Chris Navin

Full piece here.

Art, money, marketing and fame. It’s worth thinking about Western culture and the travels of the individual artist through romanticism, modernism and post-modernism and to wherever it is that artist is headed now. As for Hirst, it was probably inevitable that someone who couldn’t draw all that well, and didn’t have many of the basics down, would rocket in and out of the spotlight, capturing the moment.

‘Damien Hirst’s output between 2005 and 2008 – the period of his greatest success – has subsequently resold at an average of thirty per cent less than its original purchase price. Moreover, a third of the almost 1700 Hirst pieces that have gone to auction since 2009 have failed to sell at all. Most recently, in November, his gloss-and-butterfly collage Sanctimony failed to reach its lowest pre-sale estimate at a Sotheby’s auction’

The Diamond Skull here. The Shark here.

If you bought it, perhaps you deserve it, and even Hirst seems to be in on that game.

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Towards a theme:

Salvador Dali had some training and native talent but was also an idea man.

He was part of the surrealist movement, perhaps best represented by Luis Bunuel’s (Un Chien Andalou) statement:

“Our only rule was very simple: no idea or image that might lend itself to a rational explanation of any kind would be accepted. We had to open all doors to the irrational and keep only those images that surprised us, without trying to explain why.“

I suspect Spanish culture helped along the way by placing a lot of emphasis on the arts as it does, tilting the culture in that direction. It’s produced El Greco, Velazquez, Goya, and Picasso among others. Spanish genius tends to flourish in the visual arts.

Here’s a quote from Goya. that first modern, I keep putting up:

“Fantasy abandoned by reason produces impossible monsters: united with her, she is the mother of the arts and the origin of their marvels.”

Here’s Dali having become something of a caricature of himself:

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What’s that theme again?

Any thoughts and comments are welcome.

Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.

Joan Miro: Woman… Goethe’s Color Theory: Artists And Thinkers…Some Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’Repost-Via Reason: ‘Salvador Allende’s Cybersocialist Command Center’ Two ways around postmodernism, nihilism?: One is Allan Bloom Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’…A structure in the desert…not even a city Update On LACMA, Michael Heizer And The ‘Levitated Mass’-Modern Art And The Public;..where is modernism headed? Via Youtube: Justin, The Horse That Could Paint…