Our author finds Paglia a welcome, often contrary, voice:
‘Behind that devotion to heterodoxy lies something softer. She [Paglia] admitted that she’s chosen to censor herself in front of her students, no longer teaching them, for example, Billie Holiday’s “Strange Fruit,” a song about lynching, which was for years an important part of her course “The Art of Song Lyric.’
I had a very competent, very good professor tell me she stopped teaching Sylvia Plath for somewhat similar reasons. It was too much for some students.
‘In her slender 1998 book The Birds, for example, published by the British Film Institute, she [Paglia] writes that the Hitchcock classic is “in the main line of British Romanticism, descending from the raw nature-tableaux and sinister femmes fatales of Coleridge.”
One could do worse than study British Romanticism (Wordsworth, Keats, Mad Bad Byron), despite the problems that come in glorifying (M)an and (H)umanity. Some people are so busy glorifying (M)an they treat actual men appallingly. The record isn’t always so (I)deal.
One could do worse than the Romantic return to Nature as a worthwhile area of study, (despite a serious German problem, among others). The Modernist response to Romanticism (Bloomsbury, Eliot, Pound) and some current neo-classical retorts out of the postmodern soup could take up a few good semesters.
So much to learn!
Our author finishes with:
‘Cosmic reality is both wondrous and terrifying to her. “The sublime,” she said, “opens up the vastness of the universe, in which human beings and their works are small and nothing!” The world may be less enchanted than it was when Paglia was a child, but she still stands in awe of it. Her life’s work has been to share that message with others.’
There’s plenty to share, and, for what it’s worth, John Williams playing Isaac Albeniz’ Cordoba can induce a sublime state for me (especially at minute 1:20):
I think this is more reflection and a desire for the holy and larger-than-myself (ducking away from busy streets, into the quiet interplay of shadow and sun, observing the stars carved into the ceiling and looking for patterns).
Dear Reader, I’m accustomed to my own little corner of the internet, where I traffic in low-traffic. I synthesize many of my own experiences, ideas and other people’s thoughts into occasional bursts of competency.
In the video below, Camille Paglia and Jordan Peterson discuss a shared view that post-structuralism (Foucault, Lacan, Derrida) has impoverished much of the humanities. As Paglia notes, the older-school New Criticism at least had some devotion to truth in its close textual readings.
She might share some similar intellectual ground with Peterson in using Nietzsche’s nihilist toolkit to examine many modern problems in the arts and where people are finding meaning in their lives (the move from Schopenhauer’s Will To Nietzsche’s Will To Power). Deploying Nietzsche’s Apollonian/Dionysian dichotomy, too, into pop culture gives Paglia some depth as she tries to synthesize high and low (Madonna, George Lucas, Alfred Hitchcock). Despite her affinity for actual 60’s Marxist radicals which I don’t share (many of whom LSD’d their way into oblivion), Paglia pushes against many feminists and careerists from this radical point-of-view.
She’s a popularizer appealing to a large audience and a contrarian in the sense of the word for which I have some respect.
In fact, both have an ability to appreciate and understand many knowledge claims made by many Englightment and post-Enlightenment fields of study. One shouldn’t have to become anti-empiricist (including nihilism), nor anti-humanist, in seeking a good humanities education.
Many postmoderns (and some Nietzscheans, for that matter) dislike being called-out their on relative ignorance of the sciences. From mathematics to statistics, from chemistry to biology, from psychology and on down the line to history, many institutionalized folks imagine themselves often standing outside, and in radical opposition to, the civilization and institutions they are entrusted to maintain.
One of the reasons I suspect both Paglia and Peterson are in a currently ‘semi-banished’ cultural space is that they both openly claim a respect for the wisdom and depth found in the Bible (whatever your thoughts on the transcendent claims to truth and knowledge found therein). It appears both take a deeply tragic view of life and human nature, and both reject the rejection of traditions so much in vogue these days.
Notice this is enough to upset the apple-cart of many ‘-Ists,’ from feminists to gender activists to many Left-leaning coalitions of political utopians and social justice seekers, often seeking institutional authority while claiming all current institutional authority is illegitimate. Many such ideas have become very mainstream, indeed.
If you haven’t noticed such ‘-Ists,’ it seems they and I’d argue, too, that you maybe should be paying more attention.
Related On This Site: Here’s Nietzsche scholar J.P. Stern on Nietzsche’s anti-Christian, anti-secular morality (Kant, utilitarians), anti-democratic, and anti-Greek (except the “heroic” Greek) biases…See the comments Repost-Camille Paglia At Arion: Why Break, Blow, Burn Was Successful…Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’
Kant chopped the head off from German deism and the German State has been reeling every since…is value pluralism a response?: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”
Is there a move afoot in America away from religion, social conservatism, and toward morality via secular Enlightenment ideals…towards value-free relativism? toward secular morality?: Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’…Repost-Steven Weinberg’s Essay ‘On God’ In The NY Times Review Of Books…Roger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’ …Will Wilkinson At Forbes: ‘The Social Animal by David Brooks: A Scornful Review’..
Bonus interview with Roger Scruton on his ‘Fools, Frauds, & Firebrands:’