‘Stalking The Billion-Footed Beast’-Repost-A Few Tom Wolfe Links

Published in Harper’s in 1989: ‘Stalking The Billion-Footed Beast‘:

‘One of the specialties of the realistic novel, from Richardson on, was the demonstration of the influence of society on even the most personal aspects of the life of the individual. Lionel Trilling was right when he said, in 1948, that what produced great characters in the nineteenth-century European novel was the portrayal of “class traits modified by personality.” But he went on to argue that the old class structure by now had disintegrated, particularly in the United States, rendering the technique useless. Again, I would say that precisely the opposite is the case. If we substitute for class, in Trilling’s formulation, the broader term status, that technique has never been more essential in portraying the innermost life of the individual. This is above all true when the subject is the modern city. It strikes me as folly to believe that you can portray the individual in the city today without also portraying the city itself.’

I’m just glad he was there for so long:

Website here.

Michael Lewis at Vanity Fair: ‘How Tom Wolfe Became….Tom Wolfe‘

‘New York City was—and still is—the only place on earth where a writer might set himself up as a professional tour guide and attract the interest of the entire planet. That’s mainly what Wolfe was, at least in the beginning: his job was to observe the sophisticates in their nutty bubble for the pleasure of the rubes in the hinterlands, and then, from time to time, venture out into the hinterlands and explain what is really going on out there to the sophisticates inside the bubble. He moves back and forth like a bridge player, ruffing the city and the country against each other. He occupies a place in between. He dresses exotically and is talented and intellectually powerful, like the sophisticates in the bubble. But he isn’t really one of them. To an extent that shocks the people inside the bubble, when they learn of it, he shares the values of the hinterland. He believes in God, Country, and even, up to a point, Republican Presidents. He even has his doubts about the reach of evolutionary theory.’

From ‘The Pump House Gang: Introduction‘

‘Hefner showed me through his chambers. The place was kept completely draped and shuttered. The only light, day or night, was electric. It would be impossible to keep track of the days in there. And presently Hefner jumped onto . . . the center of his world, the bed in his bedroom. Aimed at the bed was a TV camera he was very proud of.’

As posted:

Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:

‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…‘

The satire of the liberal intelligentsia is pretty rich, as well as the Southern Gentleman’s WASP ‘rejuvenation.’ You just know Christopher Hitchens had to get-in on that action:

From the Late Show in 1989 with Howard Jacobson:

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Was Tom Wolfe seeing things clearly, as they really are?

Certainly the liberal pieties and the conflicted, activist base is still ripe for the picking…for what is preventing the mocking of the Brooklyn hipster and the echoing of ‘This Land Is Your Land’ across the fruited plain?:

Peter Berkowitz review of Tom Wolfe’s Miami novel here.

What are you looking for in a novel: Ideas and the deployment of ideas? A reflection of your life/times/society? Good prose? Characters that pop into your life? Glimpses of the author? Pleasure?

‘The deeper divisions, as Wolfe’s novel compellingly presents them, are between those who believe that happiness consists in one form of pleasure or another — including the aesthetic pleasure of sensitively glimpsing one’s own sensitivities and the sensitivities of others — and those who, like Tom Wolfe and his heroes, believe that happiness consists in the exercise of courage, self-control, and the other qualities of mind and character that constitute human excellence.’

A New Yorker review here.

See Tom Wolfe’s Radical Chic: That Party At Lenny’s for a rich account of the 60′s. I remember reading ‘A Man In Full‘ a while back.

Any thoughts and comments are welcome.

Via A Reader-‘John Searle On The Philosophy Of Language’

Via a reader:  John Searle on The Philosophy Of Language as part of Bryan Magee’s series:

It’s always a pleasure to observe someone with deep understanding explain a subject clearly.

There’s some interesting discussion on modernism and postmodernism too, or the tendency for the ‘moderns’ to focus on language itself as a problem to be re-examined and possibly solved, or the study of linguistics to be put upon a foundation similar to that of many sciences.

As we’ve seen in the arts, the poem, a novel, the very written words themselves can become subjects which poets, novelists, and writers examine, doubt, and in some cases ‘deconstruct.’

As to that tribe in South America, cited as evidence against Chomsky’s claims of necessary recursion and the existence of a universal grammar, Searle has some things to say in the interview below.

As previously posted: Paul Ibbotson & Michael Tomasello at Scientific American: ‘Evidence Rebuts Chomsky’s Theory Of Language Learning:’

‘But evidence has overtaken Chomsky’s theory, which has been inching toward a slow death for years. It is dying so slowly because, as physicist Max Planck once noted, older scholars tend to hang on to the old ways: “Science progresses one funeral at a time.”

Worth a read.

As posted:  Caitlin Flanagan reviews Tom Wolfe’s new book ‘The Kingdom Of Speech.‘ Jerry Coyne, ecologist, writing in the Washington Post, was not impressed:

“Noam Chomsky: The Last Totalitarian”The Politics Of Noam Chomsky-The Dangers Of Kantian Transcendental Idealism?

Via Youtube: (1 of 3) Kant, Chomsky and the Problem of Knowledge

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Some Updated Links On Postmodernism…Daniel Dennett: ‘Postmodernism…And Truth’

A Bleak, Modern House-Four Poems

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Bryan Magee Via Youtube: ‘Miles Burnyeat On Plato’…Bryan Magee Via Youtube: ‘John Passmore on Hume: Section 1’

Via Architizer-‘A Brief History Of Modern Architecture Through The Movies’ And A Few Quotations Gathered Over The Years

Full post here.

Chronologically done with choice examples of each style.

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Ever since I was young, I found myself wanting to live in that Mt. Rushmore house at the end of North By Northwest.  I suspect some among us have wanted to occupy a modernist lair.

From an article in Der Spiegel on the Bauhaus, where modernism got its start:

‘The real feat achieved by Gropius and his cohorts was to have recognized and exposed the sociopolitical and moral power of architecture and design. They wanted to exert “effective influence” on “general conditions,” fashion a more just world and turn all of this into a “vital concern of the entire people.”‘

I’m always a little skeptical of such grand visions.  Utopianism runs deep.

Robert Hughes wasn’t a fan of some of what’s modern.  Empire State Plaza in Albany, New York seems pretty out-of-place, and pretty authoritarian-looking:

I think we may be seeing the mix of the corporate/bureaucratic alliance so common in post-war America coming-up for re-examination and undergoing some kind of resurgence in our current politics:


Donald Pittenger, at Art Contrarian, and formerly of 2 Blowhards, has been looking at modernism. From the banner of his blog:

‘The point-of-view is that modernism in art is an idea that has, after a century or more, been thoroughly tested and found wanting. Not to say that it should be abolished — just put in its proper, diminished place’


Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:

‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…‘

See Also: They designed a city in the heart of Brazil that really doesn’t work for people: Brasilia: A Planned City

No thanks to living in planned communities upon someone else’s overall vision.: Roger Scruton In The City Journal: Cities For Living–Is Modernism Dead?…Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’…Cities should be magnets for creativity and culture? –From The Atlantic: Richard Florida On The Decline Of The Blue-Collar Man…From Grist.Org Via The New Republic Via The A & L Daily: ‘Getting Past “Ruin Porn” In Detroit’… some people don’t want you to have the economic freedom to live in the suburbs: From Foreign Policy: ‘Urban Legends, Why Suburbs, Not Cities, Are The Answer’

A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint…

Denis Dutton suggested art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth…the money and the fame) Review of Denis Dutton’s ‘The Art Instinct’