Idealism

No Country For Liber-tari-ans And Nobody’s Business But The Turks? Some Links

From Middle-East Perspectives: ‘What Are Erdogan’s Intentions After The Fall Of Afrin?

‘That said, it is interesting that Erdoğan keeps using the term “Ottoman” in much of his rhetoric – for decades the Turks have avoided the term, claiming that atrocities such as the Armenian, Assyrian and Greek genocides were not done by Turks, but the Ottomans. It appears now that is a distinction without a difference. His displays of the 1920 “national oath” map are not accidental – it is there for a reason.’

Sorry for the title, but I’m still thinking the resurgent Islamism and authoritarian populism of Erdogan, combined with the fires burning across the Middle-East, along with the revanchism of Putin’s Russia, and the relative weakness of European leadership, bears watching.  It’s got me worried.

Via Stratfor via Twitter:


Conor Friedersdorf at the Atlantic: ”A Dissent Concerning Kevin Williamson

Written from inside the publication:

‘Individuals participating in the public sphere, and publications that aspire to cultivate a broad civic dialogue, ought never slip into indifference to injustice or abandon moral judgments. But neither should they mistake tolerance for moral collapse. Much can be worked out by objecting to the objectionable in ways that do not foreclose the possibility of all cooperation. As citizens, if not as employees of any particular company, we are inescapably bound. And it is incumbent on all of us, even in our inevitable moments of pained outrage, to model how to work together.’

When you write for money, you have to make some compromises on principle; you’re part of an organization.  You’ll have to plug other people’s work and placate the financial interests and readers of the magazine.  More broadly, all of us are, subtly, and often imperceptibly, influenced by the people and environments through which we move.

My two cents regarding the fracturing of the political Left: The Atlantic, The NY Times, The New Yorker etc. have long published and endorsed various forms of progressive and radical politics, especially since the 60’s.  Such politics traditionally came packaged with a commitment to the arts, the avant-garde, dissenting voices, liberal and sometimes even conservative establishmentarianism.  In the past, there was more of a functioning establishment to react against.

As I see the world, pegging highest ideals and deepest moral thinking to Civil Rights activism, social justice, and various reactionary and collectivist political movements has caught up with these publications.  There’s always someone more pure.

Just as there is a fractured and frustrated conservative movement and Republican party, there is a fractured liberal and activist Left and Democrat party.  The Atlantic is plugged into much of that populist Left sentiment (irrationally anti-Trump).

Don’t be surprised when it happens: Many individuals on the Left will continue to subsume their own experiences into group identity, feeling perfectly righteous and justified as part of a mob swarming dissenters on the path to the better, or perhaps, the perfect world to come (speaking and acting for what they believe to be ALL women and minorities within group indentity and endless protest).

Kevin Williamson, and for that matter, Fridersdorf if he’s not careful, can easily become dissenters.

Heretics, even.

Via The Future Of Capitalism: ‘The Politics Of The New Yorker’

Under A Green Moon-Ira Stoll At The New York Sun: ‘Comma in the New Yorker Opens Up Quite a Vista Of Liberal Parochialism’

From The New Yorker: ‘Writing Powered By Amtrak’

Kevin Williamson At The National Review: ‘Whose Liberalism?’ 

The Personal Ain’t Political-Holding The Line Against Rape Ideologues-Conor Friedersdorf On George Will

 

Update & Repost-Theodore Dalrymple And Roger Scruton-Don’t Judge Me

Theodore Dalrymple: ‘On Sentimentality And Compassion

”The fiction that all people are equally deserving is a sentimental one. People congratulate themselves on their generosity and largeness of spirit for not making distinctions between the deserving and undeserving, for such distinctions imply a scale of values and all scales of values are in effect mere prejudice, usually of the well-placed in society. They – the distinctions – are a manifestation of complacency and imply a lack of sympathetic or empathetic understanding of a suffering person’s situation. Therefore it is best, intellectually and ethically, to abandon the distinctions altogether.’

And this is to say nothing of the competition and self-identifying that goes on once ‘who is the most compassionate?’ becomes the norm. We are all still creatures subject to vanity, pride and false pride, desirous of praise and respect. This can create a stultifying, tribal in-group/out-group atmosphere where no one is really aware of the moral judgments they’re already making/simply ignoring.

More Dalrymple:

‘Who, then, are ideologists? They are people needy of purpose in life, not in a mundane sense (earning enough to eat or to pay the mortgage, for example) but in the sense of transcendence of the personal, of reassurance that there is something more to existence than existence itself. The desire for transcendence does not occur to many people struggling for a livelihood. Avoiding material failure gives quite sufficient meaning to their lives. By contrast, ideologists have few fears about finding their daily bread. Their difficulty with life is less concrete. Their security gives them the leisure, their education the need, and no doubt their temperament the inclination, to find something above and beyond the flux of daily life.’


Working towards a theme: Politics tends to follow culture, but much culture seeps out of our institutions. And when our institutions charged with teaching what’s important to young people lose sight of certain kinds of judgment, ideology can seep in.

