Slight Update & Repost-Via The Future Of Capitalism: ‘The Politics Of The New Yorker’

I think it’s probably a little better at The New Yorker in 2023 (see this Salman Rushdie piece). That said, activism remains a source of renewal for true-believers. This creates enormous downward pressure upon independent thought and creative expression (the kind of which the New Yorker has traditionally supported in long-form writing and the visual arts). Activist editorializing is probably a lot like going to Church, where inward reflection occurs in song and sacrament, chanting and togetherness. Beneath the political ideals, liberals and radicals often have their ‘hearts and minds’ in similar places.

The blind spots: People, ideas and the world outside of these beliefs and convictions, like all of us, to some extent.

My deeper take: Much of this view gets human nature badly wrong (the depth of evil and the problems within hearts and minds…explored in literature, poetry and the visual arts).

It also turns (H)istory into a kind of ideo-theology, abstracting (M)an into an endlessly perfectible and managerial product. This partially explains why our ‘post-modern’ lives become full with nihilistic ‘presentism’ and (S)elf-performance with a shitty, divided politics.

I hope this isn’t true, but it just might be:

Clive James revisits many quite original, quite accomplished works of Joseph Conrad.

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

It just might be possible to nurture experimental literature, poetry and the ‘avant-garde’ without explicit political bias:

Via The Future Of Capitalism, a new editor at The New Yorker opines:

‘Is it necessary for us to have a conservative voice or something like that? We’ve discussed it, but I’m not sure exactly what it would look like. I think The New Yorker’s niche is pretty comfortably in this progressive space and it’s much less of an issue to us than it is to The New York Times.’

I actually might agree on two fronts:  The New Yorker definitely caters to progressive political ideals (a long-term winning market strategy?) AND that there’s something loathsome about hiring just to fill quotas.  The idea of letting other people live their own lives and make their own decisions is so crazy it just might work.

The latter is lost on many true-believing progressives, as the presupposed rigged ‘system’ of the oppressor justifies all manner of intrusion into existing institutions through protest, radical unrest and forced quota-systems.

Beware those who would make you care:

Under A Green Moon-Ira Stoll At The New York Sun: ‘Comma in the New Yorker Opens Up Quite a Vista Of Liberal Parochialism’

From The New Yorker: ‘Writing Powered By Amtrak’

Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about.  As I see things, many people who care deeply about the avant-garde also bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

In the meantime, check out this tweet from Peace Pavilion West (my fictional community of back-to-nature collectivists exploring the Self).

What started out as Peace, Love and Inclusion at the Human Pagoda, a community transcending all human limitations, a buzzing colony building eco-pods to the very Heavens, devolved into ever stronger chaos and ever stronger central authority.

After our liberation, the promise of equality always seemed shimmering on the horizon.

It takes a big man to tweet at The New Yorker:

At Peace Pavilion West, we have banished all free enterprise, becoming a ‘closed community.’ Collective love and our Supreme Leader’s revolutionary teachings shall guide us. Namaste, Eustace.

— Chris Navin (@chris_navin) February 22, 2019

Thinking one has actionable knowledge of (M)ankind’s ends while implementing those ends into political revolutions has ended up very, very badly these past generations.

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

Repost & Slight Update-Surely The Left Hand Knows What The Right Hand Is Doing, And Vice-Versa-George Packer At The New Yorker: ‘Why Leftists Go Right

Full piece here.

I have to confess, there’s a fair amount of meat in the article, as Packer reviews “Exit Right: The People Who Left the Left and Reshaped the American Century.”

Whittaker Chambers, David Horowitz, and other heretics having fled from the radical ideologies of the Left are explained as part of a movement that helped define a century in which, for Packer, the American right has come to dominate.

In fact, he finishes with:

‘The downward slide from Chambers and Reagan to Coulter and Trump has surely swept along a few young idealists who thought they were joining the side of freedom and truth, then realized too late that they had signed on for junk science and white identity politics. Ted Cruz’s vision would require the toppling of just about every pillar of the country’s social and economic structure. You don’t have to look elsewhere for the destructive utopianism that turns believers into apostates. In a few years’ time, we’ll be reading the chilling inside story, written by a campaign aide who barely got out alive.’

I can imagine the view from the New Yorker office in Manhattan might be magnifying the various and sundry evangelicals, mouth-breathing gun-nuts, racist xenophobes and ‘junk-scientists’ gathering at the Black Gate Of Mordor.  These are simple folk, really. The J6 event (at least a riot) simply acted as confirmation.

Traditional folks, country folks, religious folks and unmodern folks have all become out-groups, treated with scorn, pity or, perhap; sad rubes to be rounded-up by the new fields of knowledge implemented within a benevolent managerial state.

Welcome to the minority! There sure was a lot of dishonesty, cowardice and injustice in how this profound shift is playing out.

We all know that even if ideal human societies with ever more freedom and equality aren’t possible, we should still try and make them a reality, right?  Many people’s hearts are in the right place, after all.

Or do ‘The People’ possess one big heart they all have to share?

Do ‘real-scientists’ all read the New Yorker for the latest scientific discoveries explained in 2,000 word long-form essays?

Unclear.

———————-

Of course, while there is a special kind of concern-trolling on display in Packer’s piece, there is also a fair amount of truth:  It is the heretics ‘mugged by reality’ who’ve helped to lead the conservative movement in the U.S.

