One evening, my family found ourselves around a communal table (for lack of space) in a small-town Irish pub. With two red-faced British couples, also on vacation, in their fifties or so, we made conversation. Surrounded by locals, one of the Brits began to wax philosophic: ‘What do we think of the Irish?’ ‘Well…let’s say the Irish are really just British who’ve wandered off a bit’, gesturing to everyone around.
I remember…being quite shocked. I looked towards the face of the older tweed-coated gentleman, elbow to elbow next to me.
His eyes were blank, slightly downcast.
I then remember thinking: ‘Them’s fightin’ words, yessiree bob, or enough to get yourself into a real pickle back home.’ (my inner narrator is an old hobo/prospector).
‘My point is only that Santayana — the Spanish-born, Boston-bred, Harvard educated cosmopolite — stands out as an unusual specimen in the philosophical fraternity. He wrote beautifully, for one thing, commanding a supple yet robust prose that was elegant but rarely precious or self-infatuated’
and Kimball on Santayana’s interaction with William James:
‘Temperamentally, the two men were complete opposites — James bluff, hearty, the thorough New England pragmatist in manner as well as philosophical outlook: Santayana the super-refined, sonnet-writing, exquisitely disillusioned Catholic Spaniard. In many ways, Santayana was closer in spirit to William’s brother Henry.’
For what it’s worth, I recall a deeply Catholic lament and longing in the Spanish character, which can be combined with a kind of clear-eyed realism and stoicism, but not always. The faith runs deep in St Teresa and her passions, and despite Miguel de Unamuno’s rationalist influences, I remember a general preference for wisdom in the Tragic Sense Of Life.
Something clicked regarding Spain when I finally visited the Escorial outside of Madrid after many months of being in that city. It’s a grand castle of course, but it also struck me as rather plain, barracks-like at times. Very austere. It was explained that the Escorial was both a royal palace and a monastery:
‘Philip’s instructions to Herrera stipulated “simplicity of form, severity in the whole, nobility without arrogance, majesty without ostentation,” qualities clearly illustrated by the long sweep of these facades.’
‘El Escorial was built to honor St. Lawrence, who was burned on a grill. In order to remind the citizens of his martyrdom and sacrifice, the entire building is a grill. Yes, it is shaped like a grill. There are paintings of St. Lawrence on a grill, grills are carved into the doorways, the weather vain is in the shape of a grill, the backs of chairs are supposed to be grills, the list literally could go on forever.’
**Note: One must remain non-hostile to Christianity in order to earn ire beneath the new liberal ideals, ideologies, and ideologues. I think a respect for tradition is a must for anyone, ultimately, responsible for gatekeeping (learning from and upholding a tradition which extends into the past).
Sure, such folks (politicans, especially) pay lip-service to the latest moral cause, but they also have duties to the dead, the living, and to their own families. I”m expecting some sort of rift between liberal idealists and activist/radicals to manifest more often in American politics going forwards. That said, such a coalition will still mobilize against anything traditional, religious and conservative most of the time.
Our author finds Paglia a welcome, often contrary, voice of the Boomer generation. Peterson and Paglia remain true in their own experiences and principles against prevailing orthodoxies (Peterson from frontier-town Canada, and Paglia teaching at the Philadelphia University Of The Arts). Paglia, perhaps, can be a good thermometer for the radical, heated core of 60’s activism (everything must go, utopia awaits).
‘Behind that devotion to heterodoxy lies something softer. She [Paglia] admitted that she’s chosen to censor herself in front of her students, no longer teaching them, for example, Billie Holiday’s “Strange Fruit,” a song about lynching, which was for years an important part of her course “The Art of Song Lyric.’
I had a very competent, very good professor tell me she stopped teaching Sylvia Plath for somewhat similar reasons. It was too much for some students.
‘In her slender 1998 book The Birds, for example, published by the British Film Institute, she [Paglia] writes that the Hitchcock classic is “in the main line of British Romanticism, descending from the raw nature-tableaux and sinister femmes fatales of Coleridge.”