Roger Scruton focused on judgment, or the capacity for judgment attached to ‘I,’ and an ‘I’ which looks towards transcendence when it comes to teaching the humanities, rather than the ‘-isms‘ which have taken root:

‘Surely human beings can do better than this — by the pursuit of genuine scientific explanation on the one hand, and by the study of high culture on the other. A culture does not comprise works of art only, nor is it directed solely to aesthetic interests. It is the sphere of intrinsically interesting artifacts, linked by the faculty of judgment to our aspirations and ideals. We appreciate works of art, arguments, works of history and literature, manners, dress, jokes, and forms of behavior. And all these things are shaped through judgment. But what kind of judgment, and to what does that judgment lead?’

Here’s a quote from George Santayana:

“The young man who has not wept is a savage, and the old man who will not laugh is a fool.”

As Scruton has pointed out, people want to be a part of something, to have meaning and purpose and common lights. Certain ideologies often lead to darkness, as can abandoning your own moral judgment in favor of the compassion and sentiment of the moment.

What I ‘feel’ in the modern and postmodern transcendent quest for Self so often trumps what others feel and whether or not what one ‘feels’ is, in fact, true.

Humanities departments across the fruited plain can display this most openly, having lost a lot of whatever intellectual rigor and pedagogy they once had.  Unsurprisingly, many ideologues adept at colonizing low and mid-level administrative and bureaucratic functions have filled-in.

Of course, one’s own experiences, emotions, and ideas do matter.  In fact, they matter a lot.  Many young people, precisely at the moment of questioning the duties they might have to family, loved ones, friends, lovers and fellow citizens most deeply, can become plugged in to ideologies of radical change and ultimately some variant of Marxist revolution.  Here, individual duties, responsibilities and freedoms become secondary to a collectivist and authoritarian/totalitarian political project, which still leads to political dysfunction, utopian thinking, and much human misery.

Keep reading and thinking, indeed

‘Gleams that untravell’d world, whose margin fades.
For ever and forever when I move.’

Does Nature need to lead, follow or get out of the way?  Can we know Nature’s Laws?

Can Kant do all that heavy lifting…what are some of the dangers of Kantian reason? Or:  From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On Kant

Kant chopped the head off from German deism and the German State has been reeling every since…is value pluralism a response?: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Is there a move afoot in America away from religion, social conservatism, and toward morality via secular Enlightenment ideals…towards value-free relativism?  toward secular morality?:  Franz De Waal At The NY Times 10/17/10: ‘Morals Without God?’Repost-Steven Weinberg’s Essay ‘On God’ In The NY Times Review Of BooksRoger Scruton At The WSJ: ‘Memo To Hawking: There’s Still Room For God’ …Will Wilkinson At Forbes: ‘The Social Animal by David Brooks: A Scornful Review’..

You Do That Taboo That You Do So Well?

This blog is still baffled by Angela Merkel’s decision to let in so many migrants in short-term, without seemingly having addressed many long-term immigration and integration issues.

What’s the plan, here, exactly?

‘Solomon Michalski loved going to his new school on a leafy Berlin street because it was vibrant and diverse, with most students from migrant families. But when the teenage grandson of Holocaust survivors let it slip that he was Jewish, former friends started hissing insults at him in class, he says. Last year some of them brandishing what looked like a gun took him aside and said they would execute him’

Perhaps there isn’t such a good plan, but this is the political will, expediency and leadership there is.

A good start for most media outlets might be just reporting the facts.  Letting the chips fall where they may; having the courage to discuss more sensitive matters in public forums is a balm desperately needed (plenty of crazies, idiots and ideologues all around…plenty of real elephants in the room).

Douglas Murray at the Spectator: ‘Why Can’t We Speak Plainly About Migrant Crime?:’

‘In Germany friends and readers describe to me how they are learning anew how to read their daily newspapers. When the news says that ‘A person was killed by another person’ for instance, and no names or other identifying characteristics are given, people guess – correctly – that the culprit is probably of migrant background. For the time-being serious crimes are still reported, but the decision has been taken that the public should not really be informed about them. Of course if you were to report them, or mull on them on social media then you would now risk losing that platform. So the media isn’t much use. And social media isn’t either.’

Typically, the kinds of failures we’re seeing means that deeper models are not robust! Many in the media, politics and academia are simply regurgitating parts of questionable models for as long as they will work, and for what they will cover.

There are deeper philosophical, ideological, political and thinking conflicts here, and few will be easily resolved.

It must be a strange time when self-described ‘libertarian Marxist’ Brendan O’Neill is advocating for the liberty of the man-on-the-street to live his own life.

He’s really bringing it to many nannying Eurocrats, techno-Davosians, the radically chic, the well-to-do daughters and sons of the liberal European Left claiming some variant of victimhood while up to their eyeballs in opportunity and material comforts.

This, as many populist responses fill the void:

Everyday people might be able to live their own lives!

But…to what end?  Revolutionary Praxis? A return to Marx?  A life well-lived?

It reminds this blog of Camille Paglia’s return to the promises of liberation baked-in into the radicalism of the 60’s (when she knew real Marxists just as she holds the academocrats who filled into their wake with contempt).  A welcome and bold voice, but…to which ends exactly?

Do you trust yourself enough not to know what could possibly be best for others, and thus default to basic liberty?

What about authority?

Do most people really just want to know where they stand in a hierarchy?