Irving Kristol is just one example. I like to imagine his son, Bill, employing his talents as a regional franchise manager for some Honda dealerships in central Ohio or Wendy’s in Tennessee. Would his views remain the same in the salons of the Upper East side?

Would anyone care?

Longer-term, I suspect it’s bound to happen that more ‘neoconservatives’ fall-out of the intellectual grace of worldviews like those often found at the New Yorker, where liberal-Left democratic and secular humanism rule the roost.  There’s plenty of soft-collectivism on display, (with its own attendant hippie and post-hippie utopian idealism), safe-spaces for feminism and environmentalism (alarming levels of enviro-dread, lately), along with much post 68′ civil-rights radicalism and what I call ‘brownstone activism.’

Such views are having more and more real-world consequences.

Human nature and reality await.

I don’t know if such observations make me conservative (surely, they do to some), but I often find myself wondering where such ideals lead, exactly? What responsibilities do they impose upon me?

How much equality is enough?  How will you know when it is enough? What kinds of moral authority do these ideals rely upon and what kind of institutions do they actually produce in the real world?

Which freedoms and opportunities have they brought me?  Are these worth the trade-offs?

If such arguments are well-made, they always have a chance of convincing me.

In the meantime, however, there’s Packer’s piece, where at least there’s some recognition of the following:

‘In the twentieth century, the void left by the loss of religion was sometimes filled by totalizing political systems, and the result was a literary genre of confession that is as powerful and probing as the Augustinian kind.’

Addition: Nice wild swing at Augustinians, there.


Let me know what I’ve got wrong, as so much depends upon where you start:

Technology: Chapt GPT will likely create an assistive-technological training platform for the ambitious and reasonably bright. Many jobs now done by people will simply be automated; and many more technological skills will likely live on steeper curves of obsolescence. There’s no replacement for competence, reliability, and focused attention, of course. People are expecting a lot more choice in their lives, and are self-selecting based on their current preferences (most of us are doing this, to some extent).

Globalization: Both India and China are producing hundreds of thousands of high IQ, specially trained, hard-working software and hardware engineers competing for slots in American higher Ed and the American tech sector.  There is global competition in many sectors of the economy.

Past and current trade deals are trying to address the inherent dislocation that comes when capital chases cheap labor, when industry dies out in one area and blooms in another.

America has an aging population (less so than China and many European countries), and many hopelessly insolvent social programs based on somewhat Ponzi-like projections that can’t be maintained as they currently exist. This is a serious, serious problem.

Aren’t you glad we’re so busy politicizing many personal problems?

The American university and current government models are bloated, with a lot of waste and poor incentives, producing a lot of people with unforgivable student-loan debt and degrees of questionable value in current job markets.   Our public sector is woefully unable to handle such change. With the postmodern move, and all the ‘studies’ departments and busy-work administrators, I don’t see how pretty dramatic change isn’t forced upon a lot of people unwilling to move their food bowls.

———————–

As previously posted-A breath of fresh air from George Packer at the New Yorker: ‘Mute Button:

The problem with free speech is that it’s hard, and self-censorship is the path of least resistance. But, once you learn to keep yourself from voicing unwelcome thoughts, you forget how to think them—how to think freely at all—and ideas perish at conception. Washiqur Rahman and Avijit Roy had more to fear than most of us, but they lived and died as free men.’

Maybe this kind of moral courage will make a comeback…

Repost-Quotation From Charles Kesler And A Few Thoughts on Conservatism…Charles Murray is trying to get virtue back with the social sciences: Charles Murray At The New Criterion: ‘Belmont & Fishtown’Charles Murray Lecture At AEI: The Happiness Of People

Christopher Hitchens at Slate: Yale Surrenders

From The Liberal Bastions-James Baldwin, Often

See Also:  If you thought the cartoons were bad, more on the Fitna movie here.  From The NY Times: Review Of Christopher Caldwell’s Book “Reflections on the Revolution in Europe: Immigration, Islam, and the West”  Libertarians love this issue:  Repost-A Canadian Libertarian Making Noise: Ezra Levant  

Slight Update & Repost-Via The Future Of Capitalism: ‘The Politics Of The New Yorker’

I think it’s probably a little better at The New Yorker in 2023 (see this Salman Rushdie piece). That said, activism remains a source of renewal for true-believers. This creates enormous downward pressure upon independent thought and creative expression (the kind of which the New Yorker has traditionally supported in long-form writing and the visual arts). Activist editorializing is probably a lot like going to Church, where inward reflection occurs in song and sacrament, chanting and togetherness. Beneath the political ideals, liberals and radicals often have their ‘hearts and minds’ in similar places.

The blind spots: People, ideas and the world outside of these beliefs and convictions, like all of us, to some extent.

My deeper take: Much of this view gets human nature badly wrong (the depth of evil and the problems within hearts and minds…explored in literature, poetry and the visual arts).

It also turns (H)istory into a kind of ideo-theology, abstracting (M)an into an endlessly perfectible and managerial product. This partially explains why our ‘post-modern’ lives become full with nihilistic ‘presentism’ and (S)elf-performance with a shitty, divided politics.