One could do worse than study British Romanticism (Wordsworth, Keats, Mad Bad Byron), despite the problems that come in glorifying (M)an and (H)umanity. Some people are so busy glorifying (M)an they treat actual men appallingly. The record isn’t always so (I)deal.
‘Cosmic reality is both wondrous and terrifying to her. “The sublime,” she said, “opens up the vastness of the universe, in which human beings and their works are small and nothing!” The world may be less enchanted than it was when Paglia was a child, but she still stands in awe of it. Her life’s work has been to share that message with others.’
There’s plenty to share, and, for what it’s worth, John Williams playing Isaac Albeniz’ Cordoba can induce a sublime state for me (especially at minute 1:20):
I think this is more reflection and a desire for the holy and larger-than-myself (ducking away from busy streets, into the quiet interplay of shadow and sun, observing the stars carved into the ceiling and looking for patterns).
Dear Reader, I’m accustomed to my own little corner of the internet, where I traffic in low-traffic. I synthesize many of my own experiences, ideas and other people’s thoughts into occasional bursts of competency.
In the video below, Camille Paglia and Jordan Peterson discuss a shared view that post-structuralism (Foucault, Lacan, Derrida) has impoverished much of the humanities. As Paglia notes, the older-school New Criticism at least had some devotion to truth in its close textual readings.
She might share some similar intellectual ground with Peterson in using Nietzsche’s nihilist toolkit to examine many modern problems in the arts and where people are finding meaning in their lives (the move from Schopenhauer’s Will To Nietzsche’s Will To Power). Deploying Nietzsche’s Apollonian/Dionysian dichotomy, too, into pop culture gives Paglia some depth as she tries to synthesize high and low (Madonna, George Lucas, Alfred Hitchcock). Despite her affinity for actual 60’s Marxist radicals which I don’t share (many of whom LSD’d their way into oblivion), Paglia pushes against many feminists and careerists from this radical point-of-view.
She’s a popularizer appealing to a large audience and a contrarian in the sense of the word for which I have some respect.
In fact, both have an ability to appreciate and understand many knowledge claims made by many Englightment and post-Enlightenment fields of study. One shouldn’t have to become anti-empiricist (including nihilism), nor anti-humanist, in seeking a good humanities education.
Many postmoderns (and some Nietzscheans, for that matter) dislike being called-out their on relative ignorance of the sciences. From mathematics to statistics, from chemistry to biology, from psychology and on down the line to history, many institutionalized folks imagine themselves often standing outside, and in radical opposition to, the civilization and institutions they are entrusted to maintain.
One of the reasons I suspect both Paglia and Peterson are in a currently ‘semi-banished’ cultural space is that they both openly claim a respect for the wisdom and depth found in the Bible (whatever your thoughts on the transcendent claims to truth and knowledge found therein). It appears both take a deeply tragic view of life and human nature, and both reject the rejection of traditions so much in vogue these days.
Notice this is enough to upset the apple-cart of many ‘-Ists,’ from feminists to gender activists to many Left-leaning coalitions of political utopians and social justice seekers, often seeking institutional authority while claiming all current institutional authority is illegitimate. Many such ideas have become very mainstream, indeed.
If you haven’t noticed such ‘-Ists,’ it seems they and I’d argue, too, that you maybe should be paying more attention.
‘Here our account of the disposition to be conservative and its current fortunes might be expected to end, with the man in whom this disposition is strong, last seen swimming against the tide, disregarded not because what he has to say is necessarily false but because it has become irrelevant; outmanoeuvred, not on account of any intrinsic demerit but merely by the flow of circumstance; a faded, timid, nostalgic character, provoking pity as an outcast and contempt as a reactionary. Nevertheless, I think there is something more to be said. Even in these circumstances, when a conservative disposition in respect of things in general is unmistakably at a discount, there are occasions when this disposition remains not only appropriate, but supremely so; and there are connections in which we are unavoidably disposed in a conservative direction.’
Oakeshott, Michael. Rationalism In Politics And Other Essays. Indianapolis: Liberty Fund, 1991. Print.
