Repost-A Link To Some Atlantic City Photos

Via Mick Hartley via Creative Boom-In Atlantic City: Photographs by Timothy Roberts that show its ‘last hurrah’ following years of struggle

Long ago in Atlantic City: I got my palm read by a girl under an aluminum scaffold covered with a cheap, white tarp. It cost $15. She took my hand in hers and led me through the other booths to a canvas folding chair. She traced my palm lines and told me I would be rich. There was salt in the air, and a smell of tar rising from the boardwalk. A fly kept landing on her cheek and she kept extending her lower lip, exhaling a breath to blow it away. She was busy looking into my hand, my eyes, then off into the sea or seemingly within herself, as if divining some deeper meaning. The fly would land again, crawl slowly over her cheek, and rub its two front legs together and over its eyes.

Her hand was soft.

As posted:

Glitzy:

From ‘Atlantic City Waiter’ by Countee Cullen

Just one stanza might do, to show there are many eyes you see, that may also see you:

‘For him to be humble who is proud
Needs colder artifice;
Though half his pride is disavowed,
In vain the sacrifice.’

It’s also the backdrop of a hard-luck guy with mob connections at the end of his rope. Desperate hopes.

As previously posted, and probably relevant enough to post here: Bowling Alone and Charles Murray:

The best poems I could find:

A Long Branch Song

Some days in May, little stars
Winked all over the ocean. The blue
Barely changed all morning and afternoon:

The chimes of the bank’s bronze clock;
The hoarse voice of Cookie, hawking
The Daily Record for thirty-five years

Robert Pinsky

What is the poet looking at?:

Neither Far Out Nor In Deep

The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day.

As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull.

The land may vary more;
But wherever the truth may be—
The water comes ashore,
And the people look at the sea.

They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep

Robert Frost

A Link To Some Atlantic City Photos

Via Mick Hartley via Creative Boom-In Atlantic City: Photographs by Timothy Roberts that show its ‘last hurrah’ following years of struggle

Long ago in Atlantic City: I got my palm read by a girl under an aluminum scaffold covered with a cheap, white tarp.  It cost $15. She took my hand in hers and led me through the other booths to a canvas folding chair.  She traced my palm lines and told me I would be rich.  There was salt in the air, and a smell of tar rising from the boardwalk.  A fly kept landing on her cheek and she kept extending her lower lip, exhaling a breath to blow it away.  She was busy looking into my hand, my eyes, then off into the sea or seemingly within herself, as if divining some deeper meaning.  The fly would land again, crawl slowly over her cheek, and rub its two front legs together and over its eyes.

Her hand was soft.

As posted:

Glitzy:

From ‘Atlantic City Waiter’ by Countee Cullen

Just one stanza might do, to show there are many eyes you see, that may also see you:

‘For him to be humble who is proud
Needs colder artifice;
Though half his pride is disavowed,
In vain the sacrifice.’

It’s also the backdrop of a hard-luck guy with mob connections at the end of his rope. Desperate hopes.

As previously posted, and probably relevant enough to post here: Bowling Alone and Charles Murray:

The best poems I could find, but we’re not quite there to summer yet:

A Long Branch Song

Some days in May, little stars
Winked all over the ocean. The blue
Barely changed all morning and afternoon:

The chimes of the bank’s bronze clock;
The hoarse voice of Cookie, hawking
The Daily Record for thirty-five years

Robert Pinsky

What is the poet looking at?:

Neither Far Out Nor In Deep

The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day. 

As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull. 

The land may vary more;
But wherever the truth may be—
The water comes ashore,
And the people look at the sea. 

They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep

Robert Frost

American Style-Some Weekend Beach And Ocean Poems Plus Two Songs

That’s a nod to this site’s international readers.  Maybe it’s worth posting some poems and music to share with others.

Thanks to everyone for stopping by.   It’s appreciated.

Sailing After Lunch

It is the word pejorative that hurts.
My old boat goes round on a crutch
And doesn’t get under way.
It’s the time of the year
And the time of the day.

Perhaps it’s the lunch that we had
Or the lunch that we should have had.
But I am, in any case,
A most inappropriate man
In a most unpropitious place.

Mon Dieu, hear the poet’s prayer.
The romantic should be here.
The romantic should be there.
It ought to be everywhere.
But the romantic must never remain,

Mon Dieu, and must never again return.
This heavy historical sail
Through the mustiest blue of the lake
In a really vertiginous boat
Is wholly the vapidest fake. . . .

It is least what one ever sees.
It is only the way one feels, to say
Where my spirit is I am,
To say the light wind worries the sail,
To say the water is swift today,

To expunge all people and be a pupil
Of the gorgeous wheel and so to give
That slight transcendence to the dirty sail,
By light, the way one feels, sharp white,
And then rush brightly through the summer air.

Wallace Stevens

***Wallace Stevens is often going meta and abstract, confusing nearly all readers, while indulging heavily in a lush Romantic style which later transitions to more blank verse modernism.  He’s sailing and he’s writing.  He’s charting new waters, the old dandy.

Neither Far Out Nor In Deep

The people along the sand
All turn and look one way.
They turn their back on the land.
They look at the sea all day. 

As long as it takes to pass
A ship keeps raising its hull;
The wetter ground like glass
Reflects a standing gull. 

The land may vary more;
But wherever the truth may be—
The water comes ashore,
And the people look at the sea. 