I hope this isn’t true, but it just might be:

Clive James revisits many quite original, quite accomplished works of Joseph Conrad.

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

It just might be possible to nurture experimental literature, poetry and the ‘avant-garde’ without explicit political bias:

Via The Future Of Capitalism, a new editor at The New Yorker opines:

‘Is it necessary for us to have a conservative voice or something like that? We’ve discussed it, but I’m not sure exactly what it would look like. I think The New Yorker’s niche is pretty comfortably in this progressive space and it’s much less of an issue to us than it is to The New York Times.’

I actually might agree on two fronts:  The New Yorker definitely caters to progressive political ideals (a long-term winning market strategy?) AND that there’s something loathsome about hiring just to fill quotas.  The idea of letting other people live their own lives and make their own decisions is so crazy it just might work.

The latter is lost on many true-believing progressives, as the presupposed rigged ‘system’ of the oppressor justifies all manner of intrusion into existing institutions through protest, radical unrest and forced quota-systems.

Beware those who would make you care:

Under A Green Moon-Ira Stoll At The New York Sun: ‘Comma in the New Yorker Opens Up Quite a Vista Of Liberal Parochialism’

From The New Yorker: ‘Writing Powered By Amtrak’

Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about.  As I see things, many people who care deeply about the avant-garde also bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

In the meantime, check out this tweet from Peace Pavilion West (my fictional community of back-to-nature collectivists exploring the Self).

What started out as Peace, Love and Inclusion at the Human Pagoda, a community transcending all human limitations, a buzzing colony building eco-pods to the very Heavens, devolved into ever stronger chaos and ever stronger central authority.

After our liberation, the promise of equality always seemed shimmering on the horizon.

It takes a big man to tweet at The New Yorker:

At Peace Pavilion West, we have banished all free enterprise, becoming a ‘closed community.’ Collective love and our Supreme Leader’s revolutionary teachings shall guide us. Namaste, Eustace.

— Chris Navin (@chris_navin) February 22, 2019

Thinking one has actionable knowledge of (M)ankind’s ends while implementing those ends into political revolutions has ended up very, very badly these past generations.

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

Repost-Classical Liberalism Via Friesian.Com-‘Exchange with Tomaz Castello Branco on John Gray’

What Are You Doing With The Arts & Humanities? There’s Been A Lot Of Bad Stewardship

I suspect a lot of wisdom can be found throughout ‘Western Civ 101’ about the problems of the human heart, human nature and political power.

Apparently, though, such wisdom is being lost on a lot of people these days.  I humbly submit such people should not merely think their ideas will become more justified, their hearts more pure, simply by organizing coalitions with the purpose of gaining political power.

As previously posted:

Ira Stoll here.

‘There was a wonderful article by an editor at the magazine, Mary Norris, about commas. Wonderful, that is, until this passage, “That was during the Reagan Administration, when many of us suspected that Reagan had some form of dementia, but no one could do anything about it. The country was running on automatic.”

Such politicization can make for bad stewardship of the arts, certainly.

Perhaps New Yorker features are increasingly flogged to maintain readership in a competitive marketplace, or are being put to use for other purposes, like reaffirming political ideology and identities to signal the right beliefs and in-group/out-group loyalties.  Many of the liberal pieties can be found on display at the New Yorker.

Unsolicited advice for The New Yorker: Build a wall around your political stable, don’t bet too much on current trends and politicians, and keep other spaces free for the genuinely ‘avant-garde,’ the strange and beautiful, and biting satire when it shows-up.

For further context:

Here’s one senior New Yorker editor, Hendrik Hertzberg, discussing years ago how to abolish the Electoral College, arrive at a National Vote (to better serve the People, of course) and enact ‘democratic change.’

This strikes me as in-line with much Left and Left-liberal majoritarian populism. activism and softly (ultimately hard) radical change.

He has knowledge, of course, regarding what the People (will, should?) want, and why eroding such checks will lead towards more victims enfranchised voters and the ‘good’ society.

Perhaps some of the publishing decisions at the New Yorker make a little more sense…

===================

As previously posted-A breath of fresh air from George Packer at the New Yorker: ‘Mute Button:

‘The problem with free speech is that it’s hard, and self-censorship is the path of least resistance. But, once you learn to keep yourself from voicing unwelcome thoughts, you forget how to think them—how to think freely at all—and ideas perish at conception. Washiqur Rahman and Avijit Roy had more to fear than most of us, but they lived and died as free men.’

Maybe this kind of moral courage will make a comeback…

As for free speech and public sentiment, perhaps we’ll see where a new speech beachhead lies as the tide recedes from the powerful pull of an activist moon.

The problem with ‘brownstone activism’ may be the material itself:

‘Brownstone is a word used both to refer to a type of building material and structures built or sheathed in it. While it is most closely associated with the Eastern United States, this material was at one point used all over the world in construction, particularly in upper class regions. A distinctive architectural style using brownstone is very familiar to many residents of industrialized nations. Its popularity as a building material waned when builders began to realize that it weathered poorly, and that other materials might be more suitable.’

Soft, crumbly, loosely aggregated, weathers poorly…

Christopher Hitchens at Slate: Yale Surrenders

From The Liberal Bastions-James Baldwin, Often

Repost-Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

***Whom do you trust for discussions of the arts and culture, and would you just rather publications be up front about their ideological bents and loyalties?