“Those who speak most of progress measure it by quantity and not by quality
One of the themes of this blog has been looking, usually from the outside in, at political liberalism and offering critiques, though I frequently hesitate to align myself with any political party and/or movement. I’m not much of a joiner, and I can’t really call myself a religious believer.
I try and offer that caveat for anyone looking for a political ally or a fellow idea-traveler. Admittedly, it’s a bit strange to write a good deal about political philosophy but not put one forward of one’s own; trying to declare no particular allegiance on any given day.
I can’t help but think to make a child, yours or someone else’s, a poster-child for your cause demonstrates a failure of ideas. It’s probably always unwise to use your child as a vehicle for your dreams, despite the occassional prodigy and/or genius with dreams of their own. Frankly, it seems pretty pathetic to pimp-out children for large, abstract ideas and current politico-moral movements:
What might people believe and how do they act, and what might that eventually mean for others (laws, politics, rules)? Environmentalism as religion (or a movement with clear Western religious roots does some work for me):
I’ll take up an oar in the Catholic galley, but we may have to part ways sooner or later on our trip down the river:
Making the ‘personal political’ tends to politicize all aspects of life. It’s unsurprising that a few good artists will fall on more conservative sides of topical political discussion.
As I see the world: Radical doctrines weaponize personal confessions into political (C)auses. Envy is a deep and nearly constant human emotion, and when the green eyed monster appears, honest self-criticism is much harder than righteous indignation (maybe this guy is smarter/better than me…what can I learn from him?).
I should add: There are plenty of religious prigs who are, essentially, failures at life. More than a few have traced their bitterness into a God-shaped mold.
It’s no surprise the basics learned in youth sports (how to lose honorably, the long hours of toil and sacrifice, the daily practice) are eschewed by most ideologues. If you’re weak and/or losing, becoming anointed into an ideology plugs into one of the deepest human desires: Defining yourself by what you are not, and finding group membership and meaning. The thought that ‘they’ are winning, and thus, I’m (we’re) losing is powerful stuff.
I’m somebody. I can win. I’m less racist than you. I’m more deeply (H)uman than you. I feel more authentically than my enemies. Sister Nancy is the most God-fearing gal in the whole convent.
Human nature hasn’t changed all that much, as every revolutionary radical seems to find out the hard way.
For anyone not in dire straits (genuine need and/or actual oppression), inviting the clumsy hands of ideological (C)ause into the bedroom is a kind of lunacy. Liberation doctrines valorize anti-heroes, medicalize illnesses and glamorize vices into badges of authenticity.
This tends to lead to a lot more failure, and more ideology to fill the holes.
I’m pretty sure: Deep down, rebels and anti-heroes still have authoritarian tendencies and tragic flaws: See History. Most sane people don’t idealize sickness and disease. When it comes to drugs, alcohol and the Zubercocks of this world, what awaits is often just a sad lonely death and a whimper.
Word to the wise: Placing your eggs in the activist basket is a long-term losing game (gays/lesbians/actual minorities) as I see the world. Short- and mid-term gains gather into an ever-growing list of human ‘rights’ which normalize the marginalized and politicize the personal. But politics is a thing. It’s about distributing unequal resources and making decisions. It’s contentious and corruption is usually the rule, not the exception. Believing in politics won’t bring more ‘peace’. Bureaucracy is a large organization where power and authority accrue, but instead of corporate bureaucracies subject to market forces, they continue on with bad incentives and the same amount of inequality as before.
Individual eggs get scrambled into unrecognizable omelettes of mass justice. Many individuals find out too late there’s no real space for individuals in mass movements and passionate (C)auses.
This blog welcomes lenses with which to view works of modern art.
‘Clarity: As I’ve said, the movie abstracts from concrete reality certain general character types, purges from them the nuance and complexity in which we find these general patterns embedded in everyday life, and re-embodies them in extreme characters so that we might more carefully consider those types. Just as we know more clearly what it is to be a triangle by abstracting from particular triangles (red ones, green ones, triangles drawn in ink, triangles drawn in chalk, etc.) and considering the general pattern, so too does the movie allow us to see more clearly what it is to be a desperate man, a cruel man, a weak man, a dishonest man, a broken man, and so on, by way of its skillful caricatures.
