Classical Liberal…Conservatarian…Libertarian…Constitutionalist? What Is This Thing? Where Is It Headed?
The Bean Eaters
They eat beans mostly, this old yellow pair.
Dinner is a casual affair.
Plain chipware on a plain and creaking wood,
Tin flatware.
Two who are Mostly Good.
Two who have lived their day,
But keep on putting on their clothes
And putting things away.
And remembering …
Remembering, with twinklings and twinges,
As they lean over the beans in their rented back room that is full of beads and receipts and dolls and cloths, tobacco crumbs, vases and fringes.
Maybe it’s getting a little Anglophilic around here. This was taken by the photographer in Pennsylvania.
Autumn Fires
In the other gardens
And all up the vale,
From the autumn bonfires
See the smoke trail!
Pleasant summer over
And all the summer flowers,
The red fire blazes,
The grey smoke towers.
Sing a song of seasons!
Something bright in all!
Flowers in the summer,
Fires in the fall!
A Postcard From The Volcano
Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;
And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;
And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt
At what we saw. The spring clouds blow
Above the shuttered mansion-house,
Beyond our gate and the windy sky
Cries out a literate despair.
We knew for long the mansion’s look
And what we said of it became
A part of what it is . . . Children,
Still weaving budded aureoles,
Will speak our speech and never know,
Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,
A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.
Men At Forty
Men at forty
Learn to close softly
The doors to rooms they will not be
Coming back to.
At rest on a stair landing,
They feel it moving
Beneath them now like the deck of a ship,
Though the swell is gentle.
And deep in mirrors
They rediscover
The face of the boy as he practices tying
His father’s tie there in secret
And the face of the father,
Still warm with the mystery of lather.
They are more fathers than sons themselves now.
Something is filling them, something
That is like the twilight sound
Of the crickets, immense,
Filling the woods at the foot of the slope
Behind their mortgaged houses.
Never give all the heart
Never give all the heart, for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss;
For everything that’s lovely is
But a brief, dreamy, kind delight.
O never give the heart outright,
For they, for all smooth lips can say,
Have given their hearts up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost,
For he gave all his heart and lost.
The first stanza of The Dry Salvages, the third of The Four Quartets:
Section I
I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.
Geometry
I prove a theorem and the house expands:
the windows jerk free to hover near the ceiling,
the ceiling floats away with a sigh.
As the walls clear themselves of everything
but transparency, the scent of carnations
leaves with them. I am out in the open
and above the windows have hinged into butterflies,
sunlight glinting where they’ve intersected.
They are going to some point true and unproven.