Update And Repost: Problems of Liberal Idealism with Radicalism Beneath-Universities, NPR And The Overton Window

My predictions regarding NPR (dear reader, these are hardly groundbreaking):  I expect further Leftward political partisanship and general moral suspicion of the laws, civic nationalism and patriotism.  There will be ebbs and flows surrounding ‘-Ism’ righteousness and the latest political (C)ause.  There will be tactical advances in politics and ‘culture’, followed by retreats into a kind of existential despair of the (S)elf, usually cured by the balm of collectivist and identity-driven movements, fortified by hatred of anything traditional and religious.  Sometimes Democrat, sometimes activist, NPR readers will continue to be dully predictable, but now dully predictable, mostly from the Left.

The rapid curve of current technological change will continue apace.

I think it’s pretty obvious what’s happened in universities is happening on a delay throughout many American media institutions.  

Just as the ‘Hitler-year-zero-fight-fascism-now’ Left has been co-opting language and many positions within existing institutions and hierarchies, the ‘New Right’ will no longer accept the civility, ‘work-within-the-system’ tactics of the old establishment.  I see Donald Trump merely as a vote against that system and those rules, and a signpost on the way into the postmodern landscape.  

I’m not counting on the way stations of liberal idealism to necessarily contain points further Left, either.   My problem with many elements of the Left are well-established problems.  There is justification and rationalization of violence in pursuit of the (C)ause. There is incomplete and utopian conceptualization of human nature, political and economic realities, along with a ‘change-first’ worldview.  There is a well-documented focus on collectivist and class-identity politics which squash the individual, backing us into new forms of Statist authority and control.  

There will be a liberal stiffening of spines, at times, of course.  But, many on the Left harbor a particular hatred for liberal idealists.

Behold my mighty tweet, which mocks and mocks the weakness of many liberal hopes.   Of course, this is all the more reason to dig deep in the Humanities!  You’ve got to get at the weaknesses, the hatreds, and the foibles of your own heart to realize what is lovable, noble, and possible with your own life.   

It’s tough to have much sympathy for those who dig shallow, make the personal political, and help our politics become a jumbled mess, riding the current university model into many an over-leveraged loan mill.  

What if their duty was not merely to collect a salary and keep the cruise-members happy, but to try and look from the crow’s nest and keep the ship afloat?

I get it, the Beatles were an excellent band.  Dance Hall boys from Liverpool made globally successful and good, with remarkable depth for the popular appeal.   ‘Blackbird’ and  ‘Yesterday,’ for me, strike deep and stay there (I prefer McCartney as songwriter).

But please stop being such losers!

I couldn’t even type ‘suckling’ correctly, or else it auto-corrected.  Further proof that maybe I’m the loser.

Here’s how Wendell Berry put it in his essay “The Joy of Sales Resistance”:

‘Quit talking bad about women, homosexuals, and preferred social minorities, and you can say anything you want about people who haven’t been to college, manual workers, country people, peasants, religious people, unmodern people, old people, and so on.’

Here are some of the pressures to which NPR is subject:

1. Market pressures-It’s easy to go for the lowest common denominator in the marketplace (sex sells). Resisting such tactics requires sticking to principles.  NPR does a pretty good job at this, though my problem is with the judgment and principles they’re using; subject to the capture of liberatory radicalism (free your ‘Self’ politically, morally and sexually, replacing beliefs with overwhelmingly Democrat political allegiance, New-Age/Political idealism and State-funded Sex Education).  There’s a combination of stiff moralism and weird license at NPR.

Robin Aitken, a longtime BBC reporter and odd-man-out social conservative, discusses how the BBC now promotes hit shows like Naked Attraction.

2. Technological pressures-I have many bookish and well-read friends who are terrified of technology.  They have some good reasons and some ridiculously bad ones for this.  NPR is not exactly cutting-edge though they are pretty mainstream.  Success requires manipulating the latest technology.

3. The Problems Of Ideological Capture-What you think tends to become who you become regarding habit and character.  Where your thoughts go, so go your moral sentiments, beliefs and actions.  Liberal idealists argue for some pretty scalable post-Enlightenment ideals (universal humanism, open markets, free speech).

Problems tend to start, however, regarding a deeper base of Selves living in relative isolation; flirting with nihilism, existentialism, anarchy, and Communism/Socialism.   Liberal idealists can easily become caught between a tradition or law they personally uphold, while simultaneously supporting the activist who may have no regard whatsoever for any particulary existing tradition or law.

Clive James revisits many quite original, quite accomplished works of Joseph Conrad.

This quote has stuck with me over the last few months:

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

Personally, I am persuaded such pressures orginate in insufficiently deep maps of human nature, Nature, and how hard it can be to maintain legitimate authority.

(S)cience, Social (S)cience and Free Speech & Assembly: As we can see with true radicals and revolutionaries, the ideological capture within our institutions comes from a presumed moral authority; a moral authority drafting off of the truth and knowledge claims made by the Sciences, the Social Sciences, and ‘The Expert.’

Listening to the Beatles, watching episodes of Nature with David Attenborough, and supporting the latest moral cause may placate radicals for a while, but only for a while.  Often such habits make liberals easier targets.