So, in its integrity, proportion, and clarity, Glengarry has the marks of a beautiful thing, despite its grim subject matter. One need not admire and approve of Satan in order to admire and approve of Dante’s or Milton’s literary representations of Satan, and one need not admire or approve of the sorts of people represented in a film like Glengarry in order to admire and approve of the representation itself.’
‘You call yourself a salesman you son-of-a-bitch?:’
For those who’ve ever had a real job, and seen people at their best and worst, or been reasonably honest about their own motivations and willingness to be do right by others under duress, well, there’s a lot of truth to be found in this particular work of art.
Like boxing gyms and MMA matches, or call-centers full of debt collectors, or daily life on public city buses, the stuff of humanity is pretty much the same as anywhere else, just more raw and closer to the surface.
On fuller display, perhaps.
Feser provides some reasonable context, here, the kind that forms the backbone of a good Catholic education, and which this blog considers to have enriched the debate.
For those who didn’t ask!:
As this blog sees things, the modernist project is not explicitly ideological, but it is extremely ambitious: Make it new. Start from the ground up, or go back to the foundations and take a really good look, and have the individual genius start building his own, new foundations (alone or in contact with others, such as the Bloomsbury Group).
It takes really talentedindividuals to pull this off; often individuals with previous exposure to tradition; young practitioners with enough talent and perseverance, as well as enough of a pedagogy to inherit and rebel against should they choose.
As this blog has noted, it’s not hard to witness a string of causation between high modernist aims and a lot of the modern and postmodern aimlessness we see all around us. There sure are a lot of poseurs and would-be artists bobbing in the postmodern stew, left to sort out the entire world and their relation to it alone, or upon a stage (as alone and not alone as one can be).
They write these f**king art blurbs before they have any art! What the f**k is this lady doing?:
‘The most useful definition of modernist fiction I’ve encountered comes from Brian McHale’s Postmodernist Fiction. He says modernist fiction tends to “foreground epistemological questions” such as “How can I interpret the world I’m part of? What is there to be known? Who knows it? What are the limits of that knowledge?” In contrast, postmodernist fiction tends to “foreground ontological questions” such as “What is a world? What kinds of worlds are there and how are they constituted? What happens when…boundaries between worlds are violated?’
The above can invite all manner of despair and isolation, and perhaps a deeper cynicism we see in upcoming generations’ rather pervasive desire for fame and recognition.
The above can also exacerbate the spiritual and meaning-making demands individuals place upon the Marketplace, the Church, and in The Media and The Academy (where an authoritarian/totalitarian radical Left seeks to control institutions, institutions where a kind of Western secular humanism and standard-issue political idealism often dominates).
As I see it, I cannot call myself a believer in the questions the Catholic Church claims to to be able to answer, but many modern political and politico-philsophical movements are incomplete at best, and dangerously wrong at worst.
Ah well…there’s my two cents.
There’s good art to be found, of course, but like most well-made things, good art is relatively rare, its ultimate value and quality endlessly disputed, but perhaps, enduring.
–Born and raised in Chicago, Mamet seems pretty old-school and pretty tough. He reminds me a bit of Norman Mailer, verbally pugilistic and combative, though unlike Mailer he’s taken a different turn into ju-jitsu, instead of boxing, as well as into a different set of motivating principles. Alec Baldwin’s Death-Of-A-Salesman-on-steroids speech from Glengarry Glen Ross is a well-known example of Mamet’s work (demonstrating the kind of balls-out truth-telling dialogue from which Baldwin has possibly not recovered). I’m guessing Mamet grew-up back before anti-bullying campaigns and excessive political correctness became the norm.
***As I understand it, Thomas Sowell, after becoming a young Marxist eventually became a young ex-Marxist, embracing a hard-bitten empiricism regarding outcomes and results, not the intentions, of economic and social policies. See him discuss his later vision of human nature and political organization in a Conflict Of Visions.