Arnold Kling reviews the late Kenneth Minogue’sThe Servile Mind: How Democracy Erodes The Moral Life,‘ and finishes with:

‘Overall, I would say that for libertarians Minogue’s book provides a litmus test. If you find yourself in vigorous agreement with everything he says, then you probably see no value in efforts to work with progressives to promote libertarian causes. The left is simply too dedicated to projects that Minogue argues undermine individual moral responsibility, and thus they are antithetical to liberty. On the other hand, if you believe that Minogue is too pessimistic about the outlook for freedom in today’s society and too traditional in his outlook on moral responsibility, then you would feel even more uneasy about an alliance with conservatives than about an alliance with progressives.’

What can some moderns tell us?:

T.S. Eliot (Preludes: Stanza 3)

3.

You tossed a blanket from the bed
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

On Marianne Moore at The New Criterion-‘Armored Animal:'(behind a paywall)

‘A first-time reader of Marianne Moore’s poems might be forgiven for thinking that they were dictated on the sly in some uproarious menagerie of the imagination.’

Any thoughts and comments are welcome.

Thank you for reading!

The Conservatarian Curve-Some Reasons To Remain Skeptical Of ‘Culture’ And Cultural Criticism Of A Certain Kind

Roger Sandall’s book:  ‘The Culture Cult:  Designer Tribalism And Other Essays‘ here.

A follow-up essay here springing from a discussion: ‘The Culture Cult revisited’

Sandall:

‘But in the year 2000, with Fascism and Communism both discredited, why, I wondered, were so many turning back toward Rousseau? What was the attraction of romantic primitivism? How had ethnic culture become a beau ideal? Cities certainly have their problems, but why did New Yorkers see tribal societies as exemplary and tribespeople as paragons of social virtue?’

If you do manage to develop a bedrock of secular humanism in civil society (subject to that society’s particular traditions and history), won’t that society still have need of its own myths?

Even though Fascism and Communism have been discredited in theory and in practice, adherents remain (look no further than most American academies).

Sandall notes the Popperian elements discussed as from ‘The Open Society And Its Enemies‘, which as a theory, stretches deep into human nature and the West’s Greek traditions.

Is Popper’s ‘critical rationalism’ some of what we’re seeing from the intellectual dark-webbers, or at least many bright people pushing against the fascistic elements found within many far-Left movements, just those movements endorse and feed a far-right, identitarian and ideological response?:

‘…the people and institutions of the open society that Popper envisioned would be imbued with the same critical spirit that marks natural science, an attitude which Popper called critical rationalism. This openness to analysis and questioning was expected to foster social and political progress as well as to provide a political context that would allow the sciences to flourish.’

Sandall again on Popper:

‘His 1945 The Open Society and Its Enemies started out from the contrast between closed autarkic Sparta and free-trading protean Athens, and used it to illuminate the conflict between Fascism and Communism on the one hand, and Western democracy on the other.’

but…:

‘Is an ‘open society’ also supposed to be an ‘open polity’ with open borders? Médecins sans Frontières is all very well: but states cannot be run on such lines. Popper’s is a theory of society, not a theory of the state—and it seems to me that his book offers no clear account of the wider political preconditions that enable ‘open societies’ to both flourish and defend themselves.’

So, how did Sandall see the idea of ‘culture’ having its orgins?:

‘But at a higher philosophical level, and starting out in England, it owed more to the energetic publicising of Herder’s ideas by the Oxford celebrity Sir Isaiah Berlin — ideas of irresistible appeal to the post-Marxist and post-religious liberal mind.’

Open borders and open societies?  A desire a ‘culture’ has to forge and solidify its own identity?

Kelley Ross (open border libertarian last I checked) responds to a correspondent on value-pluralism, while discussing John Gray as well:

‘Now, I do not regard Berlin’s value pluralism as objectionable or even as wrong, except to the extend that it is irrelevant to the MORAL issue and so proves nothing for or against liberalism. Liberalism will indeed recommend itself if one wishes to have a regime that will respect, within limits, a value pluralism.

‘J.S. Mill, etc., continue to be better philosophers than Berlin or Gray because they understand that there must be an absolute moral claim in the end to fundamental rights and negative liberty, however it is thought, or not thought, to be justified. Surrendering the rational case does not even mean accepting the overall “value pluralism” thesis, since Hume himself did not do so.

Back to Sandall:

‘Then something happened: the English word “culture” in the sense employed by Matthew Arnold in his 1869 Culture and Anarchy got both anthropologized and Germanised — and anthropological culture was the opposite of all that. It meant little more in fact than a social system.’

Any thoughts and comments are welcome.

A rather tangled web indeed…

Further entanglements on this site, possibly related:

Tom Wolfe on Max Weber on one conspicuous use of art in the ‘modern’ world:

‘…aesthetics is going to replace ethics, art is going to replace religion, as the means through which educated people express their spiritual worthiness…

From Edward Feser: ‘Jackson on Popper on materialism

‘Popper’s World 3 is in some respects reminiscent of Plato’s realm of the Forms, but differs in that Popper takes World 3 to be something man-made.  As I noted in the earlier post just linked to, this makes his positon at least somewhat comparable the Aristotelian realist (as opposed to Platonic realist) view that universals are abstracted by the mind from the concrete objects that instantiate them rather than pre-existing such abstraction.’

