Thursday Poem-Robert Frost

A Late Walk

When I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.

And when I come to the garden ground,
The whir of sober birds
Up from the tangle of withered weeds
Is sadder than any words

A tree beside the wall stands bare,
But a leaf that lingered brown,
Disturbed, I doubt not, by my thought,
Comes softly rattling down.

I end not far from my going forth
By picking the faded blue
Of the last remaining aster flower
To carry again to you.

Robert Frost

Organic Pop Rock-Some Midweek Music Links

You’ve probably heard the intro to Boston’s ‘Foreplay/LongTime’ played in regular time, but what about half-time?

Mesmerizing and rather beautiful:

Taking hymnal organ music and turning it into a pop hook.  ABBA had some depth:

The obligatory Bach that can draw people in:

And because you didn’t ask, here’s some of that Harpsichord French Baroque meets Classical Guitar American Folk. Christopher Parkening:

I got nuttin’ over here.

Patterns In Nature, The Alhambra, Brexit & Oumuamua-That’s A Mouthful

-Via David Thompson, Cristobal Vila and Infinite Patterns.  Speaking of connecting geometry, (N)ature and architecture, a reader links to Penrose tiles.

There’s good discussion of the Alhambra at the Infinite Patterns link; which contains wonderful and intricate tilework (including and aside from the important Moorish influence, I just want to remind that the Spaniards are among the best visual artists in the world ((El Greco, Goya, Velazquez, Picasso)).

Imagine yourself high above Grenada, a hot summer day winding-down.  Your feet are tired.  Your back aches and the straps on your bag, where they meet your shirt, even they are covered in sweat.

Evening breezes cause the trees to rustle on the surrounding hillside.  This is worth it. This must be why I came.  The sun’s light reflects off a thin, now visible, moon.  The sky is deepening to dusk; a royal blue.  There are a few traces of snow up in the Sierra Nevada.  Is that the smell of oranges on the air?  Roses?  Jasmine?

Is this real?

Other links:

-Christopher Caldwell from August 15th on ‘Why Hasn’t Brexit Happened‘  (Will it happen by October 31st, 2019?).

What if you just kept going, out into space?

-Via kottke.org via Vimeo, a composite of photographs depicting ESA’s Rosetta’s hard-landing on comet 67P/Churyumov-Gerasimenko.  I play it without the music.

-A pancake-shaped object, traveling for eons through interstellar space, likely becomes coated with regolith.  Where did it come from?  Probably some other solar system, ejected during planetary formation, long ago.  How long has it been out there?  A long, long time.

Orbital animation here.

An uncoventional theory is floated.  For a brief time, available evidence supports that this could be a light-sail on a reconnaissance mission; some kind of non-self-replicating von Neumann probe.  It’s a clever bit of science, really, and couldn’t we send out light sails in a bottle, pushed from our shore?

Statistically such a thing is unlikely, and intuitively, many sense that such a thing is statistically unlikely, but it manages to arouse public interest and excitement.

What are you doing with your hope?

Farewell, Oumuamua, we hardly knew ye.  The object accelerates, outgassing a bit as it leaves (on its sunward side), fading back into a deeper darkness.

How many of these things are out there?

Repost-Within A Bank Of Modern Fog-Another Link To Robert Hughes On Jeff Koons

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There’s always been a bit of the showman about Jeff Koons; the kind of young man who could put on a bow tie and try to give many museum-goers their time/money/aspirations’ worth at the membership desk.

This blog forgives people trying to explain what their art ‘means,’ exactly, but confesses to pleasure in seeing Koons put on the spot under the suspicious eye of an ornery old Robert Hughes.

I don’t fault Koons for finding himself firmly within modernism, searching for universal forms and broader historical context within those confines, but I admit it’s nice to see him held to account for his bullshit, and perhaps the broader, deeper bullshit he shares with many modern and postmodern artists: Pursuing novelty and recognition and thus making art into a business and often commercializing it, aiming for celebrity while offering meta-critiques on celebrity, making the personal and private very public (masturbation into social commentary, sex into meta-critques of religious shame, ‘culture’ and pornography).

Two quotes by Hughes that stood out:

Religion is diminished into celebrity..a kind of reverse apotheosis.

‘This alienation of the work from the common viewer is actually a form of spiritual vandalism.’

It’s tough to say that art is really about religion (though much clearly is), but rather more about an experience Hughes wants as many people as possible to have, and that such experiences can elevate and expand.

Aside from the above, there’s something that strikes me as not just late 20th century-modern about Koons, but also very American.

As previously posted:

Is street-art, or the use of graffiti & mixed-materials performed illegally out in public (on public and privately owned property) partly due to the success of capital markets?

-Banksy’s website here.

-Newsweek’s piece: ‘See You Banksy, Hello Invader.