This is, I believe, how we’ve arrived at many conservatives, libertarians, some broader disaffected moderates and a Newer Left (the Weinsteins, much of the ‘Dark Web’) suddenly having to defend the truth and knowledge claims of the Sciences, the Social Sciences, free assembly and free speech.

From The Nieman Lab:-An Oral History Of The Epic Collision Between Journalism & Digital Technology, From 1980 To The Present.

A Few Thoughts On NPR And Current Liberal Establishment Thinking Under Obama…Hate Is A Strong Word-Some Links On The BBC, The CBC, & NPR

Some Links On The Loss Of Civic Virtue, Ideologues In The Humanities & Alas, The New Yorker

Andrew Sullivan and Antonio Garcia Martinez have a discussion (Judaism vs Christianity, time and distance shortening technologies, the darkness potentially coming as we dissolve our common, civic bonds).

Surely you trust the people in the Federal Government?

Surely!

Here’s James Lindsay on the ideologies and ideologues filling many gaps within our institutions. The Humanities is the education where you can actually learn about your own human nature through dialog with the great voices of the past.

It’d be nice if such a defense weren’t necessary, but it is.

Alas, The New Yorker.

Don’t think the postmodern void and the search for meaning won’t suck on your legs as the tide goes out.

It’s okay to like the long-form stuff, high-quality cover art and criticism but…

…you will increasingly find reference to political violence, narrow true-belief and a rigid, cloying moralism. The logic was there, all along, beneath the human rights universalism, secular liberal idealism and profound moral concern for the ‘culture.’

The radicals haven’t changed all that much, but here’s one major difference: The new rules involve mainstreaming political violence and blaming your political enemies for it.

As posted, keeping an eye on The New Yorker-

Louise Perry at Unherd:  ‘An Untrue Claim In the New Yorker Speaks Volumes

‘One study suggests that two-thirds of Americans between the ages of fifteen and thirty-four who were treated in emergency rooms suffered from injuries inflicted by police and security guards, about as many people as the number of pedestrians injured by motor vehicles.’

– Jill Lepore, New Yorker

Perry on Lepore’s piece:

This in a 5,000 word feature on the history of policing in the United States, which draws a link between the early role of police in suppressing slave rebellions, and police killings of Black Americans in the twenty first century.

And:

We know that political bias warps cognition, sometimes catastrophically, and this is, I think, an example of that in action. Lepore read Feldman’s research and she misunderstood part of it, despite being an exceptionally intelligent person. Like many other Left-leaning Democrats, she is convinced that police brutality is a huge, under-acknowledged problem in the United States, and she therefore jumped to the conclusion that this wildly inflated ‘two-thirds’ figure was plausible.’

Previous links on this site from The New Yorker:

Our sacred National Parks and EPA regions, uniting all races, classes, genders, and species in a non-corporate, environmental utopia, are being despoiled by the dirty masses:

Carefully balanced rock towers make a pretty picture, but the proliferation of cairns, fuelled by social media, has negative consequences for the environment. https://t.co/q4BGmJtAHC

— The New Yorker (@NewYorker) May 23, 2020

Judith Butler Wants To Reshape Our Rage (your rage isn’t even your own at The New Yorker, these days, it belongs to the collective).

Martha Nussbaum on Judith Butler: ‘The Professor Of Parody

‘These developments owe much to the recent prominence of French postmodernist thought. Many young feminists, whatever their concrete affiliations with this or that French thinker, have been influenced by the extremely French idea that the intellectual does politics by speaking seditiously, and that this is a significant type of political action. Many have also derived from the writings of Michel Foucault (rightly or wrongly) the fatalistic idea that we are prisoners of an all-enveloping structure of power, and that real-life reform movements usually end up serving power in new and insidious ways. Such feminists therefore find comfort in the idea that the subversive use of words is still available to feminist intellectuals. Deprived of the hope of larger or more lasting changes, we can still perform our resistance by the reworking of verbal categories, and thus, at the margins, of the selves who are constituted by them.’

Not the ‘right’ kind of emptiness for Richard Brody, at The New Yorker, in Todd Phillips’ ‘The Joker.’

‘“Joker” is an intensely racialized movie, a drama awash in racial iconography that is so prevalent in the film, so provocative, and so unexamined as to be bewildering.’

Brody’s review is as much about historical events (The Central Park Five), and moral judgments surrounding these historical events (racist and nothing else, Trump is horrible) as it is about the movie.

Basic plot, aesthetics, and stylized choices are kind of what I’m after in a movie review, with some of the reviewer’s own expertise and respect for the reader’s intelligence thrown-in (should I see this movie?).

The Boston Evening Transcript

The readers of the Boston Evening Transcript
Sway in the wind like a field of ripe corn.


When evening quickens faintly in the street,
Wakening the appetites of life in some
And to others bringing the Boston Evening Transcript,
I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld,
If the street were time and he at the end of the street,
And I say, “Cousin Harriet, here is the Boston Evening Transcript.”

T.S. Eliot

Mail delivery, Tuesday morning, Upper West Side. pic.twitter.com/nrSCvS52Ch

— Joe Nocera (@opinion_joe) December 13, 2016

Ira Stoll here:

‘There was a wonderful article by an editor at the magazine, Mary Norris, about commas. Wonderful, that is, until this passage, “That was during the Reagan Administration, when many of us suspected that Reagan had some form of dementia, but no one could do anything about it. The country was running on automatic.”