They cannot look out far.
They cannot look in deep.
But when was that ever a bar
To any watch they keep

Robert Frost

Nantucket

Flowers through the window
lavender and yellow

changed by white curtains—
Smell of cleanliness—

Sunshine of late afternoon—
On the glass tray

a glass pitcher, the tumbler
turned down, by which

a key is lying— And the
immaculate white bed

William Carlos Williams 

A Long Branch Song

Some days in May, little stars
Winked all over the ocean. The blue
Barely changed all morning and afternoon:

The chimes of the bank’s bronze clock;
The hoarse voice of Cookie, hawking
The Daily Record for thirty-five years

Robert Pinsky

Some popular songs have buried themselves into people’s minds as well:  Young love on a blanket.  Shadow and sun.  Days that seem to last forever.  Songwriting that appeals to innocence and common experience.

Life’s got darker sides, too, and so does human nature.  Atlantic City became an East-Coast economic center for legal gambling; an empire which rose and fell.  The seediness was never that far from the surface.

From ‘Atlantic City Waiter’ by Countee Cullen

Just one stanza might do, to show there are many eyes you see, that may also see you:

‘For him to be humble who is proud
Needs colder artifice;
Though half his pride is disavowed,
In vain the sacrifice.’

It’s also the backdrop of a hard-luck guy with mob connections at the end of his rope. Desperate hopes.

A Few Ways Of Looking At Atlantic City

It can be the right kind of fun, but the steep drop from glittery artifice to gritty despair in Atlantic City is enough to make even the most contented reflect a little.

Across the street lies the baffling gaze of a woman, gripping the edge of her lawn-chair and cigarette at the same time.  Her peeled, faded porch displays a ‘For Rent’ sign.

Tourist towns, for me, have an air of the superficial and sad, despite the amenities and excitement they promise.  There always seems to be a lack of the local, as the locals must cater to tourists, coming and going.  What Atlantic City had going for it was trying to be the East Coast’s premier destination for gambling.  It’s since been mostly in decline from that holy peak.

Perhaps, in my early twenties (the last time I was there), I was looking for something like bittersweet confirmation of my oh-so-earnest impressions of how-the-world-really-is.  It was done with more than a little melancholic self-regard (apparently I haven’t changed that much).

Yeah, I can handle it.  I only lost $200 and we got to see Jon Bon Jovi playing craps as a crowd gathered (leather-jacket, surprisingly big head).

Glitzy:

No, dear reader, I haven’t suddenly joined the barely organized, deeply personal hatred of a man who thwarts political activism and idealism in crude, populist fashion.

I can’t really say I support him all that much either (although I think a lot of the right people are pissed-off).

For the sake of our Republic, I hope Trump’s a decent steward, because I suspect the forces driving deep institutional dysfunction and mistrust are probably still growing, and maintaining our freedoms will be difficult.  It could get quite a bit worse before anything gets better (maybe pretty bad, I’m afraid).

Sorry to not just focus on serious questions and policy, and to blather and link on a blog, but I’ve got a life and a job.  Writing for money seems…compromising, and my writing isn’t all that great, and my insights are nearly always second-hand, anyways.

I’m thankful when a few dozen people read what I’ve bothered to think and write down.

Really, thank you:

From ‘Atlantic City Waiter’ by Countee Cullen

Just one stanza might do, to show there are many eyes you see, that may also see you:

‘For him to be humble who is proud
Needs colder artifice;
Though half his pride is disavowed,
In vain the sacrifice.’

As previously posted, and probably relevant enough to post here: Bowling Alone and Charles Murray:

———————-

***A reader passed along this bit of news: ‘Black Trump supporter beats white anti-Trump protester…’

A new kind of populism?

Charles Murray argues that controlling the data for just for whites in America, a gap has opened up between working-class ‘Fishtown’ and professional-class ‘Belmont.’ Fishtowners have increasing rates of out-of-wedlock births and divorce, more isolation from churches, civic organizations and the kinds of voluntary associations that Murray suggests can make a life more fulfilling, regardless of income beyond certain basic needs. Fishtowners have higher incidences of drug and alcohol use and intermittent work.

Belmonters, on the other hand, are mostly college-educated and beyond, still tend to court, marry, engage in family planning and tend to stay connected with family, friends and colleagues. Folks in Belmont are still living more moderate personal lives and working to stay ahead in the changing economy through academia, the professions, government, tech, business and global business.

Being a social scientist with a more limited government/small ‘c’ conservative/libertarian worldview, Murray likely sees a smaller role for government and limited ways in which some people acting through government can actually solve problems in other people’s lives. As a contrarian social scientist in a small minority, then, he disagrees with many basic assumptions often found amongst a majority of social scientists.

Murray thus advocates for people in ‘Belmont’ to increasingly preach what they practice, to look outside the bubble of their daily lives and wealthier enclaves, and perhaps reconstitute the kinds of family and civic associations, moral virtues and opportunities for independence and success he’d like to see more broadly.

What this would look like in practice, exactly, is unclear.

=======================

Robert Putnam, author of ‘Bowling Alone‘, seems to agree with Murray about what much of what the data highlights: Working-class whites are behaving more like working-class non-whites, and college-educated non-whites are behaving more like college-educated whites.

Putnam also focuses more on economic factors, the decline of manufacturing and the disappearance of working-class jobs that has without question affected large parts of America and small-town life. Globalization has opened American firms to global competition, global capital markets and mobile labor. Whatever your thoughts on race, Putnam creates some daylight between the data and strictly race based interpretations (often aligned with ideology, especially in academia nowadays) and focuses more on ‘class’ in a way slightly differently than does Murray.

An interesting discussion, in which the empirical research of social science can highlight important differences in political philosophy and try and transcend the inevitable political and ideological battles of the day.