Response To A Reader On ‘Radical Chic’ And A Link to Banksy’s ‘Dismaland’

I’d argue that it’s possible, especially with the constant cries of modernism to ‘make it new,‘ I think this is one way we’ve arrived at pop art, and the desire to blend conceptual art and popular music together. This is in evidence from The Talking Heads to Lady Gaga to Jay Z promoting his new album alongside Marina Abramovic at MOMA.

Many modern artists, from Andy Warhol to Jeff Koons to Damien Hirst are people with some artistic talent and native gifts, but not as much in the way of classical and/or formal training. They may be trying to have a conversation with the old masters, but they are clearly also the products of, and speaking to, ‘modern’ audiences. Much of this has become a world of shallow depth, especially among the less talented. Drawing and drafting can be underdeveloped skills while ‘mixed-media’ presentations, celebrity, marketing, money and fame are all thrown into the same pot.

Also On This Site: Roger Scruton says keep politics out of the arts, and political judgment apart from aesthetic judgment…this includes race studies/feminist departments/gay studies etc.: Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Goya’s Fight With Cudgels and Goya’s Colossus. A very good Goya page here.

Joan Miro: WomanGoethe’s Color Theory: Artists And ThinkersSome Quotes From Kant And A Visual Exercise

A Reaction To Jeff Koons ‘St John The Baptist’

Denis Dutton suggests art could head towards Darwin (and may offer new direction from the troubles of the modern art aimlessness and shallow depth) Review of Denis Dutton’s ‘The Art Instinct’

Sunday Poem-Robert Frost

Gathering Leaves

Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.

I make a great noise
Of rustling all day
Like rabbit and deer
Running away.

But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.

I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?

Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.

Next to nothing for use.
But a crop is a crop,
And who’s to say where
The harvest shall stop?

Robert Frost

The British Are Coming, Darth Vaper And Just Look At That Parking Lot

I’m sure there’s already an outfit called ‘Serial Vapist’ (after twenty seconds of searching, yes, in fact, there is).

Here’s Matt Ridley on vaping, and most of the specious arguments made in favor of regulation:

‘Vaping is the perfect example of a voluntary innovation derived from free enterprise that delivers better human health, at no cost to the taxpayer, and no inconvenience to society — and causes pleasure. I neither smoke nor vape and have no financial interest in either, but I wish it every success.’

I AM your father.

As posted: It’s no coincidence that libertarian-minded folk at Reason magazine are addressing the issue. E-cigarettes could be confusing the children in NYC.  The FDA has recently been on the manufacturer’s case.  The City Council takes the smoking ban (get Big Tobacco!) a step further:

What’s a little surprising may be the rush to moral judgment, condemnation and control.

Addition:  Delivering stuff into your lungs with a ‘portable chemistry set’ is going to have side-effects, if we’re honest, but relative to smoking cigarettes and relative to the level of potential moral panic going around, I remain skeptical and open to data. I also remain somewhat skeptical that a movement towards ever-expanding individual freedoms, often towards anarchy, won’t have side-effects either.

Compared to modern revolutionary movements, radical activism, collectivist Romantic tribalism and the morally panicked, one could do much worse.

Get ready for some bloviating:

As this blog sees things, the posture of radical opposition to some existing rule or law, through claims of liberation from oppression, tends to yield an ever-growing list of new and/or hybrid rules and laws.  Radicals, after all, are still full of thoughts, beliefs, hopes, moral and aesthetic judgments etc.  No man is an island, least of all men enmeshed within liberatory, collectivist movements united against the oppressor.

It’s unsurprising that the Marxist tendency to conceive of all of life (personal and public) in economic terms, puts ever more pressure upon ‘capitalism’ and marketplaces (the freer flow of capital) to deliver meaning and purpose in people’s lives.  Though to be fair, some old-school Marxists are sticks-in-the-mud against the postmodern, post-Marxist drift towards radical individualism, nihilism and existentialism, critical of the many knowledge claims within the old systems.

Modern ideological movements tend to promise the good, the true and the beautiful all in one package.  (H)istory has a direction and a purpose which can be known; it can be visualized and actualized.  (H)istory, for the committed ideologue, has an end, and men’s ends can be known and actualized within this vision.

(S)cience, of course, provides precise mathematical and probabilistic knowledge of the Natural world, usually the best knowledge we have, based upon observation.  This knowledge can reach out and describe the material world, elements of which may actually empirically exist similar as they present themselves to our senses and the complex analyses some people perform.

What, I, personally, tend to see as a category error, however, lies in assuming the sciences can produce such knowledge transferable to (H)istory and (P)olitics without information loss; not merely what is, but what ought to be.

On that note, Theodore Dalrymple, prison psychiatrist, tries to take some claims of psychiatry down a peg or two.  Aside from the application of biology, medicine and psychology to people’s interior thoughts, psychology has had some serious reproducibility problems.