Such politicization can make for bad stewardship of the arts, certainly.

Perhaps New Yorker features are increasingly flogged to maintain readership in a competitive marketplace, or are being put to use for other purposes, like reaffirming political ideology and identities to signal the right beliefs and in-group/out-group loyalties. Many of the liberal pieties can be found on display at the New Yorker.

***Who do you trust for discussions of the arts and culture, and would you just rather publications be up front about their ideological bents and loyalties?

Or will this simply take care of itself?

As posted: Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about. As I see things, many people who care deeply about the avant-garde also can bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

According to some folks at The New Yorker magazine, the only answer to injustice is radical and revolutionary equality.

To be fair, the logic embedded within much radical chic usually reveals itself to be cool at first, the same old murderously bad doctrinaire utopianism a little later on:

From The New Yorker: ‘Writing Powered By Amtrak’

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

Related On This Site: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’ Classical Liberalism Via Friesian.Com-’Exchange with Tomaz Castello Branco on John Gray’

‘Testy-Cool,’ Twitter, Hipsters & The Great American Cultural Iceberg Of Received Opinion

The chase for cool is always going on, and many people currently chasing cool seem a bit pathetic. Maybe even bathetic and a little lost (why, that could be me). Not enough respect for knowledge, hard work, and tradition, tends to make unmoored people. Unmoored people tend to chase trends, radical trends even, despite often being the square people in the room.

The term ‘hipster’ may not cover the phenomenon, but I suspect enough of the iceberg has flipped that much counter-culture has become culture. Suddenly, some conservative ideas have become counter-culture (some conservative ideas should never be cool). Many liberal ideas are dominant and in authority (pretty uncool, man).

The post 60’s boomer, ‘bobo,’ ‘fauxhemian,’ aesthetic, if there be such a thing, currently strikes me as too-precious. Sometimes ‘Inauthentic’, even, and we all know that authentic and cool strut hand-in-hand.

But, dear Reader, you are more than the sum of the labels I happen to paste over your face.

Let me try and give some examples:

-Paying homage to (A)rt and (S)cience, but in an aspiring fashion. ‘David Attenborough/Neil Degrasse Tyson/Andy Warhol is my spirit animal.

COVID-19 masktaskers. Creeping authoritarianism and stale, bureaucratic rule-following…aren’t so cool. The search for truth, the latest science, and the disease/treatment are real things. So are real medical professionals and .09% of [infected] people actually dying. The geopolitics could become quite consequential, quite quickly. But not over-inflated children claiming to be heroes while demanding attention. Not tech-companies chasing profit-motives while claiming high ideals and ‘how much they care.’ Not a lot of 2nd and 3rd rate people defending their turf and telling other people what to do.

Which reminds me: ALL ARTISTS AND GRAPHIC DESIGNERS ARE WELCOME TO SUBMIT THEIR ‘TESTY-COOL’ DESIGNS BY JULY 31ST!

***Sperm-counts are reported to be at all time lows in the United States. Follow ‘Testy-Cool’s’ cross-country campaign to ‘Stay Cool This Summer.’ ‘Testy-Cool’ is an HHS approved, workshop-focused $18 million dollar new mascot. 38% of teenagers say they’d like to see more of ‘Testy-Cool’.

Pretty much anything on NPR (the obtuseness of some idealists + the hectoring moralism of most activists + production values from 1968-1996)-Most would love to force you to pay them to talk about ‘culture’ all day while discussing your motives for not liking ‘culture.’

Anything about Banksy. See this New Yorker piece. ‘I think I’m going to kill myself!’

As to Twitter, this is my semi-functional theory:

The platform selects for loud ignorance. Twitter has a significant visual component, with some textual elements, and limited characters. Around any topic, a few nodes (popular accounts) will cluster across a larger distribution. For most users, it ain’t really a place to converse, nor think too much, but rather to gain new information through the aggregation function performed by these popular nodes (especially in the political sphere).

The format rewards brevity, pith, and some wit, but also cashes in on selling the idea of influence. It’s quite a cesspool, really, and I usually feel like I’m pissing into the wind; the rewards probably not worth the costs unless one just uses Twitter as a distribution network of one’s own.

Furthermore, the most popular accounts don’t necessarily seem to be the most knowledgeable, thoughtful, nor accurate and truthful (they could be, I suppose), but rather the nodes who use the platorm most effectively, efficiently dominating information distribution; coalescing the public sentiment surrounding their topic.

You get what you pay for, I suppose.

The biases of Twitter creators and curators lean towards loud activist ignorance: In my experience as a user, I don’t know how firmly activist beliefs are held amongst actual designers and programmers at the top, but ideological capture is likely significant, especially in the administrative and bureaucratic functions.

Thus, some top-end design and aggregation, across all those different topics, pools of sentiment and individual users, is done by people who probably share a particular blend of Left-leaning moral, political and ideological views (creating special rules for special users).

My biases are in view, of course: Twitter’s more about about geekier white kids wanting to hang out with cool black kids.