–Mamet cites the Bible, but mainly the Talmud as a source of wisdom and knowledge to draw upon as a guide for flawed human nature. Jewish folks in the U.S. have traditionally formed a reliably liberal/Democratic voting bloc, so unlike many Christian religious conservatives, they aren’t necessarily voting Republican. There are no doubt many reasons for this, but to be sure, there are also many tales of neoconservatives ‘mugged’ out of the social sciences and policy-making halls of the liberal establishment into doubt and skepticism, some chased away by the New Left. There is also a conservative Christian/Jewish pro-Israel alliance which has traditionally been strong on national defense (some fundamentals of that American/Israeli relationship may be changing).
Religious belief can ground one in a kind of traditional and tragic view of human nature. This, say, as opposed to human nature understood as simply a blank slate or existentialist absurdity, or by some political movements as human clay to be molded with the right knowledge and right people in charge of our social institutions (they always seem to nominate themselves). As Mamet discusses in the video, there are distinctions to be made between Talmudic justice and social justice.
I’m guessing he might agree there are distinctions to be made between abstract equality and equality under the law (the exception of Civil Rights and black folks held under the civil laws is discussed). I’m also guessing he’d argue there are distinctions to be made between life, liberty, and the pursuit of happiness on one hand, and liberation theology and/or individual freedom granted by a rights-based cohort in charge of government on the other.
–Mamet also touches on the fact that the arts aren’t a political endeavor. If writing a play is simply a didactic enterprise and/or a vehicle for deploying a political philosophy (Ayn Rand?), then I think the artist has probably failed in some fundamental way to show the audience/reader a unique truth which only that work of art has to show. Didactic art can come across as clunky at best, pure propaganda at worst.
Personally, I tend to believe that politics, religion, convention and popular thinking all have trouble with the arts.
Anyways, this is just a brief summary. Any thoughts or comments are welcome.
Reasonably smart people and relatively deep thinkers feel the need to matter, just like everyone. They also feel the need to explain.
How much do you really know?
Patrick Deneen discusses recovering the ancients to re-orient the present and modernity towards flourishing (likely on the Straussian curve). The elites and the people each have their talents, but right now everyone seems to be either within or against a faltering structure of elites.
Is that really what’s going on?
There are people who can, and people who can’t. There are rules and ‘rule-following punishers’. There is constant reinforcement of what is good and what is not, and there are ends contained within ideas. We’re now selecting for abstract, symbolic and practical intelligence very strongly, and very early on.
But what about virtue amongst institutions full with a lot of virtue-signalling? What about small towns?
Oh, there will be ambitious people, strong and smart people, and warriors. But what about when people are or become rotten in some way? Or wrong and there too long? What constrains the folks making more important decisions and what constrains people downstream of them (from becoming violent, especially)?
A lot of folks on the dissident right see libertarianism/liberalism as two sides of the same, modern coin. Some folks on the far right live in identity politics and power-all-the-way-down theories (a natural reaction to the Hitler-year-zero Left…though some of it was always there…here I go again on the Straussian curve). Others are pointing out the virtues of neo-feudalism and monarchism (power matters) while still others are Catholics (certainly a hierarchy there).
There’s a lot of searching. Dear Reader, I still have my doubts.
Food for thought. Thanks for reading. I’m busy with life and work, mostly.
Of notein the video below: Lancellotti discusses that Augusto Del Noce didn’t go full Catholic integralist (more of a Christian Democrat). Also, once the transcendant is pursued through politics, politics tends to go crazy. Politics is what it is, and can’t serve us any more than it has/hasn’t in the past. America’s a little later in the secularization game, but it’s happening.