Perhaps that latest Self-Help indulgence, or that Psych 101 course applied to HR problem-solving is about as reliable as the abstract metaphysics of a young Man Of God?

Just look at that Parking Lot!:

Dalrymple comes at problems of psychiatry as a psychiatrist, and from the perspective of a humanist.  There’s deep suffering and deep wisdom in literature; the kind of which can cultivate humble self-reflection.  All people and all problems are not necessarily going to be solved in the DSM.

Some of [psychiatry’s] knowledge claims may be slightly inflated, hopes ready to be dashed and lives harmed, especially when they deal with people in prisons and on the edges of society, the most vulnerable and/or dangerous among us.

Any thoughts and comments are welcome.

Repost: Clive James At The Prospect On Joseph Conrad-Some Links

James revisits many quite original, quite accomplished works.

Of note to this blogger:

‘They are, in fact, idealists: and idealism is a cast of mind that Conrad questions even more than he questions radicalism. The logical end of radicalism, in his view, is terrorism; but idealism is the mental aberration that allows terrorism to be brought about. Conrad’s originality was to see that a new tyranny could be generated by people who thought that their rebellion against the old tyranny was rational. Thus his writings seem prescient about what was to happen in the Soviet Union. He didn’t predict the Nazi tyranny because he had underestimated the power of the irrational to organise itself into a state. But then, nobody predicted that except its perpetrators; and anyway, mere prediction was not his business. His business was the psychological analysis made possible by an acute historical awareness. Under Western Eyes is valuable not because it came true but because it rang true even at the time, only now we can better hear the deep, sad note.’

Clive James’ site here.

Michael Dirda on ‘Clive James Last Readings’ review: A Critic’s Final Homage To Literature, Life:’

‘In 30 brief essays James goes on to tell us — in his most digressive, conversational manner — about the books he’s discovered or returned to quite probably for the last time.’

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Not entirely unrelated:

John Gray begins a discussion of his book ‘The Silence Of Animals‘ with a quote from Conrad:

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Added bonus if you act now in the face of no possible objective knowledge.

Part of Bryan Magee’s series:

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Nietzsche directed his thought against Christian morality, secular morality (Kantian and utilitarian), was quite anti-democratic, and anti-Socratic.

Related On This Site: From The NY Times Book Review-Thomas Nagel On John Gray’s New ‘Silence Of Animals’.

A Few Thoughts On The Stanford Encyclopedia Of Philosophy Entry: Nietzsche’s Moral And Political Philosophy..

From Edward Feser: ‘Nagel And His Critics Part IV’A Few Thoughts On Isaiah Berlin’s “Two Concepts Of Liberty”

John Gray Reviews Jonathan Haidt’s New Book At The New Republic: ‘The Knowns And The Unknowns’

Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

 

Hey Kids, Come Over Here And Try Some Of This Depressive Realism-A Few Links & Thoughts

Ben Sixsmith ‘Art For The Age Of Social Media…

‘A YouGov poll on behalf of Homes & Antiques magazine has revealed that Banksy is Britain’s favourite artist.’

Dear Reader, I used to read ‘Homes & Antiques Magazine‘ religiously, hours of orange rinds scattered on my plate. ‘What does it mean?’

I used to drive half-dressed to the last parking lot on Earth, a few final photons bending through our atmosphere.

I could not outrun a racing mind, pacing among the dunes, staring out across an empty bay, salt winds curling the grasses: ‘Reese’s Peanut Butter Cups are FOURTH on the yougov most popular food and snack brands list.

Once you accept the idea that a good work of art can play deep chords, elevating you, proffering wisdom, awe, and pleasure, you generally wish to preserve it and hold it close, sharing in its illumination.  In such a light, a lot of other stuff can resemble so much kitsch strewn after a storm of technological and engineering progress..

Depending on how deeply and often you do this, you can become ‘refined.’

Sixsmith again:

‘We have been replacing a lack of cultural quality with cultural quantity. Instead than having rare moments of beauty, power and insight, we (or, at least, many of us) face a ceaseless barrage of the cute, the curious and the clichéd. Rather than seeking out artworks which flicker in our minds long after we have stopped looking at them, we browse past endless images that light our brains up like catherine wheels. Images are almost too accessible. We can see everything, and nothing matters. Like. Like. Like.’

As I currently see things, there are always questions of artistic sorts feeling constrained by convention, tradition, repetition and practice.  Money issues never really go away.  Now there’s just an arguably greater quantity of crap with which to compete for a reader’s attention.

Perhaps there’s also the condition of the isolated individual artist alone, conceiving of himself as outside all meaningful conventions, traditions and practices.  This, too, has become a convention, tradition and practice, for many artists and non-artists alike.  Selves speak to Selves.