Welcome to the new wealthy and woke. I suppose we’ll see how some people handle money, authority and influence with the ideas they’ve got:

Sliders And Wings Can Be Avant-Garde Things-A Few Links

Clifford Stoll writing in Newsweek back in February, 1995:

Do our computer pundits lack all common sense? The truth is no online database will replace your daily newspaper, no CD-ROM can take the place of a competent teacher and no computer network will change the way government works.’

I’d buy that for a dollar.

============

How To Spot And Critique Censorship Tropes In The Media’s Coverage Of Free Speech Controversies:’

‘In discussing our First Amendment rights, the media routinely begs the question — it adopts stock phrases and concepts that presume that censorship is desirable or constitutional, and then tries to pass the result off as neutral analysis. This promotes civic ignorance and empowers deliberate censors.’

Sometimes, it’s an ‘anti-mentor’ who can help you see the light.

Don’t count on these fools to protect speech, and keep an eye on those politicians as well (which way blow ye winds of political expedience?):

Andrew Potter:

‘The important thing to understand about journalists is that they are the lowest ranking intellectuals. That is to say: they are members of the intellectual class, but in the status hierarchy of intellectuals, journalists are at the bottom. That is why they have traditionally adopted the status cues of the working class: the drinking and the swearing, the anti-establishment values and the commitment to the non-professionalization of journalism.’

and on professors:

The important thing to understand about academics is that they are the highest rank of intellectuals. That is why they have traditionally adopted the status symbols of the 19th-century British leisured class—the tweeds and the sherry and the learning of obscure languages—while shunning the sorts of things that are necessary for people for whom status is something to be fought for through interaction with the normal members of society (such as reasonably stylish clothing, minimal standards of hygiene, basic manners).

==============

This blog is hankering for some Chili’s.  Chili’s in Jersey City, that is.

It appears to be mere chain-food for tourists and some locals.

But what does it mean as an experience?  How should I live?  How can I escape the culinary cul-de-sacs of suburban life and finally see what it means to be living?

Dear reader, that’s where the New Yorker comes in.

Let’s get a writer in there to dissect the tchocthkes, and introspect on the Self in the suburbs and the many interior lives of tourists moving through the modern world.

Let’s send a neuroscience grad student in there to see what the diners’ brain scans might say about uniformity of dining experience and how we might form memories.

As long as they stick to the restaurant reviews, and shut the f**k up about politics, radical literature and (S)elf-introspection (the navel-gazing, clueless kind), I’m more inclined to read:

Repost-What Are You Doing With The Arts & Humanities? There’s Been A Lot Of Bad Stewardship

I suspect a lot of wisdom can be found throughout ‘Western Civ 101’ about the problems of the human heart, human nature and political power.

Apparently, though, such wisdom is being lost on a lot of people these days. I humbly submit such people should not merely think their ideas will become more justified, their hearts more pure, simply by organizing coalitions with the purpose of gaining political power.

As previously posted:

Ira Stoll here.

‘There was a wonderful article by an editor at the magazine, Mary Norris, about commas. Wonderful, that is, until this passage, “That was during the Reagan Administration, when many of us suspected that Reagan had some form of dementia, but no one could do anything about it. The country was running on automatic.”

Such politicization can make for bad stewardship of the arts, certainly.

Perhaps New Yorker features are increasingly flogged to maintain readership in a competitive marketplace, or are being put to use for other purposes, like reaffirming political ideology and identities to signal the right beliefs and in-group/out-group loyalties. Many of the liberal pieties can be found on display at the New Yorker.

Unsolicited advice for The New Yorker: Build a wall around your political stable, don’t bet too much on current trends and politicians, and keep other spaces free for the genuinely ‘avant-garde,’ the strange and beautiful, and biting satire when it shows-up.

For further context:

Here’s one senior New Yorker editor, Hendrik Hertzberg, discussing years ago how to abolish the Electoral College, arrive at a National Vote (to better serve the People, of course) and enact ‘democratic change.’

This strikes me as in-line with much Left and Left-liberal majoritarian populism. activism and softly (ultimately hard) radical change.

He has knowledge, of course, regarding what the People (will, should?) want, and why eroding such checks will lead towards more victims enfranchised voters and the ‘good’ society.

Perhaps some of the publishing decisions at the New Yorker make a little more sense…

===================

As previously posted-A breath of fresh air from George Packer at the New Yorker: ‘Mute Button:

‘The problem with free speech is that it’s hard, and self-censorship is the path of least resistance. But, once you learn to keep yourself from voicing unwelcome thoughts, you forget how to think them—how to think freely at all—and ideas perish at conception. Washiqur Rahman and Avijit Roy had more to fear than most of us, but they lived and died as free men.’

Maybe this kind of moral courage will make a comeback…

As for free speech and public sentiment, perhaps we’ll see where a new speech beachhead lies as the tide recedes from the powerful pull of an activist moon.

The problem with ‘brownstone activism’ may be the material itself:

‘Brownstone is a word used both to refer to a type of building material and structures built or sheathed in it. While it is most closely associated with the Eastern United States, this material was at one point used all over the world in construction, particularly in upper class regions. A distinctive architectural style using brownstone is very familiar to many residents of industrialized nations. Its popularity as a building material waned when builders began to realize that it weathered poorly, and that other materials might be more suitable.’