Quite a comment thread over there…

Popper:

“…and if there could be such a thing as socialism combined with individual liberty, I would be a socialist still. For nothing could be better than living a modest, simple, and free life in an egalitarian society. It took some time before I recognized this as no more than a beautiful dream; that freedom is more important that equality; that the attempt to realize equality endangers freedom; and that, if freedom is lost, there will not even be equality among the unfree.”

Related On This Site:Encyclopedia Of Philosophy Entry On Eliminative Materialism…

Bryan Magee Via Youtube: ‘Miles Burnyeat On Plato’Repost: From the Cambridge Companion To Plato-T.H. Irwin’s “Plato: The intellectual Background’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

How might this relate to the Heglian/post-Marxist project via ‘The End Of History’: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Fred Siegel On The German Influence And Kelley Ross On Some Of Roger Scruton’s Thinking

James Panero At The New Criterion: ‘Burning Cole’

Full piece here

Nice to get more background from this very good piece:

Cole’s life was anything but insular,” these curators write in their catalogue introduction. “Rather, it was marked by restless transatlantic travel and by a complex, often troubled, engagement with the traditions of European art and thought, a commitment that countered, but paradoxically also heightened, Cole’s abiding passion for the American wilderness.”

and:

‘The painterly innovations Cole picked up in Europe, in particular the mechanics for plein-air oil sketching, inspired the florid naturalism of his American disciples. Yet Cole himself was always less and something more than a pure landscape painter. Unlike the later landscapes of Church or Durand, where nature speaks for itself, Cole used nature to speak for his ideas. Of course, all great landscape painting says something, but Cole’s messaging was more explicit.’

As previously posted:

A good decade ago, while visiting D.C., I saw Thomas Cole’s ‘The Voyage Of Life:

It’s a four-part series: Childhood, Youth, Manhood, Old Age.

One person’s life, and all of our lives, can be broken-down into four allegorical stages, pregnant with visual and universal symbols.

From Cole’s bio:

‘Although Cole had ample commissions in the late 1820s to paint pictures of American scenery, his ambition was to create a “higher style of landscape” that could express moral or religious meanings.’

From this more interactive page:

‘In the late 1830s, Cole was intent on advancing the genre of landscape painting in a way that conveyed universal truths about human existence, religious faith, and the natural world. First conceived in 1836, the four pictures comprising The Voyage of Life: Childhood, Youth, Manhood, and Old Age fulfilled that aspiration.’

These scenes in the Romantic style can have an emotional pull for me, as generally does the work of the Hudson River School. Such allegory certainly tends to function as a vehicle into memory (Cole’s work has really stuck with me…in a sort of haunting way, mixed with some thought of how I’m supposed to live and what might be coming next).

Also, the wild, untamed nature we Americans have often faced is perhaps requiring of a spirited and grand attempt at putting our experiences within Nature into some context: To soar as high as our hopes often do.

Or at least, to find in paintings: Familiarity. I like to see the roll of a hill like I’ve seen, or an opening of clouds, sky and light like I’ve seen.

Perhaps Wild Nature can be ordered in a Romantic, neo-classical or more modern way. Perhaps Nature can be made, with the tools at our disposal, to conform to some of our deeper ideas about Nature, mirroring our hopes in some recognizable fashion; giving some basic comfort and meaning.

Maybe, after all, we can find a home here.

On the other hand, allegory with overt moral/religious meaning can also come across as heavy-handed, sentimental, and moralistic. Too lush and pretentious; perhaps a bit anachronistic.

Do I really have to hunt for all the symbols and put the puzzle together?

‘So, you’re going to reveal universal truths, eh?’

This can seem distant from the experiences of the modern viewer, often finding himself a little further down the modern/postmodern ‘river’, where such attempts at universality might seem a wash.

Much more common these days are the very personal shards and glimpses of the inner life of an artist, attached to high ambition and great talent surely in some cases; as well to form and tradition, but generally making less bold claims to knowledge than ‘The Voyage Of Life‘.

In painting, I’m reminded of the abstract expressionist movement seeking meaning in reducing experience to the abstract in order to reveal something essential within Nature, or essential about our relationship to Nature: A transcendent place where shape, form and color can be isolated from anything immediately recognizable in the world.

Or maybe, I’m being too generous?

‘The movement’s name is derived from the combination of the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus, and Synthetic Cubism. Additionally, it has an image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic.[5] In practice, the term is applied to any number of artists working (mostly) in New York who had quite different styles, and even to work that is neither especially abstract nor expressionist.’

The exploration of the Self is often pursued, as well as that of Nature, but the general hope that it might all make sense (life, death, Nature, purpose etc) in many more modern movements is often left abandoned.

Or so often, as we’ve seen in the past few generations: The pursuit of The Self can easily become subsumed to the pursuit of fame, celebrity, and money.

***

Towards a theme: Perhaps you’ve also heard of the Rothko chapel, in Houston, Texas.

Mark Rothko undertook the idea that within the modern context, one could create temples of universal meaning through aesthetics, art, and beauty:

‘The Rothko Chapel, founded by Houston philanthropists John and Dominique de Menil, was dedicated in 1971 as an intimate sanctuary available to people of every belief. A tranquil meditative environment inspired by the mural canvases of Russian born American painter Mark Rothko (1903-1970), the Chapel welcomes over 60,000 visitors each year, people of every faith and from all parts of the world.’