Just stay on the surface of things, and move through:

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

Billy Collins

The confessional poets wove inner revelations into the architecture of their poems, and made themselves into active subjects.

A generation or two later, and they seem to have more prizes than poets.  From cartoons to comedians, many Selves are seeking hidden meanings behind every word.

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Repost-So, You’re Telling Me What’s Cool?-Theodore Dalrymple At The City Journal: ‘Banksy In Neverland’

Repost-Daniel Dennett: ‘Postmodernism And Truth’

-Update And Repost- From YouTube: Leo Strauss On The Meno-More On The Fact/Value Distinction?’

Repost-From Darwinian Conservatism: ‘Nietzsche–Aristocratic Radical or Aristocratic Liberal?’

-Update And Repost: ‘A Few Thoughts On Allan Bloom–The Nietzsche / Strauss Connection’

Various Products Of Radical Reason And Reactions To Them- John Gray At The New Statesman

Repost-Roger Scruton At The New Atlantis: ‘Scientism In The Arts & Humanities’

Repost-Neither Commerce Nor Contemplation, Exactly?

Perhaps aestheticizing a city isn’t necessarily good for long-term prospects, at least not at the cost of actual jobs. Maybe it’s at best a second- or third- order priority.

Perhaps aestheticization can bring good to a city if there are already enough people providing goods in the city. Curating and criticizing art can be valuable, of course, but both seem second- or third-order priorities to actually making art (citizens, be wary of leaving arts in the hands of many enbalment-oriented Arts Councils, public radio and college professors, docents, Mayor’s Offices…they [often] have other interests and incentives aside from the art).

There are some things (bullshittery) which don’t sit right with me about the below video, this packaging of chocolate with high middle-brow tastes and vague Self-oriented hipster collectivism.

It strikes me as the kind of thing people from smaller towns and suburbs might imagine an ideal city to be on a visit, which is to say, potentially imbued with a lot of high middle-brow tastes these days (creative, urban, vibrant etc).

Such is my read, anyways, which probably says quite a bit about me.

The Mast Brothers invite customers into their process. They’re giving you bits of their individual Selves to mix with your individual Self as you band together towards the future that awaits. Come to the glittering Brooklyn upon the horizon.

Few chocolate-makers take pains to mention Mark Twain & Ralph Waldo Emerson in their promo videos:

From The American Conversative: ‘The Gentrification Trade-Off In Buffalo:’

‘Hidden away in the far western corner of New York State and straddling the Canadian border, Buffalo sometimes feels like the city that time forgot. Many of its storefronts, bars, and bowling alleys look like they haven’t been updated since the 1970s.’

Vincent Gallo has Italian roots and comes from an industrial, hard-working city full of Catholic immigrants and is also interested in the Arts. He was a visual artist who went to NYC, then L.A., and turned to film as a means to self-expression and potential financial success. Did he want Celebrity? Money? Fame?

This, apparently, is one aspect of ‘culture’ that’s been created:  The pursuit Self through celebrity, money and fame, as a thing that many, many people all share as an artifact of ‘culture.’

Probably all of the above in addition to self-expression and the pursuit of beauty and saying true things by creating images.

I can say it’s rare to find a tradition-defending aesthete and iconoclastic supporter of the Republican party. Maybe it’s the Buffalo roots.

It makes for great T.V. taking on the critics in a USA track-suit while defending the vision behind ‘Buffalo 66‘, even though he seems like, potentially, quite an asshole:

American cities relying on industries such as textiles, furniture, various light and heavy manufacturing, railroads, steel, coal, oil, automobiles etc. have seen good times come and go.

Sometimes the good times came and went one generation ago, sometimes three. Buffalo is certainly among those cities.

Will the good times come again?

It’s certainly making for ‘interesting’ politics.

The arts can be one lens with which to look at these problems and places…

Repost-Ah, Look At All The Lonely People-‘Jeff Koons Is Back’ Via Vanity Fair

-Banksy’s website here. Newsweek’s piece: ‘See You Banksy, Hello Invader.

I’d argue that it’s possible, especially with the constant cries of modernism to ‘make it new,‘ I think this is one way we’ve arrived at pop art, and the desire to blend conceptual art and popular music together. This is in evidence from The Talking Heads to Lady Gaga to Jay Z promoting his new album alongside Marina Abramovic at MOMA.

Another lens to understand the world as a citizen is the social sciences, and this blog favors the contrarians amongst what is increasingly monolithic and received opinion:

Here’s a fine example of how to exchange ideas. Two people gather in a forum to present and dispute the data used, the methodologies applied, the empirical evidence offered, and the conclusions and conjectures both might draw from their own thinking. There’s some light moderation and Q & A from the audience:

Maybe vocation, purpose and meaning have A LOT to do with our current issues. How to live and what to do?