Soft, crumbly, loosely aggregated, weathers poorly…

Christopher Hitchens at Slate: Yale Surrenders

From The Liberal Bastions-James Baldwin, Often

Repost-Heather McDonald At The WSJ: ‘ The Humanities Have Forgotten Their Humanity’

***Whom do you trust for discussions of the arts and culture, and would you just rather publications be up front about their ideological bents and loyalties?

Alas, The New Yorker-Going Off The Rails

Louise Perry at Unherd:  ‘An Untrue Claim In the New Yorker Speaks Volumes

‘One study suggests that two-thirds of Americans between the ages of fifteen and thirty-four who were treated in emergency rooms suffered from injuries inflicted by police and security guards, about as many people as the number of pedestrians injured by motor vehicles.’

– Jill Lepore, New Yorker

Perry on Lepore’s piece:

This in a 5,000 word feature on the history of policing in the United States, which draws a link between the early role of police in suppressing slave rebellions, and police killings of Black Americans in the twenty first century.

And:

‘We know that political bias warps cognition, sometimes catastrophically, and this is, I think, an example of that in action. Lepore read Feldman’s research and she misunderstood part of it, despite being an exceptionally intelligent person. Like many other Left-leaning Democrats, she is convinced that police brutality is a huge, under-acknowledged problem in the United States, and she therefore jumped to the conclusion that this wildly inflated ‘two-thirds’ figure was plausible.’

Previous links on this site from The New Yorker:

Our sacred National Parks and EPA regions, uniting all races, classes, genders, and species in a non-corporate, environmental utopia, are being despoiled by the dirty masses:

Judith Butler Wants To Reshape Our Rage (your rage isn’t even your own at The New Yorker, these days, it belongs to the collective).

Martha Nussbaum on Judith Butler: ‘The Professor Of Parody

‘These developments owe much to the recent prominence of French postmodernist thought. Many young feminists, whatever their concrete affiliations with this or that French thinker, have been influenced by the extremely French idea that the intellectual does politics by speaking seditiously, and that this is a significant type of political action. Many have also derived from the writings of Michel Foucault (rightly or wrongly) the fatalistic idea that we are prisoners of an all-enveloping structure of power, and that real-life reform movements usually end up serving power in new and insidious ways. Such feminists therefore find comfort in the idea that the subversive use of words is still available to feminist intellectuals. Deprived of the hope of larger or more lasting changes, we can still perform our resistance by the reworking of verbal categories, and thus, at the margins, of the selves who are constituted by them.’

Not the ‘right’ kind of emptiness for Richard Brody, at The New Yorker, in Todd Phillips’ ‘The Joker.’

‘“Joker” is an intensely racialized movie, a drama awash in racial iconography that is so prevalent in the film, so provocative, and so unexamined as to be bewildering.’

Brody’s review is as much about historical events (The Central Park Five), and moral judgments surrounding these historical events (racist and nothing else, Trump is horrible) as it is about the movie.

Basic plot, aesthetics, and stylized choices are kind of what I’m after in a movie review, with some of the reviewer’s own expertise and respect for the reader’s intelligence thrown-in (should I see this movie?).

The Boston Evening Transcript

The readers of the Boston Evening Transcript
Sway in the wind like a field of ripe corn.


When evening quickens faintly in the street,
Wakening the appetites of life in some
And to others bringing the Boston Evening Transcript,
I mount the steps and ring the bell, turning
Wearily, as one would turn to nod good-bye to Rochefoucauld,
If the street were time and he at the end of the street,
And I say, “Cousin Harriet, here is the Boston Evening Transcript.”

T.S. Eliot

Ira Stoll here:

‘There was a wonderful article by an editor at the magazine, Mary Norris, about commas. Wonderful, that is, until this passage, “That was during the Reagan Administration, when many of us suspected that Reagan had some form of dementia, but no one could do anything about it. The country was running on automatic.”

Such politicization can make for bad stewardship of the arts, certainly.

Perhaps New Yorker features are increasingly flogged to maintain readership in a competitive marketplace, or are being put to use for other purposes, like reaffirming political ideology and identities to signal the right beliefs and in-group/out-group loyalties. Many of the liberal pieties can be found on display at the New Yorker.

***Who do you trust for discussions of the arts and culture, and would you just rather publications be up front about their ideological bents and loyalties?

Or will this simply take care of itself?

As posted: Maybe some deeper currents from Romanticism to Modernism to Postmodernism are worth thinking about. As I see things, many people who care deeply about the avant-garde also can bind themselves to ever narrower political and ideological commitments.

The journey of The Western Self bears proper care.

According to some folks at The New Yorker magazine, the only answer to injustice is radical and revolutionary equality.

To be fair, the logic embedded within much radical chic usually reveals itself to be cool at first, the same old murderously bad doctrinaire utopianism a little later on:

From The New Yorker: ‘Writing Powered By Amtrak’

Thanks, reader:

Related On This Site:Appeasement Won’t Do-Via A Reader, ‘Michael Ignatieff Interview With Isaiah Berlin’

A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”…

See Protein Wisdom for a discussion about language and intentionalism, and how it gets deployed.

-Daniel Dennett: ‘Postmodernism And Truth’

Related On This Site: Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’ Classical Liberalism Via Friesian.Com-’Exchange with Tomaz Castello Branco on John Gray’