Repost-Karl Popper’s World 3 & The ‘Museum-Industrial Complex’-Two Links

From Edward Feser: ‘Jackson on Popper on materialism

‘Popper’s World 3 is in some respects reminiscent of Plato’s realm of the Forms, but differs in that Popper takes World 3 to be something man-made.  As I noted in the earlier post just linked to, this makes his positon at least somewhat comparable the Aristotelian realist (as opposed to Platonic realist) view that universals are abstracted by the mind from the concrete objects that instantiate them rather than pre-existing such abstraction.’

Quite a comment thread over there…


Via The New Criterion, a discussion on the: ‘The Future Of Permanence In A World Of Ephemera: A Symposium On Museums

Do we have a museum-industrial complex?  Or better said, like many American institutions, is it time for a re-appraisal of many a core mission-statement and role of these institutions in the life of citizens?

If your intellectual bedrock lies within modernism itself, then perhaps you are more susceptible to the modern winds which kick-up and howl in the West:

MoMA’s mission statement:

‘Founded in 1929 as an educational institution, The Museum of Modern Art is dedicated to being the foremost museum of modern art in the world.’

Because you didn’t ask: My timewaster used to be 2048, now it’s threes

Related On This Site:Encyclopedia Of Philosophy Entry On Eliminative Materialism…

Bryan Magee Via Youtube: ‘Miles Burnyeat On Plato’Repost: From the Cambridge Companion To Plato-T.H. Irwin’s “Plato: The intellectual Background’

James Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

Update And Repost-Death & Tax Credits-From The Observer: ‘New York May Become First State To Incentivize Diversity In Writers’ Rooms’

Come On, Detroit, Maybe You Can Do It-You’re Still Kind Of Beautiful

-James Panero at The New Criterion: ‘Detroit Chronicle

‘This is not to say that the arts will “save Detroit,” as some have suggested. The sociologist Richard Florida, who wrote The Rise of the Creative Class in 2001, has staked much on this messianic and largely unproven claim for rustbelt renewal. Instead, cities work best when the planners get out of the way of artists rather than attempting to use them as tools of gentrification. Basing your urban future on jet-setting bohemians coming to town for a Matthew Barney film shoot is no way to keep the lights on and the water running, or, more to the point, strengthen the local cultural fabric.’

As previously posted:

Via Curbed Detroit. (via David Thompson)

70 photos of the abandoned, foreboding Temple.  Mysterious symbols and a certain sad grandeur that’s come to represent Detroit these days.

-Photographer Ben Marcin has a series called ‘Last House Standing.’ Solitary row-homes…the only ones left on the block.

From Buzzfeed: ‘Why I Bought A House in Detroit For $500:’

How did Detroit get here? Very comprehensive and easy to navigate.

More from Megan McArdle on the behavior that comes with pension bonuses.Charlie LeDuff, Detroit’s populist, citizen journalist’s youtube channel here.  At least he’s sticking around.

Are you looking at beautiful photos and feeling sorry for Detroit, and yourself?  See Time Magazine’s photo essay by Yves Marchand and Romain Meffre (less porn-like, more thoughtful).

Hipster hope, artists, collectivists and small business types can’t save it either:  A Short Culture Wars Essay-Two Links On Detroit & ‘Ruin Porn’

GM is not a municipality, but good money got put in, probably after bad and it reeks of politics: From The Detroit News: ‘How The Treasury, GM Stock Deal Got Done’

Modernism At The Movies

You Can Have It

My brother comes home from work
and climbs the stairs to our room.
I can hear the bed groan and his shoes drop
one by one. You can have it, he says.

The moonlight streams in the window
and his unshaven face is whitened
like the face of the moon. He will sleep
long after noon and waken to find me gone.

Thirty years will pass before I remember
that moment when suddenly I knew each man
has one brother who dies when he sleeps
and sleeps when he rises to face this life,

and that together they are only one man
sharing a heart that always labours, hands
yellowed and cracked, a mouth that gasps
for breath and asks, Am I gonna make it?

All night at the ice plant he had fed
the chute its silvery blocks, and then I
stacked cases of orange soda for the children
of Kentucky, one gray boxcar at a time

with always two more waiting. We were twenty
for such a short time and always in
the wrong clothes, crusted with dirt
and sweat. I think now we were never twenty.

In 1948 the city of Detroit, founded
by de la Mothe Cadillac for the distant purposes
of Henry Ford, no one wakened or died,
no one walked the streets or stoked a furnace,

for there was no such year, and now
that year has fallen off all the old newspapers,
calendars, doctors’ appointments, bonds
wedding certificates, drivers licenses.

The city slept. The snow turned to ice.
The ice to standing pools or rivers
racing in the gutters. Then the bright grass rose
between the thousands of cracked squares,

and that grass died. I give you back 1948.
I give you all the years from then
to the coming one. Give me back the moon
with its frail light falling across a face.

Give me back my young brother, hard
and furious, with wide shoulders and a curse
for God and burning eyes that look upon
all creation and say, You can have it.

Philip Levine

There’s definitely some Spanish influence here, by way of Antonio Machado.  Perhaps there’s also some labor/alienation sentiment for the working man on the factory floor, but hey, it’s Detroit and it’s a well-crafted poem.

Just because I love to highlight the generally Left-Of-Center political philosophy over at PBS and NPR, there’s a link to this PBS piece about life on the factory floor and Levine’s poem.  Here’s a Paris Review interview with Levine.