There’s even a suite of music by Morton Feldman, entitled ‘Rothko Chapel’

See Also On This Site: Trying to stick something against his poems: Wednesday Poem: Wallace Stevens-Anecdote of The JarWednesday Poem: Wallace Stevens, The Snow ManFriday Poem: Wallace Stevens And A Quote By David Hume

Some Updated Links On Postmodernism

Repost: From The NY Times Via A & L Daily: Helen Vendler On Wallace Stevens ‘The Plain Sense Of Things’

Some Sunday Songs-Metal, Myth, American Romanticism And The Civil War

Within A Bank Of Modern Fog-Another Link To Robert Hughes On Jeff Koons

Looking For Liberals In The Postmodern Wilderness-Jordan Peterson & Stephen Hicks

Alas, the mildly ambitious knowledge, hobby, and vanity project that it is this blog continues (it takes a LOT to listen, watch and paste a link to a Youtube video):

Jordan Peterson and Stephen Hicks.  Recommeded:

Mentioned: Immanuel Kant and his transcendental idealism, Noam Chomsky, Friedrich Nietzsche, Karl Marx, Jacques Derrida, the American Pragmatic tradition and more.

Also from Dr. Hicks:

‘In the shorter term, postmodernism has caused an impoverishment of much of the academic humanities, both in the quality of the work being done and the civility of the debates. The sciences have been less affected and are relatively healthy. The social sciences are mixed.

I am optimistic, though, for a couple of reasons. One is that pomo was able to entrench itself in the second half of the twentieth century in large part because first-rate intellectuals were mostly dismissive of it and focused on their own projects. But over the last ten years, after pomo’s excesses became blatant, there has been a vigorous counter-attack and pomo is now on the defensive. Another reason for optimism is that, as a species of skepticism, pomo is ultimately empty and becomes boring. Eventually intellectually-alert individuals get tired of the same old lines and move on. It is one thing, as the pomo can do well, to critique other theories and tear them down. But that merely clears the field for the next new and intriguing theory and for the next generation of energetic young intellectuals.

So while the postmodernism has had its generation or two, I think we’re ready for the next new thing – a strong, fresh, and positive approach to the big issues, one that of course takes into account the critical weapons the pomo have used well over the last while’

More On Nietzsche’s influence-Part of Bryan Magee’s series:

Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic Greek (the beginning of the end).

Quote found here at friesian.com (recovering Kantian idealism and moving in a libertarian direction):

‘Oddly enough, it is the intellctual snobbery and elitism of many of the literati that politically correct egalitarianism appeals to; their partiality to literary Marxism is based not on its economic theory but on its hostility to business and the middle class. The character of this anti-bourgeois sentiment therefore has more in common with its origin in aristocratic disdain for the lower orders than with egalitarianism.’

Roger Scruton was cast out of polite society just for trying to provide some context and pushback:

Related: From Darwinian Conservatism: Nietzsche-Aristocratic Radical or Aristocratic Liberal?

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy.

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom:Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Can Kant do all that heavy lifting…what are some of the dangers of Kantian reason?: From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On KantA Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

Peter Singer discusses Hegel and MarxFrom Philosophy And Polity: ‘Historicism In German Political Theory’

The classical liberal tradition…looking for classical liberals in the postmodern wilderness: Isaiah Berlin’s negative liberty: A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”From George Monbiot: ‘How Freedom Became Tyranny’…Looking to supplant religion as moral source for the laws: From The Reason Archives: ‘Discussing Disgust’ Julian Sanchez Interviews Martha Nussbaum.…

Ben Sixsmith At Quillette: ‘Britain’s Grooming Gang Crisis’

Full piece here.

‘The scale of the street grooming crisis in the UK almost defies belief. Hundreds of girls and young women were raped in the city of Rotherham, and hundreds by similar exploitation rings in Rochdale, Peterborough, Newcastle, Oxford, and Bristol. Now, up to a thousand girls are thought to have been drugged, raped, and beaten in Telford between the 1980s and the 2010s.’

Large numbers of migrants (more than possibly can be admitted) desire entry into more successful civilizations from less successful and often failing civilizations.  Some are genuine war refugees, some are seeking political asylum, some want economic opportunity, and others’ll just take money if it’s being handed-out.  Some are smarter than you, some are considerably dumber; some have particularly valuable skills, others have few to no marketable skills.  Some are of exceptional character, some are of particularly low and criminal character; some are from instantly recognizable civilizations, some from very different and potentially conflicting civilizations.  All will take much from their own civilizations into yours, and without proper incentives, most will likely wall themselves off into separate and unequal enclaves.

Better to start getting more serious about these questions sooner rather than later.

As posted:

Christopher Caldwell piece here.

