The first modern?
“Fantasy abandoned by reason produces impossible monsters: united with her, she is the mother of the arts and the origin of their marvels.”
See Also: Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.
The first modern?
“Fantasy abandoned by reason produces impossible monsters: united with her, she is the mother of the arts and the origin of their marvels.”
See Also: Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.
“As a student of his native literature, Mencken favours writers with the authentic American yawp – Walt Whitman and Mark Twain, the humorists George Ade and Ring Lardner. Huckleberry Finn is the novel he loves most (followed, somewhat surprisingly, by Joseph Conrad’s Lord Jim). He judges Emerson to be overrated – “an importer of stale German elixirs, sometimes direct and sometimes through the Carlylean branch house”. He can’t bear the circumlocutions of Henry James and the gentility of William Dean Howells”
Also On This Site: How might Nietzsche figure in the discussion, at least with regard to Camille Paglia. See the comments: Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful…Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…
From Poemshape Via Andrew Sullivan: ‘Let Poetry Die’…Here’s a suggestion to keep aesthetic and political judgements apart-Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment…English departments can’t just copy “(S)cience”…yet they have so much to offer.