Del Noce’s emphasis on the role of Marxism in what I called the “anti-Platonic turn” in Western culture is original, and opens up an unconventional perspective on recent cultural history. It calls into question the widespread narrative that views bourgeois liberalism, rooted in the empiricist and individualist thought of early modern Europe, as the lone triumphant protagonist of late modernity. While Del Noce fully recognizes the ideological and political defeat of Marxism in the twentieth century, he argues that Marxist thought left a lasting mark on the culture, so much so that we should actually speak of a “simultaneous success and failure” of Marxism. Whereas it failed to overthrow capitalism and put an end to alienation, its critique of human nature carried the day and catalyzed a radical transformation of liberalism itself. In Del Noce’s view, the proclaimed liberalism of the affluent society is radically different from its nineteenth-century antecedent precisely because it fully absorbed the Marxist metaphysical negations and used them to transition from a “Christian bourgeois” (Kantian, typically) worldview to a “pure bourgeois” one. In the process, it tamed the Marxist revolutionary utopia and turned it into a bourgeois narrative of individualistic liberation (primarily sexual).’
‘Olympianism is the characteristic belief system of today’s secularist, and it has itself many of the features of a religion. For one thing, the fusion of political conviction and moral superiority into a single package resembles the way in which religions (outside liberal states) constitute comprehensive ways of life supplying all that is necessary (in the eyes of believers) for salvation. Again, the religions with which we are familiar are monotheistic and refer everything to a single center. In traditional religions, this is usually God; with Olympianism, it is society, understood ultimately as including the whole of humanity. And Olympianism, like many religions, is keen to proselytize. Its characteristic mode of missionary activity is journalism and the media.’
‘Progress, Communism, and Olympianism: these are three versions of the grand Western project. The first rumbles along in the background of our thought, the second is obviously a complete failure, but Olympianism is not only alive but a positively vibrant force in the way we think now. Above all, it determines the Western moral posture towards the rest of the world. It affirms democracy as an ideal, but carefully manipulates attitudes in a nervous attempt to control opinions hostile to Olympianism, such as beliefs in capital or corporal punishment, racial, and otherforms of prejudice, national self-assertion—and indeed, religion‘
‘I posted a long thread of passages from Plato’s Republic setting out his account of how a democratic society’s fixation on liberty and equality yields the tyrannical soul. You can read the thread here.’
Should you trust Twitter?: Twitter relies upon compressed messaging (the medium is the message) and reasonably sticky UI (user interface). This promotes a ‘bubbled’ user experience, presumably to capture mid- and lower- range users (reply to your favorite popular node NOW!). As a user, you can gain a lot of access to information you might want. Some people can’t afford not to pay attention.
Such an approach also incentivizes immediate and almost ridiculous misunderstanding in the replies. Deeper ideas aren’t explored particularly well nor is actual human communication and understanding established on Twitter (lots of empty calories). Popularity and knowledge/wisdom seem only tangentially correlated. Political divides deepen.
Add in the difficulty of policing a ridiculously large network (only AI can monitor channels in the aggregate along with incentivized snitching by many of the worst users). Include an inchoate rule set and unclear enforcement, lots of bots, and a pretty well-established Left activist bias, and you have a platform I wouldn’t mind seeing replaced with…
Thanks for reading thus far. You’re patient. And kind.
What I’ve learned about photography as a hobbyist:
-Light is fascinating, The more you observe, the more you learn. Your brain, eye and awareness all change. You begin to visualize more quickly and clearly, anticipating what’s to come in the future.
-People can be fascinating. The more you observe, the more you learn (it isn’t always what you think).
-Snapping photos, one tends to float about outside normal human interaction on the street, camera in tow (the mark of Cain). This can alienate you and it’s not always an honorable way to live. Try to not be an asshole.
-The best photographers have ridiculously good technical and compositional skills (everything in its place and a place for everything). The best photographs have a combination of great composition and great subject (content). A moment comes together, and is rendered in such a way as to seize your imagination.
With your iPhone I suppose you could chance upon a brilliant photograph, but your chances are very slim to none. Like all of us, you could increase your number of decent photographs, then good photographs, then a few excellent ones.
Masterful? Probably not. Technology is usually not going to be any more than you make it.