Quite detailed:

The flood of Middle Eastern refugees into Austria began in the summer. By September they were arriving at the southeastern border at the rate of 10,000 or 12,000 a day. These migrants are associated in the public mind with the war in Syria but, in fact, come from throughout the Muslim world—Iraq, Iran, Afghanistan, Pakistan, Bangladesh. Most of them are on their way to Germany. The great majority are young men. By the end of this year, Austrian authorities estimate, 375,000 will have passed through the country, and a quarter of them will have stayed to apply for asylum. Austria will have added 1 percent to its population in just about three months, with virtually all the newcomers Muslims. When migrant families follow, as they inevitably do, the effect will be multiplied. Donald Tusk, the Polish president of the European Council, warns that the biggest tide of migrants “is yet to come.” 

A few things that stuck-out:

The inability of the leading Social Democratic coalition in Germany to craft reasonable policy, instead making naive, idealistic, short-sighted rather self-serving political choices with consequences for millions of people, and for decades to come.

The fact that while many of these refugees are simply looking to escape war, many are young men, anchors who will bring more family over to become likely ‘European Muslims.’

Again, what is Europe doing?  With a rather socialistic Left defending freedom with such vaguely utopian idealism, this invites the more ethnically purist, nativist, and further right interests to take measures, almost out of principle alone.

An interview with Caldwell here

Caldwell raises some important points, and sheds light onto the Muslim immigration debate in Europe:

“SPIEGEL ONLINE: Is America more successful when it comes to integrating immigrants?

Caldwell: For now, yes. I think the first reason is the ruthlessness of the American economy. You either become a part of it or you go home. There are more foreigners in the workplace, and that’s where a lot of integration happens.”

Another review here.  (updated, Fouad Ajami’s piece, which was not the original…from 2009)

Book found here.

A few quotes:

“The most chilling observation in Mr. Caldwell’s book may be that the debate over Muslim immigration in Europe is one that the continent can’t openly have, because anyone remotely critical of Islam is branded as Islamophobic”

================

Salman Rushdie at about minute 57:00: This idea of separate treatment for separate cultures…I think essentially if we follow that to its conclusion…destroys our ability to have a really moral framework for society.’

A British Muslim tells his story, suggesting that classical liberalism wouldn’t be a bad idea…as a more entrenched radical British Left and Muslim immigration don’t mix too well: From Kenanmalik.com: ‘Introduction: How Salman Rushdie Changed My Life’Via YouTube: ‘Christopher Hitchens Vs. Ahmed Younis On CNN (2005)’

Repost-John Gray Reviews Francis Fukuyama At The Literary Review: ‘Destination Denmark’

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

On this site, see also: From The NY Times: Review Of Christopher Caldwell’s Book “Reflections on the Revolution in Europe: Immigration, Islam, and the West”

..Via A Reader-Douglas Murray Speaks At ‘The Danish Muhammad Cartoon Crisis In Retrospect’ Conference

Repost-Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

Full piece here.

-Koons gets the Annie Leibovitz treatment (an unfortunate photo at the link).

-This is not a commentary on Koons’ art, some of which I like well enough, it’s a much worse beast: Another attempt at cultural criticism.

In the talk around Koons, what often stands-out to me is how much talk there is about Koons himself, and the search for meaning in all that talk. The concept of artist-as-individual is nothing new: An isolated Self, quite apart from society, mining his interior life and experiences in order to represent beauty, meaning, and some attempt at expressing universal truths through his work and craft. This is unsurprisingly part of what all artists do, and the extreme individuality of this process is what Western artists somewhat consciously have been doing for a few centuries now, from musicians to writers to sculptors, from romanticism to modernism to post-modernism and beyond.

The fact that Koons is doing this with such relentless self-promotion and while also courting celebrity is arguably a much more ‘modern’ phenomenon. A certain amount of melliflous, abstract bullshit seems part of the Koons’ game, as if you’d walked onto a used-art lot as Koons tours you around, asking what’s-it-gonna-take-to-get-you-into-one-of-his-pieces, yet with soothing, professional demeanor, offering an invitation to return a part of of your Self to you and make you whole again within the work produced by his Self. Jeff Koons is a brand.

Perhaps this is what it takes these days to make a living by schmoozing with wealthy art-buyers, but in some ways, it has a distinctly American feel as well. High and low culture mix in a highly commercial, utilitarian way. The urge to merge abstract art and the avant-garde with mass, pop-culture is expressed. Fame and meta-critiques on fame, celebrity, money, the Self amplified for all the other Selfs to see has implications for much of our culture, I suspect.

As to establishing Koons’ bona fides enough to merit attention by Vanity Fair…here are a few quotes from the piece:

“Jeff is the Warhol of his time,” proclaims Adam Weinberg, the Whitney’s director.

Everyone’s getting in on the bullshit!

‘The reference to Curtis ties Koons to the last true avant-garde—a pedigree the artist likes. Curtis, who refused to be called a drag queen, was a pioneer of the L.G.B.T. movement and, like Candy Darling, was made famous by Warhol’

You need the cultural legitimacy of an L.G.B.T. blessing to be truly avant-garde these days.

‘What Warhol and Koons do have in common, though, is an uncanny ability to nail an image or an object so that it catches the Zeitgeist.’

Partially true, perhaps, but what if the Zeitgeist is nothing but a leafy suburb full of good schools, intact families, and moderate lives? Isn’t this why some youngish people (ahem…many hipsters) often leave their small towns and suburbs looking for meaning, group membership and purpose in what can end-up vaguely collectivist and vaguely individualist lives in cities?