A lot of breathing, technique, and multiphonics going on here.

Pipelines Of People-James Panero At The City Journal: ‘Net Gains’

Full post here.

‘Since 2007, billions of dollars have poured into New York’s “Silicon Alley,” which recently vaulted ahead of the greater Boston area to become the nation’s second-largest tech hub behind California’s Silicon Valley. For a city that has long relied on its financial industry to spur growth and innovation, the resurgence of the tech sector is welcome news.’

Here’s a video from TheStreet, posted two years ago now with a Bloomberg rep (this blog stays on the cutting edge).

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As to the city government and the politics of the thing, if you want cash, you need cows.  From the NY Daily News on how the De Blasio administration is handling this development:

‘Alicia Glen, Mayor de Blasio’s deputy for housing and economic development, pledged to create a “real pipeline” of New Yorkers equipped for the new jobs in the city’s new economy.’

That won’t happen overnight, and for some people it won’t ever happen. It remains to be seen if labor activists can build pipelines that don’t primarily move labor activists and tax revenue around.

Related On This SiteJames Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

The Cresting Of A Hipster Wave?-From The New York Observer: ‘Brooklyn Is Now Officially Over: The Ascendance of Brooklyn, the Lifestyle, Above All Else’

Some Links On 5Pointz, Graffiti, & The Arts–Property Rights & The Rule-Of-Law

James Panero At The New Criterion: ‘The Widening Gulf’

Full piece here.

Oil and gas money can buy Qatar lots of art (and help it import cheap labor), but other tribal, autocratic ways haven’t changed much:

‘On the one hand, Qatar’s art initiatives can be seen as a modernizing force, one that could liberalize the tribal attitudes of the country’s native population and pave the way for further political reform. On the other hand, contemporary art may merely serve as a cover for further repressive policies.’

Related On This SiteJames Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

MOMA is private, so perhaps it’s not as decadent if they display Tilda Swinton in a box:

Tilda Swinton At MOMA-From Arma Virumque: ‘Nightmare In A Box’

From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.:  Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus.  A very good Goya page here.

Joan Miro: Woman… Goethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

In The Mail-James Panero Of The New Criterion Discusses Fracking

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So, where does the evidence lead, and who are the people attaching themselves to causes, ideas, and politics?  Naturally, I’m sympathetic to the conservative point of view, but I’m open to debate.  There’s an entire industry now of documentary activism and political protest being rewarded by the current administration.  Are they getting the facts right?

Panero also discusses how some NYC museums have come to rely upon the recommended donation fees that rich tourists often pay, and that this revenue stream could interfere with their mission to serve the public.

His original piece ‘It’s Time To Free N.Y. Museums‘ at the NY Daily News.

Addition: Here’s Bob Zubrin on the rather pseudo-religious and dangerous roots of much environmentalism:

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How to separate reasonable environmentalism from the authoritarian impulses, the Malthusians and various other people who “know” how many people is enough?  Now that environmentalism is a primary focus in our schools, it’s probably worth thinking about.

Related On This SiteJames Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

MOMA is private, so perhaps it’s not as decadent if they display Tilda Swinton in a box:

Tilda Swinton At MOMA-From Arma Virumque: ‘Nightmare In A Box’

From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.:  Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus.  A very good Goya page here.

Joan Miro: Woman… Goethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

James Panero At The New Criterion: ‘Time to Free NY’s Museums: The Met Responds’

Full post here.

His original piece ‘It’s Time To Free N.Y. Museums‘ at the NY Daily News.

Panero offers some course-correcting criticism for New York’s public museums, which may be depending too much upon ticket revenue, operating more like businesses.

You can get it in if you pay a penny, but they can pressure you to pay the full $25, mainly to get the higher amount from foreign tourists.

‘Thomas P. Campbell, the Director of the Metropolitan Museum of Art, has issued an “important message” responding to the criticism I and others have raised over the ticketing policies at his and other public-private institutions in New York City. The Director’s affable but ultimately defensive message tells me the Met has heard the criticism but hasn’t listened to it.’

Don’t forget the little people, and your core mission:

‘But big business can be bad business at a non-profit designed to serve the public good. The ever-increasing demands of what I call the museum-industrial complex was the topic of my essay in The New Criterion a year ago, titled “What’s a Museum?”

That piece here.

So, we’ve got the ‘educational-industrial complex’, the ‘military-industrial complex’, and now the ‘museum-industrial complex’.

We’ve got a lot of complexes.

This blog remains skeptical of people interested in broad definitions of the public good which often line up with their own interests, especially upon the ‘greatness’ model:  ‘A great nation deserves great art.’

Such folks can eventually become entrenched on the public dime, having self-selected into a group of cultural gatekeepers, resistant to any change.  They never manage to serve all the public, just usually the public as they’d like it to be, despite the good they can do.

From NPR: Grants To The NEA To Stimulate The Economy?From 2 Blowhards-We Need The Arts: A Sob Story

Related On This Site:  MOMA is private, so perhaps it’s not as decadent if they display Tilda Swinton in a box:

Tilda Swinton At MOMA-From Arma Virumque: ‘Nightmare In A Box’

From The City Journal Via Arts And Letters Daily: Andre Glucksman On “The Postmodern Financial Crisis”

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.:  Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus.  A very good Goya page here.

Joan Miro: Woman… Goethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’