Via a reader: Saul Leiter’s photographs are well-composed, layered, with excellent use of color. They are like paintings. Abstract Expressionism was hot in the painting world, and it shows. He didn’t pursue too much attention, making some great images with the tools he chose, in search of beauty:
‘Continetti notes that post-liberals are “mainly but not exclusively traditionalist Catholics,” and proposes a test for determining whether someone falls into the category:’
One way to tell if you are reading a post-liberal is to see what they say about John Locke. If Locke is treated as an important and positive influence on the American founding, then you are dealing with just another American conservative. If Locke is identified as the font of the trans movement and same-sex marriage, then you may have encountered a post-liberal.
‘The late Michael Novak, who was no post-liberal, made a useful distinction between liberal institutions on the one hand, and liberal philosophical foundations on the other. Examples of liberal institutions would be the market economy, limited government and its constitutional constraints, and the rule of law. There is in fact nothing essentially liberal about any of these things, but they have certainly come to be closely associated with the modern liberal political order. Examples of liberal philosophical foundations would be Locke’s version of social contract theory, Kant’s conception of human civilization as a kingdom of ends, Rawls’s egalitarian theory of justice, and Nozick’s libertarian theory of justice.’
My speculation: A deeper, broader American conservative coalition has broken apart (or is being renegotiated), and some religious folks no longer see a path forward through current culture and/or politics. Some are recommending a retreat into communities of like minds in order to build again. Retreat and regroup, even in Britain. Genuine persecution is coming from radical activists pushing liberatory doctrines (Equality, Social Justice, Sexual Liberation), and these doctrines have increasingly become institutionalized (academia, government & corporations). Coalitions of liberal idealists fail to observe the barbarians agitating at their own gates; the instability of their own foundations.
Looking at a liberal, Left and Democrat coalition, it too has broken apart (or is being renegotiated), the most true-believing Socialists and Communists still seeking authoritarian/totalitarian utopias here on Earth. On this view, the persecution is coming from all existing forms of illegitimate, oppressive moral and political authority. Violent revolution remains an option for those reacting against the oppressor. Anarchy is preferable to stability and slow change.
Many liberals are now in a position of authority in many institutions, and many still support speech and even ol’ Kennedy nationalism, but have to remain on the offensive against anything traditional or religious, and especially pro-Trump (quite the scapegoat). Such folks must also remain on the defensive against attacks from their own Left (I think many were living upon the old laws and civility without realizing those structures were those under attack).
For such folks, coalitions of conservatives fail to observe the suffering and injustice of those not included within their closed-minded conceptions of home, hearth, family, Nation and God. Progress is generally a moral good. Coalitions of open-minded, educated, tolerant, individuals can make a better, human, more globally connected world.
“7. What is meant by enthusiasm. This I take to be properly enthusiasm, which, though founded neither on reason nor divine revelation, but rising from the conceits of a warmed or overweening brain, works yet, where it once gets footing, more powerfully on the persuasions and actions of men than either of those two, or both together: men being most forwardly obedient to the impulses they receive from themselves; and the whole man is sure to act more vigorously where the whole man is carried by a natural motion. For strong conceit, like a new principle, carries all easily with it, when got above common sense, and freed from all restraint of reason and check of reflection, it is heightened into a divine authority, in concurrence with our own temper and inclination.”
“Although the professional soldier accepts the reality of never-ending and limited conflict, “the liberal tendency,” Huntington explained, is “to absolutize and dichotomize war and peace.” Liberals will most readily support a war if they can turn it into a crusade for advancing humanistic ideals. That is why, he wrote, liberals seek to reduce the defense budget even as they periodically demand an adventurous foreign policy.”
I’ll keep putting it up, as it’s so relevant. A few central quotes from this article here:
“Huntington was instinctively a conservative because he valued an ordered society, but he also championed conservatism as a necessary instrument to defend liberal institutions against communism. In many of his books he attacked idealistic liberals for holding such institutions to impossible, utopian standards that undermined their effectiveness in the world.”
“An iconoclast to the core, Huntington never threw his lot in with left or right. He was too statist to be a libertarian, too realist to embrace neoconservatism, and too sympathetic to nationalism, religion and the military to identify with liberal Democrats. As a conservative Democrat, then, he is an intellectual rarity.”
Political Order In Changing Societies info here, a book likely worth your time.