Everyone’s an artist, these days.

Establishing modernist credentials for the brand:

‘Koons’s job at MoMA gave him the opportunity to immerse himself in the history of modernism, in particular the ideas of Marcel Duchamp, who changed art history by showing how everyday objects, or “readymades,” could be elevated into the realm of art, depending on context. Duchamp’s theories were a revelation to Koons.’

Piketty and Brecht in the same paragraph:

‘Barbara Kruger, the artist whose unsentimental pronouncements have been cutting to the chase about the art world for decades, says “Oh boy” when I call to discuss Koons, whom she has known since they both were starting out in New York. She needed to think about it and later wrote me: “Jeff is like the man who fell to earth, who, in this grotesque time of art flippage and speculative mania, is either the icing on the cake or some kind of Piketty-esque harbinger of the return of Brecht’s ‘making strange.’

And finally, while I have no quarrel with neurosicence, pop-neuroscience is often a repository for the modern search for legitimate experiences and theories of the Self:

‘Dr. Eric R. Kandel, a Nobel Prize-winning neuroscientist, was so impressed with the show that he e-mailed Koons afterward. I asked Kandel why. He explained, “I have been interested in the ‘beholder’s share,’ an idea that came from the Viennese art historian Alois Riegl. It involves the concept that when a painter paints a painting or a sculptor makes a sculpture it is not complete unless a beholder, a viewer, responds to it.”

Kandel adds, “When you looked at the sculptures you saw yourself embedded in the gazing balls. Artists sometimes put mirrors in works, but they don’t design the work so that you find yourself in the arms or chest of a statue, which is what Jeff did.’

Go and find your Self and be made whole, dear reader, within Jeff Koons’ work and the Jeff Koons brand, and try and tell the dancer from the dance.

————————

Koons’ Made In Heaven only amplifies that sound, blurring the line between art and porn, private experience and public show, innocence (so easily corrupted) and naive, narcissistic indulgence.

I suspect Made In Heaven explores previous themes of high and low that were already emerging in his kitsch work, fleshed out in pieces like Michael Jackson And Bubbles, Winter Bears and on this site: ‘St John The Baptist’.

Some quotes from Koons:

‘This type of dislocated imagery is what motivates people. They’re amused by it, but they have a lot of guilt and shame that they respond to it. I was trying to remove that guilt and shame.’

Another quote which highlights an idea of some import to the nation:

Coming from a suburban, middle-class background, as he did, he felt that there was something, if not dignified, at least, too easily discarded about this kind of imagery and this kind of sentiment.’

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.

Joan Miro: WomanGoethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

 

From The Mildly Specific To The Wildly General-Three Links On Erdogan’s Turkey, Douglas Murray And Liberal Idealism

Michael Totten at World Affairs: ‘Turkey Takes Its War Against The Kurds Into Europe

At the same time he’s [Erdogan] been rolling up the Gulenists and the deep staters he’s been mounting a breathtakingly draconian campaign against supposed Kurdish terrorists and their supporters, so far jailing and indicting thousands of civilians—including a Wall Street Journal reporter—on nonsense charges. Hasip Kaplan, once a member of parliament, is facing a 142-year prison term, and the court won’t even let him attend his own trial. As of the end of 2017, the state has arrested more than 11,000 members of his avowedly secular People’s Democratic Party (HDP).  

Well, it reminds this blogger of that Turkish/Armenian demonstration erupting into violence a while back.  Right in front of the White House, no less:

I see Erdogan’s Islamic populism, and the broader Islamic resurgence towards notions of religious purity and ideological conformity, as quite obviously not leading Westwards nor towards any kind of moderation.  Such a man, riding such a wave, towards an authoritarian and rather thuggish consolidation of power could likely yet draw other powers towards conflict.

Modernity and the West (and increasingly the East) have been pressing upon Islamic civilizations, and many of these civilizations have responded by turning inwards, reinforcing the old rules, and continuing to try and synthesize the products of modernity and the West within the Quran.

On a slightly deeper level, I think one of Douglas Murray’s central arguments is that civilizations are actually rather fragile things, requiring the continual consent and contributions of those governed, and a continual re-evaluation of what’s important and what isn’t; what’s true and what isn’t.  Europe, through history-weariness, has produced inadequate political and social leadership as of late.

Personally, I see a rather backed-into economic union in theory, and a somewhat authoritarian and bureacratic labyrinth in practice, made from many good impulses and reasonable fears, but with poor design and many bad impulses and a lot of guilt.

Islamic radicals and genuine terrorists uniting with Western identity-radicals who’ve worked their way into many influential positions (academy, media etc) does not a healthy civilization make.

 

Perhaps even a little deeper?

Ken Minogue framed it thusly, and he believes there’s going to be some authority in your life, but you’ve got be particularly careful about which kind, and which rules govern that relationship with authority:

Full piece here:

‘Olympianism is the characteristic belief system of today’s secularist, and it has itself many of the features of a religion. For one thing, the fusion of political conviction and moral superiority into a single package resembles the way in which religions (outside liberal states) constitute comprehensive ways of life supplying all that is necessary (in the eyes of believers) for salvation. Again, the religions with which we are familiar are monotheistic and refer everything to a single center. In traditional religions, this is usually God; with Olympianism, it is society, understood ultimately as including the whole of humanity. And Olympianism, like many religions, is keen to proselytize. Its characteristic mode of missionary activity is journalism and the media.’

