Worth Your Time

I claim no special literary insight, other than these five short stories have stuck with me, as they have for many other readers besides. Links included.

——————–

1. ‘Bartleby, The Scrivener: A Story Of Wall Street

Herman Melville

Catch-up with Turkey, Nippers, and Ginger Nut; their daily routines at the office.

Our narrator:

‘I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquillity of a snug retreat, do a snug business among rich men’s bonds and mortgages and title-deeds. All who know me consider me an eminently safe man. The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method.’

We all want to be alone, and to be with others, and Bartleby…Bartleby would just prefer not to:

‘Ah Bartleby! Ah humanity!  ‘

——————–

2. ‘An Occurrence At Owl Creek Bridge

Ambrose Bierce

As they were for many other high-school boys, the first lines were enough for me:

‘A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck.’

Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man?

———————-

3. ‘Everything That Rises Must Converge

Flannery O’Connor

O’Connor’s Southern Gothic style often flirts with the grotesque, and can traffic in the macabre, but there’s reason behind it, and a brilliantly skeptical, humane eye.  Few writers get so many things right, in my opinion.

The world is changing, and so is the South.

Julian’s mother is living in the past:

‘They had reached the bus stop. There was no bus in sight and Julian, his hands still jammed in his pockets and his head thrust forward, scowled down the empty street. The frustration of having to wait on the bus as well as ride on it began to creep up his neck like a hot hand. The presence of his mother was borne in upon him as she gave a pained sigh. He looked at her bleakly. She was holding herself very erect under the preposterous hat, wearing it like a banner of her imaginary dignity. There was in him an evil urge to break her spirit. He suddenly unloosened his tie and pulled it off and put it in his pocket’

——————–

4. ‘A Distant Episode

Paul Bowles

A lot can be ‘swallowed’ up in the desert, lost in translation; across time, language and civilizations.

Things don’t always end well for the intellectually curious and perhaps naive:

‘It occurred to him that he ought to ask himself shy he was doing this irrational thing, but he was intelligent enough to know that since he Was doing it, it was not so important to probe for explanations at that moment.’

Let’s leave it at that.

——————–

5. ‘Araby

James Joyce

To what does a man put his hopes?

But such wonderful writing:

‘When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed.’

Peter Berkowitz At The Hoover Institution: ‘Tom Wolfe’s Miami’

Full review here.

What are you looking for in a novel:  Ideas and the deployment of ideas?  A reflection of your life/times/society? Good prose?  Characters that pop into your life?  Glimpses of the author? Pleasure?

‘The deeper divisions, as Wolfe’s novel compellingly presents them, are between those who believe that happiness consists in one form of pleasure or another — including the aesthetic pleasure of sensitively glimpsing one’s own sensitivities and the sensitivities of others — and those who, like Tom Wolfe and his heroes, believe that happiness consists in the exercise of courage, self-control, and the other qualities of mind and character that constitute human excellence.’

A New Yorker review here.

See Tom Wolfe’s Radical Chic: That Party At Lenny’s for a rich account of the 60′s.  I remember reading ‘A Man In Full‘ a while back, and having mixed feelings.

Here’s a quote from Italo Calvino:

“Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”

With Marco Rubio in the news, and all this politics surrounding immigration, change, and culture, I think Gloria Estefan is a window into Cuban culture, music, honor, immigration as it mixes with American culture.

—————–

What about Miami politics?

Michael Dirda From The Sunday Times Via The A & L Daily: ‘H.L. Mencken At Full Throttle’

Full piece here:

“As a student of his native literature, Mencken favours writers with the authentic American yawp – Walt Whitman and Mark Twain, the humorists George Ade and Ring Lardner. Huckleberry Finn is the novel he loves most (followed, somewhat surprisingly, by Joseph Conrad’s Lord Jim). He judges Emerson to be overrated – “an importer of stale German elixirs, sometimes direct and sometimes through the Carlylean branch house”. He can’t bear the circumlocutions of Henry James and the gentility of William Dean Howells”

Also On This Site: How might Nietzsche figure in the discussion, at least with regard to Camille Paglia.  See the comments:  Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful…Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…

From Poemshape Via Andrew Sullivan: ‘Let Poetry Die’…Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment…English departments can’t just copy “(S)cience”…yet they have so much to offer.