And:

‘Progress, Communism, and Olympianism: these are three versions of the grand Western project. The first rumbles along in the background of our thought, the second is obviously a complete failure, but Olympianism is not only alive but a positively vibrant force in the way we think now. Above all, it determines the Western moral posture towards the rest of the world. It affirms democracy as an ideal, but carefully manipulates attitudes in a nervous attempt to control opinions hostile to Olympianism, such as beliefs in capital or corporal punishment, racial, and other forms of prejudice, national self-assertion—and indeed, religion.‘

Perhaps what many dark-webbers, some New Atheists, and various other liberal idealists and institutionalists can miss is the following:  The very products of reason, the mathematical and natural sciences, advances in political science and material progress, for example, have also helped to create the conditions for many post-Enlightenment ideological, social and artistic movements to emerge.

Some of these ideological movements are simply totalitarian at their roots, and lead to disaster in practice. We’re still seeing their ruins around us (North Korea, Venezuela, Cuba) while their practioners, priests and adherents continue to colonize and cluster in relatively free Western institutions (orgs and academies, especially).

Some of these post-Enlightenment social movements can provide enough to live a truthful, moral, and decent life, but don’t stop the very human impulse to forget how little one knows, to proselytize and well…form coalitions of believing humans full of various talents and flaws.  There’s a lot of idealism (naive) and utopianism.

To my current thinking (and this really may be more about me), these movements often fail in providing a deep enough moral framework to provide the stability necessary to account for much in human nature and how hard it can be to provide moral legitimacy in positions of authority.

See Also On This SiteFrom The City Journal: Roger Scruton On “Forgiveness And Irony”/Roger Scruton In The American Spectator: The New Humanism/

Repost: Martha Nussbaum Channels Roger Williams In The New Republic: The First Founder

Roger Scruton On Moral Relativism And Ross Douthat On Bill Maher

Ayan Hirsi Ali in The NY Times: Lee Harris’s ‘The Suicide Of Reason’

Free speech and Muslims From Kenanmalik.com: ‘Introduction: How Salman Rushdie Changed My Life’… Via YouTube: ‘Christopher Hitchens Vs. Ahmed Younis On CNN (2005)’…  Mohammad Cartoonist Lars Vilks Headbutted

Repost-John Gray Reviews Francis Fukuyama At The Literary Review: ‘Destination Denmark’

Out of the Valley of modernism, post-modernism, and relativism…one path from Nietzsche’s nihilism is through Leo Strauss and Allan Bloom: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

The NY Times op-ed writer and a practicing Catholic? William Saletan and Ross Douthat At Slate: ‘Liberalism Is Stuck Halfway Between Heaven And Earth’…Douthat’s The Grand New PartyRoss Douthat At First Principles: ‘The Quest for Community in the Age of Obama: Nisbet’s Prescience’

Peter Singer discusses Hegel and MarxFrom Philosophy And Polity: ‘Historicism In German Political Theory’

Theodore Dalrymple At The City Journal-‘Speakers Cornered: The Anti-Free-Speech Mob Comes To Britain’

Full piece here.

‘I had been invited down to a literary event, the Lewes Speakers Festival, to talk about my recently published memoir of life as a prison doctor, The Knife Went In. I was to be the penultimate speaker, followed by a controversial conservative journalist, Katie Hopkins, who was to talk about her own recently published memoir, Rude.

The event ended in violence.’

If you’ve ever visited Cascadia (I’d count San Francisco, Portland, Seattle, Vancouver B.C. as sufficiently Cascadian), and found yourself amidst the relaxed social mores and relative personal freedom there, you might also find deeper counter-cultural currents brimming with radicalism, radical chic and a general ‘whatever-they’re-for-I’m-against’ attitude. There’s general inculcation and tolerance of Left-Of-Center values, which is to say, lots of ’10-year-plans-to-solve-homelessness’ coming out of city governments.

Go to a coffee shop and you might well run into an old union wildcatter (who never sold his soul to the company store thank-you-very-much) or the occassional lonely conversationalist gentleman bewitched with the pregnant promise of those heady, early Soviet days.

These conversations can be genuinely illuminating and fascinating because I believe conversations can be both illuminating and fascinating.  Such ideas don’t necessarily constitute the entirety of how any of us might like to be judged in our entirety (even if we suspect others would likely not permit us the same courtesy come judgment).

It probably shouldn’t come as a surprise to witness actual violence break out at Portland State University as James Damore tried to speak.  Faculty, staff and students are pretty invested (eye-deep) in such identity politics and knee-jerk, ritualistic protest. Such displays can be about a lot of things (group membership, rather utopian and unspoken ideals, imitation, tribal loyalty, purity, the pursuit of the transcendental, victimhood, hating oppenents enough to bind individuals to the group with collective identity and common purpose in a mob).

Obviously, for these people, if we reasonably judge them by their actions, this event wasn’t a chance to keep a reasonably open mind, think and listen, expand and engage in the deeper the pursuit of truth.

For that, we’ll have to go elsewhere…